New Zealand Box Office for Terminator 2: Judgement Day (3D Reissue) (1991)
| Theatrical Performance (US$) | ||
| New Zealand Box Office | $44,345 | Details |
| Worldwide Box Office | $515,361,524 | Details |
| Further financial details... | ||
Metrics
Movie Details
| Production Budget: | $100,000,000 |
| New Zealand Releases: | August 25th, 2017 (Wide), released as Terminator 2: Judgement Day (3D Reissue) |
| Video Release: | October 22nd, 1997 by Live / Artisan |
| MPAA Rating: | R for strong sci-fi action and violence, and for language. |
| Running Time: | 136 minutes |
| Franchise: | Terminator |
| Keywords: | Visual Effects, End of the World, Time Travel, Yesterday's Tomorrow, 1990s, Robot, 3D Re-release, 2020s, Set in Los Angeles, Near Future, Voiceover/Narration, Prologue, Foster Family, Dysfunctional Family, Mental Hospital, 3-D, 3-D - Post-production Conversion, Action Adventure |
| Source: | Original Screenplay |
| Genre: | Action |
| Production Method: | Animation/Live Action |
| Creative Type: | Science Fiction |
| Production/Financing Companies: | Carolco Pictures, Pacific Western, Lightstorm Entertainment |
| Production Countries: | United States |
| Languages: | English |
Weekend Predictions: Will Hitman Assassinate the Box Office?
August 31st, 2017
Not only will this weekend likely be the worst weekend of the year, there’s a very high likelihood it will be the worst weekend in over a decade. It arguably could be the worst weekend of all time. There are no wide releases, or even semi-wide releases. The widest “new” release of the week is the 40th Anniversary re-release for Close Encounters of the Third Kind, but last week’s 3D re-release for Terminator 2: Judgment Day suggests it won't come close to the top ten. Tulip Fever is a long-delayed Weinstein Co. release and just avoiding the Mendoza Line would be a reason to celebrate. Up next in terms of theater counts is Hazlo Como Hombre. It is a Chilean film and films aimed at Hispanics have had success in recent years. They only need to earn just over $2 million during the three-day weekend to reach the top ten, so one of them could get there, but that’s not a sure thing. This leaves The Hitman’s Bodyguard with an easy path to first place. This weekend last year, the biggest new release was The Light Between Oceans, which earned just under $5 million. Sadly, this might be more than all three new releases earn this year. Last year the overall box office finished just under $100 million.
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Limited and VOD Releases: Beach Rats, Cats, and Dogs
August 25th, 2017
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There are not a lot of prime choices on this week’s list of limited releases. Beach Rats is likely going to be the biggest hit, but Unleashed only costs $10 to buy on Video on Demand, which is a good deal.
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DVD and Blu-ray Releases for November 23rd, 2010
November 22nd, 2010
This Friday is Black Friday, but there's a lull on the home market with not a whole lot of great releases.
(This is the usual pattern for Thanksgiving.)
The biggest hit coming out is The Expendables, which should top the chart, while there are a number of smaller releases that are in contention for Pick of the Week. The best of these is Metropolis: The Complete Metropolis, which comes out on Blu-ray this week after being released on DVD last week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2017/08/25 | 10 | $34,266 | 31 | $1,105 | $34,266 | 1 | |
| 2017/09/01 | - | $4,740 | -86% | 15 | $316 | $45,580 | 2 |
| 2020/10/02 | - | $844 | 1 | $844 | $44,345 | 163 | |
| 2022/11/11 | - | $82 | 1 | $82 | $39,525 | 273 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 8/25/2017 | $115,991 | 120 | 120 | 232 | $235,545 | 10/7/2024 |
| Czech Republic | 9/8/2017 | $16,796 | 61 | 61 | 86 | $40,471 | 1/1/2019 |
| Germany | 4/4/2023 | $0 | 0 | 0 | 0 | $0 | |
| Lithuania | 8/25/2017 | $13,848 | 0 | 0 | 0 | $23,896 | 9/12/2017 |
| Netherlands | 8/25/2017 | $18,629 | 46 | 46 | 46 | $59,419 | 8/28/2017 |
| New Zealand | 8/25/2017 | $34,266 | 31 | 31 | 48 | $44,345 | 11/14/2022 |
| North America | 7/2/1991 | $31,765,506 | 2,274 | 2,495 | 28,820 | $203,464,105 | 12/11/2014 |
| Portugal | 10/25/1991 | $0 | 0 | 10 | 10 | $5,369 | 5/11/2018 |
| Russia (CIS) | 8/25/2017 | $371,221 | 799 | 799 | 1639 | $673,557 | 10/19/2022 |
| Slovakia | 9/1/2017 | $15,738 | 43 | 43 | 65 | $33,108 | 9/26/2017 |
| South Korea | 7/6/1991 | $0 | 0 | 112 | 129 | $96,451 | 10/30/2019 |
| Turkey | 8/25/2017 | $34,446 | 138 | 138 | 206 | $78,421 | 2/26/2019 |
| Rest of World | $310,606,837 | ||||||
| Worldwide Total | $515,361,524 | 10/7/2024 | |||||
Leading Cast
| Arnold Schwarzenegger | The Terminator |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| James Cameron | Director |
| James Cameron | Screenwriter |
| William Wisher | Screenwriter |
| Adam Greenberg | Screenwriter |
| James Cameron | Story Creator |
| Gale Anne Hurd | Story Creator |
| James Cameron | Producer |
| Gale Anne Hurd | Executive Producer |
| Mario Kassar | Executive Producer |
| Joseph Nemec III | Production Designer |
| Michael Novotny | Production Designer-Special Visual Effects Sequences |
| Conrad Buff | Editor |
| Mark Goldblatt | Editor |
| Richard A. Harris | Editor |
| Brad Fiedel | Composer |
| Adam Greenberg | Director of Photography |
| B.J Rack | Co-Producer |
| Stephanie Austin | Co-Producer |
| J. Michael Haynie | Assistant Director |
| Terry Miller | Assistant Director |
| Gary Davis | Second Unit Director |
| Dirk Petersmann | Unit Production Manager |
| Joseph P. Lucky | Art Director |
| John M. Dwyer | Set Decorator |
| Dennis Skotak | Supervising Photography-Special Visual Effects Sequences |
| Michael A. Benson | Second Unit Camera |
| David L. Butler | Additional Photography (Aerial) |
| Robert Skotak | Visual Effects Supervisor |
| Dennis Muren | Visual Effects Supervisor |
| Gene Warren, Jr. | Visual Effects Supervisor |
| Marlene Stewart | Costume Designer |
| Bruce R. Hogard | Costume Supervisor |
| Lee Orloff | Sound Mixer |
| Tom Johnson | Re-recording Mixer |
| Gary Rydstrom | Re-recording Mixer |
| Gary Summers | Re-recording Mixer |
| Gloria S. Borders | Supervising Sound Editor |
| Robert Shoup | Sound Effects Editor |
| Tim Holland | Sound Effects Editor |
| Teresa Eckton | Sound Effects Editor |
| Ken Fischer | Sound Effects Editor |
| Richard Hymns | Sound Effects Editor |
| Ethan Van der Ryn | Sound Effects Editor |
| Larry Oatfield | Sound Effects Editor |
| Gary Rydstrom | Sound Designer |
| Paige Sartorius | Dialogue Editor |
| Stacey Foiles | Dialogue Editor |
| Ewa Sztompke | Dialogue Editor |
| Gwendolyn Yates Whittle | Dialogue Editor |
| Sara Bolder | Dialogue Editor |
| Allan K. Rosen | Music Editor |
| Jeff Dawn | Make up |
| Peter Tothpal | Hairstylist |
| Stan Winston | Special Makeup and Terminator Effects |
| Mali Finn | Casting Director |
| Joel Kramer | Stunt Coordinator |
| Gary Davis | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.