Robert Duvall
Best known as an Actor based on credits in that role in 68 films, with $3,152,275,733 worldwide aggregate box office (rank #694) |
Best-known acting roles: Howard (Four Christmases), Cash (Jack Reacher), Spurgeon Tanner (Deep Impact), Mr. Mulligan (Widows), Joseph Palmer (The Judge) |
Best-known technical roles: Crazy Heart (Producer), The Apostle (Director), The Apostle (Screenwriter), Assassination Tango (Director) |
Most productive collaborators: Mimi Leder, Téa Leoni, Bruce Joel Rubin, Robert Downey, Jr., Seth Gordon |
Born: January 5, 1931 (93 years old) |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
As an Actor | Supporting | 18 | $921,325,983 | $686,377,259 | $1,607,703,242 |
Leading | 12 | $225,421,347 | $50,216,291 | $275,637,638 | |
Lead Ensemble Member | 7 | $125,448,957 | $69,926,746 | $195,375,703 | |
(Unclassified) | 31 | $793,158,783 | $280,400,367 | $1,073,559,150 | |
In Technical Roles | Director | 3 | $21,734,158 | $826,489 | $22,560,647 |
Producer | 3 | $39,471,742 | $7,945,509 | $47,417,251 | |
Screenwriter | 2 | $20,733,485 | $544,285 | $21,277,770 |
Career Trend
This graph shows Robert Duvall’s score on our annual analysis of leading stars at the box office. The Star Score represents points assigned to each of the leading stars of the top 100 movies (based on box office) in the current year and two preceding years. For appearing in the number one movie in a year a star gets 100 points, the number two movie 99 points and so on..
Latest Ranking on Selected Box Office Record Lists
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
2018 Preview: November
November 1st, 2018
October continued 2018’s phenomenal box office run, for the most part. There were a couple of films that missed expectations by $10 million or more, but on the other hand, Vemon and Halloween were smash hits and are now the first and second biggest October debuts of all time. Furthermore, 2018’s lead over 2017 is, as I’m writing this, just shy of $1 billion and if 2018 can maintain this lead, it will be one of the biggest year-over-year increases of all time. It won’t. The fun times end now. Why is that? Last November was amazing. There were only eight wide releases, but six of them earned more than $100 million. Three of those hit $200 million, including Thor: Ragnarok, which earned over $300 million. This year, there are a lot more movies opening in November, but it is a case of quantity over quality. No movie is expected to come close to $300 million and it would take a bit of luck just to have five $100 million hits. The film I’m looking forward to the most is Ralph Breaks the Internet, while it, Dr. Seuss’ The Grinch, and Fantastic Beasts: The Crimes of Grindelwald are all aiming for $200 million this month. Fortunately, even if 2018 is behind 2017’s pace by around $300 million, 2018 has built up such a large lead that it should still go into December with an insurmountable lead at the box office.
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Limited and VOD Releases: Some Lovely Limited Releases
June 5th, 2015
In another improvement to our news this week, the Limited Releases column is expanding to cover both limited and VOD releases. I know what you are thinking. You are thinking, “aren't you already talking about VOD on the Home Market Releases column?” Yes. However, those are for VOD releases for films that already played in theaters some time ago. This column will include films that debut on VOD either before, or simultaneously with, their theatrical release. We think this it an important change, as too often the Limited Release column was “Limited Releases Playing in New York City and Possibly Los Angeles.” For people in most of the rest of the country, there were no films on the list playing anywhere near them. This week, there are at least a few films worth checking out, including We Are Still Here, which is playing on VOD and Love and Mercy and Testament of Youth, which are theatrical-only releases that both have a shot at mainstream success.
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2014 Awards Season: Oscar Highlight: Best Supporting Actor
February 12th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two supporting actor categories, finishing with Best Supporting Actor. Like the Best Supporting Actress category, Best Supporting Actor isn't even close and one of the five nominees is absolutely running away with things.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
2014 Preview: October
September 30th, 2014
September is over and while it got off to a bad start, a really, really, truly terrible start, it actually ended on a bit of a strong note. Granted, no film has yet to reach $100 million, but The Maze Runner and The Equalizer both could get there in the end. As for October, we might go another month without a $100 million hit. There are a couple of films that have the potential to reach the century mark, Gone Girl and Fury. Hopefully they will get there, but given the recent box office woes, it is probably best to keep expectations low. Last October, there were two films that earned more than $100 million. Bad Grandpa just made it passed that mark. On the other hand, Gravity was a monster hit earning nearly $275 million. It you compare its run to this year's batch of films, it only ranks behind Guardians of the Galaxy. ... There's no way any film opening this month is going to match that. ... There no way the top two films will match that. ... The top three films might not match that. ... 2014 is going to get crushed in the year-over-year comparison and by the end of the month, it will be safe to say its chances of ever catching up to 2013 will be over. It is going to be a depressing month.
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DVD and Blu-ray Releases for July 15th, 2014
July 14th, 2014
There is actually a $100 million hit on this week's list of new releases, which puts it miles ahead of most of recent weeks. Unfortunately, that new release is Rio 2, which isn't terrible, but it certainly isn't Pick of the Week material either. Worse still, there is practically no depth this week and almost none of the new DVDs / Blu-rays are Pick of the Week contenders. Fortunately, "Weird Al" Yankovic comes to the rescue with Mandatory Fun, which is a CD, which I normally don't talk about. As far as DVDs and Blu-rays are concerned, Orphan Black: Season 2 on Blu-ray is clearly the best.
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Limited Releases: New Arrivals
May 16th, 2014
There are a number of films on this week's list that could find audience in theaters, including Ai Weiwei: The Fake Case, Chinese Puzzle, The Discoverers, Horses of God, etc. However, if I were to pick just one, it would be The Immigrant. It has amazing reviews and strong buzz.
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Featured Blu-ray / DVD Review: Jack Reacher
May 5th, 2013
During the holiday season of 2011, Tom Cruise starred in Mission: Impossible - Ghost Protocol. I thought it was arguably the best action movie of the year and it became the stars biggest hit globally and his best domestic hit in a decade (not counting a cameo in Goldmember). A year later, Jack Reacher opened with barely a fraction of the buzz. I was one of the most Bullish analysts and I was only predicting $75 million. The film did pull in $80 million domestically, which is better than expected, but nothing compared to MI:IV. Is it really that much weaker? Or did it struggle in comparison, because it wasn't part of a popular franchise.
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2012 Preview: December
December 1st, 2012
November was a strong month and left 2012 with a very easy path to a new all time record. There was only one major miss the entire month, Rise of the Guardians, while The Silver Linings Playbook was pulled from wide release at the last minute, so it is a little hard to judge its box office performance. On the positive side, Skyfall might top original expectations by $100 million. All this December has to do is maintain pace with last December to ensure 2012 sets the new record. I would like to say that will be easy to do, but I really don't know. Last year, there was only one $200 million hit, Mission: Impossible - Ghost Protocol, plus a few others that reached $100 million, so the bar isn't set too high. This year, The Hobbit: An Unexpected Journey is expected to at least come close to $300 million. Some think it will earn more than $400 million. However, it could also be the last film to make $100 million till February. December is normally a very good month to release a film, but the release schedule is so messed up that it makes it very hard to predict what will happen. There appears to be just ten films opening truly wide this month (I'm getting mixed signals on a few of them). That's a really light schedule for a month and a light schedule tends to help maximize the box office potential for individual films. However, eight of these films open wide within a seven-day period. That's insane. There's no way all of those films will find an audience and there's a chance that due to the competition, none of them will. Let's hope the situation isn't as bad as that, but there are some serious reasons to be concerned for most new releases coming out this month.
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All Acting Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Dec 23, 2022 | The Pale Blue Eye | Jean-Pepe | |||
Jun 3, 2022 | Hustle | ||||
Jun 11, 2021 | 12 Mighty Orphans | Mason Hawk | $3,688,723 | $1,911,049 | $5,599,772 |
Nov 16, 2018 | Widows | Mr. Mulligan | $42,402,632 | $33,582,068 | $75,984,700 |
Feb 17, 2017 | In Dubious Battle | Bolton | $214,182 | $214,182 | |
Jun 5, 2015 | Wild Horses | Scott Briggs | |||
Oct 10, 2014 | The Judge | Joseph Palmer | $47,119,388 | $28,954,168 | $76,073,556 |
May 16, 2014 | A Night in Old Mexico | Red Bovie | |||
Sep 13, 2013 | Jayne Mansfield's Car | Jim Caldwell | $14,836 | $14,836 | |
Dec 21, 2012 | Jack Reacher | Cash | $80,070,736 | $137,300,000 | $217,370,736 |
Sep 2, 2011 | Seven Days In Utopia | Johnny Crawford | $4,367,448 | $4,367,448 | |
Jul 30, 2010 | Get Low | Felix "Bush" Benz… | $9,176,933 | $1,651,372 | $10,828,305 |
Dec 16, 2009 | Crazy Heart | Wayne Kramer | $39,471,742 | $7,945,509 | $47,417,251 |
Nov 25, 2009 | The Road | Old Man | $8,114,270 | $21,092,462 | $29,206,732 |
Nov 26, 2008 | Four Christmases | Howard | $120,146,040 | $48,165,518 | $168,311,558 |
Oct 12, 2007 | We Own the Night | Burt Grusinsky | $28,563,179 | $26,744,678 | $55,307,857 |
May 4, 2007 | Lucky You | L. C. Cheever | $5,755,286 | $766,543 | $6,521,829 |
Mar 17, 2006 | Thank You For Smoking | The Captain | $24,793,509 | $15,223,153 | $40,016,662 |
May 13, 2005 | Kicking and Screaming | Buck Weston | $52,842,724 | $3,000,000 | $55,842,724 |
Sep 19, 2003 | Secondhand Lions | Hub | $42,070,939 | $5,831,627 | $47,902,566 |
Aug 15, 2003 | Open Range | Boss Spearman | $58,331,254 | $10,282,738 | $68,613,992 |
Mar 28, 2003 | Assassination Tango | John J. | $1,000,673 | $282,204 | $1,282,877 |
Feb 21, 2003 | Gods and Generals | General Robert E.… | $12,882,934 | $41,002 | $12,923,936 |
Feb 15, 2002 | John Q. | Grimes | $71,026,631 | $31,200,000 | $102,226,631 |
Nov 17, 2000 | The 6th Day | Dr. Graham Weir | $34,543,701 | $61,481,197 | $96,024,898 |
Jun 9, 2000 | Gone in 60 Seconds | Otto Halliwell | $101,643,008 | $131,000,000 | $232,643,008 |
Dec 25, 1998 | A Civil Action | Jerome Facher | $56,709,981 | $56,709,981 | |
May 8, 1998 | Deep Impact | Spurgeon Tanner | $140,464,664 | $209,000,000 | $349,464,664 |
Jan 23, 1998 | The Gingerbread Man | Dixon Doss | $1,626,593 | $1,626,593 | |
Dec 17, 1997 | The Apostle | Euliss "Sonny" De… | $20,733,485 | $544,285 | $21,277,770 |
Nov 20, 1996 | Sling Blade | Karl's Father | $24,475,416 | $9,699,584 | $34,175,000 |
Jul 5, 1996 | Phenomenon | Doc | $104,636,382 | $47,400,000 | $152,036,382 |
Mar 29, 1996 | A Family Thing | Earl Pilcher Jr. | $9,993,012 | $9,993,012 | |
Oct 13, 1995 | The Scarlet Letter | Dr. Roger Prynne | $10,359,006 | $10,359,006 | |
Sep 15, 1995 | The Stars Fell on Henr… | Mr. Cox | $99,318 | $99,318 | |
Aug 4, 1995 | Something to Talk About | Wyly King | $50,865,589 | $26,441,637 | $77,307,226 |
Mar 18, 1994 | The Paper | Bernie White | $36,768,310 | $9,600,000 | $46,368,310 |
Dec 10, 1993 | Geronimo: An American … | Al Sieber | $18,296,646 | $18,296,646 | |
Feb 26, 1993 | Falling Down | Prendergast | $40,903,593 | $40,903,593 | |
Apr 8, 1992 | Newsies | Joseph Pulitzer | $2,706,352 | $2,706,352 | |
Sep 20, 1991 | Rambling Rose | Daddy | $6,266,621 | $6,266,621 | |
Jun 27, 1990 | Days of Thunder | Harry Hogge | $82,670,733 | $75,000,000 | $157,670,733 |
May 11, 1990 | A Show of Force | Howard | $152,982 | $152,982 | |
Mar 9, 1990 | The Handmaid's Tale | Commander | $4,960,385 | $4,960,385 | |
1990 | Convicts | Soll Gautier | $13,000 | $13,000 | |
Apr 15, 1988 | Colors | Corporal Bob Hodges | $46,616,067 | $46,616,067 | |
Oct 31, 1986 | Let's Get Harry | Shrike | $140,980 | $140,980 | |
Jun 13, 1986 | Belizaire the Cajun | The Preacher | $1,444,618 | $1,444,618 | |
May 11, 1984 | The Natural | Max Mercy | $47,951,979 | $47,951,979 | |
Mar 4, 1983 | Tender Mercies | Mac Sledge | $8,443,124 | $8,443,124 | |
Nov 13, 1981 | The Pursuit of D.B. Co… | Gruen | $2,104,164 | $2,104,164 | |
Sep 25, 1981 | True Confessions | Tom Spellacy | $12,200,000 | $12,200,000 | |
Oct 26, 1979 | The Great Santini | Bull Meechum | $7,000,000 | $7,000,000 | |
Aug 15, 1979 | Apocalypse Now | Lt. Col. William … | $83,535,860 | $2,423,850 | $85,959,710 |
Dec 22, 1978 | Invasion of the Body S… | Priest on Swing | $24,946,533 | $24,946,533 | |
Feb 9, 1978 | The Betsy | Loren Hardeman III | $17,700,000 | $17,700,000 | |
1976 | Network | Frank Hackett, UB… | $23,689,877 | $23,689,877 | |
1975 | Breakout | Jay Wagner | $16,000,000 | $16,000,000 | |
Dec 11, 1974 | The Godfather: Part II | Tom Hagen | $57,300,000 | $86,952 | $57,386,952 |
Apr 7, 1974 | The Conversation | The Director | $4,574,909 | $4,574,909 | |
Oct 19, 1973 | The Outfit | Earl Macklin | |||
Mar 15, 1972 | The Godfather | Tom Hagen | $136,479,994 | $133,527,400 | $270,007,394 |
Jan 1, 1972 | Joe Kidd | Frank Harlan | $6,330,000 | $6,330,000 | |
Mar 11, 1970 | THX 1138 | THX 1138 | $5,000 | $5,000 | |
Jan 1, 1970 | M*A*S*H | Major Frank Burns… | $81,600,000 | $81,600,000 | |
Jun 11, 1969 | True Grit | Lucky Ned Pepper | $31,132,592 | $6,527,308 | $37,659,900 |
Oct 17, 1968 | Bullitt | Weissberg (Sunshi… | $42,300,873 | $177 | $42,301,050 |
Dec 25, 1962 | To Kill A Mockingbird | Arthur 'Boo' Radley | $13,129,846 | $13,129,846 | |
Averages | $33,312,179 | $33,966,271 | $50,036,123 | ||
Totals | 68 | $2,065,355,070 | $1,086,920,663 | $3,152,275,733 |
Leading or Lead Ensemble Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Dec 23, 2022 | The Pale Blue Eye | |||||
Nov 16, 2018 | Widows | $12,361,307 | 2,803 | $42,402,632 | $75,984,700 | 55.8% |
Feb 17, 2017 | In Dubious Battle | $214,182 | ||||
Jun 5, 2015 | Wild Horses | |||||
Oct 10, 2014 | The Judge | $13,116,226 | 3,003 | $47,119,388 | $76,073,556 | 61.9% |
May 16, 2014 | A Night in Old Mexico | |||||
Sep 13, 2013 | Jayne Mansfield's Car | $9,320 | 11 | $14,836 | $14,836 | 100.0% |
Sep 2, 2011 | Seven Days In Utopia | $1,304,500 | 561 | $4,367,448 | $4,367,448 | 100.0% |
Jul 30, 2010 | Get Low | $88,182 | 570 | $9,176,933 | $10,828,305 | 84.7% |
Oct 12, 2007 | We Own the Night | $10,826,287 | 2,402 | $28,563,179 | $55,307,857 | 51.6% |
May 13, 2005 | Kicking and Screaming | $20,159,925 | 3,470 | $52,842,724 | $55,842,724 | 94.6% |
Sep 19, 2003 | Secondhand Lions | $12,139,832 | 3,038 | $42,070,939 | $47,902,566 | 87.8% |
Aug 15, 2003 | Open Range | $14,047,781 | 2,268 | $58,331,254 | $68,613,992 | 85.0% |
Mar 28, 2003 | Assassination Tango | $64,474 | 45 | $1,000,673 | $1,282,877 | 78.0% |
Oct 13, 1995 | The Scarlet Letter | $4,119,086 | 1,518 | $10,359,006 | $10,359,006 | 100.0% |
Mar 18, 1994 | The Paper | 1,577 | $36,768,310 | $46,368,310 | 79.3% | |
May 11, 1990 | A Show of Force | $73,405 | 12 | $152,982 | $152,982 | 100.0% |
Feb 9, 1978 | The Betsy | $2,425,377 | 473 | $17,700,000 | $17,700,000 | 100.0% |
Oct 19, 1973 | The Outfit | |||||
Averages | $6,979,669 | 1,554 | $25,062,165 | $31,400,889 | 84.2% | |
Totals | 19 | $350,870,304 | $471,013,341 |
Supporting Roles
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 3, 2022 | Hustle | |||||
Jun 11, 2021 | 12 Mighty Orphans | $251,569 | 1,047 | $3,688,723 | $5,599,772 | 65.9% |
Dec 21, 2012 | Jack Reacher | $15,210,156 | 3,352 | $80,070,736 | $217,370,736 | 36.8% |
Dec 16, 2009 | Crazy Heart | $82,664 | 1,361 | $39,471,742 | $47,417,251 | 83.2% |
Nov 26, 2008 | Four Christmases | $31,069,826 | 3,540 | $120,146,040 | $168,311,558 | 71.4% |
May 4, 2007 | Lucky You | $2,710,445 | 2,525 | $5,755,286 | $6,521,829 | 88.2% |
Mar 17, 2006 | Thank You For Smoking | $262,923 | 1,020 | $24,793,509 | $40,016,662 | 62.0% |
Feb 15, 2002 | John Q. | $20,275,194 | 2,505 | $71,026,631 | $102,226,631 | 69.5% |
Jun 9, 2000 | Gone in 60 Seconds | $25,336,048 | 3,089 | $101,643,008 | $232,643,008 | 43.7% |
Dec 25, 1998 | A Civil Action | $70,079 | 2,069 | $56,709,981 | $56,709,981 | 100.0% |
May 8, 1998 | Deep Impact | $41,152,375 | 3,280 | $140,464,664 | $349,464,664 | 40.2% |
Jan 23, 1998 | The Gingerbread Man | $118,278 | 30 | $1,626,593 | $1,626,593 | 100.0% |
Aug 4, 1995 | Something to Talk About | $11,115,697 | 1,787 | $50,865,589 | $77,307,226 | 65.8% |
Jun 27, 1990 | Days of Thunder | $15,490,445 | 2,307 | $82,670,733 | $157,670,733 | 52.4% |
May 11, 1984 | The Natural | $5,088,381 | 1,012 | $47,951,979 | $47,951,979 | 100.0% |
Aug 15, 1979 | Apocalypse Now | $118,558 | 105 | $83,535,860 | $85,959,710 | 97.2% |
Apr 7, 1974 | The Conversation | 19 | $4,574,909 | $4,574,909 | 100.0% | |
Jan 1, 1972 | Joe Kidd | $6,330,000 | $6,330,000 | 100.0% | ||
Averages | $11,223,509 | 1,816 | $54,195,646 | $94,570,779 | 75.1% | |
Totals | 18 | $921,325,983 | $1,607,703,242 |
Latest Ranking on All Acting Box Office Record Lists
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jun 5, 2015 | Wild Horses | Director Screenwriter Producer |
|||
May 16, 2014 | A Night in Old Mexico | Producer | |||
Dec 16, 2009 | Crazy Heart | Producer | $39,471,742 | $7,945,509 | $47,417,251 |
Mar 28, 2003 | Assassination Tango | Director | $1,000,673 | $282,204 | $1,282,877 |
Dec 17, 1997 | The Apostle | Director Screenwriter |
$20,733,485 | $544,285 | $21,277,770 |
Averages | $20,401,967 | $2,923,999 | $23,325,966 | ||
Totals | 5 | $61,205,900 | $8,771,998 | $69,977,898 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 5, 2015 | Wild Horses | |||||
Mar 28, 2003 | Assassination Tango | $64,474 | 45 | $1,000,673 | $1,282,877 | 78.0% |
Dec 17, 1997 | The Apostle | $29,396 | 751 | $20,733,485 | $21,277,770 | 97.4% |
Averages | $46,935 | 398 | $10,867,079 | $11,280,324 | 87.7% | |
Totals | 3 | $21,734,158 | $22,560,647 |
Producer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 5, 2015 | Wild Horses | |||||
May 16, 2014 | A Night in Old Mexico | |||||
Dec 16, 2009 | Crazy Heart | $82,664 | 1,361 | $39,471,742 | $47,417,251 | 83.2% |
Averages | $82,664 | 1,361 | $39,471,742 | $47,417,251 | 83.2% | |
Totals | 3 | $39,471,742 | $47,417,251 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jun 5, 2015 | Wild Horses | |||||
Dec 17, 1997 | The Apostle | $29,396 | 751 | $20,733,485 | $21,277,770 | 97.4% |
Averages | $29,396 | 751 | $20,733,485 | $21,277,770 | 97.4% | |
Totals | 2 | $20,733,485 | $21,277,770 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Director at the Domestic Box Office (Rank 1,601-1,700) | 1,610 | $21,734,158 |
Top Grossing Producer at the Domestic Box Office (Rank 1,901-2,000) | 1,970 | $39,471,742 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 2,901-3,000) | 2,901 | $20,733,485 |
Top Grossing Director at the International Box Office (Rank 5,601-5,700) | 5,655 | $826,489 |
Top Grossing Producer at the International Box Office (Rank 3,401-3,500) | 3,453 | $7,945,509 |
Top Grossing Screenwriter at the International Box Office (Rank 5,301-5,400) | 5,359 | $544,285 |
Top Grossing Director at the Worldwide Box Office (Rank 2,401-2,500) | 2,454 | $22,560,647 |
Top Grossing Producer at the Worldwide Box Office (Rank 2,501-2,600) | 2,521 | $47,417,251 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 3,701-3,800) | 3,705 | $21,277,770 |