Spain Box Office for Still Alice (2015)
Theatrical Performance (US$) | ||
Spain Box Office | $797,622 | Details |
Worldwide Box Office | $41,598,366 | Details |
Home Market Performance | ||
North America DVD Sales | $2,836,294 | Details |
North America Blu-ray Sales | $939,009 | Details |
Total North America Video Sales | $3,775,303 | |
Further financial details... |
Synopsis
Alice Howland, happily married with three grown children, is a renowned linguistics professor who starts to forget words. When she receives a diagnosis of Early-Onset Alzheimer’s Disease, Alice and her family find their bonds thoroughly tested.
Metrics
Movie Details
Production Budget: | $5,000,000 |
Spain Releases: | January 16th, 2015 (Wide) |
Video Release: | April 28th, 2015 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for mature thematic material, and brief language including a sexual reference. (Rating bulletin 2345, 10/22/2014) |
Running Time: | 99 minutes |
Keywords: | Faulty Memory, Alzheimer, College Professor, Dysfunctional Family, Terminal Illness, Set in New York City, Set in New York, 2010s, Set in Manhattan, Academics, Life Drama |
Source: | Original Screenplay |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Lutzus-Brown, Killer Films, Big Indie Pictures, Shriver Films |
Production Countries: | United States |
Languages: | English |
Home Market Numbers: Fifty Shades Continues its Perfect Run
June 4th, 2015
The second major change in news articles this week is the consolidation of the home market columns and using the Combined DVD and Blu-ray Sales Chart. It is kind of a bad week for this change, as the new releases were a disappointment; 50 Shades of Grey remained on top on both the Blu-ray sales chart and the DVD sales chart. It sold an additional 896,000 units and generated $15.82 million for the week giving it totals of 2.27 million units / $40.20 million.
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Home Market Numbers: Fifty Shades Brightens the Home Market
May 30th, 2015
There were a lot of new releases to reach the top twenty on the Blu-ray sales chart this week. This includes 50 Shades of Grey, which is already the fifth best selling Blu-ray of 2015. Needless to say, this meant the overall Blu-ray sales were a lot stronger than last week. There were 89% more units sold and 77% higher revenue. Compared to last year, there were 72% more units sold and 47% higher revenue. The overall DVD market also grew, but not as much as much as the Blu-ray market rose and this helped the overall Blu-ray share rocket to 45%.
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DVD and Blu-ray Releases for May 12th, 2015
May 11th, 2015
It is a typical summer week on the home market with little to no prime releases. The biggest release of the week is Still Alice, which earned $18 million in theaters. That's not bad for a limited release. It is better than some of the wide releases that came out earlier this year. Fortunately, the Blu-ray is also the best new release of the week and it is the Pick of the Week. In fact, it isn't even close as there are no other contenders for that title.
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Per Theater Chart: Machina Saves Box Office
April 15th, 2015
Ex Machina's opening weekend was surprisingly potent earning an average of $59,316 in four theaters. This is the biggest per theater average for a film that opened in 2015. I was not expecting that. On the other hand, I was expecting Clouds of Sils Maria to do well, and it did, earning an average of $20,603 in three theaters. Furious 7 remained in the $10,000 club with an average of $14,815 in more than 4,000 theaters.
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Weekend Wrap-Up: Seven Does Furious Business
April 7th, 2015
As expected, Furious 7 easily won the race for top spot on the weekend box office chart. However, it did so in an unexpectedly robust way, destroying a number of records along the way. This helped the overall box office grow 49% from last weekend to $224 million. More importantly, the overall box office was 34% more than the same weekend last year. Year-to-date, 2015 is now 3.1% above 2014's pace at $2.64 billion to $2.56 billion. Assuming Furious 7 has any legs at all, this lead will continue to grow next weekend.
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Theater Averages: It Follows in Shadows’ Footsteps
March 18th, 2015
It Follows was one of five new releases to reach the $10,000 club, based on theater averages this weekend. It opened with an average of $40,022 in four theaters, which is the second-best for a film opening in 2015, just behind What We Do in the Shadows. The overall box office leader, Cinderella, was well back in second place with an average of $17,653. Seymour: An Introduction opened with an average of $13,294 in two theaters. 3 Hearts earned $11,794 in its lone theater. Tales of Hoffmann was right behind with an average of $11,670 in two theaters.
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Per Theater Chart: '71 is Number One
March 4th, 2015
Only two films were in the $10,000 club at the box office this past weekend, and they were in a close race. '71 led the way with an average of $13,940 in four theaters. Meanwhile, The Hunting Ground was close behind with an average of $12,054 in two theaters.
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Weekend Estimates: Focus Steals a Modest Win
March 1st, 2015
Will Smith remains a top 20 force on The Numbers Bankability Index, thanks mainly to his leading turns in tentpoles and franchise films. His draw in smaller movies has always been less of a sure thing, even in his heyday. The performance of Focus this weekend is perhaps not as much of a surprise, with Warner Bros. projecting an OK $19.1 million debut for the film—not a terrible number for the time of year, and broadly in line with the openings for Seven Pounds ($14.8m), The Pursuit of Happyness ($26.5m) and Ali ($14.7m).
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Per Theater Chart: Tales has Wild Debut
February 25th, 2015
Wild Tales was the only film in the $10,000 club over the weekend earning an average of $21,275 in four theaters. However, What We Do in the Shadows is an interesting case. It expanded to 16 theaters over the weekend, sort of, earning an average of $8,033. The reason I said "sort of" is that in many theaters it had special showings, not a full run. It is really hard to reach the $10,000 mark on the per theater chart when several theaters are only showing the film once a night instead of more than a dozen times a weekend.
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2014 Awards Season: Oscars - And the Winner is... Birdman for Best Picture
February 22nd, 2015
The Oscar ceremony is tonight and we will be live-blogging the winners... assuming I don't get bored and wander away. On a serious note, while my job is all about movies and I love watching movies, I love paying attention to box office numbers, I even love Awards Season. I hate ceremonies. As per usual, here is the list of nominees marked according to predictions / wishes. Nominees in Bold are the ones predicted to win by our readers. If I predicted a different film, those are in Italics. Meanwhile, the nominees I want to win, but don't think will win, are Underlined. There are a few categories where the film I really think deserves the award were not even nominated, plus a few I don't have a real opinion on.
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2014 - Awards Season: Independent Spirit Awards - Winners
February 22nd, 2015
The Independent Spirit Awards winners were announced last night and there were few surprises. Birdman led the way with 3 wins, but it wasn't the only film to come away with more than one award.
Per Theater Chart: Shadow Steals Spotlight in Its Debut
February 18th, 2015
What We Do in the Shadows dominated the per theater chart earning an average of $41,778 in two theaters. This is high enough to suggest the film will be able to expand significantly. Additionally, its reviews are stunning, so its chances at box office success are even better. However, the comedy stylings of Jemaine Clement and Taika Waititi are not really mainstream and that might hurt its chances. The second place film on the per theater chart was the overall number one film, Fifty Shades of Grey, which earned an average of $23,360. The Last 5 Years was next with an average of $17,158 in three theaters. Gett: The Trial of Viviane Amsalem opened with an average of $12,105 in two theaters. Meanwhile, the second wide release of the week, Kingsman: The Secret Service, was the final film in the $10,000 club with an average of $11,300.
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2014 Awards Season: Oscar Highlight: Best Lead Actress
February 13th, 2015
With our annual Oscar Prediction contest underway, now is the best time to look at the nominees and try and figure out who the favorites are and which films should just feel honored to be nominated. Today we look at the two leading actor categories, starting with Best Lead Actress. One actress is so far ahead of the rest of the field that there isn't even a consensus on who the second place actress should be.
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Per Theater Chart: Hip to be Square(Pants)
February 11th, 2015
Just like it did on the overall box office chart, The SpongeBob Movie: Sponge Out of Water led the way on the per theater chart with an average of $15,206. This is surprisingly high compared to weekend predictions. There were two other films in the $10,000 club. Ballet 422 earned an average of $13,827 in two theaters and Old Fashioned was right behind with $12,988 in three.
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2014 - Awards Season: BAFTA - Winners
February 8th, 2015
The BAFTA winners were announced on Sunday and there were a few surprises, including the number one winner. The Grand Budapest Hotel took home five awards, while Boyhood, The Theory of Everything, and Whiplash earned three each.
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Per Theater Chart: Future for Timbuktu Is Bright
February 3rd, 2015
Timbuktu was the only film in the $10,000 club this weekend earning an estimated average of $12,500 in four theaters. Running Man came close with an average of $9,246 in 20 theaters. Impressively, Game Of Thrones: The IMAX Experience earned 15th place on the overall chart with $1.46 million in just over 200 theaters for an average of $7,142. This is enough to expect this to happen again, but I don't know if it will be a regular thing.
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Per Theater Chart: Sniper Stuck at the Top
January 27th, 2015
For the fifth week in a row, American Sniper led the way on the per theater chart, this week earning an average of $17,444. The only other film in the $10,000 club was Still Alice with an average of $10,816 in 38 theaters.
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2014 - Awards Season: SAG - Winners
January 26th, 2015
The Screen Actors Guild winners were announced Sunday and there were some surprises, mostly in the negative. Birdman picked up the biggest prize, but there were six different winners in the six categories.
Weekend Estimates: American Sniper Continues Box Office Domination
January 25th, 2015
After smashing the January weekend record last weekend, American Sniper is enjoying a very solid second-weekend hold. So solid, in fact, that it will also have the third-best January weekend. If it drops less than 35% next weekend, it will share with Avatar the records for the top six January weekends, each movie having topped $42 million three times. Sniper’s expected weekend this time around is $64.365m, according to Warner Bros. Sunday morning projection.
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Per Theater Chart: Sniper Expands Wide, but Still Secures Top Spot
January 21st, 2015
American Sniper expanded wide, but it still earned first place on the per theater chart with an average of $25,111 in more than 3,000 theaters. Second place went to Still Alice, which opened with an average of $17,667 in 12 theaters. Those were the only two films to reach the $10,000 club over the three-day weekend, but Ode to me Father came close enough that it probably got there over the four-day weekend.
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2014 Awards Season: Oscars - Nominations
January 17th, 2015
The Oscar nominations were announced early in the morning, when all sensible people were asleep. There were some surprises, as well as some results that would have been surprises had it not been for the previous Awards Season nominations. Seventeen films earned two or more nods, led by Birdman and The Grand Budapest Hotel, both of which picked up nine nominations, while The Imitation Game was right behind with eight.
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Limited Release: Still Struggling to Find a Hit
January 16th, 2015
It is a really, really bad weekend to release a limited release. Not only do fans of art house cinema have a lot of films to choose from, but many of them are busy talking about the Oscar nominations, which were just announced. Even so, there are about a dozen limited releases on this week's list. I seriously doubt most of them will do well enough to make a real impact on the box office. There is one exception, as Still Alice is earning great reviews and even picked up a number of major nominations this Awards Season.
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2014 - Awards Season: Golden Globes - Winners
January 12th, 2015
We are still waiting for the DGA nominations to be announced, but we had the first major awards show on Sunday. The Golden Globes winners were announced Sunday night and while there were not a lot of surprises, there are some things worth talking about. Leading the way with three wins was Boyhood, while Birdman and The Theory of Everything each picked up a pair of wins.
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2014 - Awards Season: BAFTA - Nominations
January 11th, 2015
The BAFTA nominations were announced yesterday and unlike most other Awards Season voters, the BAFTA voters gave us some real surprises. For instance, Birdman didn't lead the way. In fact, it was a comedy, The Grand Budapest Hotel, that earned the most nominations at 11. Granted, Birdman and The Theory of Everything were tied for second place with ten each, but it is still strange to see a comedy leading the way.
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2014 - Awards Season: Golden Globes - Nominations
December 11th, 2014
The Golden Globes nominations were announced this morning, at three in the morning, because the people at Golden Globes are under the delusion that news announced at 3:00 a.m. is somehow more important if it is announced before anyone is awake. As for the actual nominations, like with the Independent Spirit Awards and the SAG nominations, Birdman led the way. It earned seven nominations, while Boyhood and The Imitation Game tied for second with five apiece. Starting to notice a pattern here? This could be a really dull Awards Season with very few surprises. On the other hand, predictable means less work for me. Plus, predictable probably means the Awards Season voters are making the right choices, as surprises usually mean someone made the wrong choice.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
2014 - Awards Season: Independent Spirit Awards - Nominations
December 6th, 2014
The Independent Spirit Awards nominations were announced last week and I'm getting to them a little late, because I needed to organize the whole Awards Season stories. Firstly, I've decided to use the year the movies were released not the year the awards are handed out, unlike what we did last year. This means both will have 2014 as the year. Not ideal, but it is better to fix the mistake now than carry on making it. Secondly, the headlines are just going to be the name of the Awards and either nominations or winners. This will make it easier for readers to find later on. As for the Independent Spirit Awards nominations, Birdman led the way with 6 nods, while Boyhood, Nightcrawler, and Selma were right behind with 5 each.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/04/10 | 50 | $2,118 | 5 | $424 | $2,118 | 13 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 1/29/2015 | $80,846 | 64 | 124 | 810 | $1,682,958 | 10/20/2020 |
Austria | 3/13/2015 | $0 | 0 | 30 | 30 | $294,770 | 6/26/2015 |
Belgium | 3/18/2015 | $0 | 0 | 37 | 73 | $589,395 | 7/8/2015 |
Brazil | 3/12/2015 | $436,391 | 194 | 194 | 590 | $1,600,362 | 11/9/2018 |
Finland | 3/20/2015 | $0 | 0 | 42 | 81 | $262,409 | 6/26/2015 |
France | 3/18/2015 | $274,468 | 0 | 44 | 44 | $890,033 | 8/21/2018 |
Germany | 3/5/2015 | $376,990 | 0 | 11 | 23 | $2,918,944 | 8/22/2018 |
Hong Kong | 2/6/2015 | $59,479 | 34 | 34 | 75 | $217,048 | 11/25/2018 |
Italy | 1/22/2015 | $181,648 | 0 | 1 | 3 | $1,902 | 11/6/2018 |
Japan | 6/27/2015 | $248,253 | 71 | 71 | 71 | $248,253 | 7/1/2015 |
Mexico | 2/20/2015 | $97,297 | 0 | 0 | 0 | $708,600 | 8/30/2018 |
Netherlands | 3/12/2015 | $159,249 | 35 | 64 | 497 | $3,102,426 | 11/21/2018 |
New Zealand | 1/22/2015 | $0 | 0 | 5 | 7 | $325,186 | 7/16/2015 |
North America | 1/16/2015 | $212,000 | 12 | 1,318 | 6,262 | $18,656,400 | |
Poland | 4/3/2015 | $1,461 | 4 | 4 | 7 | $76,128 | 12/30/2018 |
Portugal | 2/5/2015 | $0 | 0 | 9 | 9 | $411,679 | 11/16/2015 |
South Korea | 5/1/2015 | $183,306 | 0 | 0 | 0 | $696,946 | 8/29/2018 |
Spain | 1/16/2015 | $159,379 | 82 | 102 | 660 | $797,622 | 11/28/2018 |
Taiwan | 1/30/2015 | $62,115 | 0 | 16 | 114 | $909,254 | 11/2/2018 |
Turkey | 2/13/2015 | $56,636 | 33 | 33 | 74 | $149,590 | 12/30/2018 |
United Kingdom | 3/6/2015 | $604,858 | 86 | 94 | 250 | $3,602,671 | 2/6/2017 |
Rest of World | $3,455,790 | ||||||
Worldwide Total | $41,598,366 | 10/20/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Julianne Moore | Dr. Alice Howland |
Supporting Cast
Alec Baldwin | Dr. John Howland |
Kristen Stewart | Lydia Howland |
Kate Bosworth | Anna Howland-Jones |
Hunter Parrish | Tom Howland |
Shane McRae | Charlie Howland-Jones |
Stephen Kunken | Dr. Benjamin |
Seth Gilliam | Frederic Johnson |
Erin Darke | Jenny |
Daniel Gerroll | Eric Wellman |
Quincy Tyler Bernstine | Nursing Home Administrator |
Orlagh Cassidy | Primary Care Doctor |
Zillah Glory | Masha |
Maxine Prescott | Nursing Home Resident |
Rosa Arrendondo | Convention Facilitator |
Caridad Martinez | Elena |
Charlotte Robson | Young Musician |
Caleb Freundlich | Young Musician |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Richard Glatzer | Director |
Wash Westmoreland | Director |
Richard Glatzer | Screenwriter |
Wash Westmoreland | Screenwriter |
Lisa Genova | Story Creator |
Lex Lutzus | Producer |
James Brown | Producer |
Pamela Koffler | Producer |
Declan Baldwin | Co-Producer |
Elizabeth Gelfand Stearns* | Co-Producer |
Marie Savare | Executive Producer |
Christine Vachon | Executive Producer |
Maria Shriver | Executive Producer |
Emilie Georges | Executive Producer |
Nicholas Shumaker | Executive Producer |
Celine Rattray | Executive Producer |
Trudie Styler | Executive Producer |
Kerry Barden | Casting Director |
Paul Schnee | Casting Director |
Allison Estrin | Casting Director |
Randall Poster | Music Supervisor |
Meghan Currier | Music Supervisor |
Ilan Eshkeri | Composer |
Stacey Battat | Costume Designer |
Nicolas Chaudeurge | Editor |
Tommaso Ortino | Production Designer |
Denis Lenoir | Director of Photography |
Susan Perlman | Set Decorator |
James Baker | Sound Mixer |
Javier Bennassar | Supervising Sound Editor |
Leslie Schatz | Re-recording Mixer |
Javier Bennassar | Re-recording Mixer |
Lynn Appelle | Line Producer |
Chris Carroll | Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.