Russia (CIS) Box Office for Выбивая долги (2020)
Theatrical Performance (US$) | ||
Russia (CIS) Box Office | $138,413 | Details |
Worldwide Box Office | $1,309,971 | Details |
Home Market Performance | ||
North America DVD Sales | $1,121,122 | Details |
North America Blu-ray Sales | $1,602,899 | Details |
Total North America Video Sales | $2,724,021 | |
Further financial details... |
Synopsis
David and Creeper, are “tax collectors” for the crime lord Wizard, collecting his cut from the profits of local gangs’ illicit dealings. But when Wizard’s old rival returns to Los Angeles from Mexico, the business is upended, and David finds himself desperate to protect what matters more to him than anything else: his family.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Russia (CIS) Releases: | November 6th, 2020 (Wide), released as Выбивая долги |
Video Release: | August 7th, 2020 by RLJ |
Running Time: | 95 minutes |
Keywords: | Set in Los Angeles, Set in Mexico, Gangs |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Cedar Park Entertainment, Cross Creek Pictures, Iwood Studios, Atwater Capital |
Production Countries: | United States |
Languages: | English |
DEG Watched At Home Chart: The Silencing Tops New Releases
August 27th, 2020
The top five of this week’s DEG Watched at Home chart is identical to last week, right down to the order. This means The Tax Collector remains in first place for the third week in a row. There are quite a few new releases making appearances lower down the chart though.
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Weekend Wrap-Up: SpongeBob and Unhinged Kick Off the Theatrical Comeback
August 18th, 2020
The release of two major new movies in Canada at the weekend gave us a first chance to see how the box office might recover in North America as theaters open up. The results are not particularly encouraging, although they are in line with our analysis earlier this month.
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DEG Watched At Home Chart: Home Market is Working for the Tax Man
August 13th, 2020
The Tax Collector pulled off a double-win last week by earning first place on the weekend box office chart and the DEG Watched at Home chart. Hopefully this will never happen again, because the pandemic will not last long enough for another film to get the chance.
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Weekend Wrap-Up: Tax Collector Collects What’s Due
August 12th, 2020
For the third weekend in a row, a new film topped the weekend box office chart. This time it was The Tax Collector, as the action film opened in first place with $310,000 in 129 theaters. The film didn’t win over many critics, but it has a grindhouse feel that helped it thrive in drive-ins. The overall market for films reporting official results was close to $750,000, making this technically the best weekend since March 13. It’s a low bar to clear, but we’ll take what we can get at the moment.
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Limited and Virtual Releases: I Used to Go Here Leads the Pack
August 6th, 2020
It is a busier week than usual for theatrical releases, with twelve of them in total. Unfortunately, most of them are earning reviews that are merely good, or worse. Much worse in some cases. The few films that have the reviews strong enough to thrive are the wrong genre for the pandemic era. Hopefully films like I Used to Go Here will do well enough in VOD, but don’t expect much in theaters.
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VOD Releases: Humming a Cheerful Tune
August 5th, 2020
It is a very busy week for VOD releases, but sadly this is mostly a case of quantity over quality with most of them not earning much buzz. There are three films that stand out, though—Lake Michigan Monster, House of Hummingbird, and Ride Your Wave—and a couple of others that will appeal to adult animation fans and family audiences.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2020/11/06 | 10 | $58,996 | 401 | $147 | $73,832 | 1 | |
2020/11/13 | 20 | $14,580 | -75% | 288 | $51 | $112,496 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 8/7/2020 | $309,694 | 129 | 138 | 554 | $1,044,212 | |
Russia (CIS) | 11/6/2020 | $58,996 | 401 | 401 | 694 | $138,413 | 10/19/2022 |
South Korea | 11/18/2020 | $50,758 | 293 | 293 | 338 | $127,346 | 12/9/2020 |
Worldwide Total | $1,309,971 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Bobby Soto | David |
Shia LaBeouf | Creeper |
Cinthya Carmona | |
George Lopez |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
David Ayer | Director |
David Ayer | Screenwriter |
Chris Long | Producer |
David Ayer | Producer |
Tyler Thompson | Producer |
Matt Antoun | Producer |
Douglas Duncan | Executive Producer |
Buddy Patrick | Executive Producer |
Steve Matzkin | Executive Producer |
Misook Doolittle | Executive Producer |
Sarah Schroeder-Matzkin | Executive Producer |
Doug McKay | Executive Producer |
Cindy Bond | Executive Producer |
Todd Williams | Executive Producer |
Anthony M. Scott | Co-Producer |
Salvatore Totino | Director of Photography |
Andrew Menzies | Production Designer |
Geoffrey O'Brien | Editor |
Kelli Jones | Costume Designer |
Season Kent | Music Supervisor |
Gabe Hilfer | Music Supervisor |
Michael Yezerski | Composer |