Blinded by the Light (2019)

Blinded by the Light
Theatrical Performance
Domestic Box Office $11,901,145Details
International Box Office $7,628,769Details
Worldwide Box Office $19,529,914
Home Market Performance
Est. Domestic DVD Sales $599,761 Details
Est. Domestic Blu-ray Sales $551,394 Details
Total Est. Domestic Video Sales $1,151,155
Further financial details...

Synopsis

Javed is a British teen of Pakistani descent growing up in the town of Luton, England, in 1987. Amidst the racial and economic turmoil of the times, he writes poetry as a means to escape the intolerance of his hometown and the inflexibility of his traditional father. But when a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels to his working-class life in the powerful lyrics. As Javed discovers a cathartic outlet for his own pent-up dreams, he also begins to find the courage to express himself in his own unique voice.

Metrics

Opening Weekend:$4,333,305 (36.4% of total gross)
Legs:2.75 (domestic box office/biggest weekend)
Domestic Share:60.9% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,307 opening theaters/2,307 max. theaters, 3.2 weeks average run per theater
Infl. Adj. Dom. BO $14,005,937

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: August 16th, 2019 (Wide) by Warner Bros.
International Releases: August 9th, 2019 (Wide), released as Blinded By The Light (United Kingdom)
August 22nd, 2019 (Wide) (New Zealand)
August 23rd, 2019 (Wide) (Netherlands)
August 29th, 2019 (Wide), released as Blinded by the Light - Travolto dalla musica (Italy)
August 30th, 2019 (Wide) (Argentina)
... Show all releases
Video Release: October 22nd, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic material and language including some ethnic slurs.
(Rating bulletin 2579 (Cert #52178), 5/22/2019)
Running Time: 114 minutes
Comparisons: vs. Breakthrough
Create your own comparison chart…
Keywords: 1980s, Sundance Film Festival 2019, Set in England, Immigration, Dysfunctional Family, Bigotry, Poet, Indians, Comedy Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: New Line Cinema, Levantine Films, Ingenious Media, Bend It Films, Rakija Films
Production Countries: United Kingdom
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 10 $4,333,305   2,307 $1,878   $4,333,305 1
Aug 23, 2019 14 $1,982,086 -54% 2,307 $859   $8,103,492 2
Aug 30, 2019 18 $1,215,303 -39% 1,673 $726   $10,202,476 3
Sep 6, 2019 22 $417,383 -66% 468 $892   $11,317,597 4
Sep 13, 2019 27 $194,191 -53% 265 $733   $11,667,236 5
Sep 20, 2019 34 $47,838 -75% 143 $335   $11,777,706 6
Sep 27, 2019 34 $41,524 -13% 124 $335   $11,842,193 7
Oct 4, 2019 43 $30,636 -26% 75 $408   $11,890,648 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 16, 2019 9 $1,403,136     2,307 $608   $1,403,136 1
Aug 17, 2019 10 $1,736,323 +24%   2,307 $753   $3,139,459 2
Aug 18, 2019 10 $1,193,846 -31%   2,307 $517   $4,333,305 3
Aug 19, 2019 10 $418,246 -65%   2,307 $181   $4,751,551 4
Aug 20, 2019 10 $629,601 +51%   2,307 $273   $5,381,152 5
Aug 21, 2019 11 $420,063 -33%   2,307 $182   $5,801,215 6
Aug 22, 2019 12 $320,191 -24%   2,307 $139   $6,121,406 7
Aug 23, 2019 14 $581,160 +82% -59% 2,307 $252   $6,702,566 8
Aug 24, 2019 14 $854,472 +47% -51% 2,307 $370   $7,557,038 9
Aug 25, 2019 14 $546,454 -36% -54% 2,307 $237   $8,103,492 10
Aug 26, 2019 14 $190,881 -65% -54% 2,307 $83   $8,294,373 11
Aug 27, 2019 14 $310,427 +63% -51% 2,307 $135   $8,604,800 12
Aug 28, 2019 15 $219,072 -29% -48% 2,307 $95   $8,823,872 13
Aug 29, 2019 15 $163,301 -25% -49% 2,307 $71   $8,987,173 14
Aug 30, 2019 - $291,755 +79% -50% 1,673 $174   $9,278,928 15
Aug 31, 2019 - $464,732 +59% -46% 1,673 $278   $9,743,660 16
Sep 1, 2019 - $458,816 -1% -16% 1,673 $274   $10,202,476 17
Sep 2, 2019 - $416,625 -9% +118% 1,673 $249   $10,619,101 18
Sep 3, 2019 - $121,046 -71% -61% 1,673 $72   $10,740,147 19
Sep 4, 2019 - $90,591 -25% -59% 1,673 $54   $10,830,738 20
Sep 5, 2019 - $69,476 -23% -57% 1,673 $42   $10,900,214 21
Sep 6, 2019 - $113,658 +64% -61% 468 $243   $11,013,872 22
Sep 7, 2019 - $202,651 +78% -56% 468 $433   $11,216,523 23
Sep 8, 2019 - $101,074 -50% -78% 468 $216   $11,317,597 24
Sep 9, 2019 - $33,792 -67% -92% 468 $72   $11,351,389 25
Sep 10, 2019 - $50,422 +49% -58% 468 $108   $11,401,811 26
Sep 11, 2019 - $40,073 -21% -56% 468 $86   $11,441,884 27
Sep 12, 2019 - $31,161 -22% -55% 468 $67   $11,473,045 28
Sep 13, 2019 - $48,673 +56% -57% 265 $184   $11,521,718 29
Sep 14, 2019 - $99,841 +105% -51% 265 $377   $11,621,559 30
Sep 15, 2019 - $45,677 -54% -55% 265 $172   $11,667,236 31
Sep 16, 2019 - $13,354 -71% -60% 265 $50   $11,680,590 32
Sep 17, 2019 - $19,871 +49% -61% 265 $75   $11,700,461 33
Sep 18, 2019 - $16,787 -16% -58% 265 $63   $11,717,248 34
Sep 19, 2019 - $12,620 -25% -60% 265 $48   $11,729,868 35
Sep 20, 2019 - $12,689 +1% -74% 143 $89   $11,742,557 36
Sep 21, 2019 - $23,143 +82% -77% 143 $162   $11,765,700 37
Sep 22, 2019 - $12,006 -48% -74% 143 $84   $11,777,706 38
Sep 23, 2019 - $5,471 -54% -59% 143 $38   $11,783,177 39
Sep 24, 2019 - $5,992 +10% -70% 143 $42   $11,789,169 40
Sep 25, 2019 - $4,724 -21% -72% 143 $33   $11,793,893 41
Sep 26, 2019 - $6,776 +43% -46% 143 $47   $11,800,669 42
Sep 27, 2019 - $11,303 +67% -11% 124 $91   $11,811,972 43
Sep 28, 2019 - $19,638 +74% -15% 124 $158   $11,831,610 44
Sep 29, 2019 - $10,583 -46% -12% 124 $85   $11,842,193 45
Sep 30, 2019 - $4,143 -61% -24% 124 $33   $11,846,336 46
Oct 1, 2019 - $5,286 +28% -12% 124 $43   $11,851,622 47
Oct 2, 2019 - $4,509 -15% -5% 124 $36   $11,856,131 48
Oct 3, 2019 - $3,881 -14% -43% 124 $31   $11,860,012 49
Oct 4, 2019 - $9,602 +147% -15% 75 $128   $11,869,614 50
Oct 5, 2019 - $14,538 +51% -26% 75 $194   $11,884,152 51
Oct 6, 2019 - $6,496 -55% -39% 75 $87   $11,890,648 52
Oct 7, 2019 - $2,312 -64% -44% 75 $31   $11,892,960 53
Oct 8, 2019 - $2,601 +13% -51% 75 $35   $11,895,561 54
Oct 9, 2019 - $2,493 -4% -45% 75 $33   $11,898,054 55
Oct 10, 2019 - $3,091 +24% -20% 75 $41   $11,901,145 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 10 $6,121,406   2,307 $2,653   $6,121,406 1
Aug 23, 2019 14 $2,865,767 -53% 2,307 $1,242   $8,987,173 2
Aug 30, 2019 17 $1,913,041 -33% 1,673 $1,143   $10,900,214 3
Sep 6, 2019 22 $572,831 -70% 468 $1,224   $11,473,045 4
Sep 13, 2019 28 $256,823 -55% 265 $969   $11,729,868 5
Sep 20, 2019 34 $70,801 -72% 143 $495   $11,800,669 6
Sep 27, 2019 39 $59,343 -16% 124 $479   $11,860,012 7
Oct 4, 2019 44 $41,133 -31% 75 $548   $11,901,145 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/30/2019 $7,091 37 37 37 $8,857 9/8/2019
Australia 10/25/2019 $139,837 57 57 336 $534,225 1/30/2020
Brazil 9/19/2019 $0 0 0 0 $77,493 7/24/2020
France 9/13/2019 $206,682 207 212 419 $351,850 9/30/2019
Italy 8/29/2019 $126,108 0 4 4 $236,991 10/19/2022
Netherlands 8/23/2019 $87,602 81 90 394 $438,407 10/19/2022
New Zealand 8/22/2019 $88,449 91 91 408 $307,463 10/19/2022
Portugal 8/30/2019 $15,764 21 21 50 $33,605 10/19/2022
Spain 9/20/2019 $76,493 102 102 194 $131,571 10/3/2019
United Kingdom 8/9/2019 $1,167,486 544 544 1,984 $4,115,149 11/6/2019
 
Rest of World $1,393,158
 
International Total$7,628,769 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 24, 2019179,720 10,981$162,425$185,4355

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Viveik Kalra Javed

Supporting Cast

Kulvinder Ghir Malik (Father)
Meera Ganatra Noor
Nell Williams Eliza
Aaron Phagura Roops
Dean-Charles Chapman Matt
Billy Barratt Matt (10)
Ronak Chadha Berges Javed (10)
Lee Barnett Foreman
Kit Reeve Emma
David Hayman Mr. Evans
Nikita Mehta Shazia (Sister)
Rob Brydon Matt’s Dad
Lorraine Ashbourne Kathy
Tara Divina Yasmeen (Cousin)
Jeff Mirza Mr. Shah
Frankie Fox Colin Hand
Hayley Atwell Ms. Clay
Scott Folan Alan
Abigail Carter-Simpson Waitress
Joshua Grant Lad 1
Tom Stocks Lad 2
Marcus Brigstocke Robert—Eliza’s Dad
Olivia Poulet Frances—Eliza’s Mum
Leo Shirley Alex
Daniella Bowen Reporter at Mosque
Sally Phillips Mrs. Anderson
Kumiko Chadha Berges Lilly
James Ballanger Passport Official
Vincent Andriano Billy
Kriss Dosanuh Mr. Singh

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gurinder Chadha Director
Jane Barclay Producer
Gurinder Chadha Producer
Jamal Daniel Producer
Sarfraz Manzoor Story based on the book “Greetings From Bury Park: Race, Religion and Rock N’ Roll” by
Gurinder Chadha Screenwriter
Paul Mayeda Berges Screenwriter
Sarfraz Manzoor Screenwriter
Tory Metzger Executive Producer
Renee Witt Executive Producer
Peter Touche Executive Producer
Stephen Spence Executive Producer
Hannah Leader Executive Producer
Tracy Nurse Executive Producer
Paul Mayeda Berges Executive Producer
Nick Ellis Production Designer
Justin Krish Editor
A.R. Rahman Composer
Ben Smithard Director of Photography
Alice Dawson Co-Producer
Annie Hardinge Costume Designer
Glenn Freemantle Sound Designer
Glenn Freemantle Supervising Sound Editor
Dolores McGinley Visual Effects Supervisor
Susie Figgis Casting Director
Kirsty Kinnear Casting Director
Beth Timbrell Unit Production Manager
Lydia Currie First Assistant Director
Grant Bailey Supervising Art Director
Katie Bullock-Webster Post-Production Supervisor
Amory Leader Post-Production Supervisor
Richard Ketteridge Additional Editor
Lisa Clifford-Owen First Assistant Editor
Danny Salas First Assistant Editor
Nigel Bunyon First Assistant Editor
Rory Herbert Script Supervisor
Lucy Howe Set Decorator
Jenna McGranaghan Costume Supervisor
Sally Tynan Make-up and Hair Designer
Vinnie Jasal Supervising Location Manager
Umberto Schramm Location Manager
Charlotte Hemsley Location Manager
Chris Reynolds Special Effects Supervisor
Gillian Dodders Supervising Dialogue Editor
James Wichall Dialogue/ADR Editor
Emilie O’Connor Dialogue/ADR Editor
Paul Wrightson Dialogue/ADR Editor
Sam Walsh Foley Mixer
Adam Bourne Foley Editor
Mike Dowson Re-recording Mixer
Johnathan Rush Re-recording Mixer
Adam Scrivener Re-recording Mixer
Mark Wellband Visual Effects Producer
Chiara Finello Visual Effects Producer
Peter Saville Music Supervisor
Zoe Ellen Bryant Music Supervisor
Amory Leader Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 19th, 2019

November 19th, 2019

Rock ‘n’ Roll High School

It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long. More...

Home Market Releases for October 22nd, 2019

October 23rd, 2019

The Lion King

The Lion King is scaring away all of the competition and while the Blu-ray / 4K Ultra HD is not Pick of the Week material, there’s almost nothing else to talk about. It might be worth buying WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?: The Complete Series just because of that ridiculously long name. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

Javed is a British teen of Pakistani descent growing up in the town of Luton, England, in 1987. Amidst the racial and economic turmoil of the times, he writes poetry as a means to escape the intolerance of his hometown and the inflexibility of his traditional father. But when a classmate introduces him to the music of Bruce Springsteen, Javed sees parallels to his working-class life in the powerful lyrics. As Javed discovers a cathartic outlet for his own pent-up dreams, he also begins to find the courage to express himself in his own unique voice.

Metrics

Opening Weekend:$4,333,305 (36.4% of total gross)
Legs:2.75 (domestic box office/biggest weekend)
Domestic Share:60.9% (domestic box office/worldwide)
Production Budget:$15,000,000 (worldwide box office is 1.3 times production budget)
Theater counts:2,307 opening theaters/2,307 max. theaters, 3.2 weeks average run per theater
Infl. Adj. Dom. BO $14,005,937

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Google Play:Google Play
Vudu:Vudu

Movie Details

Domestic Releases: August 16th, 2019 (Wide) by Warner Bros.
International Releases: August 9th, 2019 (Wide), released as Blinded By The Light (United Kingdom)
August 22nd, 2019 (Wide) (New Zealand)
August 23rd, 2019 (Wide) (Netherlands)
August 29th, 2019 (Wide), released as Blinded by the Light - Travolto dalla musica (Italy)
August 30th, 2019 (Wide) (Argentina)
... Show all releases
Video Release: October 22nd, 2019 by Universal Home Entertainment
MPAA Rating: PG-13 for thematic material and language including some ethnic slurs.
(Rating bulletin 2579 (Cert #52178), 5/22/2019)
Running Time: 114 minutes
Comparisons: vs. Breakthrough
Create your own comparison chart…
Keywords: 1980s, Sundance Film Festival 2019, Set in England, Immigration, Dysfunctional Family, Bigotry, Poet, Indians, Comedy Drama
Source:Based on Real Life Events
Genre:Drama
Production Method:Live Action
Creative Type:Dramatization
Production/Financing Companies: New Line Cinema, Levantine Films, Ingenious Media, Bend It Films, Rakija Films
Production Countries: United Kingdom
Languages: English

Leading Cast

Viveik Kalra Javed

Supporting Cast

Kulvinder Ghir Malik (Father)
Meera Ganatra Noor
Nell Williams Eliza
Aaron Phagura Roops
Dean-Charles Chapman Matt
Billy Barratt Matt (10)
Ronak Chadha Berges Javed (10)
Lee Barnett Foreman
Kit Reeve Emma
David Hayman Mr. Evans
Nikita Mehta Shazia (Sister)
Rob Brydon Matt’s Dad
Lorraine Ashbourne Kathy
Tara Divina Yasmeen (Cousin)
Jeff Mirza Mr. Shah
Frankie Fox Colin Hand
Hayley Atwell Ms. Clay
Scott Folan Alan
Abigail Carter-Simpson Waitress
Joshua Grant Lad 1
Tom Stocks Lad 2
Marcus Brigstocke Robert—Eliza’s Dad
Olivia Poulet Frances—Eliza’s Mum
Leo Shirley Alex
Daniella Bowen Reporter at Mosque
Sally Phillips Mrs. Anderson
Kumiko Chadha Berges Lilly
James Ballanger Passport Official
Vincent Andriano Billy
Kriss Dosanuh Mr. Singh

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Gurinder Chadha Director
Jane Barclay Producer
Gurinder Chadha Producer
Jamal Daniel Producer
Sarfraz Manzoor Story based on the book “Greetings From Bury Park: Race, Religion and Rock N’ Roll” by
Gurinder Chadha Screenwriter
Paul Mayeda Berges Screenwriter
Sarfraz Manzoor Screenwriter
Tory Metzger Executive Producer
Renee Witt Executive Producer
Peter Touche Executive Producer
Stephen Spence Executive Producer
Hannah Leader Executive Producer
Tracy Nurse Executive Producer
Paul Mayeda Berges Executive Producer
Nick Ellis Production Designer
Justin Krish Editor
A.R. Rahman Composer
Ben Smithard Director of Photography
Alice Dawson Co-Producer
Annie Hardinge Costume Designer
Glenn Freemantle Sound Designer
Glenn Freemantle Supervising Sound Editor
Dolores McGinley Visual Effects Supervisor
Susie Figgis Casting Director
Kirsty Kinnear Casting Director
Beth Timbrell Unit Production Manager
Lydia Currie First Assistant Director
Grant Bailey Supervising Art Director
Katie Bullock-Webster Post-Production Supervisor
Amory Leader Post-Production Supervisor
Richard Ketteridge Additional Editor
Lisa Clifford-Owen First Assistant Editor
Danny Salas First Assistant Editor
Nigel Bunyon First Assistant Editor
Rory Herbert Script Supervisor
Lucy Howe Set Decorator
Jenna McGranaghan Costume Supervisor
Sally Tynan Make-up and Hair Designer
Vinnie Jasal Supervising Location Manager
Umberto Schramm Location Manager
Charlotte Hemsley Location Manager
Chris Reynolds Special Effects Supervisor
Gillian Dodders Supervising Dialogue Editor
James Wichall Dialogue/ADR Editor
Emilie O’Connor Dialogue/ADR Editor
Paul Wrightson Dialogue/ADR Editor
Sam Walsh Foley Mixer
Adam Bourne Foley Editor
Mike Dowson Re-recording Mixer
Johnathan Rush Re-recording Mixer
Adam Scrivener Re-recording Mixer
Mark Wellband Visual Effects Producer
Chiara Finello Visual Effects Producer
Peter Saville Music Supervisor
Zoe Ellen Bryant Music Supervisor
Amory Leader Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

2019 - Holiday Gift Guide - Part I - First-Run Releases and Franchise Box Sets

November 27th, 2019

Avengers: Endgame

It's Thanksgiving weekend, which means Black Friday, Cyber Monday, and of course the first installment of our Holiday Gift Guide. This year, Thanksgiving is as late as it could have been, which means there’s no way to squeeze in four weeks of regular installments of the gift guide, as well as the December monthly preview, etc. So we are going to have a condensed list this year. That said, there weren’t a ton of first-run releases that would have made this list regardless. More...

Home Market Releases for November 19th, 2019

November 19th, 2019

Rock ‘n’ Roll High School

It is not a prime week on the home market with Dora and the Lost City of Gold being the biggest first run release. It is worth picking up, but not a contender for Pick of the Week. There were a lot of contenders for that title, including Cold War: The Criterion Collection, Fruits Basket: Season One, Part One, and Rock ‘n’ Roll High School: 40th Anniversary Edition. In the end, I went with Rock ‘n’ Roll High School, but all three will end up in my Blu-ray collection before long. More...

Home Market Releases for October 22nd, 2019

October 23rd, 2019

The Lion King

The Lion King is scaring away all of the competition and while the Blu-ray / 4K Ultra HD is not Pick of the Week material, there’s almost nothing else to talk about. It might be worth buying WorldEnd: What Do You Do at the End of the World? Are You Busy? Will You Save Us?: The Complete Series just because of that ridiculously long name. More...

Weekend Wrap-Up: Angel has a Divine Debut

August 27th, 2019

Angel Has Fallen

Angel Has Fallen led the way at the weekend with $21.38 million. There were some other pleasant surprises in the top ten and this helped the overall box office to a surprise win. It was down 9.6% from last weekend to $108 million; however, this was 5.6% higher than the same weekend last year and we haven’t had many reasons to celebrate in the year-over-year competition, so let’s focus on that. Year-to-date, 2019 is still behind 2018 and is so by nearly identical margins as last weekend at 6.3% or $500 million. This is still a deep hole to try and climb out of, especially since there are only four months left in the year, and I will be happy if we can just cut that gap in half by the end of the year. More...

Weekend Wrap-Up: Good Does Well, Box Office is Still Weak

August 20th, 2019

Good Boys

It’s the dog days of summer and Good Boys was the only new release with an impressive debut of $21.40 million, while The Angry Birds Movie 2’s $16.09 million six-day debut isn’t a bad start for this time of year. There were a few holdovers to earn more than $10 million over the weekend, so the overall box office wasn’t a disaster, just a disappointment down 9.5% from last weekend to $119 million. More importantly, this is 7.7% lower the the same weekend last year. Year-to-date, 2019 has pulled in $7.35 billion, but this is 6.3% or $490 million behind last year’s pace. At this point, I don’t think it is possible for 2019 to catch up, but hopefully it can put together a strong last few months to at least save face. Additionally, the international box office is doing better, so worldwide it is close to a wash. More...

Weekend Estimates: Universally Good Weekend at the Box Office

August 18th, 2019

Good Boys

Good Boys and Fast and Furious Presents: Hobbs and Shaw are topping the weekend box office chart, so while the overall box office isn’t doing well, Universal is having a great weekend. Good Boys is leading the way with $21.0 million, which is not only better than our predictions, but better than Universal’s projections based on Friday’s estimates. It’s not all rosy, as the film’s reviews and its B plus from CinemaScore don’t suggest really long legs, while this is not the type of film to do well internationally. In fact, it is only pulling in $2.1 million during its opening weekend overseas, including $1.0 million in the U.K. More...

Friday Estimates: Good Does Great

August 17th, 2019

Good Boys

Good Boys earned first place on the Friday chart with $8.31 million. Universal is projecting a $20.8 million opening weekend based on this start, which would give the film a rather low internal multiplier. This is due to its reviews and its mere B plus from CinemaScore, neither of which are bad, but they are not great either. It would still be the fastest opening for a comedy all year and this is the first R-rated comedy to top the chart since The Boss debuted more than three years ago. On the one hand, this is great news for Good Boys. On the other hand, what the hell happened to the genre? R-rated comedies used to regularly earn $100 million or more at the box office. More...

Thursday Night Previews: Good Doing Better

August 16th, 2019

Good Boys

We have preview numbers for a couple of new releases. Good Boys managed an impressive $2.1 million on Thursday, putting it in a great position to top our prediction by a substantial margin. I would love to get a pleasant surprise at the box office right now. More...

Weekend Predictions: Will the Box Office get Angry?

August 15th, 2019

The Angry Birds Movie 2

Like last weekend, there are five wide releases coming out this weekend, and again, this is just too many. I can’t imagine all of them will find an audience. In fact, I would be less surprised if none of them really found an audience and Fast and Furious Presents: Hobbs and Shaw remained in first place, than if all of them found an audience. The Angry Birds Movie 2 is the biggest of the new releases, but it debuted on Tuesday, so its demand will be deflated by the weekend. Good Boys has deceptively good reviews, but the buzz isn’t where it should be. 47 Meters Down: Uncaged is a horror film entering a too-crowded market. Meanwhile, both Blinded By the Light and Where’d You Go, Bernadette? will be lucky to avoid the Mendoza Line. This weekend last year, Crazy Rich Asians opened. It wasn’t a monster hit out of the gate, but it was a bigger hit than anything opening this weekend. More...

2019 Preview: August

August 1st, 2019

Hobbs and Shaw

July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 10 $4,333,305   2,307 $1,878   $4,333,305 1
Aug 23, 2019 14 $1,982,086 -54% 2,307 $859   $8,103,492 2
Aug 30, 2019 18 $1,215,303 -39% 1,673 $726   $10,202,476 3
Sep 6, 2019 22 $417,383 -66% 468 $892   $11,317,597 4
Sep 13, 2019 27 $194,191 -53% 265 $733   $11,667,236 5
Sep 20, 2019 34 $47,838 -75% 143 $335   $11,777,706 6
Sep 27, 2019 34 $41,524 -13% 124 $335   $11,842,193 7
Oct 4, 2019 43 $30,636 -26% 75 $408   $11,890,648 8

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Aug 16, 2019 9 $1,403,136     2,307 $608   $1,403,136 1
Aug 17, 2019 10 $1,736,323 +24%   2,307 $753   $3,139,459 2
Aug 18, 2019 10 $1,193,846 -31%   2,307 $517   $4,333,305 3
Aug 19, 2019 10 $418,246 -65%   2,307 $181   $4,751,551 4
Aug 20, 2019 10 $629,601 +51%   2,307 $273   $5,381,152 5
Aug 21, 2019 11 $420,063 -33%   2,307 $182   $5,801,215 6
Aug 22, 2019 12 $320,191 -24%   2,307 $139   $6,121,406 7
Aug 23, 2019 14 $581,160 +82% -59% 2,307 $252   $6,702,566 8
Aug 24, 2019 14 $854,472 +47% -51% 2,307 $370   $7,557,038 9
Aug 25, 2019 14 $546,454 -36% -54% 2,307 $237   $8,103,492 10
Aug 26, 2019 14 $190,881 -65% -54% 2,307 $83   $8,294,373 11
Aug 27, 2019 14 $310,427 +63% -51% 2,307 $135   $8,604,800 12
Aug 28, 2019 15 $219,072 -29% -48% 2,307 $95   $8,823,872 13
Aug 29, 2019 15 $163,301 -25% -49% 2,307 $71   $8,987,173 14
Aug 30, 2019 - $291,755 +79% -50% 1,673 $174   $9,278,928 15
Aug 31, 2019 - $464,732 +59% -46% 1,673 $278   $9,743,660 16
Sep 1, 2019 - $458,816 -1% -16% 1,673 $274   $10,202,476 17
Sep 2, 2019 - $416,625 -9% +118% 1,673 $249   $10,619,101 18
Sep 3, 2019 - $121,046 -71% -61% 1,673 $72   $10,740,147 19
Sep 4, 2019 - $90,591 -25% -59% 1,673 $54   $10,830,738 20
Sep 5, 2019 - $69,476 -23% -57% 1,673 $42   $10,900,214 21
Sep 6, 2019 - $113,658 +64% -61% 468 $243   $11,013,872 22
Sep 7, 2019 - $202,651 +78% -56% 468 $433   $11,216,523 23
Sep 8, 2019 - $101,074 -50% -78% 468 $216   $11,317,597 24
Sep 9, 2019 - $33,792 -67% -92% 468 $72   $11,351,389 25
Sep 10, 2019 - $50,422 +49% -58% 468 $108   $11,401,811 26
Sep 11, 2019 - $40,073 -21% -56% 468 $86   $11,441,884 27
Sep 12, 2019 - $31,161 -22% -55% 468 $67   $11,473,045 28
Sep 13, 2019 - $48,673 +56% -57% 265 $184   $11,521,718 29
Sep 14, 2019 - $99,841 +105% -51% 265 $377   $11,621,559 30
Sep 15, 2019 - $45,677 -54% -55% 265 $172   $11,667,236 31
Sep 16, 2019 - $13,354 -71% -60% 265 $50   $11,680,590 32
Sep 17, 2019 - $19,871 +49% -61% 265 $75   $11,700,461 33
Sep 18, 2019 - $16,787 -16% -58% 265 $63   $11,717,248 34
Sep 19, 2019 - $12,620 -25% -60% 265 $48   $11,729,868 35
Sep 20, 2019 - $12,689 +1% -74% 143 $89   $11,742,557 36
Sep 21, 2019 - $23,143 +82% -77% 143 $162   $11,765,700 37
Sep 22, 2019 - $12,006 -48% -74% 143 $84   $11,777,706 38
Sep 23, 2019 - $5,471 -54% -59% 143 $38   $11,783,177 39
Sep 24, 2019 - $5,992 +10% -70% 143 $42   $11,789,169 40
Sep 25, 2019 - $4,724 -21% -72% 143 $33   $11,793,893 41
Sep 26, 2019 - $6,776 +43% -46% 143 $47   $11,800,669 42
Sep 27, 2019 - $11,303 +67% -11% 124 $91   $11,811,972 43
Sep 28, 2019 - $19,638 +74% -15% 124 $158   $11,831,610 44
Sep 29, 2019 - $10,583 -46% -12% 124 $85   $11,842,193 45
Sep 30, 2019 - $4,143 -61% -24% 124 $33   $11,846,336 46
Oct 1, 2019 - $5,286 +28% -12% 124 $43   $11,851,622 47
Oct 2, 2019 - $4,509 -15% -5% 124 $36   $11,856,131 48
Oct 3, 2019 - $3,881 -14% -43% 124 $31   $11,860,012 49
Oct 4, 2019 - $9,602 +147% -15% 75 $128   $11,869,614 50
Oct 5, 2019 - $14,538 +51% -26% 75 $194   $11,884,152 51
Oct 6, 2019 - $6,496 -55% -39% 75 $87   $11,890,648 52
Oct 7, 2019 - $2,312 -64% -44% 75 $31   $11,892,960 53
Oct 8, 2019 - $2,601 +13% -51% 75 $35   $11,895,561 54
Oct 9, 2019 - $2,493 -4% -45% 75 $33   $11,898,054 55
Oct 10, 2019 - $3,091 +24% -20% 75 $41   $11,901,145 56

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Aug 16, 2019 10 $6,121,406   2,307 $2,653   $6,121,406 1
Aug 23, 2019 14 $2,865,767 -53% 2,307 $1,242   $8,987,173 2
Aug 30, 2019 17 $1,913,041 -33% 1,673 $1,143   $10,900,214 3
Sep 6, 2019 22 $572,831 -70% 468 $1,224   $11,473,045 4
Sep 13, 2019 28 $256,823 -55% 265 $969   $11,729,868 5
Sep 20, 2019 34 $70,801 -72% 143 $495   $11,800,669 6
Sep 27, 2019 39 $59,343 -16% 124 $479   $11,860,012 7
Oct 4, 2019 44 $41,133 -31% 75 $548   $11,901,145 8

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 8/30/2019 $7,091 37 37 37 $8,857 9/8/2019
Australia 10/25/2019 $139,837 57 57 336 $534,225 1/30/2020
Brazil 9/19/2019 $0 0 0 0 $77,493 7/24/2020
France 9/13/2019 $206,682 207 212 419 $351,850 9/30/2019
Italy 8/29/2019 $126,108 0 4 4 $236,991 10/19/2022
Netherlands 8/23/2019 $87,602 81 90 394 $438,407 10/19/2022
New Zealand 8/22/2019 $88,449 91 91 408 $307,463 10/19/2022
Portugal 8/30/2019 $15,764 21 21 50 $33,605 10/19/2022
Spain 9/20/2019 $76,493 102 102 194 $131,571 10/3/2019
United Kingdom 8/9/2019 $1,167,486 544 544 1,984 $4,115,149 11/6/2019
 
Rest of World $1,393,158
 
International Total$7,628,769 10/19/2022

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Nov 24, 2019179,720 10,981$162,425$185,4355

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.