Hong Kong Box Office for Zero Dark Thirty (2012)
Theatrical Performance (US$) | ||
Hong Kong Box Office | $368,068 | Details |
Worldwide Box Office | $134,612,435 | Details |
Home Market Performance | ||
North America DVD Sales | $8,434,918 | Details |
North America Blu-ray Sales | $6,531,192 | Details |
Total North America Video Sales | $14,966,110 | |
Further financial details... |
Synopsis
For a decade, an elite team of intelligence and military operatives, working in secret across the globe, devoted themselves to a single goal: to find and eliminate Osama bin Laden. A determined CIA agent follows her intuition to find him.
Metrics
Movie Details
Production Budget: | $52,500,000 |
Hong Kong Releases: | February 21st, 2013 (Wide) |
Video Release: | March 19th, 2013 by Sony Pictures Home Entertainment |
MPAA Rating: | R for strong violence including brutal disturbing images, and for language. (Rating bulletin 2250, 11/21/2012) |
Running Time: | 137 minutes |
Keywords: | Secret Agent, 9/11, Terrorism, Afghanistan War, Special Ops, Tortured for Information, 2013 Oscars Best Picture Nominee, Political Thriller, 2000s, 2010s, Double Agent, Suicide Bomber, C.I.A. |
Source: | Based on Real Life Events |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Columbia Pictures, Mark Boal, First Light, Annapurna Pictures |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: March 24th, 2013: Hobbit Reaches its Expected Destination
May 9th, 2013
The Hobbit: An Unexpected Journey was one of three new releases to finish in the top three spots on the March 24th, 2013 edition of the Blu-ray sales chart. It sold 1.36 million units and generated $31.34 million for an opening week Blu-ray share of 56%. It wasn't that long ago that reaching the 50% mark would have been record-breaking, but here it was expected.
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DVD Sales: March 24th, 2013: Hobbit Travels to the Top
May 9th, 2013
The Hobbit: An Unexpected Journey dominated the new releases and easily won first place on the March 24th edition of the DVD sales chart. The film sold 1.07 million units and generated $13.05 million in opening week sales, putting it in the top ten of the year after just one week of release.
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DVD and Blu-ray Releases for March 19th, 2013
March 19th, 2013
It is a very healthy week on the home market, at least at the top, as there are a number of big hits and Awards Season contenders. The biggest of these is The Hobbit: An Unexpected Journey. The film didn't live up to expectations, but it is still worth picking up, especially if you've made the leap to 3D. There are also a couple of Awards Season contenders coming out this week, but I'm waiting for the screeners for both of them. Les Miserables has generated a lot of praise, but also some harsh criticisms. On the other hand, Zero Dark Thirty was one of the best movies of the year and even sight unseen, the Blu-ray Combo Pack is the Pick of the Week.
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2013 Awards Season: Argo Unites a Divided Night at the Oscars
February 25th, 2013
Argo was the big winner at the Oscars last night, although arguably, there were no big winners, but a lot of films that shared in the glory. There were also some pretty interesting twists and a few events that stand out. Due to ongoing computer difficulties, I was unable to live-blog the Oscars this year. I will still be giving my reactions on a category by category basis, but not in the order they were handed out.
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Weekend Estimates: Identity Thief Regains Top Spot
February 24th, 2013
The box office crown for Oscar weekend will be claimed by Identity Thief, according to studio estimates released on Sunday morning, even though the comedy will fall by a relatively large 41% from last weekend. So its win is in large part due to the low-key new releases: Snitch will be second with $13 million in a modest 2,511 theaters and Dark Skies is headed for 6th place with $8.85 million from 2,313 theaters. Neither new film has particularly low per theater averages ($5,177 and $3,826 respectively), so their so-so debuts are as much a factor of their smallish opening theater counts as lack of demand.
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2013 Awards Season: Oscar Highlight: Best Picture
February 22nd, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try to figure out who the favorites are and which films should just feel honored to be nominated. We wrap up our look at the prestigious categories with the most prestigious of them all: Best Picture. Like last year, there are nine nominees. Unlike last year, none of them were completely out of left field. That's not to say they all have a legitimate shot at winning; there's definitely a favorite. However, politics could become an issue. I don't mean politics as in Democrat vs. Republican. I mean behind-the-scenes issues might play a bigger role than what is on the screen. Let's take a look at the nominees, and their chances to claiming the crown on Sunday.
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2013 Awards Season: Oscar Highlight: Best Original Screenplay
February 21st, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we will look at the two writing categories, finishing with Best Original Screenplay. There are actually three films that could win that and it wouldn't be a total shock if they did. That said, there is still a favorite to contend with.
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2013 Awards Season: Oscar Highlight: Best Lead Actress
February 21st, 2013
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. This week we will look at the four acting categories, finishing with Best Lead Actress. This race is easily the most competitive of the four acting categories this year. The person seen as the favorite has switched, more than once, and at the moment, I'm not sure who is going to win.
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2013 Awards Season: Argo's Wins go From Zero to Thirty
February 19th, 2013
Argo continues its winning ways at the WGAs this weekend. It has become the defacto favorite for the Oscars, despite the high profile Oscar snub.
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Weekend Wrap-Up: Warm Bodies is a Silver Lining for Slow Weekend
February 4th, 2013
There were a number of factors that hurt the box office over the weekend, not the least of which was the rather exciting Super Bowl game. (At least it sounds like it was exciting. I Googled the score a couple times, but I didn't watch the game.) Warm Bodies easily won the weekend race and finished on the high end of expectations, while Silver Linings Playbook remains on pace to reach $100 million. On the other hand, Bullet to the Head bombed. Overall, the box office fell 21% to just $89 million. Again, the Super Bowl had a lot to do with that. Compared to last year, the box office was down 23%. 2013 is still ahead of 2012 by 3.4% at $917 million to $887 million but that lead could be gone by the end of next weekend.
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Weekend Wrap-Up: New Releases Become the Hunted
January 28th, 2013
January ended, and we should all be glad it did. Hansel and Gretel: Witch Hunters did beat modest expectations, but most of the rest failed that test with Movie 43 crashing worse than even my low expectations. The overall box office fell 20% from last weekend to $112 million. This was 11% less than the same weekend last year; fortunately, this was the first miss of 2013 and the year still has a lead of 10% over 2012 at $797 million to $721 million.
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Weekend Predictions: Hunting the Competition
January 24th, 2013
There are three wide releases during the final weekend of January, but it looks like none of them will please critics. As I write this, the three films have a total of seven reviews on Rotten Tomatoes, none of them are positive. Hansel and Gretel: Witch Hunters should easily be the biggest hit of the three new films, but not everyone thinks it will come out on top, as Mama could remain potent. Parker and Movie 43 will likely struggle and getting to just $10 million over the weekend might be asking too much. Fortunately, the combination of new releases and holdovers is very similar to last year, so 2013 could win yet another weekend to start the year.
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Weekend Wrap-Up: Mama Mia!
January 22nd, 2013
Mama easily won the box office race over the Martin Luther King, Jr. long weekend, with Zero Dark Thirty earning a solid second place. Unfortunately, the other two new releases, Broken City and The Last Stand, were weak and weaker. The overall box office was on par with last week, down less than 1% to $139 million, over the three-day weekend. This was 6% higher than the same weekend last year, over the same period. Adding on Monday, and the total weekend was $165 million, or about 1% higher than last year. It is still way too early to pay real attention to the year-to-date stats, but 2013 is ahead of 2012 by a 7.0% margin at $658 million to $615 million.
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Weekend Estimates: Mama Wins MLK Weekend
January 20th, 2013
For all the Oscar hype, moviegoers are voting with their feet this MLK weekend for a more straightforward entertainment bang for their buck. Mama is set to win the weekend by a large margin, with Universal estimating a $28.1 million three-day weekend and about $33 million over four days. With the film playing in a relatively modest 2,647 theaters, that translates into a per theater average of $10,625, comfortably ahead of any other wide release. Jessica Chastain has dual reasons to celebrate, with Zero Dark Thirty set to finish second for the weekend with $17.6 million. Fellow Oscar-hopeful Silver Linings Playbook will be third with about $11.35 million over three days in its first weekend in wide release.
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Weekend Predictions: Will Zero Remain Number One?
January 17th, 2013
There are a trio of new releases opening on Martin Luther King, Jr. weekend, but it looks like Zero Dark Thirty has a good chance to remain in first place. Mama is earning pretty good buzz, even if its reviews are only mixed. The Last Stand is the widest release of the week and the reviews are positive, but the buzz is mixed, to be kind. Finally, there's Broken City, which has the quietest buzz and the weakest reviews. Last year, Underworld: Awakening opened with just over $25 million and there's almost no chance that will happen again this year. Then again, we might have better depth.
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Per Theater Chart: Singing a Love Song
January 15th, 2013
Quartet opened on top of the per theater chart with an average of $23,561 in two theaters. This is very impressive, especially for this time of year. Amour expanded from 3 to 15 theaters, but you couldn't tell from its per theater average, as it held very well down just 14% to $17,138.
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Weekend Wrap-Up: Oscar Bounce Subdued
January 14th, 2013
Oscar nominations didn't produce a big box office bounce over the weekend, but Zero Dark Thirty still managed an easy win, despite missing my admittedly high expectations. The only film in the top five to be a pleasant surprise was A Haunted House, although "pleasant" is not a word most critics were using to describe it. The box office pulled in $141 million overall, which was 4.7% lower than last weekend. More importantly though, it was 6.3% higher than the same weekend last year, which means if A Haunted House bombed like I thought it would, 2013 would have lost in the year-over-year comparison. Fortunately, we had a second win in as many weeks and 2013 is off to an early 22% lead, at $441 million to $362 million.
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2013 Awards Season: DGA Diverge From Oscars
January 14th, 2013
The Directors Guild of America handed out their nominations for Feature Films last week and Documentaries today. No, I have no idea why they split up their announcements. Usually, there's a lot of overlap between the DGAs and the Oscars, but that's not the case this year, so we again have some surprises.
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2013 Awards Season: Les Mis Leads Ways as Surprises Dominate
January 14th, 2013
Hollywood Foreign Press Association handed out their awards last night, and the trend of surprises continues. Les Miserables led the way with three awards, only one of which I was truly expecting. Meanwhile, Argo won more awards than Lincoln. I don't think anyone was predicting that.
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Weekend Predictions: Will Oscar Glory Shine a Light on Dark?
January 11th, 2013
With the Oscar nominations announced yesterday, most movie aficionados are focusing on that. This is great news for Zero Dark Thirty, which picked up five Oscars yesterday and should lead the box office this week. There are other films opening wide this week. This includes Gangster Squad, which should do acceptable business, even though its reviews are weak. Finally there's A Haunted House, which is an early contender for worst movie of the year. Last year, Contraband opened with just over $24 million and I think Zero Dark Thirty will top that. Overall, 2013 looks pretty good in comparison.
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2013 Awards Season: Lincoln Oversees a Divided Group of Nominees
January 10th, 2013
The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions.
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Per Theater Chart: Zero Still Heroic on Per Theater Chart
January 8th, 2013
Zero Dark Thirty remained on the top of the per theater chart with an average of $44,933 in 60 theaters. To emphasize, the film saw its theater count leap from 5 to 60, but its per theater average only dropped 29% from $63,283 to $44,933. That's a lower drop-off than the average film in the top ten. At this point, expanding wide is a given, while the film has a solid shot at $100 million. 56 Up opened very strong with $22,088 in one theater. This should help it expand, but it is a documentary, so it is not going to expand wide. Amour remained in the $10,000 club with an average of $19,944. It is still playing in 3 theaters, but it should have room to expand significantly.
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2013 Awards Season: WGAs Leaves Analysts In the Dark
January 7th, 2013
Surprises seems to be the word of the day, as the WGA nominations included a number of them. Granted, Zero Dark Thirty and a lot of the other films that have earned Awards Season success thus far were here, but there were almost as many surprises as there were obvious choices.
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2013 Awards Season: PGA Produces a Few Surprises
January 6th, 2013
Producers Guild of America announced their nominations this week, including the three theatrical categories. There were a number of films on the list that have been mentioned time and time again this awards season, like Zero Dark Thirty, but there were also a few surprises.
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Per Theater Chart: Zero to $1 million in Nine Days
January 3rd, 2013
Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008.
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2013 Preview: January
January 1st, 2013
December ended on a positive note with 2012 topping 2011 with a week to spare. Hopefully this will translate into strong box office numbers going forward. There are several January releases that actually look very interesting, but you always have to ask, if the films are as good as they look, why are they opening in January? The biggest hit on this list will likely not be a January release, but a limited release from December that is expanding wide in January. Zero Dark Thirty opened in limited release the Wednesday before Christmas and right away it got off to an incredible start. If it can turn some of its Awards Season nominations into wins, which seems very likely at this point, it should be the biggest hit of January. If it can earn some major Oscars, then it might crack $100 million. Unfortunately, no other film on this release list is likely to come close to the $100 million mark. Last January was unseasonably strong with three films opening with $20 million or more and four films finishing with $50 million or more. It is possible that none of the new releases will reach those relatively weak standards.
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Limited Releases: Awards Season Contenders Shine Bright
December 20th, 2012
There are not a lot of limited releases on this week's list; however, there are three films that have already found some Awards Season success, plus a couple others that are earning great reviews. Of the Awards Season hopefuls, Zero Dark Thirty is poised to earn the best per theater average, but it likely won't be the only success story over the weekend.
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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2013 Awards Season: SAG Focuses a Searchlight on Silver Linings
December 12th, 2012
SAG nominations were announced and there were only a few surprises to deal with. Leading the way for total nominations was The Silver Linings Playbook, Lincoln, and Les Miserables, all of which earned nominations in four of the six categories.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/02/22 | 5 | $131,430 | 15 | $8,762 | $131,430 | 1 | |
2013/03/01 | 4 | $90,771 | -31% | 15 | $6,051 | $279,334 | 2 |
2013/03/08 | 6 | $32,162 | -65% | 9 | $3,574 | $338,972 | 3 |
2013/03/15 | 11 | $13,107 | -59% | 6 | $2,185 | $361,350 | 4 |
2013/03/22 | 15 | $2,719 | -79% | 1 | $2,719 | $368,068 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 1/31/2013 | $160,477 | 41 | 41 | 99 | $338,431 | 12/30/2018 |
Australia | 1/31/2013 | $1,165,770 | 208 | 214 | 840 | $3,574,006 | 12/14/2015 |
Austria | 2/1/2013 | $71,018 | 37 | 41 | 124 | $210,481 | 12/14/2015 |
Belgium | 1/30/2013 | $144,664 | 32 | 32 | 114 | $388,000 | 12/14/2015 |
Bolivia | 2/21/2013 | $12,831 | 7 | 7 | 17 | $30,624 | 12/30/2018 |
Brazil | 2/15/2013 | $414,138 | 114 | 114 | 340 | $1,329,241 | 12/14/2015 |
Bulgaria | 2/22/2013 | $0 | 0 | 12 | 29 | $34,764 | 12/30/2018 |
Chile | 2/21/2013 | $73,478 | 31 | 31 | 111 | $240,864 | 12/30/2018 |
Colombia | 2/22/2013 | $47,111 | 28 | 28 | 58 | $191,584 | 12/30/2018 |
Croatia | 1/17/2013 | $18,598 | 10 | 10 | 34 | $39,285 | 12/30/2018 |
Czech Republic | 2/21/2013 | $30,222 | 42 | 42 | 87 | $79,004 | 12/30/2018 |
Denmark | 2/7/2013 | $118,819 | 31 | 31 | 96 | $358,379 | 12/14/2015 |
Egypt | 1/23/2013 | $10,503 | 4 | 4 | 17 | $29,696 | 12/30/2018 |
Estonia | 2/8/2013 | $13,811 | 6 | 6 | 9 | $22,275 | 12/14/2015 |
Finland | 1/25/2013 | $46,259 | 33 | 33 | 65 | $116,162 | 12/14/2015 |
France | 1/23/2013 | $1,658,269 | 285 | 285 | 1015 | $4,222,585 | 12/14/2015 |
Germany | 1/31/2013 | $778,477 | 296 | 296 | 966 | $2,010,503 | 12/14/2015 |
Greece | 2/21/2013 | $0 | 0 | 46926 | 46926 | $219,682 | 12/14/2015 |
Hong Kong | 2/21/2013 | $131,430 | 15 | 15 | 46 | $368,068 | 12/14/2015 |
Hungary | 2/21/2013 | $40,572 | 12 | 12 | 36 | $80,750 | 12/30/2018 |
Iceland | 2/8/2013 | $8,970 | 3 | 3 | 6 | $15,659 | 12/30/2018 |
India | 2/15/2013 | $362,531 | 95 | 95 | 95 | $362,531 | 12/14/2015 |
Italy | 2/7/2013 | $739,167 | 192 | 255 | 594 | $1,941,213 | 12/14/2015 |
Japan | 2/15/2013 | $820,804 | 164 | 164 | 804 | $3,931,506 | 12/14/2015 |
Latvia | 2/8/2013 | $5,180 | 3 | 3 | 7 | $13,506 | 12/30/2018 |
Lebanon | 1/24/2013 | $31,403 | 11 | 11 | 20 | $76,475 | 12/30/2018 |
Lithuania | 2/1/2013 | $5,391 | 3 | 3 | 6 | $10,528 | 12/14/2015 |
Mexico | 2/14/2013 | $156,513 | 163 | 163 | 427 | $479,882 | 12/14/2015 |
Netherlands | 1/24/2013 | $201,023 | 38 | 43 | 151 | $662,623 | 12/14/2015 |
New Zealand | 1/31/2013 | $101,408 | 42 | 44 | 145 | $278,078 | 12/14/2015 |
Nigeria | 2/22/2013 | $4,818 | 4 | 4 | 18 | $16,260 | 12/30/2018 |
North America | 12/19/2012 | $417,150 | 5 | 2,946 | 19,039 | $95,720,716 | 1/28/2015 |
Norway | 2/8/2013 | $120,239 | 86 | 86 | 190 | $390,507 | 12/14/2015 |
Oman | 1/24/2013 | $0 | 0 | 4 | 4 | $17,135 | 12/30/2018 |
Peru | 2/21/2013 | $47,350 | 25 | 25 | 68 | $140,825 | 12/30/2018 |
Philippines | 1/11/2013 | $60,602 | 50 | 50 | 110 | $317,035 | 12/30/2018 |
Poland | 2/8/2013 | $0 | 0 | 45 | 108 | $386,448 | 12/30/2018 |
Portugal | 1/17/2013 | $126,723 | 28 | 30 | 127 | $368,339 | 12/14/2015 |
Romania | 2/22/2013 | $30,403 | 27 | 27 | 84 | $49,831 | 12/30/2018 |
Serbia and Montenegro | 1/31/2013 | $1,102 | 8 | 8 | 16 | $7,444 | 12/30/2018 |
Singapore | 1/24/2013 | $190,670 | 22 | 22 | 63 | $480,245 | 12/14/2015 |
Slovakia | 2/21/2013 | $6,265 | 14 | 14 | 14 | $6,265 | 12/14/2015 |
Slovenia | 1/17/2013 | $5,358 | 8 | 8 | 16 | $10,341 | 12/14/2015 |
South Africa | 2/15/2013 | $52,705 | 39 | 39 | 78 | $109,119 | 12/14/2015 |
South Korea | 3/7/2013 | $414,168 | 258 | 258 | 258 | $484,766 | 12/14/2015 |
Spain | 1/4/2013 | $1,343,482 | 236 | 251 | 1502 | $5,027,289 | 12/14/2015 |
Sweden | 2/1/2013 | $165,471 | 70 | 70 | 205 | $489,897 | 12/14/2015 |
Switzerland | 1/23/2013 | $94,473 | 19 | 31 | 83 | $461,789 | 12/14/2015 |
Taiwan | 1/11/2013 | $224,663 | 43 | 43 | 132 | $783,119 | 12/14/2015 |
Thailand | 1/31/2013 | $7,394 | 3 | 87 | 174 | $336,266 | 12/14/2015 |
Turkey | 2/8/2013 | $73,495 | 46 | 46 | 103 | $143,057 | 12/30/2018 |
United Arab Emirates | 1/24/2013 | $223,727 | 26 | 26 | 57 | $488,746 | 12/30/2018 |
United Kingdom | 1/25/2013 | $1,710,768 | 434 | 439 | 1259 | $5,745,075 | 12/14/2015 |
Uruguay | 1/25/2013 | $18,375 | 5 | 5 | 30 | $95,295 | 12/30/2018 |
Vietnam | 3/1/2013 | $23,193 | 12 | 12 | 33 | $70,121 | 12/30/2018 |
Rest of World | $810,120 | ||||||
Worldwide Total | $134,612,435 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jessica Chastain | Maya |
Supporting Cast
Jason Clarke | Dan |
Joel Edgerton | Chris Pratt |
Jennifer Ehle | Jessica |
Mark Strong | George |
Kyle Chandler | Joseph Bradley |
Edgar Ramirez | Larry |
James Gandolfini | Leon Panetta |
Chris Pratt | Justin - DEVGRU |
Callan Mulvey | Saber - DEVGRU |
Fares Fares | Hakim |
Reda Kateb | Ammar |
Harold Perrineau | Jack |
Stephen Dillane | National Security Advisor |
Jeremy Strong | Thomas |
J.J. Kandel | J.J. |
Wahab Sheikh | Detainee on Monitor |
Alexander Karim | Detainee on Monitor |
Nabil Elouahabi | Detainee on Monitor |
Aymen Hamdouchi | Detainee on Monitor |
Simon Abkarian | Detainee on Monitor |
Ali Marhyar | Interrogator on Monitor |
Parker Sawyers | Interrogator on Monitor |
Akin Gazi | Interrogator on Monitor |
Derek Siow | Interrogator on Monitor |
Mohammad K | Cargo Ship Detainee |
Henry Garrett | Bagram Guard |
Homayoun Ershadi | Hassan Ghul |
Darshan Aulakh | Pakistani Detention Center Guard |
Navdeep Singh | Pakistani Guard at Marriott |
Yoav Levi | Abu Fara Sattari |
Sukhdeep Singh | Pakistani Guard at Marriott |
Musa Sattari | Humam Khalil al-Balawi |
David Menkin | Case Officer |
Scott Adkins | John |
Eyad Zoubi | Zied |
Julian Lewis Jones | Blackwater Guard |
Christian Contreras | C.I.A. Security |
Lauren Shaw | Lauren |
Zachary Becker | Embassy Tech |
John Antonini | Analyst at Embassy |
Jessica Collins | Debbie |
Fredric Lehne | The Wolf |
Ashraf Telfah | Kuwati Businessman |
Jonathan Olley | Tech from Ground Branch |
Ben Lambert | N.S.A. Tech |
Manraaj Singh | Rawal Caller |
Tushaar Mehra | Abu Ahmed |
Daniel Lapaine | Tim - Station Chief |
Udayan Baijal | Guard at May's Apartment |
Mark Duplass | Steve |
John Schwab | Deputy National Securtity Advisor |
Martin Delaney | Assistant to National Security Advisor |
Nabil Koni | Pakistani Doctor |
Anthony Edridge | General in Hanger |
John Barrowman | Jeremy |
Jeff Mash | Deputy Director of C.I.A. |
Taylor Kinney | Jared - DEVGRU |
Siaosi Fonua | Henry - DEVGRU |
Phil Somerville | Phil - DEVGRU |
Nash Edgerton | Nate - DVGRU EOD |
Mike Colter | Mike - DEVGRU |
Frank Grillo | Squadron Commanding Officer |
Brett Praed | DEVGRU Operator |
Aron Eastwood | DEVGRU Operator |
Heemi Browstow | DEVGRU Operator |
Chris Scarf | DEVGRU Operator |
Barrie Rice | DEVGRU Operator |
Rob Young | DEVGRU Operator |
Spencer Coursen | DEBGRU Operator |
Chris Perry | DEVGRU Operator |
Alex Corbet Burcher | DEVGRU Operator |
Robert G. Eastman | DEVGRU Operator |
Tim Martin | DEVGRU Operator |
Mitchell Hall | DEVGRU Operator |
P. T. | DEVGRU Operator |
Alan Pietruszewski | Pilot |
Kevin La Rosa II | Pilot |
Michael David Selig | Pilot |
Ben Parillo | Pilot |
Christopher Stanley | Admiral Bill McCraven |
Hadeel Shqair | Abu Ahmed's Wife |
Noureddine Haijoujou | Abrar |
Nour Alkawaja | Abrar's Wife |
Malika Sayed | UBL Wife |
Rida Siham | UBL Wife |
Moula Mounia | UBL Wife |
Zalfa Seurat | UBL Wife |
Tarik Haddouch | Khalid |
Ricky Sekhon | OBL |
Mark Valley | C-130 Pilot |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kathryn Bigelow | Director |
Mark Boal | Screenwriter |
Mark Boal | Producer |
Kathryn Bigelow | Producer |
Megan Ellison | Producer |
Colin Wilson | Executive Producer |
Greg Shapiro | Executive Producer |
Ted Schipper | Executive Producer |
Jonathan Leven | Co-Producer |
Matthew Budman | Co-Producer |
Greig Fraser | Director of Photography |
Dylan Tichenor | Editor |
William Goldenberg | Editor |
Alexandre Desplat | Composer |
John Bissell | Music Supervisor |
Jeremy Hindle | Production Designer |
Rod McLean | Supervising Art Director |
Ben Collins | Art Director |
Lisa Chugg | Set Decorator |
Onkar Knot | Set Decorator |
George L. Little | Costume Designer |
Ray Beckett | Sound Mixer |
Paul N. J. Ottosson | Sound Designer |
Paul N. J. Ottosson | Supervising Sound Editor |
Paul N. J. Ottosson | Re-recording Mixer |
Stuart Thorp | Stunt Coordinator |
Richard Stutsman | Special Effects Supervisor |
Chris Harvey | Visual Effects Supervisor |
David A. Ticotin | Associate Producer |
David A. Ticotin | Assistant Director |
Mark Bennett | Casting Director |
Richard Hicks | Casting Director |
Gail Stevens | Casting Director |
John Mahaffie | Second Unit Director |
Colin Wilson | Unit Production Manager |
Roderick McLean | Supervising Art Director |
Simon Tindall | Second Unit Photography |
Ryley Brown | Additional Photography |
Duraid Munajim | Additional Photography |
David Nowell | Aerial Photography |
Darion Hing | Costume Supervisor |
Jamie Hardt | Sound Effects Editor |
Lee Gilmore | Sound Effects Editor |
Robert Troy | Dialogue Editor |
Richard Ford | Music Editor |
Lesley Smith | Make-up and Hair Designer |
Daniel Parker | Make-up and Hair Designer |
Natasha Nikolic-Dumlop | Make-up and Hair Designer |
Neil Corbould | Special Effects |
Rhys Ifan | Assistant Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.