Netherlands Box Office for The Snowman (2017)
Theatrical Performance (US$) | ||
Netherlands Box Office | $1,008,760 | Details |
Worldwide Box Office | $43,164,679 | Details |
Home Market Performance | ||
North America DVD Sales | $1,150,079 | Details |
North America Blu-ray Sales | $857,621 | Details |
Total North America Video Sales | $2,007,700 | |
Further financial details... |
Synopsis
When an elite crime squad’s lead detective investigates the disappearance of a victim on the first snow of winter, he fears an elusive serial killer may be active again. With the help of a brilliant recruit, the cop must connect decades-old cold cases to the brutal new one if he hopes to outwit this unthinkable evil before the next snowfall.
Metrics
Movie Details
Production Budget: | $35,000,000 |
Netherlands Releases: | November 3rd, 2017 (Wide) |
Video Release: | January 16th, 2018 by Universal Home Entertainment |
MPAA Rating: | R for grisly images, violence, some language, sexuality and brief nudity. (Rating bulletin 2495 (Cert #50560), 9/27/2017) |
Running Time: | 142 minutes |
Franchise: | The Snowman |
Keywords: | Set in Norway, Serial Killer, Cold Case, Police Procedural, Development Hell, Crime Thriller, Dysfunctional Family, Addiction, Police Detective, Death of a Partner, Prologue, Sex Crimes, Infidelity, Young Child Dealing with the Death of a Parent |
Source: | Based on Fiction Book/Short Story |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Working Title Films, Perfect World Pictures, Another Park Film, Universal Pictures |
Production Countries: | United Kingdom |
Languages: | English |
Home Market Releases for January 16th, 2018
January 15th, 2018
It’s not a particularly good week on the home market with no one film that is a must have dominating the rest of the pack. However, this is actually a good thing, as there are several smaller releases that get a chance to shine and there are several Pick of the Week contenders as a result. This includes the biggest release of the week, Blade Runner 2049, as well as a limited release, Loving Vincent, and a forgotten film, Matinee. In the end, I went with I, Daniel Blake: The Criterion Collection as the best of the week.
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Weekend Wrap-Up: Box Office is Cut to Pieces, Earning Just $75 million
October 31st, 2017
It was a terrible weekend at the box office with only two films cracking $10 million, Jigsaw and Tyler Perry’s Boo 2: A Madea Halloween. Geostorm earned third place with just $5.90 million. Overall, the box office fell 21% from last weekend to just $75 million. More importantly, this is 15% lower than the same weekend last year. Year-to-date, 2017 continues to struggle with a running tally of $8.57 billion. This is $470 million or $5.2% below last year’s pace, meaning we fell behind last year’s pace by a further 0.2 percentage points. The box office really needed to be eating into the deficit during the month of October, but that hasn’t been the case.
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Thursday Night Previews: Jigsaw Grabs a $1.6 million Piece of the Box Office
October 27th, 2017
Jigsaw earned $1.6 million during its midnight previews last night. Happy Death Day earned an even $1 million during its previews on its way to a $26 million opening. However, there are many factors that will result in shorter legs. For instance, Happy Death Day earned better reviews, while Jigsaw is the latest installment in a long-running franchise. Finally, Happy Death Day’s target audience skewed female, while Jigsaw skews male and men are more likely to rush out to see a movie than women are. That said, this is a great start and the film should easily top our prediction with at least $20 million during its opening weekend.
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Weekend Wrap-Up: By earning $21.23 million, Boo 2 is the only Non-Disaster Film of the Weekend
October 24th, 2017
The weekend box office was weaker than expected with only one of the new releases topping predictions. Tyler Perry’s Boo 2: A Madea Halloween wasn’t that one film, but it still led the way with $21.23 million. The only other film to top $10 million was Geostorm with $13.71 million, but it lived up to its disaster genre due to its $100 million production budget. Overall, the box office fell 6.5% from last week to $95 million. That decline is positively glowing compared to the year-over-year comparison. Compared to this weekend last year, 2017 was down 25%. Year-to-date, 2017 is now behind last year’s pace by 5.0% or $440 million at $8.46 billion to $8.90 billion. Unless November and December are stellar, there’s no way 2017 is going to catch up to 2017.
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Weekend Estimates: Boo Too Much for the Competition
October 22nd, 2017
Boo! 2 is arguably slightly under-performing this weekend, with Lionsgate projecting a weekend total of $21.6 million as of Sunday morning, a figure that is down about $7 million from the debut of Boo! A Madea Halloween. But, in the bigger picture, it represents the continuation of a remarkable run for the Madea franchise that stretches now to eight films, all but one of which have opened with more than $20 million, and which have all topped $50 million, so far. Boo! 2 will be helped by Halloween, which should be just enough to take it over $50 million, and put the franchise close to $500 million at the box office. The only other comedy franchises with close to this longevity at the box office are The Pink Panther, and The Muppets, although neither of those have relied on a single actor (take a bow, Tyler Perry) for the entirety of their run.
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Friday Estimates: Boo 2 Scares Up $7.47 Million, Other New Releases are just Scared
October 21st, 2017
As expected, Tyler Perry’s Boo 2: A Madea Halloween led the way on Friday with $7.37 million. Granted, its reviews are terrible, as its Tomatometer Score has fallen into the single-digit range. On the other hand, it earned a A minus from CinemaScore, which is the same score its predecessor earned. If this film has the same legs as the original did, then it will earn $22.4 million during the opening weekend. However, it is a sequel, so it will likely miss that mark with about $22 million. That’s approximately 10% below our prediction, so I’m happy with that result. It is also likely more than the film cost to make, so Lionsgate should also be happy.
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Thursday Night Previews: Boo 2 Misses Boo’s Debut with $760,000
October 20th, 2017
Tyler Perry’s Boo 2: A Madea Halloween earned $760,000 during its previews last night, which is lower than the $855,000 the first Boo! managed last year. Its early reviews are lower than the original’s reviews were, so that will also likely mean lower legs. This will make it difficult to match our $25 million prediction, but it should come relatively close.
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Weekend Predictions: Will Moviegoers Want to View Boo 2?
October 20th, 2017
There are five films opening wide or semi-wide this week, but only one of them, Tyler Perry’s Boo 2: A Madea Halloween, has a real shot at top spot. The best-reviewed new release of the week is Only the Brave, while the Geostorm is the widest release. Then there are the two semi-wide releases, The Snowman and Same Kind of Different as Me. Because there are so many new releases coming out this week, one or two of them are practically guaranteed to slip between the cracks. This weekend last year, the box office was led by the original Boo! with $28.50 million, while the new releases made just over $70 million combined. That seems out of reach for this year’s crop, so 2017 will likely lose in the year-over-year comparison.
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The Snowman Trailer
October 5th, 2017
Thriller starring Michael Fassbender and Rebecca Ferguson opens October 20 ... Full Movie Details.
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2017 Preview: October
October 1st, 2017
September destroyed the previous September monthly record for total box office take, with $800 million or so (we won’t know the exact figure until after the weekend), which tops 2016’s record of $616 million. Granted, this is almost entirely due to It’s record breaking run, and the rest of the month was merely average. Kingsman: The Golden Circle was the only other film to come close to $100 million. October doesn’t look any better, as far as depth is concerned. Blade Runner 2049 is widely expected to be the biggest hit of the month, but it is the only film expected to reach $100 million domestically. Boo 2 should be the second biggest hit of the month, while there are only a couple of other films that have a shot at $50 million. Part of the problem is the level of competition, as there are 16 films opening during the four October weekends. (Needless to say, some of the predictions below will be a little short, as there’s not much to say about a film that will barely open in the top ten and disappear two weeks later.) That’s way too many and most will be buried by the competition. Last October was a flop, as no film earned more than $100 million at the box office. There were a few films that came close, including the original Boo! movie. As long as Blade Runner 2049 matches expectations, 2017 should win the year-over-year comparison by a small margin. If we get one surprise hit, then 2017 has a real shot at closing the gap with 2016 by a significant margin. I choose to be cautiously optimistic.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2017/11/03 | - | $293,870 | 72 | $4,082 | $293,870 | 1 | |
2017/11/10 | 5 | $179,385 | -39% | 72 | $2,491 | $567,939 | 2 |
2017/11/17 | 8 | $117,096 | -35% | 71 | $1,649 | $744,267 | 3 |
2017/11/24 | 10 | $86,844 | -26% | 65 | $1,336 | $874,359 | 4 |
2017/12/01 | 16 | $51,651 | -41% | 55 | $939 | $944,042 | 5 |
2017/12/08 | 17 | $33,630 | -35% | 47 | $716 | $979,565 | 6 |
2017/12/15 | 27 | $14,554 | -57% | 28 | $520 | $1,001,764 | 7 |
2017/12/22 | - | $3,269 | -78% | 4 | $817 | $1,006,411 | 8 |
2017/12/29 | - | $1,303 | -60% | 1 | $1,303 | $1,007,749 | 9 |
2018/01/05 | - | $623 | -52% | 1 | $623 | $1,008,372 | 10 |
2018/01/12 | - | $843 | +35% | 1 | $843 | $1,008,760 | 11 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Albania | 10/12/2017 | $2,556 | 4 | 4 | 9 | $8,694 | 1/1/2019 |
Argentina | 10/13/2017 | $167,499 | 73 | 95 | 223 | $360,064 | 1/1/2019 |
Australia | 10/20/2017 | $663,013 | 291 | 291 | 720 | $1,235,141 | 1/18/2018 |
Austria | 10/20/2017 | $181,322 | 55 | 56 | 240 | $589,109 | 12/21/2017 |
Belgium | 11/17/2017 | $105,278 | 40 | 40 | 128 | $252,211 | 12/21/2017 |
Brazil | 11/23/2017 | $148,023 | 36 | 38 | 110 | $292,992 | 2/1/2018 |
Bulgaria | 10/13/2017 | $29,463 | 0 | 13 | 29 | $100,865 | 2/26/2019 |
Central America | 10/19/2017 | $6,422 | 6 | 6 | 12 | $12,583 | 11/16/2017 |
Croatia | 10/12/2017 | $44,112 | 32 | 32 | 45 | $148,468 | 1/1/2019 |
Cyprus | 10/12/2017 | $10,950 | 6 | 6 | 18 | $27,346 | 11/2/2017 |
Czech Republic | 10/13/2017 | $260,150 | 132 | 132 | 357 | $705,255 | 1/1/2019 |
Denmark | 10/13/2017 | $519,615 | 103 | 103 | 463 | $1,901,538 | 1/4/2018 |
Egypt | 10/11/2017 | $18,171 | 15 | 15 | 39 | $28,673 | 1/1/2019 |
Estonia | 10/20/2017 | $18,149 | 12 | 12 | 34 | $58,693 | 12/7/2017 |
Finland | 10/13/2017 | $107,239 | 69 | 69 | 188 | $304,313 | 12/15/2017 |
France | 11/29/2017 | $773,834 | 316 | 316 | 700 | $1,367,161 | 12/21/2017 |
Germany | 10/20/2017 | $1,409,004 | 439 | 447 | 2069 | $4,620,410 | 2/22/2018 |
Greece | 10/12/2017 | $449,951 | 92 | 92 | 236 | $1,165,314 | 11/24/2017 |
Hong Kong | 11/10/2017 | $159,516 | 31 | 31 | 69 | $262,275 | 12/7/2017 |
Hungary | 10/12/2017 | $170,749 | 51 | 64 | 218 | $515,210 | 1/1/2019 |
Iceland | 10/13/2017 | $18,092 | 8 | 8 | 17 | $43,551 | 1/1/2019 |
Israel | 10/27/2017 | $102,508 | 25 | 25 | 62 | $237,566 | 12/21/2018 |
Italy | 10/13/2017 | $1,065,342 | 0 | 45 | 46 | $2,677,611 | 11/24/2017 |
Latvia | 10/13/2017 | $13,560 | 10 | 10 | 27 | $48,812 | 1/1/2019 |
Lebanon | 10/12/2017 | $32,856 | 18 | 18 | 26 | $46,832 | 1/1/2019 |
Lithuania | 10/13/2017 | $19,223 | 13 | 13 | 30 | $45,533 | 11/2/2017 |
Macedonia | 10/12/2017 | $2,353 | 3 | 3 | 10 | $10,810 | 1/1/2019 |
Middle East Region | 10/12/2017 | $191,615 | 58 | 58 | 95 | $290,464 | 11/2/2017 |
Netherlands | 11/3/2017 | $293,870 | 72 | 72 | 417 | $1,008,760 | 1/18/2018 |
North America | 10/20/2017 | $3,372,565 | 1,812 | 1,815 | 5,362 | $6,670,765 | |
Norway | 10/13/2017 | $1,277,826 | 181 | 181 | 507 | $3,257,090 | 12/21/2017 |
Paraguay | 10/19/2017 | $10,537 | 15 | 15 | 18 | $14,039 | 1/1/2019 |
Philippines | 11/22/2017 | $7,706 | 5 | 5 | 5 | $9,854 | 1/1/2019 |
Poland | 10/13/2017 | $445,294 | 131 | 133 | 498 | $1,324,217 | 1/1/2019 |
Portugal | 10/20/2017 | $97,612 | 58 | 58 | 185 | $283,035 | 11/30/2017 |
Romania | 10/13/2017 | $87,279 | 70 | 70 | 198 | $213,529 | 12/20/2018 |
Russia (CIS) | 11/23/2017 | $1,570,408 | 899 | 905 | 2519 | $3,018,556 | 1/1/2019 |
Serbia and Montenegro | 10/19/2017 | $28,754 | 33 | 33 | 81 | $103,181 | 1/1/2019 |
Slovakia | 10/13/2017 | $140,830 | 66 | 66 | 170 | $321,964 | 11/24/2017 |
Slovenia | 10/12/2017 | $15,619 | 12 | 12 | 46 | $55,377 | 12/15/2017 |
South Africa | 10/13/2017 | $69,767 | 72 | 72 | 215 | $179,378 | 11/30/2017 |
South Korea | 12/14/2017 | $4,704 | 3 | 3 | 8 | $11,708 | 1/25/2018 |
Spain | 10/13/2017 | $704,927 | 324 | 324 | 1106 | $2,535,943 | 12/21/2017 |
Sweden | 10/13/2017 | $369,063 | 162 | 162 | 454 | $1,204,938 | 12/7/2017 |
Switzerland | 10/12/2017 | $4,512 | 4 | 48 | 204 | $626,920 | 2/8/2018 |
Switzerland (German Speaking) | 10/20/2017 | $160,000 | 0 | 0 | 0 | $160,000 | 10/23/2017 |
Trinidad | 10/18/2017 | $12,573 | 11 | 11 | 19 | $21,768 | 1/1/2019 |
Turkey | 11/17/2017 | $34,566 | 62 | 62 | 80 | $57,444 | 2/26/2019 |
United Arab Emirates | 10/12/2017 | $225,627 | 41 | 41 | 53 | $315,224 | 12/20/2018 |
United Kingdom | 10/13/2017 | $1,833,057 | 531 | 531 | 1453 | $4,385,044 | 12/16/2020 |
Uruguay | 10/12/2017 | $0 | 0 | 11 | 26 | $28,451 | 1/1/2019 |
Worldwide Total | $43,164,679 | 12/16/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Michael Fassbender | Detective Harry Hole |
Supporting Cast
Rebecca Ferguson | Katrine Bratt |
Charlotte Gainsbourg | Rakel |
Val Kilmer | Gert Rafto |
J.K. Simmons | Arve Støp |
Chloë Sevigny | Sylvia Ottersen |
Sofia Helin | Boy's Mother |
James D'Arcy | Filip Becker |
Toby Jones | Gert Rafto |
Anne Reid | Mrs. Bendiksen |
Jakob Oftebro | Superintendent Skarre |
Michael Yates | Oleg |
Jonas Karlsson | Mathias Lund-Helgesen |
Ronan Vibert | DCI Gunnar Hagen |
Jamie Clayton | Edda |
Alec Newman | Mould Man |
Silvia Busuioc | Beautiful Girl |
David Dencik | Idar Vetlesen |
Jamie Michie | Teacher |
Charlot Daysh | Celebrity Wife |
Peter Dalle | Jonas Lund-Helgsen |
Roger Barclay | Arve Støp Aide |
Aurora Nossen | Volunteer |
Joakim Skarli | Policeman |
Theresa Sigvartsen Grun | Prom Queen |
Jete Laurence | Josephine |
Bjorn Iversen | Rolf Ottersen |
Jan Lindwall | Guest in Tux |
Karl Andersen | Guest in Tux |
Johnny Otto | Detective Campbell |
Ellen Hauge Brandstorp | Police Officer |
Harris Reiz | Boy on the Train |
Stian Werme | Neighbor |
Andre Santagati | Bar Guest |
Stani Lolo Jean | Bar Guest |
Victoria Ennis | Swiss Security Lady |
Magnus Lund | Arve Støp’s Aide |
Anthony Mark Streeter | Male Spectator |
Thor Hoff | Sport Committee Member |
Eirik Spanem Eliassen | Train Passenger |
Alexander Johansson | Arve Stops Fashion Guest |
Marius Tveit | Arve Stops Fashion Guest |
Adrian Salinas Reinertsen | Factory Worker |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tomas Alfredson | Director |
Hossein Amini | Screenwriter |
Peter Straughan | Screenwriter |
Tim Bevan | Producer |
Eric Fellner | Producer |
Robyn Solvo | Producer |
Peter Gustafsson | Producer |
Jo Nesbo | Based on the novel “The Snowman” by |
Martin Scorsese | Executive Producer |
Tomas Alfredson | Executive Producer |
Amelia Granger | Executive Producer |
Liza Chasin | Executive Producer |
Richard Hewitt | Co-Producer |
Dion Beebe | Director of Photography |
Maria Djurkovic | Production Designer |
Claire Simpson | Editor |
Jina Jay | Casting Director |
Marco Beltrami | Composer |
Alexander Oakley | First Assistant Director |
Ben Collins | Supervising Art Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.