Uruguay Box Office for Wild (2014)
Theatrical Performance (US$) | ||
Uruguay Box Office | $20,065 | Details |
Worldwide Box Office | $52,460,543 | Details |
Home Market Performance | ||
North America DVD Sales | $6,834,261 | Details |
North America Blu-ray Sales | $2,707,732 | Details |
Total North America Video Sales | $9,541,993 | |
Further financial details... |
Synopsis
With the dissolution of her marriage and the death of her mother, Cheryl Strayed has lost all hope. After years of reckless, destructive behavior, she makes a rash decision. With absolutely no experience, driven only by sheer determination, Cheryl hikes more than a thousand miles of the Pacific Crest Trail, alone.
Metrics
Movie Details
Production Budget: | $15,000,000 |
Uruguay Releases: | March 12th, 2015 (Wide) |
Video Release: | March 17th, 2015 by Fox Home Entertainment |
MPAA Rating: | R for sexual content, nudity, drug use, and language. (Rating bulletin 2323, 5/21/2014) |
Running Time: | 119 minutes |
Keywords: | Addiction, Narcotics, Infidelity, Dysfunctional Family, Sex Addiction, Hitchhiker, Camping, Intertitle, Non-Chronological, Relationships Gone Wrong, Same Role, Multiple Actors, Journey of Discovery, Biographical Drama, Biography, Autobiographical |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Pacific Standard |
Production Countries: | United States |
Languages: | English |
DVD Sales: Interstellar Completes Another Orbit
April 27th, 2015
There were no new releases to chart this week. However, there was a new film in top spot, or to be more accurate, a returning film in top spot. The Hobbit: The Battle of the Five Armies reclaimed first place with 109,000 units / $1.63 million for the week, giving it totals of 1.06 million units / $15.82 million after three weeks of release.
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DVD Sales: Interstellar's Earthbound Opening
April 20th, 2015
Interstellar was the top new release and the top selling DVD. However, its opening week numbers were decidedly not stellar. The film sold 291,000 units and generated $4.45 million in revenue. This is barely more than The Hobbit: The Battle of the Five Armies managed during its second week of release.
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Blu-ray Sales: Easter Week was Out of This World
April 20th, 2015
It was Easter the week the March 31st new releases came out and this had an effect with several, mostly family friendly films earning a boost on the Blu-ray sales chart. Even so, Interstellar opened in first place dominating the rest of the market. The film sold 732,000 units and generated $14.46 million in revenue, for an opening week Blu-ray share of 72%. Granted, this is a film that relies heavily on its special effects to draw in the audience, but that is still a shockingly high percentage.
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DVD and Blu-ray Releases for April 14, 2015
April 14th, 2015
It is a slow week on the home market. It is a really slow week on the home market. This should have helped me get caught up on all of the late screeners that arrived, but on Saturday I had a coughing fit and heard a loud crack in my ribs. It hurt so much that I couldn't even type. I'm feeling much better now. As for this week's releases, there are none that will likely be huge sellers, but The Babadook on DVD or Blu-ray Combo Pack is the best and the best-selling, at least according to Amazon.com. It is also the Pick of the Week.
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Featured Blu-ray / DVD Review: Wild
April 9th, 2015
Wild is a drama based on a real life person that came out in December. This movie screams Oscar Bait. However, while its reviews were amazing, but it never really became a major player during Awards Season. It did pick up a couple of Oscar nominations, including one for Reese Witherspoon; however, it failed to live up to expectations. Is it busted Oscar-bait? Or should it really have performed better?
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DVD and Blu-ray Releases for March 31st, 2015
March 30th, 2015
This week on the home market is another week that is good on top, but shallow in terms of depth. The number one film of the week is Interstellar which is worth checking out, but not Pick of the Week material. There are a quartet of Pick of the Week contenders, including two limited releases (The Imitation Game - Buy from Amazon: DVD or Blu-ray and Wild - Buy from Amazon: DVD or Blu-ray) and two TV on DVD releases (VEEP: Season 3 - Buy from Amazon: DVD or Blu-ray and Silicon Valley: Season 1 - Buy from Amazon: DVD or Blu-ray). Of these four, I went with Veep as the Pick of the Week.
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2014 Awards Season: Oscar Highlight: Best Lead Actress
February 13th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, starting with Best Lead Actress. One actress is so far ahead of the rest of the field that there isn't even a consensus on who the second place actress should be.
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2014 Awards Season: Oscar Highlight: Best Supporting Actress
February 12th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two supporting actor categories, starting with Best Supporting Actress. Three of the four acting categories have almost no suspense to them, as there is an overwhelming favorite amongst the five nominees. This is not the exception.
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Per Theater Chart: Future for Timbuktu Is Bright
February 3rd, 2015
Timbuktu was the only film in the $10,000 club this weekend earning an estimated average of $12,500 in four theaters. Running Man came close with an average of $9,246 in 20 theaters. Impressively, Game Of Thrones: The IMAX Experience earned 15th place on the overall chart with $1.46 million in just over 200 theaters for an average of $7,142. This is enough to expect this to happen again, but I don't know if it will be a regular thing.
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Weekend Estimates: American Sniper Shatters January Record
January 18th, 2015
American Sniper was confidently expected to top the box office charts this weekend, and to give Clint Eastwood his best weekend as a director, but no-one was predicting that the film would break the record for the biggest weekend in January by over $20 million. As of Sunday morning, that’s what Warner Bros. is projecting for the film with their official weekend estimate standing at $90,205,000 from 3,555 theaters. Since the film had already played for three weeks in exclusive engagements, it will also grab the crown for biggest fourth weekend at the box office.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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Per Theater Chart: Sniper Still Calling the Shots
January 13th, 2015
There was only one new release in the $10,000 club, which left American Sniper with an easy victory. It pulled in an average of $144,880 in four theaters, making it the first film ever to earn an per theater average of $100,000 or more for three weeks. Second place went to A Most Violent Year with an average of $29,135, also in four theaters. Taken 3 was the best of the new releases with an average of $10,908, just ahead of Song of the Sea with an average of $10,470.
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2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: WGA - Nominations
January 10th, 2015
The Writers Guild of America nominations were latest to be announced, but were there any real surprises? Yes. Birdman didn't get a nomination, but Guardians of the Galaxy did. More on that later. Besides those two films, there are not a lot of surprises here and the usual contenders are present, including Boyhood and The Imitation Game, but there are also some other notable films missing.
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Per Theater Chart: 2015 Starts as 2014 Ended
January 6th, 2015
There were very few new films that came out during the first weekend of 2015, so it should come as no surprise that the per theater chart looked mostly the same as it did last weekend. This includes the top of the chart, American Sniper, which earned an average of $169,227 in four theaters, which is 7% higher than last weekend. That bodes well for its planned wide release later in the month. The best new release was A Most Violent Year, which opened with an average of $43,197, also in four theaters. This film should also expand significantly over the coming weeks. Selma was next with an average of $28,781 in 22 theaters. Inherent Vice earned an average of $15,712 in 16 theaters. It is expanding wide in just a few days, so this is a great result. Two Days, One Night was right behind with an average of $15,628 in two theaters. The Imitation Game was roughly even with last week with an average of $10,308. Leviathan rose earning an average of $10,300 in three theaters.
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Per Theater Chart: Going Once, Going Vice...
December 22nd, 2014
The $10,000 club was crowded this weekend with six films earning per theater averages of more than $10,000. This includes Inherent Vice, which led the way for the second time in a row earning an average of $29,055 in five theaters. This bodes well for its wide expansion in January. Speaking of expanding, The Imitation Game expanded from 25 theaters to 34 theaters earning an average of $25,253 in the process. It has already earned some measure of mainstream success and with room to grow, it will stay in theaters for a while. Mr. Turner was the best of the new limited releases earning an average of $21,728 in five theaters. Song of the Sea was next with $17,967 in one theater. The overall box office champ, The Hobbit: The Battle of the Five Armies, earned an average of $14,122, which is lower than anticipated, but still pretty good. Finally, P.K. opened with an average of $13,108 in 272 theaters. It is rare that we get to talk about a Bollywood film in the $10,000 club.
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Weekend Estimates: Hobbit Enjoys $50 Million Swansong
December 21st, 2014
After thirteen years (with a lengthy break in the middle), Peter Jackson’s Middle Earth Saga finally comes to an end this weekend with The Hobbit: The Battle of the Five Armies. Tolkein/Jackson fans are giving the franchise a rousing farewell, with $50 million expected this weekend and $90 million in total after five days. Comparisons are a little difficult, because the previous Hobbit installments opened on Fridays, but Desolation of Smaug racked up $86 million in its first five days and An Unexpected Journey hit $100 million on its fifth day in release. So this outing seems set to perform similarly overall, with $250 million – $300 million domestically and around $1 billion worldwide. That will solidify the franchise as the fourth-most successful in history, and if it can top $1.079 billion in this outing, it will be the only franchise ever to average more than $1 billion globally per film.
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Per Theater Chart: Holdovers Versus Vice and Vice Versa
December 16th, 2014
Inherent Vice won top spot on the per theater chart with an average of $65,637 in five theaters. This is the fifth best per theater average for the year, which is much better than expected. Second place went to The Imitation Game with an average of $34,010 in 25 theaters. It still has plenty of room to expand. The final film in the $10,000 club was Wild with an average of $13,198 in 116 theaters. It too has some room to expand, while it has also reached some level of mainstream success.
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Weekend Wrap-Up: Exodus Win, but Overall Box Office is on the Run
December 15th, 2014
All-in-all, the box office matched expectations, but sadly, that is not a good thing. Exodus: Gods and Kings opened with $24.12 million, which is anemic for a film that cost $140 million to make. Top Five had a better per theater average, but was playing in less than 1,000 theaters, so it will only become a midlevel hit, at best. Overall, the box office did rise 6.8% from last weekend, but this still only amounted to $83 million. Worse still, this was 43% lower than the same weekend last year. Last year, The Hobbit: The Desolation of Smaug opened with $73.65 million, which is about 2% less than the top ten earned this year. It should come as no surprise that 2014 lost in the year-over-year comparison, while it continues to lose ground in the year-to-date race as well. Currently, 2014 has pulled in a total of $9.41 billion, which is 4.8% or $470 million lower than last year's pace. There's no chance 2014 will catch up at this point. I just hope it doesn't sink any lower.
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Weekend Estimates: Exodus Leads with Lackluster Debut
December 14th, 2014
Big budget bible epic Exodus: Gods and Kings is probably the riskiest studio bet this Holiday Season. The $140 million-budgeted film will need to do considerable business domestically and internationally to earn a profit, and biblical epics haven’t had the best of track records in recent years. Early signs aren’t great, with Fox projecting a $24.5 million opening weekend, well behind the $43.7 million earned by Noah earlier in the year. There is room for the film to recover though, as it will almost certainly be able to keep playing in a lot of theaters through the New Year. $100 million seems like the top end of domestic expectations at this point, and its international performance so far doesn’t suggest overseas coin will help make up the difference.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
Per Theater Chart: Imitation Remains Real
December 10th, 2014
The Imitation Game remained in first place on the per theater chart with an average of $48,658 in 8 theaters over the weekend. It also reached $1 million in the process, barely. The best new release of the week was Wild with an average of $28,896 in 21 theaters. This film will hit major milestones very soon. She's Beautiful When She's Angry just managed to earn a spot in the $10,000 club with $10,505 in one theater. Meanwhile, Zero Motivation just missed the $10,000 club with $9,427 in one theater. However, it was a Wednesday release and it earned $13,145 over five days. Had it opened on Friday instead, it very likely would have reached the $10,000 club.
Weekend Estimates: Hunger Games Unchallenged at Top
December 7th, 2014
With no new wide releases, the weekend after Thanksgiving will see a comfortable victory at the box office for The Hunger Games: Mockingjay - Part 1. Now playing in its third weekend, the film will gross around $21.6 million, taking it to a total of $257.7m, virtually equal with The Lego Movie in third place for the year. Weekend performances for returning movies were down across the board coming off the holiday, with, in the top 10, only Gone Girl and Birdman down less than 40%.
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Limited Release: Still Wild
December 5th, 2014
There are two films opening in limited release this week that have a chance of picking up Awards Season nominations. Wild is earning the better reviews, but it is also one of the widest limited releases of the week. Still Alice is only having an Oscar-qualifying run, which means it might not put a lot of advertising into selling movie tickets until its regular release in January.
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2014 Preview: December
December 1st, 2014
November is over and there are not a lot of positive things to say about what happened during the month. There were a couple of films that matched expectations, but there were no breakout hits and a few that missed expectations by wide margins. Granted, The Hunger Games: Mockingjay, Part 1 will top $300 million with relative ease, but that's still nearly $100 million lower than some people were predicting. The month ends with 2014 about $300 million behind 2013's pace and there's really no chance to catch up in December. That doesn't mean there are no films that will be worth watching in December. The Hobbit: The Battle of the Five Armies should at least earn $200 million, while $300 million is not out of the question. Additionally, there are several films that at least have a shot at $100 million at the box office, but not all will get there. At least this December and last December are on par with each other. The Hobbit: The Desolation of Smaug topped $250 million while there were three others that topped $100 million. I think we will get the same result this month. Last year there were a lot more wide releases, but many of them bombed. I think this year the lack of competition will help more films reach their potential.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/04/10 | 12 | $704 | 1 | $704 | $20,065 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/22/2015 | $52,922 | 71 | 179 | 911 | $2,243,562 | 7/1/2015 |
Belgium | 3/4/2015 | $0 | 0 | 15 | 29 | $423,587 | 6/26/2015 |
Ecuador | 3/13/2015 | $0 | 0 | 7 | 7 | $39,601 | 12/30/2018 |
France | 1/16/2015 | $308,836 | 0 | 0 | 0 | $591,539 | 8/20/2018 |
Germany | 1/15/2015 | $434,132 | 0 | 1 | 2 | $1,987,269 | 8/22/2018 |
Hong Kong | 2/6/2015 | $80,879 | 34 | 34 | 65 | $233,620 | 11/25/2018 |
Italy | 4/2/2015 | $120,542 | 91 | 91 | 156 | $233,538 | 10/20/2015 |
Lithuania | 4/3/2015 | $0 | 0 | 9 | 9 | $16,882 | 6/26/2015 |
Malaysia | 3/12/2015 | $0 | 0 | 4 | 4 | $17,118 | 6/25/2015 |
Mexico | 1/16/2015 | $78,041 | 0 | 0 | 0 | $271,502 | 8/30/2018 |
Netherlands | 2/26/2015 | $137,416 | 30 | 76 | 711 | $760,867 | 11/21/2018 |
North America | 12/3/2014 | $606,810 | 21 | 1,361 | 7,892 | $37,880,356 | |
Poland | 2/6/2015 | $31,139 | 0 | 0 | 0 | $76,095 | 12/30/2018 |
Russia (CIS) | 4/9/2015 | $176,236 | 230 | 230 | 513 | $284,219 | 11/19/2018 |
Spain | 1/30/2015 | $164,642 | 108 | 108 | 343 | $351,715 | 11/27/2018 |
Turkey | 2/6/2015 | $16,908 | 20 | 20 | 27 | $34,211 | 12/30/2018 |
United Kingdom | 1/16/2015 | $795,546 | 0 | 0 | 0 | $1,575,402 | 8/27/2018 |
Uruguay | 3/12/2015 | $0 | 0 | 1 | 1 | $20,065 | 6/26/2015 |
Rest of World | $5,419,395 | ||||||
Worldwide Total | $52,460,543 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Reese Witherspoon | Cheryl |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jean-Marc Vallee | Director |
Nick Hornby | Screenwriter |
Cheryl Strayed | Story Creator |
Reese Witherspoon | Producer |
Bruna Papandrea | Producer |
Bill Pohlad | Producer |
Bergen Swanson | Executive Producer |
Nathan Ross | Executive Producer |
Nick Hornby | Executive Producer |
Yves Belanger | Director of Photography |
John Paino | Production Designer |
John Mac McMurphy | Editor |
Martin Pensa | Editor |
Susan Jacobs | Music Supervisor |
Melissa Bruning | Costume Designer |
David Rubin | Casting Director |
Marc Cote | Visual Effects Supervisor |
Bergen Swanson | Unit Production Manager |
Urs Hirscvhbiegel | Assistant Director-First Assistant Director |
Eric Richard Lasko | Assistant Director-Second Assistant Director |
Chuck Ryant | Associate Producer |
Michael Bartol | Production Supervisor |
Javiera Varas | Art Director |
Beth Lipson | Additional Art Direction-Art Department Coordinator |
Sean Roney | Additional Art Direction-Art Department Production Assistant |
Robert Covelman | Set Decorator |
Andrae Covington | Set Designer |
Jenelle Giordano | Set Decorator-Assistant Set Decorator |
Shawn Dyrdahl | Assistant Director-Second Second Assistant Director |
Anne Marie Fox | Additional Photography-Still Photographer |
Dick Hansen | Sound Mixer |
Jeffrey Harlacker | Associate Producer |
Jason Miller | Post-Production Supervisor |
Gwenaelle Larpent | Assistant Editor-First Assistant Editor |
David Berman | Assistant Editor-First Assistant Editor |
Steve Bobertz | Assistant Editor-First Assistant Editor |
Ai-Ling Lee | Supervising Sound Editor |
Mildred Iatrou Morgan* | Supervising Sound Editor |
Andy Nelson | Re-recording Mixer |
Ai-Ling Lee | Re-recording Mixer |
Dan Moore | Costume Supervisor |
Robin Mathews | Make up |
Tanya Cookingham | Make up |
Kymber Blake | Make up |
Miia Kovero | Hairstylist |
Trish Almeida | Hairstylist |
Bob Riggs | Special Effects Coordinator |
Melissa Pryor | Additional Casting-Casting Associate |
Lana Veenker | Additional Casting-Oregon Casting |
Eryn Goodman | Additional Casting-Oregon Casting |
Ranielle Gray | Additional Casting-Local Casting Associate |
Danny Stolz | Additional Casting-Extras Casting |
Sally Gates | Additional Casting-Extras Casting |
Suzanne Bingham | Script Supervisor |
Pam Fuller | Script Supervisor |
Ai-Ling Lee | Sound Designer |
Susan Dawes | Dialogue Editor-Supervising Dialogue Editor |
Teri E. Dorman | Dialogue Editor |
Paul Apted | Dialogue Editor |
John Murray | Additional Editor-Supervising Foley Editor |
Matthew Harrison | Additional Editor-Foley Editor |
Scott Curtis | Additional Editor-Foley Editor |
Galen Goodpaster | Sound Editor-First Assistant Sound Editor |
Jacob Riehle | Assistant Sound Editor |
James Ashwill | Foley Mixer |
John Guentner | Foley Mixer |
Amanda Goodpaster | Music Editor |
Joel Dougherty | Music Editor-Temp Music Editor |
Tim Gomillion | Recordist |
Philippe Desrosiers | Additional Editor-Online Editor |
Alex Terzieff | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.