South Korea Box Office for Annabelle (2014)
Theatrical Performance (US$) | ||
South Korea Box Office | $6,206,054 | Details |
Worldwide Box Office | $256,857,527 | Details |
Home Market Performance | ||
North America DVD Sales | $6,560,978 | Details |
North America Blu-ray Sales | $4,406,186 | Details |
Total North America Video Sales | $10,967,164 | |
Further financial details... |
Synopsis
John Gordon has found the perfect gift for both his pregnant wife Mia and their unborn child—Annabelle, a beautiful and rare vintage doll in a pure white wedding dress. Unfortunately, the family's delight with the doll is short-lived. On one horrific night, their home is invaded by members of a satanic cult, who violently attack John and Mia. Spilled blood and terror are not all they leave behind. The cultists have conjured an entity, which is so malevolent that nothing they did will compare to the sinister conduit to the damned that is now Annabelle.
Metrics
Movie Details
Production Budget: | $6,500,000 |
South Korea Releases: | August 13th, 2017 (Wide) |
Video Release: | January 20th, 2015 by Warner Home Video |
MPAA Rating: | R for intense sequences of disturbing violence and terror. (Rating bulletin 2339, 9/10/2014) |
Running Time: | 98 minutes |
Franchise: | The Conjuring, Annabelle |
Keywords: | Cults, Demons, New Parents, Troubled Pregnancy or Miscarriage, Prequel, Living Toys, Supernatural, Suicide, Collectors and Collectables, Fugitive / On the Run, Possessed, 1960s, Supernatural Horror |
Source: | Spin-Off |
Genre: | Horror |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Atomic Monster, The Safran Company, RatPac Entertainment, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
International Box Office: Dunkirk Invades China with $30.27 million
September 7th, 2017
Dunkirk returned to the international top five for the first time in nearly a month with $36.5 million in 60 markets for totals of $280.0 million international and $459.0 million worldwide. Nearly all of this came from its first place opening in China, where it pulled in $29.80 million over the weekend for a four-day opening of $30.27 million. The film also opened in Italy, but had to settle for second place with $3.6 million on 606 screens. Dunkirk wraps up its international run in Japan this weekend and will finish with north of $500 million worldwide. Unless it cost an obscene amount to advertise, this will be enough to ensure profitability by its initial push into the home market.
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Home Market Numbers: Blu-ray and DVD Headed in Different Directions
February 9th, 2015
New releases helped the overall Blu-ray sales grow this past weekend. Lucy, The Boxtrolls, and Annabelle were the big trio and they helped the overall Blu-ray numbers grow to 1.11 million units / $23.82 million. This was week-to-week growth of 40% in terms units and 41% in terms of revenue, which is excellent for one weeks growth. Compared to last year, Blu-ray sold 41% more units and generated 35% more revenue. This helped the overall Blu-ray share grow to 44%.
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DVD Sales: New Releases all but Gone
February 9th, 2015
New releases scored four of the top five spots on the DVD sales chart this week. This includes Lucy, which opened with 367,000 units / $5.39 million.
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Blu-ray Sales: Lucy has Diamond Debut on Blu
February 9th, 2015
New releases dominated the Blu-ray Sales Chart earning the top three spots. This includes Lucy, which opened in first place with 425,000 units / $8.71 million for an opening week Blu-ray share of 54%. Action films tend to do really well on Blu-ray, so this result isn't too much of a surprise.
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DVD and Blu-ray Releases for January 20th, 2015
January 21st, 2015
It is another very shallow week on the home market with only a few releases that are really worth considering. The biggest release is Lucy, which is absolutely worth picking up the Blu-ray Combo Pack, assuming you are willing to ignore the bad science. Likewise, The Boxtrolls the second biggest hit and the 3D Blu-ray Combo Pack is worth picking up, if you like stop-motion animation. As for Pick of the Week Contenders, there are a trio of such films: Coherence on DVD, The Drop on DVD or Blu-ray, and The Mule on DVD or Blu-ray. In the end it was a coin toss and Coherence won.
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International Box Office: Interstellar Reaches for the Stars
November 13th, 2014
As expected, Interstellar opened in first place on the international chart earning $82.90 million on 14,800 screens in 62 markets during its opening weekend. As you may or may not know, we introduced a new comprehensive look at the international numbers, so there's little more than needs to be said here. I will point out that the film's opening in South Korea was particularly strong at $12.46 million on 1,310 screens over the weekend, for a total opening of $14.21 million. The film also opened in first place in the U.K., with $8.53 million on 1,298 screens, which is about on par with its domestic opening, given the relative size of the two markets. Russia was close behind with $8.00 million on 1,800 screens. The film opened in China this week and those numbers should help the film remain in first place next weekend.
International Box Office: Turtles Take Over China
November 6th, 2014
Teenage Mutant Ninja Turtles roared into first place with $34.9 million in 31 markets over the weekend for a running tally of $244.2 million internationally and $434.7 million worldwide. This includes a first place, $26.52 million opening in China. This is the film's last major market opening until it debuts in Japan in February. The film is aiming for $500 million worldwide by that time, but it is hard to tell how long a film's legs in China will be.
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International Box Office: Annabelle Takes Possession of Top Spot
October 29th, 2014
Annabelle rose from fifth to first place on the international market with $26.5 million in 62 markets for an international total of $126.7 million after a month of release. Obviously there will be another installment in this franchise. This past weekend, the film dominated Latin America earning first place in Mexico with $7.61 million on 2,742 screens over the weekend for a total opening of $10.87 million. This was double the original film's opening in that market. The film also earned top spot in Argentina ($1.4 million on 202 screens) and in Peru ($1.3 million). The film was pushed into second place in Brazil, but still managed $2.13 million on 388 screens over the weekend for a three-week total of $11.35 million.
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International Box Office: Guardians Have Double-Milestone Weekend
October 22nd, 2014
Not only did Guardians of the Galaxy return to top spot on the international chart this past weekend, it reached two major milestones along the way. Over the weekend, it pulled in $23.1 million in 22 markets for totals of $404.8 million internationally and $732.6 million worldwide. The film earned $37.97 million in China, but that was for the full week, giving it $69.04 million after ten days of release. The film has yet to open in Italy and it might have a shot at $800 million worldwide by the time it ends its run there.
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Weekend Wrap-Up: Fury et al are a Little Calmer than Expected
October 21st, 2014
The weekend box office was a little softer than expected, with Fury earning first place, but with much less than some were expecting. I was a little more conservative and I was still off by close to $10 million. The rest of the top five, on the whole, were also not quite as strong as expected, so the overall box office fell 11% from last weekend. However, it was 26% higher than the same weekend last year, which is the much more important figure. 2014 is still behind 2013 by more than $300 million, or 3.6%, at $8.05 billion to $8.36 billion, but if we can close the gap a little bit each week, we can at least make it a respectable race in the end.
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International Box Office: Guardians Hit Gold in China, but Dracula Tops Chart
October 16th, 2014
Dracula Untold rose to first place with $33.9 million in 42 markets for a two-week total of $62.6 million. This week's biggest new market was Russia, where it pulled in first place with $9.81 million on 1,068 screens. It opened in second place in South Korea with $2.65 million on 477 screens over the weekend for a total opening of $4.29 million. Mexico led the holdovers with $2.78 million on 1,624 screens over the weekend for a two-week total of $9.30 million in that market.
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Weekend Wrap-Up: Untold Nearly Undoes the Competition, But Gone Remains
October 14th, 2014
There were four new releases in the top ten, plus another that just missed that mark. Despite the competition, Gone Girl remained in first place and it earned a little more than expected. The biggest surprise was Dracula Untold, which earned first place on Friday and nearly took first place over the weekend. Alexander and the Terrible, Horrible, No Good, Very Bad Day grabbed third place, while there were other reasons to celebrate lower on the chart as well. Overall, the box office was on par with last weekend at $147 million. It was technically higher, but by 0.2%. Compared to last year, the box office was 26% higher, which was much better than anticipated. 2014 is still well behind 2013 by more than $300 million at $7.87 billion to $8.18 million, but every little bit helps. At this point, we are more concerned about limiting the losses than we are worried about completing the comeback.
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Friday Estimates: Dracula Wins Friday, Gone Girl Will Win Weekend
October 11th, 2014
Dracula Untold enjoyed a better-than-expected opening day, and will top the chart for Friday. Saturday morning reports have it doing $8.9 million, well ahead of Gone Girl, which will land on $8.15 million. Dracula looks set for a weekend between $20 million and $25 million, which won’t be enough for an overall win. Gone Girl should end up between $25 million and $27 million for the weekend, down just 30% from its opening frame, and will be close to $80 million by Monday morning.
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Weekend Predictions: Are the New Releases Terrible, Horrible, No Good, and Very Bad?
October 9th, 2014
This weekend there are four new wide releases; however, none of them are expected to be big hits. In fact, Gone Girl is widely expected to repeat in first place, while Annabelle might have a shot at second place. Three of the new releases will likely finish in the midteens with Alexander and the Terrible, Horrible, No Good, Very Bad Day currently on track to become the best of the bad bunch of new films. The Judge has taken a huge tumble as far as analysts are concerned. Dracula Untold is in the mix and might earn second place, but it might also earn fifth. Regardless, it won't do well enough for a film that cost $100 million to make. Then there's Addicted, a movie whose buzz is so quiet I forgot it was opening this week. This weekend last year, Gravity again led the way with $43.19 million, while Captain Phillips opened in second place with $25.72 million. There's no chance any film will match Gravity. In fact, the top film this week will very likely be behind Captain Phillips. On the other hand, last year only one other film earned more than $4 million, so the depth was terrible. I think the depth this week should be enough to eke out a win.
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International Box Office: Breakup Breaks the Competition
October 9th, 2014
Breakup Buddies led the way in China and overall with a weekend total of $38.0 million over the weekend for a six-day total of $94.13 million. That's fantastic start for a local film in this market.
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Per Theater Chart: Wide Releases are Keepin' On
October 7th, 2014
Keep On Keepin' On had the best weekend of its run earning an average of $13,291 in two theaters. Gone Girl earned an average of $12,446 in just over 3,000 theaters. Annabelle was very close behind with an average of $11,659 in close to 3,200 theaters.
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Weekend Wrap-Up: Gone Girl Arrives and Annabelle Scares the Competition
October 7th, 2014
As expected, Gone Girl won the race for top spot on the box office chart this weekend. However, while it earned more than expected, Annabelle still managed to make it a really close race. These two films, as well as the rest of the top five, all beat predictions and this lead to the overall box office growing 38% to $147 million. More impressively, this was 16% better than the same weekend last year. I was not expected 2014 to come out ahead on the year-over-year comparison, which makes this win so much more spectacular. Year-to-date, 2014 is still behind 2013 by a substantial margin of $370 million or 4.6% at $8.05 billion to $7.68 billion.
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Weekend Predictions: Are the Box Office Chances Going, Going, Gone?
October 2nd, 2014
The first weekend in October promises to be better than the average weekend in September was, but then again, it would practically have to. Gone Girl is aiming for first place and most analysts think it will get there. On the other, Annabelle has an outside shot at top spot over the weekend. That seems unlikely, but thanks to its genre, it has a better shot at earning first place on Friday's daily chart. The final wide release of the week is Left Behind, which as it turns out isn't opening truly wide. The buzz is so bad that some expect the film to open below the Mendoza Line. This weekend last year, Gravity opened in first place with $55.79 million. No film is going to open with that much money. In fact, all three wide releases combined might not make that much. 2014 is going to lose in the year-over-year comparison, but frankly we should all be used to that by now.
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Contest: Get These Prizes Before They are Gone
September 25th, 2014
October finally begins next week and Gone Girl should have no trouble leading the way at the box office. (Annabelle should be a midlevel hit, while Left Behind will be left behind at the box office.) Since Gone Girl could open with more than the other two films combined, it is the clear choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Gone Girl.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Decoding Annie Parker on DVD.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Decoding Annie Parker on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/08/11 | - | $298 | 1 | $298 | $6,206,054 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/3/2014 | $1,655,583 | 166 | 170 | 885 | $5,145,312 | 8/2/2021 |
New Zealand | 10/16/2014 | $0 | 0 | 4 | 4 | $531,340 | 10/19/2022 |
North America | 10/3/2014 | $37,134,255 | 3,185 | 3,215 | 15,066 | $84,273,813 | 6/4/2016 |
Slovakia | 10/2/2014 | $0 | 0 | 1 | 1 | $243,900 | 7/25/2023 |
South Korea | 8/13/2017 | $298 | 1 | 1 | 1 | $6,206,054 | 8/18/2017 |
Rest of World | $160,457,108 | ||||||
Worldwide Total | $256,857,527 | 7/25/2023 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Annabelle Wallis | Mia |
Supporting Cast
Ward Horton | John |
Alfre Woodard | Evelyn |
Tony Amendola | Father Perez |
Kerry O'Malley | Sharon Higgins |
Brian Howe | Pete Higgins |
Eric Ladin | Detective Clarkin |
Ivar Brogger | Dr. Burgher |
Geoff Wehner | Neighbor |
Gabriel Bateman | Little Boy |
Shiloh Nelson | Little Girl |
Sasha Sheldon | Nurse |
Camden Singer | Clerk |
Robin Pearson Rose | Mother |
Keira Daniels | Young Annabelle Higgins |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
John R. Leonetti | Director |
Peter Safran | Producer |
James Wan | Producer |
Gary Dauberman | Screenwriter |
Richard Brener | Executive Producer |
Walter Hamada | Executive Producer |
Dave Neustadter | Executive Producer |
Hans Ritter | Executive Producer |
James Kniest | Director of Photography |
Bob Ziembicki | Production Designer |
Tom Elkins | Editor |
Joseph Bishara | Composer |
Steven Mnuchin | Executive Producer |
Janet Ingram | Costume Designer |
Lauren Bass | Casting Director |
Jordan Bass | Casting Director |
Jenny Hinkey | Unit Production Manager |
Milos Milicevic | First Assistant Director |
Ivan Kraljevic | Second Assistant Director |
Jenny Hinkey | Co-Producer |
Carey Hayes | Co-Producer |
Chad Hayes | Co-Producer |
Gregory Nicotero | Special Make up Effects-Demon Design and Special Make-Up Effects |
Doug Cumming | Art Director |
Kris Fuller | Set Decorator |
J.M. Logan | Post-Production Supervisor |
Nikko Tsiotsias | Assistant Editor |
Joe Zuban | Sound Designer |
Joe Zuban | Re-recording Mixer |
Jim Bolt | Re-recording Mixer |
William R. Dean | Sound Effects Editor |
Justin Dzuban | Dialogue Editor |
Pernell L. Salinas | Sound Editor-Assistant Sound Editor |
Ron Mellegers | Foley Mixer |
Ryan Lukasik | Foley Mixer |
Kevin Schultz | Foley Mixer |
Julie Pearce | Music Editor |
Skye Lewin | Music Editor |
Chris Spilfogel | Score Recordist |
Chris Spilfogel | Score Mixer |
Sherie Giehtbrock | Script Supervisor |
Michele Dunn | Costume Supervisor |
Hedvig Kacser | Make up |
Richard De Alba | Hairstylist |
Bryn Leetch | Hairstylist |
Ron Trost | Special Effects Coordinator |
Jay Bartus | Special Effects |
Gregory Smith | Additional Photography-Still Photographer |
Vanessa Portillo Walsh | Additional Casting-Extras Casting |
Art Codron | Visual Effects Supervisor |
Tiffany A. Smith | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.