South Korea Box Office for As Good as it Gets (1997)
| Theatrical Performance (US$) | ||
| South Korea Box Office | $22,078 | Details |
| Worldwide Box Office | $314,111,923 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $50,000,000 |
| South Korea Releases: | March 14th, 1998 (Wide) |
| Video Release: | May 19th, 1998 by Sony Pictures Home Entertainment |
| MPAA Rating: | PG-13 on appeal for strong language, thematic elements, nudity and a beating (previously rated R) |
| Running Time: | 138 minutes |
| Keywords: | LGBTQ+, Writing and Writers, Romance, Superstition, Romantic Comedy, 1998 Oscars Best Picture Nominee |
| Source: | Original Screenplay |
| Genre: | Romantic Comedy |
| Production Method: | Live Action |
| Creative Type: | Contemporary Fiction |
| Production/Financing Companies: | Gracie Films |
| Production Countries: | United States |
| Languages: | English |
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2021/07/02 | 18 | $9,137 | 69 | $132 | $16,230 | 1,217 | |
| 2021/07/09 | 19 | $2,688 | -71% | 10 | $269 | $22,078 | 1,218 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 12/24/1997 | $12,606,928 | 1,572 | 1,837 | 33,569 | $148,478,011 | |
| South Korea | 3/14/1998 | $0 | 0 | 69 | 79 | $22,078 | 7/15/2021 |
| Rest of World | $165,611,834 | ||||||
| Worldwide Total | $314,111,923 | 7/15/2021 | |||||
Leading Cast
| Jack Nicholson | Melvin Udall |
Supporting Cast
| Helen Hunt | Carol Connelly |
| Greg Kinnear | Simon Bishop |
| Skeet Ulrich | Vincent |
| Cuba Gooding, Jr. | Frank Sachs |
| Yeardley Smith | Jackie |
| Shirley Knight | Beverly |
| Harold Ramis | Dr. Bettes |
| Leslie Stefanson | Café 24 Waitress |
| Maya Rudolph | Policewoman |
| Jamie Kennedy | Street Hustler |
| Brian Doyle-Murray | Handyman |
| Lisa Edelstein | Woman at Table |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| James L. Brooks | Director |
| Mark Andrus | Screenwriter |
| James L. Brooks | Screenwriter |
| Mark Andrus | Story Creator |
| James L. Brooks | Producer |
| Bridget Johnson | Producer |
| Kristi Zea | Producer |
| Richard Sakai | Executive Producer |
| Laurence Mark | Executive Producer |
| Laura Ziskin | Executive Producer |
| John D. Schofield | Co-Producer |
| Richard Marks | Co-Producer |
| Bill Brzeski | Production Designer |
| John Bailey | Director of Photography |
| Richard Marks | Editor |
| Hans Zimmer | Composer |
| Aldric Porter | Associate Producer |
| Maria Kavanaugh | Associate Producer |
| Aldric Porter | Assistant Director |
| Owen Wilson | Associate Producer |
| John Adam Jacobson | Unit Production Manager |
| Philip Toolin | Art Director |
| Clay A. Griffith | Set Decorator |
| Molly Maginnis | Costume Designer |
| Jeff Wexler | Sound Mixer |
| Chris Jenkins | Re-recording Mixer |
| Ron Bartlett | Re-recording Mixer |
| Mark Smith | Re-recording Mixer |
| Dennis Drummond | Supervising Sound Editor |
| David Giammarco | Supervising Sound Editor |
| Michele Burke | Makeup |
| Linda Arnold | Hairstylist |
| Jeffrey Pollack | Music Supervisor |
| Francine Maisler | Casting Director |
| Ken Fritz | Stunt Coordinator |
| Walter Scottm | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.