Spain Box Office for Suffragette (2014)
| Theatrical Performance (US$) | ||
| Spain Box Office | $1,564,552 | Details |
| Worldwide Box Office | $37,888,043 | Details |
| Home Market Performance | ||
| North America DVD Sales | $757,871 | Details |
| North America Blu-ray Sales | $175,345 | Details |
| Total North America Video Sales | $933,216 | |
| Further financial details... | ||
Synopsis
Maud, a working wife and mother, has her life forever changed when she is secretly recruited to join the U.K.’s growing suffragette movement. Galvanized by the outlaw fugitive Emmeline Pankhurst, Maud becomes an activist for the cause alongside women from all walks of life. When increasingly aggressive police action forces Maud and her dedicated fellow suffragettes underground, they engage in a dangerous game of cat-and-mouse with the authorities, who are shocked as the women’s civil disobedience escalates and sparks debate across the nation.
Metrics
Movie Details
| Production Budget: | $14,000,000 |
| Spain Releases: | December 18th, 2015 (Wide) |
| Video Release: | February 2nd, 2016 by Universal Home Entertainment |
| MPAA Rating: | PG-13 for some intense violence, thematic elements, brief strong language and partial nudity. (Rating bulletin 2377, 6/10/2015) |
| Running Time: | 106 minutes |
| Keywords: | Female empowerment, Political, Sexism, Sex Crimes, Hunger Strike, Women’s Rights, Civil Rights Movement, 1910s, Historical Drama |
| Source: | Original Screenplay |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Historical Fiction |
| Production/Financing Companies: | Rudy Films |
| Production Countries: | United Kingdom |
| Languages: | English |
Home Market Releases for February 2nd, 2016
February 2nd, 2016
This week the home market is led by a Blu-ray double-dip, Snow White and the Seven Dwarfs, while there is also an Oscar contender, Bridge of Spies, on the top. After that, the list is filled with bombs and weaker limited releases. It was an easy choice to select Snow White as Pick of the Week.
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Per Theater Chart: Carol's Second Verse is the Same as the First
December 1st, 2015
Carol remained in first place on the per theater chart with an average of $49,443 in four theaters. This is 22% lower than the film's opening weekend average, which isn't bad for a limited release. The Danish Girl opened in a close second place with $46,830, also in four theaters. The Hunger Games: Mockingjay - Part 2 earned first place on the overall chart and third place on the per theater chart with an average of $12,456. Janis: Little Girl Blue earned an average of $10,931 in two theaters, which is great for a documentary. The second wide release in the $10,000 club was The Good Dinosaur with an average of $10,444.
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Per Theater Chart: Carol Sings a Joyful Tune
November 24th, 2015
Carol had a festive opening earning just over $250,000 in four theaters for an average of $63,378. That's the third best average for an opening this year, just ahead of Ex Machina and just behind Sicario. The overall box office leader, The Hunger Games: Mockingjay - Part 2, was next with an average of $24,591. Legend was next with an average of $21,709 in four theaters. That's a good start, but its reviews suggest not so good legs. Speaking of long legs, Brooklyn remained in the $10,000 for the third week in a row earning an average of $10,270 in just over 100 theaters.
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Per Theater Chart: James Can't Take the Spotlight
November 17th, 2015
There was only one new release in the $10,000 club and it had to settle for third place on the per theater chart. This left Spotlight in first place with an average of $22,561 in 60 theaters. This is a great result for a film expanding from five to 60 theaters. Brooklyn also expanded, going from five theaters to 23 theaters, while its per theater average remained strong with an average of $20,868. James White was the only new release in the $10,000 club debuting with $12,007 in its lone theater.
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Per Theater Chart: Spotlight Shines Bright
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
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Per Theater Chart: Suffragette Voted Top Film on Per Theater Chart
October 27th, 2015
Suffragette started its potential Oscar-run earning first place on the per theater chart with an average of $19,056 in four theaters. That suggests room to grow, but perhaps not enough to expand truly wide. It will need to last in theaters long enough for Awards Season nominations to be announced and if it can do well then, it will boost its box office chances. Heart of a Dog was next with an opening of $13,893 in one theater. Room was the only holdover in the $10,000 club earning an average of $10,856 in 23 theaters. It will earn some measure of mainstream success, but unless Brie Larson earns some major Awards Season nominations, it won't expand truly wide.
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Weekend Estimates: Martian Avoids the Wreckage
October 25th, 2015
Dismal is about the politest word that can be applied to the box office performance of new releases this weekend. None of the five films new in wide release managed to make the top three on the chart, and two of them didn’t even crack the top ten. That leaves The Martian and Goosebumps to battle it out for first place, and a fourth-week decline of just 25% for The Martian looks virtually certain to give it the win. Fox projects it will make $15.9 million for a total by the end of the weekend of $166 million or so. Its performance to date falls neatly between that of Interstellar and Gravity, which puts the sci-fi adventure on course for a final domestic box office of $230 million (see full comps here).
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Limited and VOD Releases: Vote for the Best Limited Release
October 23rd, 2015
There's quite a few strong limited releases on this week's list, including Suffragette, which is earning by far the loudest buzz. Its reviews are good, but not great. On the other hand, Difret's reviews are great, but it has far less mainstream appeal. Bone Tomahawk has the potential to become a cult favorite, but it is playing on Video on Demand, so it likely won't make an impact at the box office.
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International Box Office: Ant-Man is Big Man in China
October 22nd, 2015
Ant-Man made a triumphant return to the international chart with a first place, $43.5 million run in 3 markets for totals of $275.9 million internationally and $454.7 million worldwide. Nearly all of this weekend haul came from China, where the film opened in first place with $42.77 million. (Some are reporting it came in second place to Goodbye Mr. Loser, but they are comparing the film's weekly total to Ant-Man's opening weekend.) Depending on how much money the film cost to advertise worldwide, it might have broken even already. If not, it will get there very early in its home market run.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/12/18 | 6 | $272,815 | 140 | $1,949 | $272,815 | 1 | |
| 2015/12/25 | 10 | $249,878 | -8% | 136 | $1,837 | $675,465 | 2 |
| 2016/01/01 | 13 | $159,575 | -36% | 89 | $1,793 | $979,508 | 3 |
| 2016/01/08 | 13 | $112,012 | -30% | 82 | $1,366 | $1,208,108 | 4 |
| 2016/01/15 | 14 | $73,102 | -35% | 62 | $1,179 | $1,336,435 | 5 |
| 2016/01/22 | 17 | $39,346 | -46% | 31 | $1,269 | $1,424,212 | 6 |
| 2016/01/29 | 21 | $24,942 | -37% | 15 | $1,663 | $1,477,351 | 7 |
| 2016/02/05 | 24 | $14,633 | -41% | 9 | $1,626 | $1,509,176 | 8 |
| 2016/02/12 | 31 | $7,372 | -50% | 9 | $819 | $1,528,187 | 9 |
| 2016/02/19 | 36 | $3,500 | -53% | 3 | $1,167 | $1,539,046 | 10 |
| 2016/02/26 | 47 | $1,269 | -64% | 1 | $1,269 | $1,542,424 | 11 |
| 2016/03/04 | 50 | $854 | -33% | 2 | $427 | $1,544,646 | 12 |
| 2016/03/11 | 54 | $574 | -33% | 3 | $191 | $1,551,999 | 13 |
| 2016/03/18 | 46 | $2,022 | +252% | 3 | $674 | $1,559,989 | 14 |
| 2016/03/25 | 50 | $1,020 | -50% | 1 | $1,020 | $1,562,353 | 15 |
| 2016/04/01 | 56 | $862 | -15% | 1 | $862 | $1,564,024 | 16 |
| 2016/04/15 | 57 | $299 | 1 | $299 | $1,564,552 | 18 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 11/20/2015 | $2,276 | 2 | 122 | 874 | $3,148,183 | 9/26/2016 |
| Austria | 2/5/2016 | $46,041 | 24 | 28 | 151 | $338,823 | 6/9/2016 |
| Belgium | 11/11/2015 | $54,039 | 13 | 13 | 54 | $142,244 | 12/21/2015 |
| Brazil | 12/24/2015 | $80,062 | 33 | 33 | 177 | $444,748 | 6/9/2016 |
| Central America | 11/26/2015 | $0 | 0 | 2 | 2 | $32,373 | 12/16/2015 |
| Chile | 11/26/2015 | $10,919 | 7 | 7 | 12 | $18,328 | 12/30/2018 |
| Colombia | 11/26/2015 | $17,769 | 23 | 23 | 23 | $17,769 | 12/30/2018 |
| Denmark | 11/26/2015 | $32,987 | 66 | 66 | 87 | $122,909 | 12/16/2015 |
| Ecuador | 11/27/2015 | $4,273 | 12 | 12 | 32 | $12,564 | 12/30/2018 |
| Finland | 4/8/2016 | $32,448 | 48 | 48 | 79 | $68,905 | 6/9/2016 |
| France | 11/18/2015 | $304,257 | 155 | 155 | 155 | $304,257 | 11/25/2015 |
| Germany | 2/4/2016 | $353,969 | 121 | 141 | 867 | $2,036,701 | 6/9/2016 |
| Greece | 2/18/2016 | $46,439 | 29 | 29 | 29 | $46,439 | 6/9/2016 |
| Hong Kong | 11/12/2015 | $36,834 | 7 | 7 | 18 | $73,402 | 12/16/2015 |
| Iceland | 12/18/2015 | $1,102 | 2 | 2 | 2 | $1,102 | 12/30/2018 |
| Iraq | 12/10/2015 | $0 | 0 | 1 | 1 | $200 | 12/31/2018 |
| Italy | 3/3/2016 | $384,515 | 128 | 153 | 532 | $1,572,233 | 6/9/2016 |
| Mexico | 12/11/2015 | $0 | 0 | 16 | 35 | $146,913 | 6/9/2016 |
| Netherlands | 12/3/2015 | $64,052 | 32 | 38 | 132 | $335,293 | 6/9/2016 |
| New Zealand | 12/26/2014 | $0 | 0 | 60 | 501 | $782,481 | 6/9/2016 |
| North America | 10/23/2015 | $76,224 | 4 | 517 | 1,978 | $4,702,420 | 4/28/2021 |
| Peru | 12/17/2015 | $15,086 | 8 | 8 | 15 | $43,316 | 12/31/2018 |
| Portugal | 11/5/2015 | $64,008 | 21 | 26 | 113 | $280,840 | 6/9/2016 |
| Singapore | 12/31/2015 | $15,363 | 5 | 5 | 12 | $33,988 | 6/9/2016 |
| Slovenia | 3/10/2016 | $1,582 | 5 | 5 | 10 | $3,275 | 6/9/2016 |
| South Korea | 6/23/2016 | $40,308 | 17 | 19 | 66 | $190,995 | 10/27/2016 |
| Spain | 12/18/2015 | $272,815 | 140 | 140 | 588 | $1,564,552 | 6/9/2016 |
| Sweden | 1/15/2016 | $147,770 | 93 | 93 | 416 | $698,620 | 2/5/2016 |
| Switzerland | 11/18/2015 | $33,207 | 9 | 9 | 17 | $65,025 | 12/1/2015 |
| Taiwan | 1/8/2016 | $0 | 0 | 11 | 15 | $35,412 | 10/30/2018 |
| Thailand | 12/3/2015 | $2,849 | 13 | 13 | 15 | $4,742 | 12/16/2015 |
| Turkey | 1/15/2016 | $15,202 | 15 | 15 | 47 | $52,434 | 12/31/2018 |
| United Arab Emirates | 1/14/2016 | $8,367 | 13 | 13 | 13 | $8,367 | 12/31/2018 |
| United Kingdom | 10/16/2015 | $4,537,440 | 526 | 535 | 2662 | $14,066,289 | 6/9/2016 |
| Uruguay | 12/17/2015 | $1,369 | 8 | 8 | 22 | $26,222 | 12/31/2018 |
| Venezuela | 11/27/2015 | $24,112 | 8 | 8 | 12 | $88,908 | 12/8/2015 |
| Rest of World | $6,376,771 | ||||||
| Worldwide Total | $37,888,043 | 4/28/2021 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Carey Mulligan | Maud Watts |
| Helena Bonham Carter | Edith Ellyn |
| Meryl Streep | Emmeline Pankhurst |
Supporting Cast
| Brendan Gleeson | Steed |
| Anne-Marie Duff | Violet Cambridge |
| Ben Whishaw | Sonny |
| Natalie Press | Emily Wilding Davison |
| Romola Garai | Alice |
| Geoff Bell | Norman Taylor |
| Grace Stottor | Maggie Miller |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Sarah Gavron | Director |
| Abi Morgan | Screenwriter |
| Alison Owen | Producer |
| Faye Ward | Producer |
| Cameron McCracken | Executive Producer |
| Tessa Ross | Executive Producer |
| Rose Garnet | Executive Producer |
| Nik Bower | Executive Producer |
| James Schamus | Executive Producer |
| Teresa Moneo | Executive Producer |
| Andy Stebbing | Co-Producer |
| Hannah Farrell | Co-Producer |
| Edu Grau | Director of Photography |
| Barney Pilling | Editor |
| Alexandre Desplat | Composer |
| Alice Normington | Production Designer |
| Jane Petrie | Costume Designer |
| Sian Grigg | Make-up and Hair Designer |
| Fiona Weir | Casting Director |
| Mark Holt | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.