Australia Box Office for Stuber (2019)
Theatrical Performance (US$) | ||
Australia Box Office | $780,028 | Details |
Worldwide Box Office | $29,634,023 | Details |
Home Market Performance | ||
North America DVD Sales | $868,643 | Details |
North America Blu-ray Sales | $1,184,652 | Details |
Total North America Video Sales | $2,053,295 | |
Further financial details... |
Synopsis
When a mild-mannered Uber driver named Stu picks up a passenger who turns out to be a cop hot on the trail of a brutal killer, he’s thrust into a harrowing ordeal where he desperately tries to hold onto his wits, his life and his five-star rating.
Metrics
Movie Details
Production Budget: | $16,000,000 |
Australia Releases: | July 12th, 2019 (Wide) |
Video Release: | October 1st, 2019 by Fox Home Entertainment |
MPAA Rating: | R for violence and language throughout, some sexual references and brief graphic nudity. (Rating bulletin 2581 (Cert #51977), 6/5/2019) |
Running Time: | 105 minutes |
Keywords: | Police Detective, Taxi Driver, Car Accident, Car Chase, Shootout, Accidental Shooting, Action Comedy, Buddy Cop, LAPD, Set in Los Angeles, Romance, Unrequited Love, Dysfunctional Family, Artists, Corrupt Cops, Surprise Twist |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | 20th Century Fox, GoldDay Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for October 15th, 2019
October 17th, 2019
It’s a really slow week with Crawl being the biggest release of the week, and it wasn’t a monster hit at the box office. Fortunately, it is also the best DVD / Blu-ray release of the week and was the only real contender for Pick of the Week.
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Home Market Releases for October 1st, 2019
October 3rd, 2019
It’s a great week for home market releases with a couple of monster hits coming out. Spider-Man: Far From Home was already named Pick of the Week when it came out on VOD and the DVD / Blu-ray / 4K lives up to that title. Meanwhile, Toy Story 4 is the best release of the week, but it is only coming out on VOD and I don’t like giving the Pick of the Week title to VOD releases. This leaves Maiden and That Time I Got Reincarnated as a Slime: Season One, Part 1 as the Pick of the Week contenders. It is a close race, but the latter has better extras on its Blu-ray and that was the tiebreaker.
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Weekend Wrap-Up: The Lion King Reigns Over July Record Book
July 23rd, 2019
The Lion King finished on the very high end of expectations opening with $191.77 million topping the previous July weekend record by well over $20 million. It also made more than the rest of the weekend box office combined, as the total weekend haul was $263 million. In fact, The Lion King made more than the entire box office made last weekend ($126 million) and this weekend last year ($172 million). Needless to say, there was strong growth both week-over-week at 109% and year-over-year at 53%. Granted, 2019 is still well back from 2018’s pace, down 7.1% or $490 million at $6.44 billion compared to $6.93 billion, but at least that gap is down significantly from where it was last week.
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Weekend Wrap-Up: Spider-Man Repeats on Top, but 2019 Takes Another Hit
July 16th, 2019
It was a mixed weekend at the box office. On the one hand, nearly every film in the top five topped expectations, albeit by small margins in most cases. This includes Spider-Man: Far From Home, which led the way with $45.35 million over the weekend. On the other hand, we still saw a serious decline with the overall box office down 31% from last weekend to $126 million. Worse still, this was 24% lower than the same weekend last year and this left 2019 further behind last year’s pace. It is now behind 2018 by 8.6% or $570 million at $6.10 billion to $6.67 billion.
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Weekend Estimates: Spider-Man Leads the Way, But Lion King Roars
July 14th, 2019
As expected, Spider-Man: Far From Home is going to remain in first place at the box office this weekend. Fortunately for the box office as a whole, it is beating expectations in terms of dollars with an estimated haul of $45.3 million, which would give is a two-week total of $274.5 million. Internationally, the film is earning $100 million in 67 markets for totals of $573 million internationally and $847 million worldwide. It opened in first place in Italy over the weekend with $6.1 million. This is the film’s final market, but even coasting on holdovers won’t stop it from reaching $1 billion worldwide.
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Friday Estimates: Spider-Man’s Place on Top is not in Jeopardy
July 13th, 2019
Spider-Man: Far From Home will have no competition for top spot on this weekend’s chart, which was expected. Fortunately, it beat expectations at the box office with $13.65 million on Friday and Sony is projecting a $43.35 million sophomore stint. Its reviews and its A from CinemaScore obviously has had a positive effect on the film’s word-of-mouth and the film will have no trouble steaming past $300 million soon.
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Thursday Night Previews: Crawl Stands Tall
July 12th, 2019
Crawl looks poised to top expectations after earning $1 million during its previews. It looks likely to grab third place, possibly with $12 million for the weekend. It depends a lot on if audiences like it as much as critics did. That’s a big if, because horror fans tend to be very fickle.
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Weekend Predictions: Can the New Releases Crawl to the Top?
July 11th, 2019
Last weekend, Spider-Man: Far From Home was the first pleasant surprise at the box office since Aladdin came out in May. This weekend, we have two new releases hoping to continue the pleasant surprises. Unfortunately, neither Stuber nor Crawl are expected to be big hits. In fact, they likely won’t match Far From Home’s sophomore stint combined. Worse still, this weekend last year, both Hotel Transylvania 3: Summer Vacation and Skyscraper opened with more than Stuber and Crawl are expected to open combined, meaning 2019 will lose once again in the year-over-year competition.
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2019 Preview: July
July 1st, 2019
June was a disaster, with no pleasant surprises for the entire month, and a boatload of disappointments. In fact, one could argue Aladdin was the biggest hit of the month, despite it opening in May. Toy Story 4 is the biggest hit released in June, but it still missed expectations by a huge margin. In fact, so many films missed expectations by huge margins I’m rethinking my predictions for July. I still think there will be monster hits and I seriously doubt Spider-Man: Far from Home and The Lion King will bomb, but I also don’t think they will reach the heights some of the tracking data suggests they will. The only other film that has a shot at $100 million is Once Upon a Time in Hollywood, but the overall box office is so weak that I’m no longer sure it will get there. Meanwhile, last July wasn’t as strong on top with just two films topping $200 million, Mission: Impossible - Fallout and Ant-Man and the Wasp, neither of which came close to $300 million. However, last year had a lot better depth and I think that could result in 2019 merely breaking even in the year-over-year competition.
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Stuber Trailer
April 8th, 2019
Action comedy starring Kumail Nanjiani and Dave Bautista opens July 12 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/07/12 | 8 | $388,765 | 244 | $1,593 | $388,765 | 1 | |
2019/07/19 | 12 | $130,139 | -67% | 215 | $605 | $652,801 | 2 |
2019/07/26 | 19 | $59,197 | -55% | 127 | $466 | $742,160 | 3 |
2019/08/02 | - | $10,559 | -82% | 56 | $189 | $763,327 | 4 |
2019/08/23 | - | $420 | 5 | $84 | $765,644 | 7 | |
2019/08/30 | - | $318 | -24% | 3 | $106 | $765,035 | 8 |
2019/09/06 | - | $618 | +94% | 4 | $155 | $780,028 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/12/2019 | $388,765 | 244 | 244 | 654 | $780,028 | 9/10/2019 |
Bulgaria | 7/12/2019 | $19,562 | 0 | 0 | 0 | $54,136 | 8/16/2019 |
Czech Republic | 7/12/2019 | $48,059 | 69 | 69 | 136 | $87,737 | 10/19/2022 |
Germany | 8/23/2019 | $183,963 | 0 | 0 | 0 | $529,127 | 10/9/2019 |
Italy | 8/29/2019 | $13,649 | 0 | 7 | 7 | $24,867 | 10/19/2022 |
Lithuania | 7/12/2019 | $10,601 | 113 | 113 | 144 | $27,458 | 7/30/2019 |
Mexico | 7/26/2019 | $146,835 | 0 | 0 | 0 | $299,715 | 10/19/2022 |
Netherlands | 7/12/2019 | $219,269 | 99 | 99 | 312 | $559,840 | 9/12/2019 |
New Zealand | 7/11/2019 | $0 | 0 | 5 | 6 | $107,414 | 9/5/2019 |
North America | 7/12/2019 | $8,225,384 | 3,050 | 3,050 | 9,565 | $22,370,452 | |
Poland | 7/12/2019 | $36,859 | 0 | 0 | 0 | $88,377 | 10/19/2022 |
Portugal | 7/12/2019 | $59,406 | 55 | 55 | 155 | $196,026 | 10/19/2022 |
Romania | 7/12/2019 | $0 | 0 | 5 | 8 | $165,456 | 9/17/2019 |
Russia (CIS) | 7/12/2019 | $479,936 | 800 | 800 | 2031 | $996,015 | 10/19/2022 |
Slovakia | 7/12/2019 | $21,700 | 50 | 50 | 84 | $42,329 | 8/6/2019 |
Slovenia | 7/12/2019 | $0 | 0 | 6 | 9 | $47,441 | 9/11/2019 |
Spain | 8/23/2019 | $21,876 | 51 | 51 | 51 | $43,577 | 9/12/2019 |
United Arab Emirates | 7/12/2019 | $200,000 | 0 | 0 | 0 | $200,000 | 7/15/2019 |
United Kingdom | 7/12/2019 | $265,220 | 392 | 392 | 392 | $604,461 | 9/8/2019 |
Rest of World | $2,409,567 | ||||||
Worldwide Total | $29,634,023 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Kumail Nanjiani | Stu |
Dave Bautista | Vic |
Supporting Cast
Iko Uwais | Oka Tedjo |
Natalie Morales | Nicole |
Betty Gilpin | Becca |
Jimmy Tatro | Richie Sandusky |
Mira Sorvino | Captain Angie McHenry |
Karen Gillan | Sarah Morris |
Amin Joseph | Leon |
Steve Howey | Felix |
Scott Lawrence | Dr. Branch |
Jennifer Riker | Art Collector |
James William Ballard | LAPD Officer |
Christine Horn | Upscale Hotel Manager |
Bruno Rose | Bartender |
Patricia French | Grandma Doris |
Julia Vasi | Sloane |
Hans Marrero | Goon #1 |
Rene Moran | Amo Cortez |
Darin Ferraro | Drug Dealer |
Lyon Beckwith | Colombian Drug Dealer |
Victoria Anastasi | Melanie |
Chris Goad | LAPD Cop |
Bethany Dezelle | 911 Dispatcher |
Fernando Martinez | Alamitos Gangbanger |
Melody Peng | Brooke |
Ashley Geanett Priest | Concession Worker |
Jay D. Kacho | Detective Kramer |
Jason Catron | Police Officer |
Halleta Alemu | Chelsea |
Dustin Coffey | Compton Bum |
John Gettier | LAPD Officer |
Amber Chardae Robinson | Amber |
Chris Ward | Clipper Fan |
Malachi Malik | Tariq |
George Lott | Art Gallery Friend |
Jeff Sprauve | 911 Dispatcher |
Micah Shane Ballinger | Art Collector’s Friend |
Roger Payano | Eye Doctor |
Kyle Zingler | Drunk Asshole |
Edward Parker | Hotel Guest |
Roscoe Johnson | Police Officer |
Vanessa Giorgi | 911 Dispatcher |
Henardo Rodriguez | Art Gallery Patron |
Jed Maheu | Neck Beard |
Mallory Teplinskiy | LAPD Detective |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Michael Dowse | Director |
Tripper Clancy | Screenwriter |
Jonathan Goldstein | Producer |
John Francis Daley | Producer |
Jake Wagner | Executive Producer |
Nicholas Thomas | Executive Producer |
Jeremiah Samuels | Executive Producer |
Bobby Shore | Director of Photography |
Naaman Marshall | Production Designer |
Jonathan Schwartz | Editor |
Joseph Trapanese | Composer |
Steven Ritzi | Stunt Coordinator |