Spain Box Office for El Sol tambien es una estrella (2019)
Theatrical Performance (US$) | ||
Spain Box Office | $13,041 | Details |
Worldwide Box Office | $5,680,910 | Details |
Further financial details... |
Synopsis
College-bound romantic Daniel Bae and Jamaica-born pragmatist Natasha Kingsley meet—and fall for each other—over one magical day amidst the fervor and flurry of New York City. Sparks immediately fly between these two strangers, who might never have met had fate not given them a little push. But will fate be enough to take these teens from star-crossed to lucky in love? With just hours left on the clock in what looks to be her last day in the U.S., Natasha is fighting against her family’s deportation as fiercely as she’s fighting her budding feelings for Daniel, who is working just as hard to convince her they are destined to be together.
Metrics
Movie Details
Production Budget: | $9,000,000 |
Spain Releases: | June 14th, 2019 (Wide), released as El Sol tambien es una estrella |
Video Release: | August 6th, 2019 by Warner Home Video |
MPAA Rating: | PG-13 for some suggestive content and language.
NOTE: EDITED FOR RE-RATE. PREVIOUS "PG-13" RATING, BULLETIN NO. 2552 (11/7/2018) VOIDED. ONLY THIS EDITED VERSION IS RATED. (Rating bulletin 2574 (Cert #51891), 4/17/2019) |
Running Time: | 120 minutes |
Keywords: | Romance, Immigration, Research Scientist, Young Adult Book Adaptation, Romantic Drama |
Source: | Based on Fiction Book/Short Story |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Alloy Entertainment, Metro-Goldwyn-Mayer Pictures, Warner Bros. |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 20th, 2019
August 21st, 2019
I don’t like awarding the Pick of the Week to films only coming out on Video on Demand, but John Wick: Chapter 3 — Parabellum is the best release of the week and it isn’t even particularly close.
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Weekend Wrap-Up: Aladdin Earns $100 million Opening
May 28th, 2019
It was a great weekend for Aladdin and an okay weekend for the box office as a whole. Aladdin made more over the three-day portion of the weekend than most predicted it would make over four days. Unfortunately, not all of the rest of the films were able to pull their weight. The overall box office still grew 23% from last weekend reaching $181 million, but it slipped when compared to last year. Granted, it fell less than $1 million or 0.5% when compared to the same weekend last year, which is such a small gap that it is practically a tie. Year-to-date, 2019 has pulled in $4.31 billion, which is 9.2% or $440 million lower than 2018’s running tally of $4.75 million and this number needs to improve over the coming weeks.
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Weekend Wrap-Up: John Wick Wins Weekend, Can’t Stop Deadpool from Killing 2019
May 21st, 2019
The overall weekend was about as good as anyone could hope for with John Wick: Chapter 3 - Parabellum topping expectations with $56.82 million. This mostly made up for A Dog’s Journey and The Sun is Also A Star, both of which missed low expectations. However, the overall weekend still fell 12% when compared to last weekend at $147 million and this is 30% lower than the same weekend last year. To be fair, almost no one was expecting this year to match last year, because last year Deadpool 2 opened. Year-to-date, 2019 is still behind 2018 by a 9.2% or $410 million margin at $4.03 billion to $4.44 billion. Fortunately, if Aladdin does as well next weekend as many are expecting, then this losing streak will end after just one week.
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Weekend Estimates: John Wick Wrecks the Competition
May 19th, 2019
John Wick: Chapter 3 - Parabellum is way ahead of the weekend competition with a projected $57.03 million opening weekend. This is not only more than the next two films combined, it is more than the first film in the John Wick franchise earned domestically. Add in the film’s reviews, its A minus from CinemaScore, and Memorial Day long weekend, which is next weekend, and it should have relatively long legs. $150 million domestically isn’t out of the question. Like the other films in the John Wick franchise, this one isn’t doing as well internationally. However, it is still step up from the second film with an opening weekend of $35.2 million from 66 markets. This includes number one debuts in the U.K. ($4.6 million) and Australia ($2.8 million), while it had to settle for second place in Russia ($3.8 million) and third place in Mexico ($2.1 million). The film likely cost $50 million to make and an equal amount to advertise, while Lionsgate’s share of the global opening weekend is likely north of $40 million. The film is on pace to break even before it reaches the home market.
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Friday Estimates: Parabellum’s Unparalleled Success
May 18th, 2019
John Wick: Chapter 3 - Parabellum got off to a surprisingly strong start on Friday with $22.67 million during its first day of release. Even if we subtract Thursday’s previews, this is still more than the first film made during its opening weekend. It would take incredibly short legs for Parabellum to not earn more during its opening weekend than the first film earned in total. It should have reasonable legs over the weekend. Granted, it is a sequel and its target audience is known to rush out to theaters; however, its reviews are strong and it earned an A minus from CinemaScore, tying it with the second film for best in the franchise. With a little luck, it will crack $60 million over the full weekend.
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Thursday Night Previews: John Wick’s Parabellum is Without Peer
May 17th, 2019
John Wick: Chapter 3 - Parabellum had a stunning debut earning $5.9 million during its Thursday previews. This is not only more than the first two movies made during their previews, but it made almost twice as much as those two films combined. That doesn’t mean Parabellum will open with nearly twice as much as the first two films combined, because the hype for this film will very likely make it more front-loaded at the box office. That said, it would have to have really short legs to not top our $48 million prediction over the full weekend. If audiences like the movie as much as critics did, it could even top $60 million over the full weekend. That would be a huge help to the overall box office.
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Weekend Predictions: John Wick Takes Aim at Top Spot
May 16th, 2019
This weekend likely won’t be a particularly good one at the box office, when compared to last weekend and especially when compared to last year. There are three wide releases, but only John Wick: Chapter 3 - Parabellum is expected to make a significant impact at the box office. A Dog’s Journey could become a midlevel hit, while The Sun is Also A Star might not open in the top five. Fortunately, both Pokémon: Detective Pikachu and Avengers: Endgame should provide some power at the box office. Unfortunately, this weekend last year, Deadpool 2 debuted with just over $125 million. There’s almost no chance 2019 will match 2018 at the box office and the year’s mini-wining streak is about to come to an end.
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2019 Preview: May
May 1st, 2019
April got off to a fast start with Shazam! opening the first weekend of the month. Meanwhile, Avengers: Endgame ended the month with a record-breaking debut. Unfortunately for 2019, last April had a very similar result leaving 2019 behind 2018’s pace by over $400 million. Will May be able to turn things around? Last May, there were only two films that reached $200 million, Deadpool 2 and Solo: A Star Wars Story. Meanwhile, this May there are three such films, Detective Pikachu, Aladdin, and Godzilla: King of the Monsters. There are two points we need to make. Firstly, the only reason there are more potential $200 million hits this year is because May has five Fridays this year. Secondly, this May also has a lot better depth with films like John Wick: Chapter 3 - Parabellum and Rocketman being potential $100 million hits. Even if we ignore the final weekend, May should do well enough to cut into 2018’s lead over 2019. It’s not going to be able to cut it in half, but it could do well enough to make box office analysts a little more positive about the year’s chances overall.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/06/14 | 22 | $13,041 | 41 | $318 | $13,041 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/17/2019 | $14,259 | 71 | 71 | 71 | $18,214 | 6/2/2019 |
Brazil | 5/17/2019 | $42,492 | 83 | 83 | 83 | $42,492 | 5/24/2019 |
Bulgaria | 5/17/2019 | $4,574 | 0 | 0 | 0 | $15,736 | 6/5/2019 |
Czech Republic | 6/28/2019 | $7,596 | 53 | 53 | 77 | $15,221 | 10/19/2022 |
Lithuania | 5/17/2019 | $6,529 | 84 | 84 | 109 | $13,558 | 5/28/2019 |
Mexico | 5/24/2019 | $146,088 | 0 | 0 | 0 | $331,135 | 10/19/2022 |
Netherlands | 5/17/2019 | $61,332 | 64 | 64 | 166 | $152,195 | 6/3/2019 |
North America | 5/17/2019 | $2,511,530 | 2,073 | 2,073 | 4,241 | $4,950,029 | |
Portugal | 7/5/2019 | $12,323 | 22 | 23 | 47 | $27,320 | 10/19/2022 |
Slovakia | 6/28/2019 | $12,617 | 60 | 60 | 88 | $29,204 | 7/16/2019 |
Spain | 6/14/2019 | $13,041 | 41 | 41 | 41 | $13,041 | 6/20/2019 |
United Kingdom | 8/9/2019 | $72,765 | 222 | 222 | 222 | $72,765 | 8/14/2019 |
Worldwide Total | $5,680,910 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Yara Shahidi | Natasha |
Charles Melton | Daniel Bae |
Supporting Cast
John Leguizamo | Jeremy Martinez |
Anais Lee | Young Natasha |
Gbenga Akinnagbe | Samuel Kingsley |
Miriam A. Hyman | Patricia Kingsley |
Jordan Williams Jr | Peter Kingsley |
Jake Choi | Charles Bae |
Keong Sim | Dae Hyun Bae |
Cathy Shim | Min Soo Bae |
Shamika Cotton | Hannah |
Camrus Johnson | Omar Hassabala |
Hill Harper | Lester Barnes |
Harry Chambarry | Angry Passenger |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ry Russo-Young | Director |
Tracy Oliver | Screenwriter |
Nicola Yoon | Story based on the New York Times Bestseller by |
Leslie Morgenstein | Producer |
Elysa Koplovitz Dutton* | Producer |
Tracy Oliver | Executive Producer |
Pamela Hirsch | Executive Producer |
Wynn Thomas | Production Designer |
Joe Landauer | Editor |
Herdis Stefansdottir | Composer |
Autumn Durald | Director of Photography |
Warren Fischer | Co-Producer |
Warren Fischer | Music Supervisor |
Deirdra Govan | Costume Designer |
Avy Kaufman | Casting Director |
Mark Fichera | Stunt Coordinator |
Pamela Hirsch | Unit Production Manager |
Murphy Occhino | First Assistant Director |
Heather Verbeke | Second Assistant Director |
Christopher Minard | Art Director |
Alexandra Mazur | Set Decorator |
Antonio Arroyo | Sound Mixer |
Lauren Pivirotto | Costume Supervisor |
Belinda Anderson | Hairstylist |
Vera Stromsted | Hairstylist |
John Jones | Hairstylist |
Linda Kaufman | Make up |
Alexandra Rutkay | Make up |
Sam Evoy | Script Supervisor |
Sascha Springer | Location Manager |
Blake Gingerich | Associate Editor |
Paul A. Levin | Post-Production Supervisor |
Ann Gray | Post-Production Supervisor |
Blake Gingerich | Assistant Editor |
Pablo Prietto | Assistant Editor |
Charlie Greene | Assistant Editor |
Lewis Goldstein | Supervising Sound Editor |
Lewis Goldstein | Re-recording Mixer |
Thomas Ryan | Supervising Dialogue and ADR Editor |
Alex Soto | Sound Effects Editor |
Jim Bruening | Music Editor |
Dustin O'Halloran | Score Producer |
John P. Nugent | Visual Effects Supervisor |
Wendy Gipp | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.