Netherlands Box Office for 47 Meters Down: Uncaged (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $312,879 | Details |
Worldwide Box Office | $47,582,563 | Details |
Home Market Performance | ||
North America DVD Sales | $323,648 | Details |
North America Blu-ray Sales | $1,038,579 | Details |
Total North America Video Sales | $1,362,227 | |
Further financial details... |
Synopsis
A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean.
Metrics
Movie Details
Production Budget: | $12,000,000 |
Netherlands Releases: | September 27th, 2019 (Wide) |
Video Release: | October 29th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for creature related violence and terror, some bloody images and brief rude gestures. (Rating bulletin 2587 (Cert #52279), 7/17/2019) |
Running Time: | 89 minutes |
Franchise: | 47 Meters Down |
Keywords: | Survival Thriller, Set in Brazil, Tourists In Trouble, Underwater, Animals Gone Bad, Step-Family, Dysfunctional Family, Young Child Dealing with the Death of a Parent |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | The Fyzz Facility, Entertainment Studios Motion Pictures |
Production Countries: | United Kingdom, United States |
Languages: | English |
Home Market Releases for November 12th, 2019
November 14th, 2019
There are not many new releases on this week’s list, but there are several that are contenders for Pick of the Week. The two leading contenders are The Farewell and Star Trek: Discovery: Season Two. The former is the better show, but it is close, meanwhile, the latter has much better extras, giving it the slight advantage overall. On a side note, Yesterday Was a Lie was also in the competition for Pick of the Week. It didn’t quite win, but its Blu-ray deserves to be seen by a lot more people.
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Home Market Releases for October 29th, 2019
October 30th, 2019
It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks.
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Weekend Wrap-Up: Angel has a Divine Debut
August 27th, 2019
Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year.
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Weekend Wrap-Up: Good Does Well, Box Office is Still Weak
August 20th, 2019
It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash.
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Weekend Estimates: Universally Good Weekend at the Box Office
August 18th, 2019
Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K.
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Friday Estimates: Good Does Great
August 17th, 2019
Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office.
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Thursday Night Previews: Good Doing Better
August 16th, 2019
We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now.
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Weekend Predictions: Will the Box Office get Angry?
August 15th, 2019
Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend.
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47 Meters Down: Uncaged Trailer 2
August 6th, 2019
Creature feature opens August 16 ... Full Movie Details.
A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean.
More...
2019 Preview: August
August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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47 Meters Down: Uncaged Trailer
May 30th, 2019
Creature feature opens August 16 ... Full Movie Details.
A group of five girls from different backgrounds and countries are united by their lust for life and adventure in the coastal metropolis of Recife. Looking to get off the well-worn tourist trail, they hear about a hidden underwater ruin from a local guide and seize the opportunity to discover their own Atlantis beneath the turquoise waves. Unbeknownst to them, the caves where the forgotten city lies are not completely uninhabited, and as they swim deeper into the submerged labyrinth of caves they enter the territory of the deadliest shark species in the ocean.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/09/27 | 12 | $108,455 | 45 | $2,410 | $129,555 | 1 | |
2019/10/04 | 15 | $68,152 | -37% | 44 | $1,549 | $236,246 | 2 |
2019/10/11 | 25 | $28,058 | -59% | 31 | $905 | $287,471 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/4/2019 | $38,620 | 85 | 85 | 124 | $56,510 | 11/10/2019 |
Australia | 11/1/2019 | $205,616 | 159 | 159 | 576 | $430,370 | 12/1/2019 |
Brazil | 11/22/2019 | $215,933 | 308 | 308 | 647 | $496,752 | 12/25/2019 |
China | 1/10/2020 | $3,640,000 | 64761 | 64761 | 94790 | $6,860,000 | 8/27/2020 |
Germany | 10/11/2019 | $182,377 | 162 | 162 | 358 | $495,977 | 11/24/2019 |
Hong Kong | 10/11/2019 | $0 | 0 | 21 | 29 | $383,022 | 11/10/2019 |
Japan | 7/23/2020 | $122,355 | 0 | 0 | 0 | $475,070 | 8/7/2020 |
Lithuania | 8/16/2019 | $5,904 | 6 | 6 | 12 | $17,435 | 9/4/2019 |
Mexico | 10/18/2019 | $313,463 | 0 | 19 | 20 | $610,207 | 11/24/2019 |
Netherlands | 9/27/2019 | $108,455 | 45 | 45 | 154 | $312,879 | 10/19/2022 |
New Zealand | 10/17/2019 | $713 | 4 | 4 | 5 | $710 | 10/19/2022 |
North America | 8/16/2019 | $8,427,265 | 2,853 | 2,883 | 10,314 | $22,260,900 | 3/8/2022 |
Portugal | 8/30/2019 | $48,397 | 42 | 44 | 150 | $152,560 | 10/19/2022 |
Russia (CIS) | 8/15/2019 | $458,726 | 748 | 748 | 1560 | $892,339 | 10/19/2022 |
South Korea | 8/28/2019 | $1,416,307 | 644 | 644 | 1291 | $3,153,950 | 11/10/2019 |
Spain | 8/16/2019 | $322,785 | 244 | 244 | 672 | $1,160,550 | 10/11/2019 |
Taiwan | 11/1/2019 | $110,676 | 50 | 50 | 50 | $191,072 | 12/1/2019 |
Turkey | 8/7/2020 | $5,178 | 117 | 117 | 360 | $38,937 | 10/19/2022 |
Rest of World | $9,593,323 | ||||||
Worldwide Total | $47,582,563 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Sophie Nelisse | Mia |
Supporting Cast
Corinne Foxx | Sasha |
Brianne Tju | Alexa |
Sistine Stallone | Nicole |
Davi Santos | Ben |
Khylin Rhambo | Carl |
Brec Bassinger | Catherine |
John Corbett | Grant |
Nia Long | Jennifer |
Leslie Pepen | Catherine’s Girlfriend |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Johannes Roberts | Director |
Johannes Roberts | Screenwriter |
Ernest Riera | Screenwriter |
James Harris | Producer |
Mark Lane | Producer |
Robert Jones | Producer |
Byron Allen | Executive Producer |
Carolyn Folks | Executive Producer |
Jennifer Lucas | Executive Producer |
Terence Hill | Executive Producer |
Jessica Freeborn | Executive Producer |
Chris Charalambous | Executive Producer |
Mark Devitre | Executive Producer |
Eric Gould | Executive Producer |
Joan Robbins | Executive Producer |
Will Clarke | Executive Producer |
Andy Mayson | Executive Producer |
Mike Runagall | Executive Producer |
Johannes Roberts | Executive Producer |
Andrew Boucher | Executive Producer |
Marian Briozzo | Post-Production Supervisor |
Mark Silk | Director of Photography |
David Bryan | Production Designer |
Claire Finlay Thompson | Costume Designer |
Martin Brinkler | Editor |
Tomandandy* | Composer |
Tomandandy* | Composer |
Laura Katz | Music Supervisor |
Kate Glover | Co-Producer |
Colin Jones | Casting Director |