Terminator 2: Judgment Day (1991)

Terminator 2: Judgment Day
Theatrical Performance
Domestic Box Office $203,464,105Details
International Box Office $311,897,419Details
Worldwide Box Office $515,361,524
Further financial details...

Metrics

Opening Weekend:$31,765,506 (15.6% of total gross)
Legs:6.41 (domestic box office/biggest weekend)
Domestic Share:39.5% (domestic box office/worldwide)
Production Budget:$100,000,000 (worldwide box office is 5.2 times production budget)
Theater counts:2,274 opening theaters/2,495 max. theaters, 11.6 weeks average run per theater
Infl. Adj. Dom. BO $518,802,743

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Movie Details

Domestic Releases: July 2nd, 1991 (Wide) by Sony Pictures
August 25th, 2017 (Limited) by Distrib Films, released as Terminator 2: Judgment Day 3D (1991) (Re-Release)
International Releases: July 6th, 1991 (Wide) (South Korea)
October 25th, 1991 (Wide), released as Exterminador Implacável 2: O Dia do Julgamento (Portugal)
August 25th, 2017 (Wide), released as Terminator 2: Judgment Day 3d (Australia)
August 25th, 2017 (Wide), released as Terminatorius 2. Paskutinio teismo diena 3D (Lithuania)
August 25th, 2017 (Wide), released as Terminator 2: Judgment Day (Re release) (Netherlands)
... Show all releases
Video Release: October 22nd, 1997 by Live / Artisan
MPAA Rating: R for strong sci-fi action and violence, and for language.
Running Time: 136 minutes
Franchise: Terminator
Comparisons: vs. Terminator 3: Rise of the Machines
Create your own comparison chart…
Keywords: Visual Effects, End of the World, Time Travel, Yesterday's Tomorrow, 1990s, Robot, 3D Re-release, 2020s, Set in Los Angeles, Near Future, Voiceover/Narration, Prologue, Foster Family, Dysfunctional Family, Mental Hospital, 3-D, 3-D - Post-production Conversion
Source:Original Screenplay
Genre:Action
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: Carolco Pictures, Pacific Western, Lightstorm Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $100m 226 $201,858,746 Nov 15, 1991 138
Fastest to $150m 224 $201,858,746 Nov 15, 1991 138
Fastest to $200m 224 $201,858,746 Nov 15, 1991 138
Fastest to $50m 245 $201,858,746 Nov 15, 1991 138
Biggest Domestic 10th Weekend 99 $3,106,995 Sep 6, 1991 68
Biggest Domestic 9th Weekend 58 $5,401,293 Aug 30, 1991 61
Labor Day (All Movies, 3-Day) 196 $5,401,293 Aug 30, 1991 61
Labor Day (All Movies, 3-Day, Inflation Adjusted) 108 $14,497,527 Aug 30, 1991 61
Top Sony Pictures Weekend Domestic 99 $31,765,506 Jul 5, 1991 5
Independence Day (All Movies, 3-Day) 33 $31,765,506 Jul 5, 1991 5
Independence Day (All Movies, 3-Day, Inflation Adjusted) 21 $85,261,336 Jul 5, 1991 5
Independence Day (Opening, 3-Day) 24 $31,765,506 Jul 5, 1991 5
Independence Day (Opening, 3-Day, Inflation Adjusted) 19 $85,261,336 Jul 5, 1991 5

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 5, 1991 1 $31,765,506   2,274 $13,969   $52,306,548 1
Jul 12, 1991 1 $20,738,340 -35% 2,289 $9,060   $90,429,618 2
Jul 19, 1991 1 $14,895,425 -28% 2,349 $6,341   $115,314,239 3
Jul 26, 1991 1 $11,051,400 -26% 2,445 $4,520   $133,612,304 4
Aug 2, 1991 2 $8,587,790 -22% 2,495 $3,442   $147,713,569 5
Aug 9, 1991 3 $6,725,035 -22% 2,389 $2,815   $159,166,629 6
Aug 16, 1991 2 $5,544,350 -18% 2,263 $2,450   $168,449,764 7
Aug 23, 1991 3 $4,089,720 -26% 2,076 $1,970   $175,583,219 8
Aug 30, 1991 3 $5,401,293 +32% 1,888 $2,861   $183,122,792 9
Sep 6, 1991 2 $3,106,995 -42% 1,800 $1,726   $187,253,083 10
Sep 13, 1991 4 $2,481,453 -20% 1,651 $1,503   $190,746,136 11
Sep 20, 1991 5 $2,063,232 -17% 1,592 $1,296   $193,624,962 12
Sep 27, 1991 7 $1,252,960 -39% 1,312 $955   $195,572,034 13
Oct 11, 1991 15 $664,020   612 $1,085   $198,037,242 15
Nov 15, 1991 16 $588,657   717 $821   $201,858,746 20
Aug 25, 2017 25 $552,773   371 $1,490   $202,411,519 1,365
Sep 1, 2017 39 $177,979 -68% 297 $599   $203,343,310 1,366

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jul 2, 1991 1 $2,400,000   2,274 $1,055   $2,400,000  
Jul 3, 1991 1 $9,261,072 +286% 2,274 $4,073   $11,661,072 1
Jul 4, 1991 1 $8,879,970 -4% 2,274 $3,905   $20,541,042 2

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 5, 1991 1 $49,150,236   2,274 $21,614   $69,691,278 2
Jul 12, 1991 1 $30,727,536 -37% 2,289 $13,424   $100,418,814 3
Jul 19, 1991 1 $22,142,090 -28% 2,349 $9,426   $122,560,904 4
Jul 26, 1991 1 $16,564,875 -25% 2,445 $6,775   $139,125,779 5
Aug 2, 1991 2 $13,315,815 -20% 2,495 $5,337   $152,441,594 6
Aug 9, 1991 3 $10,463,820 -21% 2,389 $4,380   $162,905,414 7
Aug 16, 1991 2 $8,588,085 -18% 2,263 $3,795   $171,493,499 8
Aug 23, 1991 2 $6,228,000 -27% 2,076 $3,000   $177,721,499 9
Aug 30, 1991 3 $6,424,589 +3% 1,888 $3,403   $184,146,088 10
Sep 6, 1991 2 $4,118,595 -36% 1,800 $2,288   $188,264,683 11
Sep 13, 1991 4 $3,297,047 -20% 1,651 $1,997   $191,561,730 12
Sep 20, 1991 4 $2,757,344 -16% 1,592 $1,732   $194,319,074 13
Aug 25, 2017 24 $753,812   371 $2,032   $203,165,331 1,366
Sep 1, 2017 38 $263,297 -65% 297 $887   $203,428,628 1,367
Sep 8, 2017 67 $15,572 -94% 44 $354   $203,444,200 1,368
Sep 15, 2017 69 $15,572 n/c 44 $354   $203,459,772 1,369
Sep 22, 2017 90 $4,333 -72% 3 $1,444   $203,464,105 1,370

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/25/2017 $115,991 120 120 228 $200,130 10/9/2023
Czech Republic 9/8/2017 $16,796 61 61 86 $40,471 1/1/2019
Germany 4/4/2023 $0000$0
Lithuania 8/25/2017 $13,848 0 0 0 $23,896 9/12/2017
Netherlands 8/25/2017 $18,629 46 46 46 $59,419 8/28/2017
New Zealand 8/25/2017 $34,266 31 31 48 $44,345 11/14/2022
Portugal 10/25/1991 $0 0 10 10 $5,369 5/11/2018
Russia (CIS) 8/25/2017 $371,221 799 799 1,639 $673,557 10/19/2022
Slovakia 9/1/2017 $15,738 43 43 65 $33,108 9/26/2017
South Korea 7/6/1991 $0 0 112 129 $96,451 10/30/2019
Turkey 8/25/2017 $34,446 138 138 206 $78,421 2/26/2019
 
Rest of World $310,642,252
 
International Total$311,897,419 10/9/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 21, 20096117,566 195,872$586,654$977,401609

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 16, 20091018,148 18,148$389,922$389,922617
Aug 15, 2010195,474 114,571$59,255$2,085,430669
Aug 22, 2010109,766+78% 124,337$105,971$2,191,401670
Aug 29, 2010195,015-49% 129,352$58,482$2,249,883671
Oct 16, 20111712,947 216,946$76,297$3,511,515730
Oct 23, 20111911,333-12% 228,279$109,114$3,620,629731

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

Leading Cast

Arnold Schwarzenegger The Terminator

Supporting Cast

Linda Hamilton Sarah Connor
Edward Furlong John Connor
Robert Patrick T-1000
Earl Boen Dr. Peter Silberman
Joe Morton Miles Bennett Dyson
S. Epatha Merkerson Tarissa Dyson
Castulo Guerra Enrique Salceda
Jenette Goldstein Janelle Voight
Xander Berkeley Todd Voight
Leslie Hamilton Gearren T-1000 Sarah
Ken Gibbel Douglas
Robert Winley Cigar Biker
Pete Schrum Lloyd
Shane Wilder Trucker
Michael Edwards Old John Connor
Jared Lounsbery Kid
Casey Chavez Kid
Ennalls Berl Bryant
Don Lake Mossberg
Richard Vidan Weatherby
Tom McDonald Cop
Jim Palmer Jock
Gerard Williams Jock
Gwenda Deacon Night Nurse
Don Stanton Lewis the Guard
Dan Stanton Lewis as T-1000
Colin Patrick Lynch Attendant
Noel Evangelisti Hospital Guard
Nikki Cox Girl
Lisa Brinegar Girl
DeVaughn Nixon Danny Dyson
Tony Simotes Vault Guard
Diane Rodriguez Jolanda Salceda
Dalton Abbott Infant John Connor
Ron Young Pool Cue Biker
Charles Robert Brown Tatoo Biker
Abdul Salaam El Razzac Gibbons
Mike Muscat Moshier
Dean Norris SWAT Team Leader
Charles Tamburro Police Chopper Pilot
J. Rob Jordan Pickup Truck Driver
Terrence Evans Tanker Truck Driver
Denney Pierce Burley Attendant
Mark Christopher Lawrence Burley Attendant
Pat Kouri SWAT Leader
Van Ling Cyberdyne Tech

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Cameron Director
James Cameron Screenwriter
William Wisher Screenwriter
Adam Greenberg Screenwriter
James Cameron Story Creator
Gale Anne Hurd Story Creator
James Cameron Producer
Gale Anne Hurd Executive Producer
Mario Kassar Executive Producer
Joseph Nemec III Production Designer
Michael Novotny Production Designer-Special Visual Effects Sequences
Conrad Buff Editor
Mark Goldblatt Editor
Richard A. Harris Editor
Brad Fiedel Composer
Adam Greenberg Director of Photography
B.J Rack Co-Producer
Stephanie Austin Co-Producer
J. Michael Haynie Assistant Director
Terry Miller Assistant Director
Gary Davis Second Unit Director
Dirk Petersmann Unit Production Manager
Joseph P. Lucky Art Director
John M. Dwyer Set Decorator
Dennis Skotak Supervising Photography-Special Visual Effects Sequences
Michael A. Benson Second Unit Camera
David L. Butler Additional Photography (Aerial)
Robert Skotak Visual Effects Supervisor
Dennis Muren Visual Effects Supervisor
Gene Warren, Jr. Visual Effects Supervisor
Marlene Stewart Costume Designer
Bruce R. Hogard Costume Supervisor
Lee Orloff Sound Mixer
Tom Johnson Re-recording Mixer
Gary Rydstrom Re-recording Mixer
Gary Summers Re-recording Mixer
Gloria S. Borders Supervising Sound Editor
Robert Shoup Sound Effects Editor
Tim Holland Sound Effects Editor
Teresa Eckton Sound Effects Editor
Ken Fischer Sound Effects Editor
Richard Hymns Sound Effects Editor
Ethan Van der Ryn Sound Effects Editor
Larry Oatfield Sound Effects Editor
Gary Rydstrom Sound Designer
Paige Sartorius Dialogue Editor
Stacey Foiles Dialogue Editor
Ewa Sztompke Dialogue Editor
Gwendolyn Yates Whittle Dialogue Editor
Sara Bolder Dialogue Editor
Allan K. Rosen Music Editor
Jeff Dawn Make up
Peter Tothpal Hairstylist
Stan Winston Special Makeup and Terminator Effects
Mali Finn Casting Director
Joel Kramer Stunt Coordinator
Gary Davis Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...

Limited and VOD Releases: Beach Rats, Cats, and Dogs

August 25th, 2017

Unleashed

There are not a lot of prime choices on this week’s list of limited releases. Beach Rats is likely going to be the biggest hit, but Unleashed only costs $10 to buy on Video on Demand, which is a good deal. More...

DVD and Blu-ray Releases for November 23rd, 2010

November 22nd, 2010

This Friday is Black Friday, but there's a lull on the home market with not a whole lot of great releases. (This is the usual pattern for Thanksgiving.) The biggest hit coming out is The Expendables, which should top the chart, while there are a number of smaller releases that are in contention for Pick of the Week. The best of these is Metropolis: The Complete Metropolis, which comes out on Blu-ray this week after being released on DVD last week. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Cast & Crew
  7. Trailer

Metrics

Opening Weekend:$31,765,506 (15.6% of total gross)
Legs:6.41 (domestic box office/biggest weekend)
Domestic Share:39.5% (domestic box office/worldwide)
Production Budget:$100,000,000 (worldwide box office is 5.2 times production budget)
Theater counts:2,274 opening theaters/2,495 max. theaters, 11.6 weeks average run per theater
Infl. Adj. Dom. BO $518,802,743

Latest Ranking on Cumulative Box Office Lists

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Movie Details

Domestic Releases: July 2nd, 1991 (Wide) by Sony Pictures
August 25th, 2017 (Limited) by Distrib Films, released as Terminator 2: Judgment Day 3D (1991) (Re-Release)
International Releases: July 6th, 1991 (Wide) (South Korea)
October 25th, 1991 (Wide), released as Exterminador Implacável 2: O Dia do Julgamento (Portugal)
August 25th, 2017 (Wide), released as Terminator 2: Judgment Day 3d (Australia)
August 25th, 2017 (Wide), released as Terminatorius 2. Paskutinio teismo diena 3D (Lithuania)
August 25th, 2017 (Wide), released as Terminator 2: Judgment Day (Re release) (Netherlands)
... Show all releases
Video Release: October 22nd, 1997 by Live / Artisan
MPAA Rating: R for strong sci-fi action and violence, and for language.
Running Time: 136 minutes
Franchise: Terminator
Comparisons: vs. Terminator 3: Rise of the Machines
Create your own comparison chart…
Keywords: Visual Effects, End of the World, Time Travel, Yesterday's Tomorrow, 1990s, Robot, 3D Re-release, 2020s, Set in Los Angeles, Near Future, Voiceover/Narration, Prologue, Foster Family, Dysfunctional Family, Mental Hospital, 3-D, 3-D - Post-production Conversion
Source:Original Screenplay
Genre:Action
Production Method:Animation/Live Action
Creative Type:Science Fiction
Production/Financing Companies: Carolco Pictures, Pacific Western, Lightstorm Entertainment
Production Countries: United States
Languages: English

Ranking on other Records and Milestones

RecordRankAmountChart
Date
Days In
Release
Fastest to $100m 226 $201,858,746 Nov 15, 1991 138
Fastest to $150m 224 $201,858,746 Nov 15, 1991 138
Fastest to $200m 224 $201,858,746 Nov 15, 1991 138
Fastest to $50m 245 $201,858,746 Nov 15, 1991 138
Biggest Domestic 10th Weekend 99 $3,106,995 Sep 6, 1991 68
Biggest Domestic 9th Weekend 58 $5,401,293 Aug 30, 1991 61
Labor Day (All Movies, 3-Day) 196 $5,401,293 Aug 30, 1991 61
Labor Day (All Movies, 3-Day, Inflation Adjusted) 108 $14,497,527 Aug 30, 1991 61
Top Sony Pictures Weekend Domestic 99 $31,765,506 Jul 5, 1991 5
Independence Day (All Movies, 3-Day) 33 $31,765,506 Jul 5, 1991 5
Independence Day (All Movies, 3-Day, Inflation Adjusted) 21 $85,261,336 Jul 5, 1991 5
Independence Day (Opening, 3-Day) 24 $31,765,506 Jul 5, 1991 5
Independence Day (Opening, 3-Day, Inflation Adjusted) 19 $85,261,336 Jul 5, 1991 5

Leading Cast

Arnold Schwarzenegger The Terminator

Supporting Cast

Linda Hamilton Sarah Connor
Edward Furlong John Connor
Robert Patrick T-1000
Earl Boen Dr. Peter Silberman
Joe Morton Miles Bennett Dyson
S. Epatha Merkerson Tarissa Dyson
Castulo Guerra Enrique Salceda
Jenette Goldstein Janelle Voight
Xander Berkeley Todd Voight
Leslie Hamilton Gearren T-1000 Sarah
Ken Gibbel Douglas
Robert Winley Cigar Biker
Pete Schrum Lloyd
Shane Wilder Trucker
Michael Edwards Old John Connor
Jared Lounsbery Kid
Casey Chavez Kid
Ennalls Berl Bryant
Don Lake Mossberg
Richard Vidan Weatherby
Tom McDonald Cop
Jim Palmer Jock
Gerard Williams Jock
Gwenda Deacon Night Nurse
Don Stanton Lewis the Guard
Dan Stanton Lewis as T-1000
Colin Patrick Lynch Attendant
Noel Evangelisti Hospital Guard
Nikki Cox Girl
Lisa Brinegar Girl
DeVaughn Nixon Danny Dyson
Tony Simotes Vault Guard
Diane Rodriguez Jolanda Salceda
Dalton Abbott Infant John Connor
Ron Young Pool Cue Biker
Charles Robert Brown Tatoo Biker
Abdul Salaam El Razzac Gibbons
Mike Muscat Moshier
Dean Norris SWAT Team Leader
Charles Tamburro Police Chopper Pilot
J. Rob Jordan Pickup Truck Driver
Terrence Evans Tanker Truck Driver
Denney Pierce Burley Attendant
Mark Christopher Lawrence Burley Attendant
Pat Kouri SWAT Leader
Van Ling Cyberdyne Tech

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

James Cameron Director
James Cameron Screenwriter
William Wisher Screenwriter
Adam Greenberg Screenwriter
James Cameron Story Creator
Gale Anne Hurd Story Creator
James Cameron Producer
Gale Anne Hurd Executive Producer
Mario Kassar Executive Producer
Joseph Nemec III Production Designer
Michael Novotny Production Designer-Special Visual Effects Sequences
Conrad Buff Editor
Mark Goldblatt Editor
Richard A. Harris Editor
Brad Fiedel Composer
Adam Greenberg Director of Photography
B.J Rack Co-Producer
Stephanie Austin Co-Producer
J. Michael Haynie Assistant Director
Terry Miller Assistant Director
Gary Davis Second Unit Director
Dirk Petersmann Unit Production Manager
Joseph P. Lucky Art Director
John M. Dwyer Set Decorator
Dennis Skotak Supervising Photography-Special Visual Effects Sequences
Michael A. Benson Second Unit Camera
David L. Butler Additional Photography (Aerial)
Robert Skotak Visual Effects Supervisor
Dennis Muren Visual Effects Supervisor
Gene Warren, Jr. Visual Effects Supervisor
Marlene Stewart Costume Designer
Bruce R. Hogard Costume Supervisor
Lee Orloff Sound Mixer
Tom Johnson Re-recording Mixer
Gary Rydstrom Re-recording Mixer
Gary Summers Re-recording Mixer
Gloria S. Borders Supervising Sound Editor
Robert Shoup Sound Effects Editor
Tim Holland Sound Effects Editor
Teresa Eckton Sound Effects Editor
Ken Fischer Sound Effects Editor
Richard Hymns Sound Effects Editor
Ethan Van der Ryn Sound Effects Editor
Larry Oatfield Sound Effects Editor
Gary Rydstrom Sound Designer
Paige Sartorius Dialogue Editor
Stacey Foiles Dialogue Editor
Ewa Sztompke Dialogue Editor
Gwendolyn Yates Whittle Dialogue Editor
Sara Bolder Dialogue Editor
Allan K. Rosen Music Editor
Jeff Dawn Make up
Peter Tothpal Hairstylist
Stan Winston Special Makeup and Terminator Effects
Mali Finn Casting Director
Joel Kramer Stunt Coordinator
Gary Davis Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend Predictions: Will Hitman Assassinate the Box Office?

August 31st, 2017

The Hitman’s Bodyguard

Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million. More...

Limited and VOD Releases: Beach Rats, Cats, and Dogs

August 25th, 2017

Unleashed

There are not a lot of prime choices on this week’s list of limited releases. Beach Rats is likely going to be the biggest hit, but Unleashed only costs $10 to buy on Video on Demand, which is a good deal. More...

DVD and Blu-ray Releases for November 23rd, 2010

November 22nd, 2010

This Friday is Black Friday, but there's a lull on the home market with not a whole lot of great releases. (This is the usual pattern for Thanksgiving.) The biggest hit coming out is The Expendables, which should top the chart, while there are a number of smaller releases that are in contention for Pick of the Week. The best of these is Metropolis: The Complete Metropolis, which comes out on Blu-ray this week after being released on DVD last week. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 5, 1991 1 $31,765,506   2,274 $13,969   $52,306,548 1
Jul 12, 1991 1 $20,738,340 -35% 2,289 $9,060   $90,429,618 2
Jul 19, 1991 1 $14,895,425 -28% 2,349 $6,341   $115,314,239 3
Jul 26, 1991 1 $11,051,400 -26% 2,445 $4,520   $133,612,304 4
Aug 2, 1991 2 $8,587,790 -22% 2,495 $3,442   $147,713,569 5
Aug 9, 1991 3 $6,725,035 -22% 2,389 $2,815   $159,166,629 6
Aug 16, 1991 2 $5,544,350 -18% 2,263 $2,450   $168,449,764 7
Aug 23, 1991 3 $4,089,720 -26% 2,076 $1,970   $175,583,219 8
Aug 30, 1991 3 $5,401,293 +32% 1,888 $2,861   $183,122,792 9
Sep 6, 1991 2 $3,106,995 -42% 1,800 $1,726   $187,253,083 10
Sep 13, 1991 4 $2,481,453 -20% 1,651 $1,503   $190,746,136 11
Sep 20, 1991 5 $2,063,232 -17% 1,592 $1,296   $193,624,962 12
Sep 27, 1991 7 $1,252,960 -39% 1,312 $955   $195,572,034 13
Oct 11, 1991 15 $664,020   612 $1,085   $198,037,242 15
Nov 15, 1991 16 $588,657   717 $821   $201,858,746 20
Aug 25, 2017 25 $552,773   371 $1,490   $202,411,519 1,365
Sep 1, 2017 39 $177,979 -68% 297 $599   $203,343,310 1,366

Daily Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossDays
Jul 2, 1991 1 $2,400,000   2,274 $1,055   $2,400,000  
Jul 3, 1991 1 $9,261,072 +286% 2,274 $4,073   $11,661,072 1
Jul 4, 1991 1 $8,879,970 -4% 2,274 $3,905   $20,541,042 2

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jul 5, 1991 1 $49,150,236   2,274 $21,614   $69,691,278 2
Jul 12, 1991 1 $30,727,536 -37% 2,289 $13,424   $100,418,814 3
Jul 19, 1991 1 $22,142,090 -28% 2,349 $9,426   $122,560,904 4
Jul 26, 1991 1 $16,564,875 -25% 2,445 $6,775   $139,125,779 5
Aug 2, 1991 2 $13,315,815 -20% 2,495 $5,337   $152,441,594 6
Aug 9, 1991 3 $10,463,820 -21% 2,389 $4,380   $162,905,414 7
Aug 16, 1991 2 $8,588,085 -18% 2,263 $3,795   $171,493,499 8
Aug 23, 1991 2 $6,228,000 -27% 2,076 $3,000   $177,721,499 9
Aug 30, 1991 3 $6,424,589 +3% 1,888 $3,403   $184,146,088 10
Sep 6, 1991 2 $4,118,595 -36% 1,800 $2,288   $188,264,683 11
Sep 13, 1991 4 $3,297,047 -20% 1,651 $1,997   $191,561,730 12
Sep 20, 1991 4 $2,757,344 -16% 1,592 $1,732   $194,319,074 13
Aug 25, 2017 24 $753,812   371 $2,032   $203,165,331 1,366
Sep 1, 2017 38 $263,297 -65% 297 $887   $203,428,628 1,367
Sep 8, 2017 67 $15,572 -94% 44 $354   $203,444,200 1,368
Sep 15, 2017 69 $15,572 n/c 44 $354   $203,459,772 1,369
Sep 22, 2017 90 $4,333 -72% 3 $1,444   $203,464,105 1,370

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Australia 8/25/2017 $115,991 120 120 228 $200,130 10/9/2023
Czech Republic 9/8/2017 $16,796 61 61 86 $40,471 1/1/2019
Germany 4/4/2023 $0000$0
Lithuania 8/25/2017 $13,848 0 0 0 $23,896 9/12/2017
Netherlands 8/25/2017 $18,629 46 46 46 $59,419 8/28/2017
New Zealand 8/25/2017 $34,266 31 31 48 $44,345 11/14/2022
Portugal 10/25/1991 $0 0 10 10 $5,369 5/11/2018
Russia (CIS) 8/25/2017 $371,221 799 799 1,639 $673,557 10/19/2022
Slovakia 9/1/2017 $15,738 43 43 65 $33,108 9/26/2017
South Korea 7/6/1991 $0 0 112 129 $96,451 10/30/2019
Turkey 8/25/2017 $34,446 138 138 206 $78,421 2/26/2019
 
Rest of World $310,642,252
 
International Total$311,897,419 10/9/2023

International Cumulative Box Office Records


Worldwide Cumulative Box Office Records


Weekly US DVD Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Jun 21, 20096117,566 195,872$586,654$977,401609

Weekly US Blu-ray Sales

DateRankUnits
this
Week
% ChangeTotal
Units
Spending
this
Week
Total
Spending
Weeks
in
Release
Aug 16, 20091018,148 18,148$389,922$389,922617
Aug 15, 2010195,474 114,571$59,255$2,085,430669
Aug 22, 2010109,766+78% 124,337$105,971$2,191,401670
Aug 29, 2010195,015-49% 129,352$58,482$2,249,883671
Oct 16, 20111712,947 216,946$76,297$3,511,515730
Oct 23, 20111911,333-12% 228,279$109,114$3,620,629731

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.