Argentina Box Office for The Way Way Back (2013)

← Go to main The Way Way Back page

The Way Way Back poster
Theatrical Performance (US$)
Argentina Box Office $64,820Details
Worldwide Box Office $26,853,810Details
Home Market Performance
North America DVD Sales $4,325,742 Details
North America Blu-ray Sales $1,984,027 Details
Total North America Video Sales $6,309,769
Further financial details...

Synopsis

A coming of age story about 14-year-old Duncan’s summer vacation with his mother, Pam, her overbearing boyfriend, Trent, and his daughter, Steph. Having a rough time fitting in, the introverted Duncan finds an unexpected friend in gregarious Owen, manager of the Water Wizz water park. Through his funny, clandestine friendship with Owen, Duncan slowly opens up to and begins to finally find his place in the world—all during a summer he will never forget.

Metrics

Movie Details

Production Budget:$5,000,000
Argentina Releases: October 31st, 2013 (Wide)
Video Release: October 22nd, 2013 by Fox Home Entertainment
MPAA Rating: PG-13 for thematic elements, language, some sexual content and brief drug material.
(Rating bulletin 2265, 3/27/2013)
Running Time: 103 minutes
Keywords: Coming of Age, First Love, Step-Family, Summer Vacation, Dysfunctional Family, Romance, Children Dealing with Divorce, Addiction, Narcotics, Delayed Adulthood, Screenplay Written By the Star, Directing Yourself, Digital Cinematography
Source:Original Screenplay
Genre:Comedy
Production Method:Live Action
Creative Type:Contemporary Fiction
Production/Financing Companies: Sycamore Pictures, DoubleYou, OddLot Entertainment, What Just Happened Productions
Production Countries: United States
Languages: English

2013 - Holiday Gift Guide - Part IV

December 21st, 2013

PANIC! If you haven't finished your Christmas shopping yet, it is officially time to panic. Personally, I got the last of my shopping done on Wednesday, although I don't think the gift will arrive in time for Christmas. For those still looking for a last minute gift, Part IV of our Holiday Gift Guide focuses on books, CDs, and of course anything else I missed the first time around, beginning with... More...

DVD and Blu-ray Releases for November 19th, 2013

November 20th, 2013

There are some good releases this week, but it is also a shallow week. If you look at Amazon.com's list of new releases, by the third or fourth page, you will find more filler than releases worth talking about. On the other hand, there are a number of late releases that finally arrived and I was able to get done. There are a number of contenders for Pick of the Week this week, including Doctor Who Story 29: The Tenth Planet, which is a must have for all Whovians. Kinky Boots is a very fun movie and you can't beat the price of the DVD. On the other hand, the Star Trek: The Next Generation Blu-ray releases for Season Five and Unification are expensive, but worth it for fans. In the end, I went with The World's End on Blu-ray Combo Pack for Pick of the Week. More...

Featured Blu-ray / DVD Review: The Way Way Back

November 15th, 2013

The Way Way Back is written by Nat Faxon and Jim Rash. For most of their careers, they have been actors. However, they wrote the script for The Descendants, which won them an Oscar. This time around, they not only co-wrote the screenplay, but co-directed the film as well. Was The Descendants a fluke? Or do they have another critical darling on their hands? More...

DVD and Blu-ray Releases for October 22nd, 2013

October 21st, 2013

This week on the home market is... well... it's short. Last week, according to Amazon.com, there were 459 new releases or reissues. This week there are 161. Fortunately, there are a few releases of note, including The Conjuring, which pulled in more than $300 million worldwide on a production budget of just $20 million. Fortunately, it really deserved this success and the DVD or Blu-ray Combo Pack are contenders for Pick of the Week. Other contenders include Before Midnight on DVD or Blu-ray Combo Pack and The Way Way Back on DVD or Blu-ray Combo Pack. In the end, it was literally a coin toss and The Conjuring won. More...

Per Theater Chart: Mother of God!

September 18th, 2013

It was a busy week in terms of limited releases, not only with number of new releases, but the success of most of these releases. Mother of George was the top film with $22,456 in one theater. Final: The Rapture earned an average of $15,942 in two theaters, which is an impressive opening for a film with no reviews. It will be interesting to see where it goes from here. Wadjda opened in three theaters, earning an average of $13,751. This film has some Oscar buzz going for it, so it might last in theaters longer than most similar releases. Blue Caprice also has some Oscar buzz and its opening of $13,400 in one theater might help it thrive as well. The overall box office leader, Insidious Chapter 2, opened in fifth place on the per theater chart with an average of $13,208. GMO OMG earned $13,000 in its lone theater, but its reviews are only mixed, so it likely won't last long. Salinger fell 48% to $11,252, while still playing in four theaters. It is likely it won't be able to expand significantly given this decline. More...

Reclusive Per Theater Chart

September 11th, 2013

The buzz surrounding Salinger helped it earn first place on the Per Theater Chart with an average of $21,739 in four theaters. However, given its reviews, I don't think it will last long. Instructions Not Included remained in the $10,000 club with an average of $11,366 in more than 700 theaters. It could still expand further, given its per theater average. More...

Per Theater Chart: IMAX out of this World

August 15th, 2013

IMAX movies have incredible legs and can bounce back in the $10,000 club years and years after their first release. Space Station jumped into first place with an average of $30,602 in one theater. In a World was the best new release with an average of $23,514 in three theaters. It is going to expand and we will have a contest starting on Friday to celebrate. Snake and Mongoose was close behind with $20,254 in its lone theater. Blue Jasmine continues to expand and it is now playing in 119 theaters. However, its average remains very strong at $19,709 and it will undoubtedly continue to expand. The Spectacular Now expanded from 4 to 19 theaters, while its average fell to $14,045. This is still strong enough to suggest further expansion and it should reach its first major milestone shortly. Chennai Express broke records for a Bollywood film playing in 196 theaters, while its per theater average was $11,329. That's an incredible start. More...

Per Theater Chart: Now That's Spectacular

August 7th, 2013

The Spectacular Now debuted in first place on the Per Theater Chart with an average of $49,354 in four theaters. This result, plus its excellent reviews, suggests it will have long legs in limited release. Last week's number one film, Blue Jasmine, slipped to second place with an average of $37,174, but it is now playing in 50 theaters, which is an amazing result. Space Station popped back into the $10,000 with an average of $15,352. It has pulled in $88 million after more than a decade of release. The Canyons earned $13,351 in its lone theater, proving there is no such thing as bad publicity. The reviews, on the other hand, were really bad and the film's only real hope is to become a cult classic. That might happen. More...

Weekend Estimates: 2 Guns Good, Smurfs Look Overseas

August 4th, 2013

2 Guns continues Universal's very good year this weekend with an opening the studio is projecting at $27.36 million, as of Sunday morning. That's not record-breaking by any means, but it's certainly solid for a late-Summer action movie. The Smurfs 2, meanwhile, is a major disappointment for Sony, who were hoping for much more than $18.2 million, given that the first film in the franchises earned $35.6 million on debut. This is a film that will earn far more overseas than it does domestically though, so the studio will be looking more closely at opening numbers from around the world, where the film is reportedly doing much better. More...

Weekend Estimates: Wolverine Growls, Doesn't Howl at Top of Chart

July 28th, 2013

The Wolverine will have a very solid, but far from spectacular debut this weekend, according to studio estimates released on Sunday. Its $55 million total will give it the tenth-biggest weekend of the year, and the best for Fox, but it is falling well behind comparable films like World War Z (which opened with $66 million) and Star Trek Into Darkness ($70 million). Good reviews and lessened competition as the Summer season comes to a close will help it a bit, but it looks like $100 million and out for the franchise, unless its $86.1 million international debut turns into a $400 million global run. More...

Per Theater Chart: Getting in the Act

July 23rd, 2013

The Act of Killing had the best result on the per theater chart earning $27,450 in its lone theater. Fruitvale Station saw its theater count rise from 7 to 34, but its per theater average remained strong at $21,750. It has already cracked its first major milestone, and with room to expand, it will reach more. Blackfish debuted in five theaters with a per theater average of $15,192. That's very strong for a documentary. The overall box office leader, The Conjuring, was right behind with an average of $14,418. More...

Per Theater Chart: Fruits of Their Labor

July 16th, 2013

Fruitvale Station earned top spot on the per theater chart with an outstanding average of $53,898 in seven theaters. This is the third best per theater average for the year, behind Spring Breakers and The Place Beyond the Pines. Last week's winner, The Way Way Back, slipped to second place with $14,201 in 79 theaters. Its theater count tripled and this average suggests it will expand a lot more before it is done. Crystal Fairy was right behind with an average of $12,526 in two theaters. There were three wide releases in the $10,000 club, led by Grown Ups 2 with an average of $11,890, while Pacific Rim was right behind with an average of $11,385. The overall box office leader, Despicable Me 2, rounded out the $10,000 club with an average of $10,965. More...

Weekend Estimates: Despicable Me Too Much for Newcomers

July 14th, 2013

A three-way battle for box office supremacy this weekend will be won by the reigning champ, Despicable Me 2, dealing a major blow to Warner Bros. potential franchise starter Pacific Rim, which will end up in 3rd place. The action movie is set to post around $38.3 million, in spite of generally good reviews and an A- CinemaScore, and will land behind Grown Ups 2, which has been panned by critics but will still gather $42.5 million. Despicable Me 2 takes the prize though, with a drop of around 46% to $44.75 million for the weekend and $229 million to date. More...

Per Theater Chart: Way Way is Strong Strong

July 9th, 2013

The Way Way Back earned top spot on the per theater chart with an average of $29,094 in nineteen theaters. This suggests a lot of room to expand, while it should reach its first milestone shortly. The overall box office leader, Despicable Me 2 was next with an average of $20,895. Kevin Hart: Let Me Explain was a surprise entrant in the $10,000 club with an average of $11,450 in nearly 900 theaters. The final film in the $10,000 club was Museum Hours with an average of $10,427 in three theaters. More...

Limited Releases will have to go Way Back to Look for a Big Hit

July 5th, 2013

It's a pretty busy week for limited releases with several films having openings spread out from Wednesday through Friday. However, while it is a busy week, only two of them are earning overall good reviews. Big Star: Nothing Can Hurt Me is earning the best reviews, but as a documentary, its chances of expanding are limited. On the other hand, The Way Way Back is not only earning great reviews, but its cast is better than most wide releases could hope for. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2013/11/22 25 $43   2 $22   $64,820 4

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 10/31/2013 $0 0 2 2 $64,820 12/30/2018
Austria 12/6/2013 $3,076 14 14 22 $5,745 12/13/2015
Belgium 11/27/2013 $4,164 5 5 11 $6,739 12/13/2015
France 11/27/2013 $2,323 10 10 10 $2,323 12/13/2015
Germany 12/5/2013 $20,046 54 54 54 $152,143 12/13/2015
Hong Kong 12/5/2013 $5,506 6 6 7 $8,440 12/13/2015
Mexico 10/18/2013 $0 0 7 10 $57,426 12/13/2015
North America 7/5/2013 $552,788 19 1,001 6,218 $21,502,690 4/3/2015
Portugal 11/14/2013 $0 0 4 4 $5,815 12/13/2015
Spain 10/25/2013 $0 0 1 1 $99,087 12/13/2015
Uruguay 11/28/2013 $2,887 2 2 3 $4,157 12/30/2018
 
Rest of World $4,944,425
 
Worldwide Total$26,853,810 12/30/2018

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Lead Ensemble Members

Supporting Cast

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Nat Faxon Director
Jim Rash Director
Nat Faxon Screenwriter
Jim Rash Screenwriter
Kevin J. Walsh Producer
Tom Rice Producer
Nat Faxon Executive Producer
Jim Rash Executive Producer
Ben Nearn Executive Producer
Gigi Pritzker Executive Producer
George Parra Executive Producer
John Bailey Director of Photography
Mark Ricker Production Designer
Tatiana S. Riegel Editor
Ann Roth Costume Designer
Michelle Matland Costume Designer
Linda Cohen Music Supervisor
Rob Simonsen Composer
Jeremy Woodward Art Director
Rena DeAngelo Set Decorator
Kevin Parker Sound Mixer
Scott Sanders Supervising Sound Designer
Perry Robertson Supervising Sound Editor
Patrick Cyccone Re-recording Mixer
Christopher Walsh Special Effects Supervisor
Sean Devereaux Visual Effects Supervisor
Paul Marini Stunt Coordinator
Ramses Del Hierro Assistant Director
Allison Jones Casting Director
Jon Mooney Music Editor

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.