Japan Box Office for スパイダーマン:ノー・ウェイ・ホーム (2021)
Theatrical Performance (US$) | ||
Japan Box Office | $22,000,000 | Details |
Worldwide Box Office | $1,921,206,586 | Details |
Home Market Performance | ||
North America DVD Sales | $10,448,179 | Details |
North America Blu-ray Sales | $35,726,376 | Details |
Total North America Video Sales | $46,174,555 | |
Further financial details... |
Synopsis
For the first time in the cinematic history of Spider-Man, our friendly neighborhood hero is unmasked and no longer able to separate his normal life from the high-stakes of being a Super Hero. When he asks for help from Doctor Strange the stakes become even more dangerous, forcing him to discover what it truly means to be Spider-Man.
Metrics
Movie Details
Production Budget: | $200,000,000 |
Japan Releases: | January 7th, 2022 (Wide), released as スパイダーマン:ノー・ウェイ・ホーム |
Video Release: | March 15th, 2022 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for sequences of action/violence, some language and brief suggestive comments. (Rating bulletin 2709 (cert #53041), 12/1/2021) PG-13 for sequences of action/violence, some language and brief suggestive comments. (Rating bulletin 2741 (cert #53923) (The More Fun Stuff Version), 7/20/2022) |
Running Time: | 148 minutes |
Franchise: | Marvel Cinematic Universe, Spider-Man |
Keywords: | Action Adventure, Alternative Dimensions / Parallel universe, Ensemble, Secret Identity |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Animation/Live Action |
Creative Type: | Super Hero |
Production/Financing Companies: | Marvel Studios, Pascal Pictures, Columbia Pictures |
Production Countries: | United States |
Languages: | English |
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March 20th, 2022
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March 11th, 2022
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January 28th, 2022
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January 23rd, 2022
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January 21st, 2022
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January 9th, 2022
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December 19th, 2021
After two dismal years for the theatrical business, Spider-Man has returned to change the rules of the game. Again. Back in 2002, the first Spider-Man movie set an all-time record by opening with $114.8 million—becoming the first film to top $100 million at the box office in a single weekend. That was arguably the beginning of the modern era at the box office.
This weekend, Spider-Man: No Way Home may be kicking off the post-pandemic era with a gargantuan $253-million opening. That’s not just the best result of the pandemic. It’s the best by a huge margin, more than doubling the opening of Venom: Let There Be Carnage, which itself significantly outperformed expectations. Even more impressively, it’s the third-best weekend of all time, behind only Avengers: Endgame ($357 million) and Avengers: Infinity War ($258 million). In fact, a good Sunday number would take it into second place on that list.
Oh, and it’s already the highest-grossing film of 2021.
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Weekend predictions: Spider-Man eyes $150-million weekend
December 17th, 2021
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Weekend estimates: West Side Story shows some legs with $10.5-million weekend win
December 12th, 2021
As I said on Friday, the measure of success for West Side Story is not so much how it opens as how strong its legs are. Based on its performance through this weekend, there’s cause for some mild optimism. Ahead of the weekend, our model expected an opening around $6.9 million, based on its debut in a relatively modest 2,820 theaters and current market conditions. Its $800,000 in preview earnings suggested a weekend close to $10 million was on the cards, and bumped the model’s prediction up to $8.27 million. This morning Disney announced a projected $10.5 million for the film over its opening weekend. While that’s hardly a reason for dancing in the streets, it does suggest the film will play well for a while.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2022/01/14 | - | $3,700,000 | 0 | $22,000,000 | 2 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/16/2021 | $6,800,000 | 0 | 0 | 0 | $15,100,000 | 10/20/2022 |
Australia | 12/16/2021 | $18,718,566 | 1121 | 1121 | 6484 | $51,658,449 | 10/30/2023 |
Bolivia | 12/17/2021 | $1,500,000 | 0 | 0 | 0 | $1,500,000 | 10/20/2022 |
Brazil | 12/16/2021 | $18,600,000 | 0 | 0 | 0 | $50,400,000 | 10/20/2022 |
Central America | 12/17/2021 | $4,800,000 | 0 | 0 | 0 | $12,600,000 | 1/16/2022 |
Colombia | 12/15/2021 | $3,700,000 | 0 | 0 | 0 | $3,700,000 | 10/20/2022 |
Czech Republic | 12/16/2021 | $1,322,152 | 218 | 218 | 1234 | $4,973,626 | 10/20/2022 |
Ecuador | 12/17/2021 | $3,700,000 | 0 | 0 | 0 | $7,900,000 | 1/16/2022 |
Egypt | 12/17/2021 | $1,300,000 | 0 | 0 | 0 | $1,300,000 | 10/20/2022 |
Finland | 12/15/2021 | $784,276 | 107 | 107 | 1078 | $3,830,363 | 10/20/2022 |
France | 12/15/2021 | $19,200,000 | 0 | 0 | 0 | $58,000,000 | 10/20/2022 |
Germany | 12/15/2021 | $11,400,000 | 0 | 0 | 0 | $40,400,000 | 10/20/2022 |
Hong Kong | 12/16/2021 | $6,300,000 | 0 | 0 | 0 | $16,600,000 | 10/20/2022 |
India | 12/16/2021 | $18,200,000 | 0 | 0 | 0 | $35,300,000 | 10/20/2022 |
Indonesia | 12/16/2021 | $8,200,000 | 0 | 0 | 0 | $24,600,000 | 10/20/2022 |
Israel | 12/16/2021 | $2,700,000 | 0 | 0 | 0 | $2,700,000 | 10/20/2022 |
Italy | 12/15/2021 | $9,338,181 | 0 | 0 | 0 | $24,970,868 | 10/20/2022 |
Japan | 1/7/2022 | $0 | 0 | 0 | 0 | $22,000,000 | 10/20/2022 |
Kuwait | 12/16/2021 | $1,200,000 | 0 | 0 | 0 | $1,200,000 | 10/20/2022 |
Lithuania | 12/17/2021 | $221,447 | 16 | 16 | 108 | $872,072 | 3/16/2022 |
Malaysia | 12/16/2021 | $0 | 0 | 0 | 0 | $10,000,000 | 12/28/2021 |
Mexico | 12/15/2021 | $24,432,010 | 0 | 0 | 0 | $75,586,000 | 10/20/2022 |
Netherlands | 12/16/2021 | $0 | 0 | 235 | 2116 | $13,615,291 | 7/22/2024 |
New Zealand | 12/17/2021 | $2,253,663 | 111 | 113 | 1216 | $7,057,163 | 11/14/2022 |
North America | 12/17/2021 | $260,138,569 | 4,336 | 4,336 | 64,054 | $814,811,535 | 10/24/2024 |
Norway | 1/14/2022 | $0 | 0 | 0 | 0 | $0 | |
Peru | 12/17/2021 | $4,400,000 | 0 | 0 | 0 | $4,400,000 | 10/20/2022 |
Philippines | 1/8/2022 | $0 | 0 | 0 | 0 | $0 | |
Portugal | 12/16/2021 | $1,400,971 | 192 | 192 | 1485 | $3,750,747 | 10/20/2022 |
Romania | 12/17/2021 | $695,320 | 160 | 160 | 1187 | $3,039,398 | 10/20/2022 |
Russia (CIS) | 12/15/2021 | $14,085,696 | 1900 | 1900 | 12178 | $55,345,653 | 10/20/2022 |
Saudi Arabia | 12/17/2021 | $5,200,000 | 0 | 0 | 0 | $5,200,000 | 10/20/2022 |
Slovakia | 1/20/2022 | $237,231 | 34 | 78 | 393 | $1,115,127 | 4/8/2022 |
South Korea | 12/14/2021 | $12,256,835 | 2948 | 2948 | 14671 | $61,068,751 | 7/24/2024 |
Spain | 12/16/2021 | $8,221,425 | 396 | 427 | 5186 | $31,312,261 | 10/28/2024 |
Taiwan | 12/15/2021 | $7,300,000 | 0 | 0 | 0 | $16,600,000 | 10/20/2022 |
Thailand | 12/23/2021 | $0 | 0 | 0 | 0 | $0 | |
Turkey | 12/17/2021 | $1,474,090 | 1027 | 1027 | 5301 | $12,861,791 | 2/14/2023 |
Ukraine | 12/16/2021 | $2,400,000 | 0 | 0 | 0 | $2,400,000 | 10/20/2022 |
United Arab Emirates | 12/16/2021 | $4,100,000 | 0 | 0 | 0 | $4,100,000 | 12/19/2021 |
United Kingdom | 12/15/2021 | $42,329,130 | 679 | 680 | 8647 | $127,130,033 | 9/13/2022 |
Rest of World | $292,207,458 | ||||||
Worldwide Total | $1,921,206,586 | 10/28/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Holland | Peter Parker/Spider-Man |
Supporting Cast
Zendaya | MJ |
Benedict Cumberbatch | Doctor Strange |
Jon Favreau | Happy Hogan |
Jacob Batalon | Ned Leeds |
Marisa Tomei | May Parker |
Jamie Foxx | Max Dillon/Electro |
Willem Dafoe | Norman Osborn/Green Goblin |
Alfred Molina | Otto Octavius/Doctor Octopus |
Benedict Wong | Wong |
Tony Revolori | Eugene “Flash” Thompson |
Andrew Garfield | Peter Parker/Spider-Man |
Tobey Maguire | Peter Parker/Spider-Man |
Thomas Haden Church | Flint Marko/Sandman |
Rhys Ifans | Curt Connors/Lizard |
J.B. Smoove | Julius Dell |
Angourie Rice | Betty Brant |
Jorge Lendeborg Jr | Jason Ionello |
Hannibal Buress | Coach Wilson |
J.K. Simmons | J. Jonah Jameson |
Paula Newsome | |
Arian Moayed |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jon Watts | Director |
Chris McKenna | Screenwriter |
Erik Sommers | Screenwriter |
Stan Lee | Story based on the comic book by |
Steve Ditko | Story based on the comic book by |
Amy Pascal | Producer |
Kevin Feige | Producer |
Louis D’Esposito | Executive Producer |
Victoria Alonso | Executive Producer |
JoAnn Perritano | Executive Producer |
Rachel O’Connor | Executive Producer |
Avi Arad | Executive Producer |
Matt Tolmach | Executive Producer |
Jeffrey Ford | Editor |
Leigh Folsom-Boyd | Editor |
Michael Giacchino | Composer |
Mauro Fiore | Director of Photography |
Mitch Bell | Co-Producer |
Robin Buday | First Assistant Editor |
Brian Stultz | Art Director |
Kelly Port | Visual Effects Supervisor |
Scott Edelstein | Visual Effects Supervisor |
Christopher Waegner | Visual Effects Supervisor |
Tony Lamberti | Re-recording Mixer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.