United Kingdom Box Office for Space Jam: A New Legacy (2021)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $17,684,028 | Details |
Worldwide Box Office | $143,187,374 | Details |
Home Market Performance | ||
North America DVD Sales | $2,619,370 | Details |
North America Blu-ray Sales | $2,327,673 | Details |
Total North America Video Sales | $4,947,043 | |
Further financial details... |
Synopsis
When LeBron James and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even “King” James by playing the game their own way.
Metrics
Movie Details
Production Budget: | $150,000,000 |
United Kingdom Releases: | July 16th, 2021 (Wide) |
Video Release: | July 16th, 2021 by Max |
MPAA Rating: | PG for some cartoon violence and some language. (Rating bulletin 2683 (cert #53064), 6/2/2021) |
Running Time: | 115 minutes |
Franchise: | Space Jam |
Keywords: | Delayed Sequel, Basketball, Video Game Industry, Father’s Footsteps, Dysfunctional Family, Artificial Intelligence, Family Comedy, Disrupted by 2020 COVID-19 pandemic |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Animation/Live Action |
Creative Type: | Kids Fiction |
Production/Financing Companies: | SpringHill Entertainment, Warner Bros., Proximity Media |
Production Countries: | United States |
Languages: | English |
Weekend estimates: Eternals’ good hold keeps it on top
November 14th, 2021
Eternals will, as expected, come out on top at the box office this weekend, but it’ll do so by a healthier margin than expected thanks to a decent hold, and a very slight under-performance by Clifford the Big Red Dog through the weekend. Eternals is set to earn $27.5 million, according to Disney’s Sunday-morning projection, which will take it to $118.8 million domestically. That makes it one of the top 10 films of 2021 already, with quite a way to run.
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Weekend estimates: Jungle Cruise opens with impressive $34.2 million
August 1st, 2021
Get ready for Big Thunder Mountain Railroad: The Movie everyone. Disney’s strategy of converting its theme park rides into adventure movies is hitting pay dirt again this weekend with Jungle Cruise on its way to a $34.2-million debut, according to the studio’s Sunday morning projection. That’s substantially above our model’s prediction, and it’s not the only movie to be earning more than expected: The Green Knight will earn about $6.8 million this weekend to land in second place. Those two films more than make up for the softness of the returning titles, and we are looking at a welcome “up” weekend for the market as a whole.
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Weekend estimates: Old leads on lackluster weekend
July 25th, 2021
M. Night Shyamalan returns to the top of the box office charts this weekend, but he might be the only person celebrating as every opening and returning film in the top 10 looks set to underperform this weekend. Shyamalan’s new film, Old is coming closest to our model’s prediction with an opening of $16.5 million, which is 12% below what the model expected. Snake Eyes: G.I. Joe Origins will come second with $13.35 million, which is 15% behind expectations. Those results are both well within the model’s margin of error, but the collective performance of the market is troubling.
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Weekend predictions: four films vie for top spot
July 23rd, 2021
Our model has four films within five million dollars of one another this weekend as Space Jam: A New Legacy and Black Widow return to theaters, and Snake Eyes: G.I. Joe Origins and Old appear for the first time. Black Widow and Old are in a statistical dead heat at the top, but any of the four films has a shot at winning the weekend.
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Weekend estimates: Space Jam opens with impressive $31.65 million
July 18th, 2021
Families returned to movie theaters in a big way this weekend, and helped propel Space Jam: A New Legacy to a strong $31.65 million opening, according to Warner Bros.’ Sunday-morning projection. With Escape Room: Tournament of Champions also beating our model’s prediction, the newcomers made up for soft results for returning films.
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Weekend predictions: Black Widow favorite for second weekend win
July 16th, 2021
In one of the more unpredictable weekends at the box office in recent months, our model makes Black Widow a comfortable favorite to top the box office chart, but Space Jam: A New Legacy can’t be ruled out of the running yet if the Disney movie falls more steeply than expected from its $80-million opening weekend.
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Space Jam: A New Legacy trailer
July 6th, 2021
Family comedy starring LeBron James opens July 16… Full movie details
When LeBron James and his young son Dom are trapped in a digital space by a rogue A.I., LeBron must get them home safe by leading Bugs, Lola Bunny and the whole gang of notoriously undisciplined Looney Tunes to victory over the A.I.’s digitized champions on the court: a powered-up roster of professional basketball stars. It’s Tunes versus Goons in the highest-stakes challenge of his life, that will redefine LeBron’s bond with his son and shine a light on the power of being yourself. The ready-for-action Tunes destroy convention, supercharge their unique talents and surprise even “King” James by playing the game their own way.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/07/16 | 2 | $1,879,730 | 603 | $3,117 | $1,879,730 | 1 | |
2021/07/23 | 2 | $1,920,863 | +2% | 633 | $3,035 | $4,967,885 | 2 |
2021/07/30 | - | $1,790,203 | -7% | 634 | $2,824 | $9,139,403 | 3 |
2021/08/06 | - | $1,484,703 | -17% | 620 | $2,395 | $12,193,894 | 4 |
2021/08/13 | - | $701,370 | -53% | 575 | $1,220 | $14,028,167 | 5 |
2021/08/20 | 7 | $593,788 | -15% | 545 | $1,090 | $15,172,082 | 6 |
2021/08/27 | - | $361,268 | -39% | 516 | $700 | $16,164,762 | 7 |
2021/09/03 | - | $255,065 | -29% | 477 | $535 | $17,017,574 | 8 |
2021/09/10 | - | $186,007 | -27% | 452 | $412 | $17,226,338 | 9 |
2021/09/17 | 9 | $167,517 | -10% | 426 | $393 | $17,298,451 | 10 |
2021/09/24 | - | $154,559 | -8% | 403 | $384 | $17,384,152 | 11 |
2021/10/01 | - | $104,365 | -32% | 282 | $370 | $17,371,881 | 12 |
2021/10/15 | 13 | $35,212 | 285 | $124 | $17,684,028 | 14 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 7/15/2021 | $356,000 | 0 | 0 | 0 | $2,400,000 | 10/20/2022 |
Australia | 7/15/2021 | $1,697,762 | 370 | 370 | 2445 | $8,493,610 | 2/26/2024 |
Brazil | 7/15/2021 | $720,000 | 0 | 0 | 0 | $2,800,000 | 10/20/2022 |
Colombia | 7/16/2021 | $0 | 0 | 0 | 0 | $2,700,000 | 10/20/2022 |
Czech Republic | 7/16/2021 | $52,729 | 97 | 97 | 227 | $160,496 | 10/20/2022 |
Finland | 7/16/2021 | $0 | 0 | 23 | 64 | $243,064 | 9/3/2021 |
France | 7/21/2021 | $1,100,000 | 727 | 727 | 1827 | $3,300,000 | 10/20/2022 |
Germany | 7/15/2021 | $736,540 | 0 | 0 | 0 | $3,900,000 | 10/20/2022 |
Hong Kong | 7/15/2021 | $0 | 0 | 0 | 0 | $296,163 | 7/30/2021 |
Iceland | 7/14/2021 | $0 | 0 | 0 | 0 | $0 | |
Israel | 7/16/2021 | $0 | 0 | 0 | 0 | $436,000 | 10/20/2022 |
Italy | 9/23/2021 | $1,402,403 | 0 | 439 | 439 | $3,522,709 | 10/20/2022 |
Japan | 8/27/2021 | $0 | 0 | 0 | 0 | $0 | |
Lithuania | 7/16/2021 | $42,792 | 15 | 15 | 85 | $185,409 | 9/29/2021 |
Mexico | 7/15/2021 | $3,145,478 | 0 | 0 | 0 | $8,300,000 | 10/20/2022 |
Netherlands | 7/16/2021 | $259,302 | 195 | 205 | 1130 | $2,146,494 | 10/5/2021 |
New Zealand | 7/16/2021 | $677,198 | 107 | 110 | 624 | $2,406,776 | 10/20/2022 |
North America | 7/16/2021 | $31,053,362 | 3,965 | 4,002 | 18,819 | $70,592,228 | |
Poland | 7/16/2021 | $536,000 | 0 | 0 | 0 | $2,900,000 | 10/20/2022 |
Portugal | 7/16/2021 | $34,926 | 74 | 74 | 321 | $239,886 | 10/19/2021 |
Romania | 7/16/2021 | $37,455 | 80 | 80 | 349 | $184,813 | 10/20/2022 |
Russia (CIS) | 7/15/2021 | $1,038,413 | 1622 | 1622 | 5846 | $3,500,000 | 10/20/2022 |
Saudi Arabia | 7/15/2021 | $0 | 0 | 0 | 0 | $1,100,000 | 10/20/2022 |
Slovakia | 7/16/2021 | $67,238 | 72 | 72 | 172 | $185,733 | 9/14/2021 |
South Korea | 7/15/2021 | $97,223 | 521 | 521 | 570 | $140,450 | 7/28/2021 |
Spain | 7/23/2021 | $1,218,344 | 362 | 368 | 2100 | $5,097,302 | 10/22/2021 |
Turkey | 7/16/2021 | $44,015 | 155 | 155 | 476 | $272,213 | 10/20/2022 |
United Kingdom | 7/16/2021 | $1,879,730 | 603 | 634 | 6451 | $17,684,028 | 10/20/2021 |
Worldwide Total | $143,187,374 | 2/26/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
LeBron James | Himself |
Jeff Bergman | Bugs Bunny/Sylvester/Yosemite Sam/Fred Flintstone/Yogi Bear |
Diana Taurasi | White Mamba |
Damian Lillard | Chronos |
Nneka Ogwumike | Arachnneka |
Anthony Davis | The Brow |
Klay Thompson | Wet-Fire |
Supporting Cast
Don Cheadle | Al-G Rhythm |
Cedric Joe | Dom James |
Khris Davis | Malik |
Sonequa Martin-Green | Kamiyah James |
Ceyair J. Wright | Darius James |
Harper Leigh Alexander | Xosha James |
Xosha Roquemore | Shanice James |
Stephen Kankole | Young LeBron (13 years) |
Jalyn Hall | Young Malik (13 years) |
Wood Harris | Coach C |
Jordan Thomas | Young Boy |
Randy Mims | Barbershop Customer |
Slink Johnson | Warner Bros. Security Guard |
Ernie Johnson, Jr. | Game Announcer |
Lil Rel Howery | Game Announcer |
Zendaya | Lola Bunny |
Gabriel Iglesias | Speedy Gonzales |
Eric Bauza | Daffy Duck, Porky Pig, Foghorn Leghorn, Elmer Fudd, Marvin The Martian |
Candi Milo | Granny |
Bob Bergen | Tweety Bird |
Fred Tatasciore | Taz |
Kimberly Brooks | Additional Voices |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Malcolm D. Lee | Director |
Juel Taylor | Screenwriter |
Tony Rettenmaier | Screenwriter |
Keenan Coogler | Screenwriter |
Terence Nance | Screenwriter |
Jesse Gordon | Screenwriter |
Celeste Ballard | Screenwriter |
Juel Taylor | Story by |
Tony Rettenmaier | Story by |
Keenan Coogler | Story by |
Terence Nance | Story by |
Ryan Coogler | Producer |
LeBron James | Producer |
Maverick Carter | Producer |
Duncan Henderson | Producer |
Sev Ohanian | Executive Producer |
Zinzi Coogler | Executive Producer |
Allison Abbate | Executive Producer |
Jesse Ehrman | Executive Producer |
Jamal Henderson | Executive Producer |
Spencer Beighley | Executive Producer |
Justin Lin | Executive Producer |
Terence Nance | Executive Producer |
Ivan Reitman | Executive Producer |
Clint Wallace | Production Designer |
Akin McKenzie | Production Designer |
Bob Ducsay | Editor |
Kris Bowers | Composer |
Salvatore Totino | Director of Photography |
Kim LoCascio | Co-Producer |
R.J. Mino | Co-Producer |
Keenan Coogler | Co-Producer |
Kelley Robins Hicks | Co-Producer |
Kier Lehman | Music Supervisor |
Morgan Rhodes | Music Supervisor |
Grady Cofer | Visual Effects Supervisor |
Kevin Martel | Digital Animation Supervisor |
Melissa Bruning | Costume Designer |
Kim Coleman | Casting Director |
R.J. Mino | Casting Director |
Michael J. Moore | First Assistant Director |
Rhys Summerhayes | Second Assistant Director |
Spike Brandt | Animation Supervisor |
Eric Sundahl | Art Director |
Julien Pougnier | Art Director |
Melisa Jusufi | Set Decorator |
Lisa Dennis | Post-Production Supervisor |
Sam Bollinger | First Assistant Editor |
Torrie Goedtel | Assistant Editor |
Joseph Bonn | Music Editor |
Daniel Waldman | Music Editor |
Ed Novick | Sound Mixer |
Kerry Lyn McKissick | Script Supervisor |
Howard Berger | Make up |
Jennifer Zide-Essex | Make up |
Johnny Villanueva | Hairstylist |
Shelia Cyphers | Hairstylist |
Sara Walbridge | Costume Supervisor |
Mark Hawker | Special Effects Coordinator |
Jeffrey A. Hunter | Location Manager |
David Chow | Set Designer |
Tammy S. Lee | Set Designer |
Sam Page | Set Designer |
Paul Sonski | Set Designer |
Ralph Paredes | Post-Production Executive |
Katrina Beshears | Production Manager |
Alex Orrelle | Head of Story |
Vadim Bazhanov | Story Artist |
Steven Fonti | Story Artist |
Casey Lowe | Story Artist |
John Dusenberry | Story Artist |
Delia Gosman | Story Artist |
Ovi Nedelcu | Story Artist |
Nora Earlie | Story Artist |
Jim Kammerud | Story Artist |
Taha Neyestani | Story Artist |
Sahin Ersoz | Story Artist |
Larry Leker | Story Artist |
Olivia Asis | Story Artist |
Borja Montoro | Character Designer |
Tony Siruno | Character Designer |
Erik Aadahl | Supervising Sound Editor |
Ethan Van der Ryn | Supervising Sound Editor |
Erik Aadahl | Sound Designer |
Ethan Van der Ryn | Sound Designer |
Malte Bieler | Sound Designer |
Chris Diebold | Sound Effects Editor |
Matt Cavanaugh | Sound Effects Editor |
Adam Kopald | Sound Effects Editor |
Greg ten Bosch | Sound Effects Editor |
Joel Erickson | Dialogue Editor |
Robert Jackson | Dialogue Editor |
Jonathan Klein | Supervising Foley Editor |
Veronica Li | Foley Editor |
Tim LeBlanc | Re-recording Mixer |
Michael Keller | Re-recording Mixer |
Brandon Proctor | Re-recording Mixer |
Ludwig Göransson | Executive Music Producer |
Archie Davis | Executive Music Producer |
Alan Meyerson | Score Recordist |
Alan Meyerson | Score Mixer |
Michael Dean Parson | Additional Music |
Pierre Charles | Additional Music |
Kris Bowers | Score Producer |
Max Wrightson | Score Producer |
Rene Paul Mousseux | Stunt Coordinator |
Doug Coleman | Stunt Coordinator |
Michael Fisher | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.