United Kingdom Box Office for My Nazi Legacy (2015)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $12,979 | Details |
| Worldwide Box Office | $53,098 | Details |
| Further financial details... | ||
Synopsis
A thought-provoking account of friendship and the toll of inherited guilt, WHAT OUR FATHERS DID explores the relationship between two men, each of whom are the children of very high-ranking Nazi officials and possess starkly contrasting attitudes toward their fathers. Eminent human rights lawyer Philippe Sands investigates the complicated connection between the two, and even delves into the story of his own grandfather who escaped the same town where their fathers carried out mass killings. The three embark on an emotional journey together, as they travel through Europe and converse about the past, examining the sins of their fathers and providing a unique view of the father-son relationship, ultimately coming to some very unexpected and difficult conclusions.
Metrics
Movie Details
| United Kingdom Releases: | November 20th, 2015 (Limited), released as My Nazi Legacy |
| Video Release: | February 9th, 2016 by Oscilloscope Video |
| MPAA Rating: | Not Rated |
| Running Time: | 92 minutes |
| Keywords: | Set in Germany, Nazis, World War II, Archive Footage |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | BFI, BBC Storyville, Wildgaze Films, Willow Films |
| Production Countries: | United Kingdom |
| Languages: | English, German |
Per Theater Chart: Spotlight Shines Bright
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/11/20 | 35 | $7,950 | 2 | $3,975 | $7,950 | 1 | |
| 2015/11/27 | 59 | $460 | -94% | 1 | $460 | $12,979 | 2 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| North America | 11/6/2015 | $8,132 | 2 | 14 | 24 | $40,119 | |
| United Kingdom | 11/20/2015 | $7,950 | 2 | 2 | 3 | $12,979 | 12/1/2015 |
| Worldwide Total | $53,098 | 12/1/2015 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Frank Wachter | Himself |
| Von Wachter | Himself |
| Philippe Sands | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| David Evans | Director |
| Philippe Sands | Screenwriter |
| Finola Dwyer | Producer |
| Amanda Posey | Producer |
| Philippe Sands | Executive Producer |
| David Evans | Executive Producer |
| Nick Fraser | Executive Producer |
| Sam Hardy | Director of Photography |
| Philipp Blaubach | Director of Photography |
| Matt Gray | Director of Photography |
| David Charap | Editor |
| Malcolm Lindsay | Composer |
| Josephine Davies | Associate Producer |
| Matthew Powell | Recordist-Sound Recordist |