Salvatore Totino
| Best known as a Cinematographer based on credits in that role in 16 films, with $3,031,280,102 worldwide aggregate box office (rank #44) |
| Best-known technical roles: Spider-Man: Homecoming (Cinematographer), The Da Vinci Code (Cinematographer), Angels & Demons (Cinematographer), Space Jam: A New Legacy (Cinematographer), 65 (Cinematographer) |
Career Summary
| Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
|---|---|---|---|---|---|
| In Technical Roles | Cinematographer | 16 | $1,177,227,010 | $1,854,053,092 | $3,031,280,102 |
Latest Ranking on Selected Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office | 49 | $1,177,227,010 |
| Top Grossing Cinematographer at the International Box Office | 41 | $1,854,053,092 |
| Top Grossing Cinematographer at the Worldwide Box Office | 44 | $3,031,280,102 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
All Acting Credits
All Technical Credits
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| Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
|---|---|---|---|---|---|
| Mar 10, 2023 | 65 | Director of Photography | $32,062,904 | $24,178,123 | $56,241,027 |
| Jul 16, 2021 | Space Jam: A New Legacy | Director of Photography | $70,592,228 | $72,595,146 | $143,187,374 |
| Aug 7, 2020 | The Tax Collector | Director of Photography | $1,044,212 | $265,759 | $1,309,971 |
| Dec 13, 2018 | Bird Box | Director of Photography | |||
| Jul 7, 2017 | Spider-Man: Homecoming | Director of Photography | $334,201,140 | $544,070,151 | $878,271,291 |
| Dec 25, 2015 | Concussion | Director of Photography | $34,531,832 | $15,831,958 | $50,363,790 |
| Sep 18, 2015 | Everest | Director of Photography | $43,482,270 | $177,814,791 | $221,297,061 |
| Jun 29, 2012 | People Like Us | Cinematographer | $12,431,792 | $185,680 | $12,617,472 |
| Jan 14, 2011 | The Dilemma | Cinematographer | $48,475,290 | $22,071,575 | $70,546,865 |
| May 15, 2009 | Angels & Demons | Cinematographer | $133,375,846 | $357,500,000 | $490,875,846 |
| Dec 5, 2008 | Frost/Nixon | Cinematographer | $18,622,031 | $9,830,914 | $28,452,945 |
| May 19, 2006 | The Da Vinci Code | Cinematographer | $217,536,138 | $550,284,321 | $767,820,459 |
| Jun 3, 2005 | Cinderella Man | Director of Photography | $61,649,911 | $43,371,577 | $105,021,488 |
| Nov 26, 2003 | The Missing | Director of Photography | $26,900,336 | $11,353,097 | $38,253,433 |
| Apr 12, 2002 | Changing Lanes | Director of Photography | $66,790,248 | $66,790,248 | |
| Dec 22, 1999 | Any Given Sunday | Director of Photography | $75,530,832 | $24,700,000 | $100,230,832 |
| Averages | $78,481,801 | $132,432,364 | $202,085,340 | ||
| Totals | 16 | $1,177,227,010 | $1,854,053,092 | $3,031,280,102 | |
Latest Ranking on All Technical Box Office Record Lists
| Record | Rank | Amount |
|---|---|---|
| Top Grossing Cinematographer at the Domestic Box Office | 49 | $1,177,227,010 |
| Top Grossing Cinematographer at the International Box Office | 41 | $1,854,053,092 |
| Top Grossing Cinematographer at the Worldwide Box Office | 44 | $3,031,280,102 |