Richard Marks
Best known as an Editor based on credits in that role in 9 films, with $1,099,797,721 worldwide aggregate box office (rank #192) |
Best-known technical roles: Julie & Julia (Editor), As Good as it Gets (Co-Producer), As Good as it Gets (Editor), You’ve Got Mail (Editor), Dick Tracy (Editor) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Editor | 9 | $683,267,614 | $416,530,107 | $1,099,797,721 |
Co-Producer | 3 | $220,734,952 | $197,349,469 | $418,084,421 | |
Second Unit Director | 1 | $103,738,726 | $59,000,000 | $162,738,726 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Co-Producer at the Domestic Box Office (Rank 101-200) | 166 | $220,734,952 |
Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 134 | $683,267,614 |
Top Grossing Second Unit Director at the Domestic Box Office (Rank 101-200) | 200 | $103,738,726 |
Top Grossing Co-Producer at the International Box Office (Rank 201-300) | 300 | $197,349,469 |
Top Grossing Editor at the International Box Office (Rank 201-300) | 255 | $416,530,107 |
Top Grossing Second Unit Director at the International Box Office (Rank 201-300) | 282 | $59,000,000 |
Top Grossing Co-Producer at the Worldwide Box Office (Rank 201-300) | 224 | $418,084,421 |
Top Grossing Editor at the Worldwide Box Office (Rank 101-200) | 192 | $1,099,797,721 |
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 201-300) | 253 | $162,738,726 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 17, 2010 | How Do You Know? | Co-Producer | $30,212,620 | $19,415,557 | $49,628,177 |
Aug 7, 2009 | Julie & Julia | Editor | $94,125,426 | $37,390,752 | $131,516,178 |
Dec 17, 2004 | Spanglish | Editor Co-Producer |
$42,044,321 | $12,300,000 | $54,344,321 |
Nov 26, 2003 | Timeline | Editor | $19,480,739 | $7,222,445 | $26,703,184 |
Oct 19, 2001 | Riding in Cars with Boys | Editor | $29,781,453 | $29,781,453 | |
Dec 18, 1998 | You’ve Got Mail | Editor | $115,821,495 | $134,978,505 | $250,800,000 |
Dec 24, 1997 | As Good as it Gets | Co-Producer Editor |
$148,478,011 | $165,633,912 | $314,111,923 |
Dec 20, 1991 | Father of the Bride | Editor | $89,325,780 | $89,325,780 | |
Jun 15, 1990 | Dick Tracy | Editor Second Unit Director |
$103,738,726 | $59,000,000 | $162,738,726 |
Feb 28, 1986 | Pretty in Pink | Editor | $40,471,663 | $4,493 | $40,476,156 |
Averages | $71,348,023 | $54,493,208 | $114,942,590 | ||
Totals | 10 | $713,480,234 | $435,945,664 | $1,149,425,898 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Co-Producer at the Domestic Box Office (Rank 101-200) | 166 | $220,734,952 |
Top Grossing Editor at the Domestic Box Office (Rank 101-200) | 134 | $683,267,614 |
Top Grossing Second Unit Director at the Domestic Box Office (Rank 101-200) | 200 | $103,738,726 |
Top Grossing Co-Producer at the International Box Office (Rank 201-300) | 300 | $197,349,469 |
Top Grossing Editor at the International Box Office (Rank 201-300) | 255 | $416,530,107 |
Top Grossing Second Unit Director at the International Box Office (Rank 201-300) | 282 | $59,000,000 |
Top Grossing Co-Producer at the Worldwide Box Office (Rank 201-300) | 224 | $418,084,421 |
Top Grossing Editor at the Worldwide Box Office (Rank 101-200) | 192 | $1,099,797,721 |
Top Grossing Second Unit Director at the Worldwide Box Office (Rank 201-300) | 253 | $162,738,726 |