Netherlands Box Office for UglyDolls (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $375,471 | Details |
Worldwide Box Office | $32,630,599 | Details |
Home Market Performance | ||
North America DVD Sales | $1,784,370 | Details |
North America Blu-ray Sales | $1,673,962 | Details |
Total North America Video Sales | $3,458,332 | |
Further financial details... |
Synopsis
Moxy loves her square-peg life in this round-hole town, but her curiosity about all things leads her to wonder if there’s something— anything—on the other side of the mountain which nestles Uglyville. Moxy gathers a group of her closest friends and sets off to find what’s on the other side. They discover another world Perfection—a town where more conventional dolls are trained in protocols before they graduate and are sent to the “real” world to find the love of a child. In Perfection, Moxy and her crew are subject to the manipulations of Lou, the perfect doll in charge of training recruits. Here, the UglyDolls will confront what it means to be different, struggle with their desire to be loved, and ultimately discover that you don’t have to be perfect to be amazing because who you truly are is what matters most.
Metrics
Movie Details
Production Budget: | $45,000,000 |
Netherlands Releases: | August 2nd, 2019 (Wide) |
Video Release: | July 16th, 2019 by STX Entertainment |
MPAA Rating: | PG for thematic elements and brief action. (Rating bulletin 2572 (Cert #51965), 4/3/2019) |
Running Time: | 87 minutes |
Keywords: | Living Toys, Underdog, Coming of Age, Bullies, Family Adventure |
Source: | Based on Toy |
Genre: | Adventure |
Production Method: | Digital Animation |
Creative Type: | Kids Fiction |
Production/Financing Companies: | Reel FX Animation Studios, STX Films, Huaxia Film & Distribution Coroporation |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 30th, 2019
July 31st, 2019
Avengers: Endgame is coming out on Video on Demand and it is scaring away all of the competition. It is a really shallow week, but there are several contenders for Pick of the Week. The biggest first run Blu-ray release of the week is Long Shot and it is among the contenders. As is Bojack Horseman and The Good Place. However, in the end I went with The Thin Man on Blu-ray, because I really want the full series to come out sooner rather than later.
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Weekend Wrap-Up: Endgame Barely Tops Infinity War, Pickachu Solves Video Game Adaptations
May 14th, 2019
The two biggest hits of the weekend were not as potent as predicted, but Avengers: Endgame and Pokémon: Detective Pikachu both have reasons to celebrate. Endgame became only the fourth film to reach $700 million domestically, while Detective Pikachu nearly entered the top ten video game adaptations of all time after just its opening weekend. As for the other wide releases, The Hustle did fine and the less said about Poms and Tolkien the better. The overall box office 16% from last weekend hitting $168 million. However, this was 21% higher than the same weekend last year, which is clearly the more important figure, as 2019 continues to try and climb out of the hole it dug for itself. It is now behind last year by 8.7% or $370 million at $3.83 billion to $4.20 billion.
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Weekend Wrap-Up: Endgame Falls Just Short of The Force Awakens
May 7th, 2019
Avengers: Endgame didn’t do quite as well as expected over the The weekend, but it still managed the second best second weekend with $147.38 million. However, the number one film, The Force Awakens, was playing during the holidays, so Endgame has the record for best non-holiday second weekend. This wasn’t the only record Endgame set over the weekend. On the other hand, The Intruder was the only new release to top $10 million over the weekend, which resulted in a massive 50% box office decline from last weekend down to $199 million. A 50% week-over-week decline would be unusual most of the time, but this is what happens when you have a record-destroying weekend followed by a non-holiday weekend without any significant new releases. More importantly, this is still 17% more than the same weekend last year. 2019 is still way behind 2018, but the gap has dropped significantly over the past two weeks and is now 9.8% or $390 million at $3.61 billion to $4.00 billion.
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Weekend Estimates: Endgame and Force Awakens in Real Fight
May 5th, 2019
The weekend isn’t going as well as I had hoped. Avengers: Endgame managed $145.80 million during its second weekend of release, which would leave it just behind The Force Awakens for biggest second weekend of all time. However, this is from Disney and they underestimated last week’s opening by such a large margin that I’m not sure The Force Awakens’ record is safe. On the other hand, there’s no ambiguity about Endgame setting the record for fastest to $600 topping The Force Awakens’s previous record by two full days. The film’s running tally sits at $619.70 million after just ten days of release and I don’t think it is hyperbolic to say it will top $900 million given its start so far. In fact, it could remove The Force Awakens from the top spot on the all-time Domestic title by the time its done, if it turns out Disney was being too conservative with its estimates again this week.
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Friday Estimates: Endgame Nearly Matches The Force Awakens
May 4th, 2019
Avengers: Endgame dominated the Friday box office with $40.64 million for the day. By comparison, The Force Awakens earned $49.33 million during its second Friday of release; however that was Christmas Day, which is one of the best days of the year. Endgame should have better legs over the rest of the weekend and could close the gap by the end of Sunday. I’m not convinced that will happen, but it should still beat our $140 million prediction, so I’m sure Disney will be more than happy with this performance. Furthermore, the film topped $500 million in just its eighth day of release, beating The Force Awakens previous record of 10 days, and will get to $600 million by the end of the weekend, 2 days faster than Awakens reached that milestone.
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Thursday Night Previews: Intruder Takes a Shot at the other Wide Releases
May 3rd, 2019
Despite earning the worst reviews, The Intruder had the best previews among the new releases last night. That said, it only managed $865,000. It will likely beat our prediction for the weekend as a whole, albeit by a small margin with just over $10 million. That would be a great start for a film that reportedly only cost $5 million to make.
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Weekend Prediction: Endgame Takes Aim at The Force Awakens
May 2nd, 2019
Avengers: Endgame looks to break more records this weekend. It is specifically taking aim at The Force Awakens for the biggest second weekend of all time. If it can break this record, then The Force Awakens’s all-time Domestic title is in serious trouble. There are also a trio of wide releases opening this week, but I don’t think they will be a major factor at the box office. Long Shot is clearly the best and I think it will do well for a Romantic Comedy. UglyDolls’ reviews are not pretty, but they shouldn’t hurt this family film too much. Finally there's, The Intruder, which is not only the smallest release, but it is also earning the worst reviews. This weekend last year, Avengers: Infinity War dominated the chart, with Overboard earning second place with just under $15 million.
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2019 Preview: May
May 1st, 2019
April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall.
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UglyDolls Trailer
February 8th, 2019
Animated musical adventure opens May 3 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/08/02 | 11 | $57,776 | 95 | $608 | $139,550 | 1 | |
2019/08/09 | 16 | $51,973 | -10% | 94 | $553 | $231,802 | 2 |
2019/08/16 | 17 | $38,792 | -25% | 75 | $517 | $311,149 | 3 |
2019/08/23 | 27 | $8,439 | -78% | 53 | $159 | $336,014 | 4 |
2019/08/30 | 24 | $9,404 | +11% | 44 | $214 | $345,976 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/17/2019 | $114,684 | 195 | 195 | 312 | $227,452 | 7/11/2019 |
Australia | 9/27/2019 | $117,190 | 250 | 250 | 757 | $884,128 | 10/26/2020 |
Brazil | 5/17/2019 | $214,162 | 128 | 270 | 398 | $321,978 | 5/31/2019 |
Bulgaria | 5/17/2019 | $9,072 | 0 | 0 | 0 | $35,827 | 7/3/2019 |
China | 10/4/2019 | $0 | 0 | 0 | 0 | $498,061 | 11/1/2019 |
Czech Republic | 5/3/2019 | $55,378 | 122 | 122 | 262 | $105,825 | 5/28/2019 |
France | 7/12/2019 | $154,910 | 293 | 293 | 534 | $398,631 | 8/4/2019 |
Italy | 11/14/2019 | $318,575 | 0 | 35 | 42 | $629,472 | 1/20/2020 |
Lithuania | 6/28/2019 | $2,473 | 6 | 108 | 354 | $137,187 | 9/4/2019 |
Mexico | 5/17/2019 | $726,285 | 0 | 0 | 0 | $1,301,018 | 6/3/2019 |
Netherlands | 8/2/2019 | $57,776 | 95 | 95 | 392 | $375,471 | 10/20/2019 |
New Zealand | 9/26/2019 | $18,996 | 80 | 80 | 271 | $186,546 | 10/19/2022 |
North America | 5/3/2019 | $8,603,407 | 3,652 | 3,652 | 11,234 | $20,150,241 | 10/24/2022 |
Poland | 5/31/2019 | $318,099 | 206 | 206 | 824 | $861,560 | 6/29/2019 |
Portugal | 8/2/2019 | $53,457 | 72 | 75 | 249 | $220,983 | 10/19/2022 |
Russia (CIS) | 8/22/2019 | $131,372 | 1109 | 1109 | 2329 | $296,539 | 10/19/2022 |
Slovakia | 5/17/2019 | $26,555 | 72 | 72 | 172 | $64,001 | 7/2/2019 |
South Korea | 5/1/2019 | $119,014 | 331 | 331 | 383 | $318,275 | 5/23/2019 |
Spain | 5/3/2019 | $193,992 | 307 | 307 | 908 | $532,943 | 5/30/2019 |
Turkey | 5/17/2019 | $34,956 | 251 | 251 | 421 | $65,971 | 6/27/2019 |
United Kingdom | 8/16/2019 | $323,337 | 437 | 437 | 874 | $753,069 | 8/28/2019 |
Rest of World | $4,265,421 | ||||||
Worldwide Total | $32,630,599 | 10/24/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Kelly Clarkson | Moxy |
Janelle Monáe | Mandy |
Blake Shelton | Ox |
Wanda Sykes | Wage |
Gabriel Iglesias | Babo |
Leehom Wang | Lucky Bat |
Bebe Rexha | Spy Girl |
Charli XCX | Spy Girl |
Lizzo | Spy Girl |
Nick Jonas | Lou |
Pitbull | Ugly Dog |
Supporting Cast
Emma Roberts | Wedgehead |
Kelly Asbury | Gibberish Cat/Oliver/Chef/Buttons |
Jane Lynch | Scanner |
Natalie Martinez | Meghan |
Stephen Zimpel | Michael |
Enrico C. Santos | Nolan |
Rob Riggle | Exposition Robot |
Steven Schweickart | New Arrival |
Afi Ekulona | Tray |
Jacques Colimon | Sporko |
Poonam Basu | Various Voices |
Carrin Baker | Additional Voice |
Rajia Baroudi | Additional Voice |
Elizabeth Bartley | Additional Voice |
Ranjani Brow | Additional Voice |
William Calvert | Additional Voice |
David Chen | Additional Voice |
David Cowgill | Additional Voice |
Brian T. Delaney | Additional Voice |
Lynn Evans | Additional Voice |
Chase Fein | Additional Voice |
Jeff Fischer | Additional Voice |
Jackie Gonneau | Additional Voice |
Jason Griffith | Additional Voice |
Wendy Hoffman | Additional Voice |
Terence Mathews | Additional Voice |
Janora McDuffie | Additional Voice |
Scott Menville | Additional Voice |
David Michie | Additional Voice |
Richard Mino | Additional Voice |
Andrew Morgado | Additional Voice |
Masasa Moyo | Additional Voice |
Richard Ortega | Additional Voice |
Devika Parikh | Additional Voice |
Constance Parng | Additional Voice |
Michael Pennington | Additional Voice |
Eliza Jane Schneider | Additional Voice |
Dennis Singletary | Additional Voice |
Kelly Stables | Additional Voice |
Jaquita Ta'le | Additional Voice |
Matt Wolf | Additional Voice |
Shelby Young | Additional Voice |
Uncategorized
Juan Pacheco | Additional Voice |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Kelly Asbury | Director |
Jane Hartwell | Producer |
Robert Rodriguez | Producer |
Oren Aviv | Producer |
Alison Peck | Screenwriter |
Robert Rodriguez | Story by |
David Horvath | Character Creator |
Kim Sun-min | Character Creator |
Robert Simonds | Executive Producer |
Adam Fogelson | Executive Producer |
Ruoging Fu | Executive Producer |
Mingyu Peng | Executive Producer |
Huixia Zhang | Executive Producer |
Fan Luyuan | Executive Producer |
Zhang Wei | Executive Producer |
Jerry Li | Executive Producer |
Shujin Lan-Shuster | Executive Producer |
Gabriel Bloch | Executive Producer |
Pitbull | Executive Producer |
Drew Matilsky | Executive Producer |
Julie Rogers | Editor |
Nolan Southerland | Editor |
Christopher Lennertz | Song Writer |
Glenn Slater | Song Writer |
Christopher Lennertz | Composer |
Jason Markey | Music Supervisor |
Paul McEvoy | Head of Story |
Andrew Woodhouse | Production Designer |
Shannon Jeffries | Production Designer |
Sébastien Bruneau | Head of Animation |
David Esneault | Visual Effects Supervisor |
Scott Peterson | Character CG Supervisor |
Andrea McCarthy Paul | Associate Producer |
Steven Schweickart | Production Manager |
Ruth Lambert | Casting Director |
Robert McGee | Casting Director |
Kevin Weaver | Executive Music Producer |
Liu Guoqing | Associate Producer |
Vivian Wang | Associate Producer |
David Trumble | Story Artist |
Robert Briggs | Story Artist |
Seema Virdi | Story Artist |
David Feiss | Story Artist |
Dirk Van Dulmen | Story Artist |
Sharon Bridgeman | Story Artist |
Ed Gombert | Story Artist |
Kevin Harkey | Story Artist |
Patrick Pakula | Story Artist |
Keith Baxter | Story Artist |
Peter Paul Bautista | Story Artist |
Daniel LaFrance | Story Artist |
Terry Michaud | Story Artist |
Sue Nichols | Story Artist |
Michael Wechsler | First Assistant Editor |
Ken Scribner | Assistant Editor |
Nik Siefke | Assistant Editor |
Lara Khachooni | Assistant Editor |
John Damien Ryan | Assistant Editor |
Magdiela Hermida Duhamel | Production Supervisor |
Luis Grane | Lead Character Designer |
Ovi Nedelcu | Character Designer |
Alison Donato | Character Designer |
Joel Dougherty | Re-recording Mixer |
Greg Orloff | Re-recording Mixer |
Branden Spencer | Supervising Sound Editor |
Sean McCormack | Supervising Sound Editor |
Shawn Montgomery | Post-Production Supervisor |
Paul Pirola | Sound Designer |
Jessica Arkoff | Dialogue Editor |
Duncan Campbell | Sound Effects Editor |
Hayden Collow | Sound Effects Editor |
Harvey James | Sound Effects Editor |
Andrew Neil | Sound Effects Editor |
Brendan Croxon | Foley Editor |
Sam Baker | Foley Editor |
Ryan Squires | Foley Mixer |
Dan DiPrima | Music Editor |
Christopher Brooks | Music Editor |
Dara Taylor | Score Producer |
Frank Wolf | Score Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.