Spain Box Office for Under the Skin (2014)
Theatrical Performance (US$) | ||
Spain Box Office | $82,683 | Details |
Worldwide Box Office | $7,229,933 | Details |
Home Market Performance | ||
North America DVD Sales | $1,582,656 | Details |
North America Blu-ray Sales | $1,088,292 | Details |
Total North America Video Sales | $2,670,948 | |
Further financial details... |
Synopsis
An alien of unknown origin arrives on Earth in search of human prey. Taking the form of the perfect female specimen, she prowls the streets looking for men to lure into her otherworldly lair. Her victims are seduced, stripped of their skin and never heard from again. But as time passes, she grows too comfortable in her borrowed skin, placing her very survival at risk.
Metrics
Movie Details
Production Budget: | $13,300,000 |
Spain Releases: | July 10th, 2020 (Wide) |
Video Release: | July 15th, 2014 by Lionsgate Home Entertainment |
MPAA Rating: | R for graphic nudity, sexual content, some violence and language. (Rating bulletin 2299, 11/20/2013) |
Running Time: | 108 minutes |
Keywords: | Bodysnatchers, Alien Invasion, Food, Hitchhiker, Cannibalism, Non Professional Actor, Improvised, Accidental Death, Sex Crimes, Limited Dialogue, Unnamed Character, Psychological Thriller |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Nick Wechsler, JW Films, Silver Reel Entertainment, Creative Scotland, FilmNation Entertainment |
Production Countries: | United Kingdom |
Languages: | English |
2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: Independent Spirit Awards - Nominations
December 6th, 2014
The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
DVD and Blu-ray Releases for July 15th, 2014
July 14th, 2014
There is actually a $100 million hit on this week's list of new releases, which puts it miles ahead of most of recent weeks. Unfortunately, that new release is Rio 2, which isn't terrible, but it certainly isn't Pick of the Week material either. Worse still, there is practically no depth this week and almost none of the new DVDs / Blu-rays are Pick of the Week contenders. Fortunately, "Weird Al" Yankovic comes to the rescue with Mandatory Fun, which is a CD, which I normally don't talk about. As far as DVDs and Blu-rays are concerned, Orphan Black: Season 2 on Blu-ray is clearly the best.
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Featured Blu-ray / DVD Review: Under the Skin
July 14th, 2014
Under the Skin stars Scarlett Johansson, which gave the film a lot more star power than most limited releases have. On the other hand, the premise was a little out there, so much so that it really never had a shot at expanding significantly. It managed $2.5 million, which is great, especially considering so far this year only three limited releases have topped $10 million (The Grand Budapest Hotel, Chef, and very recently Belle). Does the film work as an art house film? Will it please more mainstream audiences?
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Per Theater Chart: Eat It Up
May 14th, 2014
It was a good week on the per theater chart with five films in the $10,000 club, led by Chef with an average of $34,160 in six theaters, which is the third best opening average of the year so far. Palo Alto was well back, but was still strong earning an average of $15,865 in four theaters. The overall box office leader, Neighbors, was next with an average of $14,954. There were also a couple of holdovers in the $10,000 club, which is impressive. Ida held on strong earning an average of $12,223 in seven theaters, with room to keep growing. Belle expanded from 4 theaters to 45 theaters, but still managed an average of $10,825. By this time next week, it will have reached its first major milestone, with more to come.
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Per Theater Chart: Fade Sharpens into Focus
April 23rd, 2014
Fading Gigolo debuted on top of the per theater chart with an average of $36,160 in five theaters. This is the second best per theater average for a 2014 release behind The Grand Budapest Hotel. Granted, it was well behind that film, but still in second place. Also, given the film's reviews, it won't last very long at the box office. The only other film to reach the $10,000 club was Godzilla: The Original Japanese Version, which celebrated its 60th anniversary with $10,903 in one theater.
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Weekend Estimates: Winter Soldier Beats Out Rio
April 13th, 2014
When Friday's numbers came in, the consensus was that Rio 2 would take the weekend, but relatively weak Saturday numbers for the debutant, and strength through the weekend for Captain America: The Winter Soldier, means that the final weekend estimates on Sunday morning point towards a win for Marvel's superheroes. Captain America is projected to earn $41.4 million over three days for a domestic total around $159 million after two weekends. That's well ahead of the original's $117 million at this stage in its release, and the film's worldwide box office will better the first film's final global total by the end of the weekend too. Rio 2, meanwhile, will have an opening weekend almost identical to Rio, which is a slight disappointment, but hardly a disaster.
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Per Theater Chart: Under Over Everyone Else
April 8th, 2014
Under the Skin opened surprisingly well with a per theater average of $33,289 in four theaters. This is the second best opening per theater average for any film released in 2014, well back of The Grand Budapest Hotel's record-breaking debut. The only other film in the $10,000 club was the overall box office leader, Captain America: The Winter Soldier, which earned an average of $24,130 in nearly 4,000 theaters.
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Weekend Estimates: Captain America Sets New April Record
April 6th, 2014
The evolution of the Avengers universe is working out very well for Disney. In November, Thor enjoyed a bump from $65 million to $85 million on opening weekend (and an almost $200 million boost in final worldwide box office). Now, Captain American: Winter Soldier is topping the first movie in its sub-franchise by $30 million or so on opening weekend, with a projected total of $96.2 million, compared to $65 million last time around. With excellent reviews, and a better global launch, we could be looking at another $600 million in the bank before this one is finished. Into the bargain, the film will easily be the record weekend in April, comfortably ahead of the $86 million earned by Fast Five back in 2011.
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Limited Releases: Afflicting Limited Releases on the Public
April 4th, 2014
It is a busy week, not only in terms of quantity, but also quality. There are seven films earning 80% positive reviews or higher (at least when I checked last). Some of these, like Afflicted, probably won't find an audience in theaters, because it is just the wrong genre. Others, like The Unknown Known and Watermark, might do well for the genre, but won't find any real measure of mainstream success. On the other hand, Under the Skin and Alan Partridge might find audiences in theaters.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/07/10 | 8 | $19,624 | 33 | $595 | $19,624 | 1 | |
2020/07/17 | 13 | $8,237 | -58% | 38 | $217 | $43,651 | 2 |
2020/07/24 | 17 | $5,609 | -32% | 32 | $175 | $57,564 | 3 |
2020/07/31 | 14 | $5,611 | n/c | 23 | $244 | $69,579 | 4 |
2020/08/07 | 17 | $3,235 | -42% | 11 | $294 | $77,031 | 5 |
2020/08/14 | - | $2,161 | -33% | 7 | $309 | $82,683 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 11/12/2020 | $478 | 1 | 1 | 8 | $220,213 | 5/20/2024 |
Belgium | 6/25/2014 | $42,349 | 15 | 15 | 63 | $136,207 | 12/17/2015 |
France | 6/25/2014 | $305,137 | 50 | 50 | 50 | $305,137 | 12/15/2015 |
Hong Kong | 7/10/2014 | $22,454 | 7 | 7 | 15 | $53,693 | 12/17/2015 |
North America | 4/4/2014 | $133,154 | 4 | 176 | 861 | $2,614,251 | 10/23/2015 |
Philippines | 7/23/2014 | $13,031 | 50 | 50 | 50 | $13,031 | 12/30/2018 |
Spain | 7/10/2020 | $19,624 | 33 | 38 | 144 | $82,683 | 8/24/2020 |
Taiwan | 7/18/2014 | $20,977 | 10 | 10 | 15 | $47,840 | 12/17/2015 |
United Kingdom | 3/14/2014 | $0 | 0 | 23 | 25 | $1,916,028 | 1/17/2024 |
Rest of World | $1,840,850 | ||||||
Worldwide Total | $7,229,933 | 5/20/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Scarlett Johansson | Laura |
Supporting Cast
Paul Brannigan | Andrew |
Antonia Campbell-Hughes | Shadow Alien |
Krystof Hadek | The Swimmer |
Jessica Mance | Alien |
Robert J. Goodwin | |
Joe Szula | |
Adam Pearson | |
Michael Moreland | |
Jeremy McWilliams |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jonathan Glazer | Director |
James Wilson | Producer |
Nick Wechsler | Producer |
Walter Campbell | Screenwriter |
Jonathan Glazer | Screenwriter |
Michel Faber | Story Creator |
Tessa Ross | Executive Producer |
Reno Antoniades | Executive Producer |
Walter Campbell | Executive Producer |
Claudia Bluemhuber | Executive Producer |
Ian Hutchinson | Executive Producer |
Florian Dargel | Executive Producer |
Daniel Landin | Director of Photography |
Paul Watts | Editor |
Chris Oddy | Production Designer |
Mica Levi | Composer |
Peter Raeburn | Music Producer |
Peter Raeburn | Music Supervisor |
Johnnie Burn | Sound Designer |
One of Us | Visual Effects Designer |
Alexander O'Neal | Co-Producer |
Gillian Berrie | Co-Producer |
Richard Lloyd | Post-Production Supervisor |
Kahleen Crawford | Casting Director |
Steven Noble | Costume Designer |
Chrissie Beveridge | Make-up and Hair Designer |