Mark Smith
Best known as a Re-recording Mixer based on credits in that role in 16 films, with $2,291,453,738 worldwide aggregate box office (rank #74) |
Best-known technical roles: As Good as it Gets (Re-recording Mixer), The Firm (Re-recording Mixer), Robin Hood: Prince of Thieves (Re-recording Mixer), A Time to Kill (Re-recording Mixer), Gothika (Re-recording Mixer) |
Best-known acting roles: Undercover Cop (Ransom), Dracula (About Adam) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 1 | $136,492,681 | $172,207,319 | $308,700,000 |
(Unclassified) | 1 | $151,559 | $0 | $151,559 | |
In Technical Roles | Re-recording Mixer | 16 | $1,097,735,803 | $1,193,717,935 | $2,291,453,738 |
Executive Producer | 3 | $0 | $239,373 | $239,373 | |
Producer | 2 | $62,080 | $145,798 | $207,878 | |
Additional Sound Re-recording Mixer | 1 | $69,772,969 | $77,307,444 | $147,080,413 | |
Cinematographer | 1 | $17,780,194 | $371,552 | $18,151,746 |
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
May 11, 2001 | About Adam | Dracula | $151,559 | $151,559 | |
Nov 8, 1996 | Ransom | Undercover Cop | $136,492,681 | $172,207,319 | $308,700,000 |
Averages | $68,322,120 | $172,207,319 | $154,425,780 | ||
Totals | 2 | $136,644,240 | $172,207,319 | $308,851,559 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Nov 8, 1996 | Ransom | $34,216,088 | 2,768 | $136,492,681 | $308,700,000 | 44.2% |
Averages | $34,216,088 | 2,768 | $136,492,681 | $308,700,000 | 44.2% | |
Totals | 1 | $136,492,681 | $308,700,000 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Mar 12, 2021 | Come True | Producer | $62,080 | $145,798 | $207,878 |
Oct 2, 2015 | A Christmas Horror Story | Producer | |||
Jun 9, 2015 | Debug | Executive Producer | |||
Nov 14, 2014 | Wolves | Executive Producer | $94,953 | $94,953 | |
Apr 18, 2014 | Bears | Director of Photography | $17,780,194 | $371,552 | $18,151,746 |
Oct 18, 2013 | Haunter | Executive Producer | $144,420 | $144,420 | |
Nov 21, 2003 | Gothika | Re-recording Mixer | $59,588,068 | $81,896,744 | $141,484,812 |
Jun 8, 2001 | Swordfish | Additional Sound Re-recording Mixer | $69,772,969 | $77,307,444 | $147,080,413 |
Feb 23, 2000 | Wonder Boys | Re-recording Mixer | $19,389,454 | $14,033,031 | $33,422,485 |
Nov 13, 1998 | Meet Joe Black | Re-recording Mixer | $44,650,003 | $44,650,003 | |
Apr 3, 1998 | Lost In Space | Re-recording Mixer | $69,117,629 | $66,929,688 | $136,047,317 |
Dec 24, 1997 | As Good as it Gets | Re-recording Mixer | $148,478,011 | $165,633,912 | $314,111,923 |
Nov 14, 1997 | The Jackal | Re-recording Mixer | $54,956,941 | $104,400,000 | $159,356,941 |
May 9, 1997 | The Fifth Element | Re-recording Mixer | $63,570,862 | $200,321,958 | $263,892,820 |
Jul 24, 1996 | A Time to Kill | Re-recording Mixer | $108,766,007 | $43,500,000 | $152,266,007 |
Dec 15, 1995 | Heat | Re-recording Mixer | $67,436,818 | $119,996,510 | $187,433,328 |
Apr 7, 1995 | Rob Roy | Re-recording Mixer | $31,390,587 | $31,390,587 | |
Jun 3, 1994 | Renaissance Man | Re-recording Mixer | $24,172,899 | $24,172,899 | |
Jun 30, 1993 | The Firm | Re-recording Mixer | $158,340,892 | $112,000,000 | $270,340,892 |
May 28, 1993 | Made In America | Re-recording Mixer | $44,942,695 | $60,000,000 | $104,942,695 |
Mar 5, 1993 | Amos & Andrew | Re-recording Mixer | $9,461,630 | $9,461,630 | |
Feb 5, 1993 | Loaded Weapon 1 | Re-recording Mixer | $27,979,399 | $27,979,399 | |
Jun 14, 1991 | Robin Hood: Prince of Thieves | Re-recording Mixer | $165,493,908 | $225,006,092 | $390,500,000 |
Averages | $62,386,897 | $79,486,381 | $117,006,340 | ||
Totals | 23 | $1,185,351,046 | $1,271,782,102 | $2,457,133,148 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Mar 12, 2021 | Come True | $31,090 | 96 | $62,080 | $207,878 | 29.9% |
Oct 2, 2015 | A Christmas Horror Story | |||||
Averages | $31,090 | 96 | $62,080 | $207,878 | 29.9% | |
Totals | 2 | $62,080 | $207,878 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Cinematographer at the Domestic Box Office (Rank 601-700) | 671 | $17,780,194 |
Top Grossing Producer at the Domestic Box Office (Rank 7,901-8,000) | 7,967 | $62,080 |
Top Grossing Re-recording Mixer at the Domestic Box Office | 72 | $1,097,735,803 |
Top Grossing Cinematographer at the International Box Office (Rank 1,501-1,600) | 1,505 | $371,552 |
Top Grossing Executive Producer at the International Box Office (Rank 7,301-7,400) | 7,323 | $239,373 |
Top Grossing Producer at the International Box Office (Rank 7,201-7,300) | 7,279 | $145,798 |
Top Grossing Re-recording Mixer at the International Box Office | 72 | $1,193,717,935 |
Top Grossing Cinematographer at the Worldwide Box Office (Rank 801-900) | 885 | $18,151,746 |
Top Grossing Executive Producer at the Worldwide Box Office (Rank 8,701-8,800) | 8,760 | $239,373 |
Top Grossing Producer at the Worldwide Box Office (Rank 8,801-8,900) | 8,802 | $207,878 |
Top Grossing Re-recording Mixer at the Worldwide Box Office | 74 | $2,291,453,738 |