South Korea Box Office for Self/Less (2015)
Theatrical Performance (US$) | ||
South Korea Box Office | $748,934 | Details |
Worldwide Box Office | $33,667,319 | Details |
Home Market Performance | ||
North America DVD Sales | $2,083,650 | Details |
North America Blu-ray Sales | $1,221,685 | Details |
Total North America Video Sales | $3,305,335 | |
Further financial details... |
Synopsis
In this psychological science fiction thriller, an extremely wealthy man dying from cancer undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man. But all is not as it seems when he starts to uncover the mystery of the body's origin and the organization that will kill to protect its cause.
Metrics
Movie Details
Production Budget: | $26,000,000 |
South Korea Releases: | September 10th, 2015 (Wide) |
Video Release: | October 27th, 2015 by Universal Home Entertainment |
MPAA Rating: | PG-13 for sequences of violence, some sexuality, and language. (Rating bulletin 2362, 2/25/2015) |
Running Time: | 117 minutes |
Keywords: | Terminal Illness, Cancer, Inventor, Transferring Consciousness, Crime Thriller, Faulty Memory, Medical and Hospitals, Medical Crimes, Money Troubles, Faked Death, Fugitive / On the Run, Near Future, Body Swap |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Ram Bergman Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for November 10th, 2015
November 9th, 2015
There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up.
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Weekend Wrap-Up: Ant-Man Tops Terrific Weekend
July 20th, 2015
The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014.
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Weekend Wrap-Up: Minions Crush Competition, but Fall Short of Record
July 14th, 2015
As expected Minions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace.
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Weekend Estimates: Minions Have Second-Best Animated Opening
July 12th, 2015
2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts.
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Friday Estimates: Minions On Pace for Century Opening, Perhaps Record
July 11th, 2015
The Friday estimates are in and Minions pulled in $46.2 million. On the one hand, this makes my job as a box office analyst easy, because all I have to say is “Wow!” On the other hand, it is hard to compare this film to others to calculate its most likely weekend haul, because there are so few animated films that opened this well.
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Weekend Predictions: Will Minions Top $100 Million?
July 9th, 2015
Of the three wide releases this week, only Minions is dominating the box office tracking. Unfortunately, its reviews are nowhere near as strong as they were at the beginning of the month. Even worse, they are twice as good as the reviews for Self/Less and The Gallows. The Gallows should earn a spot in the top five during its opening weekend, but the prospects for Self/Less are not as good. This weekend last year, Dawn of the Planet of the Apes opened with $72.61 million. Minions should crush that number. Also, last year only three films earned more than $10 million over the weekend, while this year, the top five should do the same. 2015 should earn a solid win in the year-over-year comparison.
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2015 Preview: July
July 1st, 2015
June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/09/11 | 5 | $505,265 | 0 | $605,132 | 1 | ||
2015/09/18 | 11 | $7,825 | -98% | 33 | $237 | $743,056 | 2 |
2015/09/25 | 21 | $727 | -91% | 10 | $73 | $748,934 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 9/17/2015 | $84,282 | 32 | 32 | 37 | $110,001 | 9/30/2015 |
Australia | 7/23/2015 | $435,799 | 190 | 190 | 466 | $844,770 | 9/8/2015 |
Austria | 10/9/2015 | $3,535 | 5 | 5 | 11 | $6,942 | 10/27/2015 |
Belgium | 7/29/2015 | $142,695 | 40 | 40 | 202 | $544,599 | 9/22/2015 |
Bolivia | 9/24/2015 | $0 | 0 | 4 | 5 | $15,915 | 12/30/2018 |
Bulgaria | 7/17/2015 | $21,563 | 39 | 39 | 139 | $152,212 | 12/30/2018 |
China | 5/12/2016 | $2,800,000 | 24848 | 24848 | 24848 | $5,400,980 | 8/24/2018 |
Colombia | 9/17/2015 | $44,730 | 36 | 36 | 42 | $63,498 | 12/30/2018 |
Croatia | 7/16/2015 | $0 | 0 | 14 | 15 | $140,997 | 12/30/2018 |
Czech Republic | 6/8/2015 | $0 | 0 | 57 | 99 | $75,604 | 12/30/2018 |
Estonia | 8/14/2015 | $13,650 | 9 | 11 | 26 | $43,952 | 9/2/2015 |
Finland | 8/14/2015 | $11,014 | 9 | 9 | 17 | $23,542 | 8/25/2015 |
France | 7/29/2015 | $1,250,231 | 302 | 302 | 885 | $2,940,801 | 8/18/2015 |
Germany | 8/20/2015 | $248,933 | 268 | 268 | 523 | $604,603 | 10/20/2015 |
Hungary | 7/23/2015 | $97,474 | 42 | 42 | 84 | $342,285 | 12/30/2018 |
Italy | 9/11/2015 | $353,291 | 0 | 134 | 157 | $739,482 | 12/16/2015 |
Latvia | 7/31/2015 | $0 | 0 | 5 | 5 | $20,920 | 12/30/2018 |
Lithuania | 7/31/2015 | $10,731 | 70 | 70 | 123 | $31,194 | 8/19/2015 |
Mexico | 7/24/2015 | $90,468 | 0 | 8 | 20 | $222,124 | 9/7/2018 |
Netherlands | 7/16/2015 | $97,124 | 46 | 46 | 171 | $382,526 | 8/18/2015 |
New Zealand | 7/23/2015 | $52,242 | 35 | 35 | 126 | $120,707 | 9/30/2015 |
North America | 7/10/2015 | $5,403,460 | 2,353 | 2,353 | 5,710 | $12,279,691 | 5/19/2016 |
Peru | 9/24/2015 | $41,951 | 17 | 17 | 27 | $74,610 | 10/6/2015 |
Poland | 7/24/2015 | $180,452 | 0 | 0 | 0 | $827,682 | 12/30/2018 |
Portugal | 8/20/2015 | $51,258 | 29 | 29 | 44 | $132,198 | 9/22/2015 |
Romania | 8/7/2015 | $80,098 | 55 | 55 | 213 | $759,371 | 12/30/2018 |
Russia (CIS) | 7/30/2015 | $1,032,870 | 921 | 921 | 2502 | $2,610,078 | 12/30/2018 |
Slovakia | 8/6/2015 | $28,292 | 44 | 44 | 94 | $92,074 | 8/26/2015 |
South Africa | 9/25/2015 | $19,569 | 37 | 38 | 80 | $66,087 | 10/13/2015 |
South Korea | 9/10/2015 | $505,265 | 0 | 33 | 43 | $748,934 | 9/30/2015 |
Spain | 7/17/2015 | $232,804 | 193 | 193 | 556 | $768,623 | 10/13/2015 |
Switzerland | 7/29/2015 | $0 | 0 | 28 | 44 | $120,112 | 8/18/2015 |
Taiwan | 9/4/2015 | $223,354 | 55 | 55 | 135 | $489,564 | 9/30/2015 |
Thailand | 9/10/2015 | $145,855 | 101 | 101 | 183 | $260,524 | 9/30/2015 |
Turkey | 7/10/2015 | $133,615 | 208 | 208 | 584 | $495,953 | 2/26/2019 |
Ukraine | 7/30/2015 | $104,515 | 132 | 132 | 325 | $234,286 | 12/30/2018 |
United Kingdom | 7/17/2015 | $336,323 | 267 | 267 | 452 | $799,565 | 8/25/2015 |
Vietnam | 8/14/2015 | $43,579 | 39 | 39 | 66 | $80,313 | 12/30/2018 |
Worldwide Total | $33,667,319 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Ryan Reynolds | Young Damian |
Supporting Cast
Cameos
Big Freedia* | Big Freedia |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tarsem Singh | Director |
Alex Pastor | Screenwriter |
David Pastor | Screenwriter |
Ram Bergman | Producer |
James D. Stern | Producer |
Peter Schlessel | Producer |
Julie Goldstein | Executive Producer |
Dave Pomier | Executive Producer |
Lia Buman | Executive Producer |
Brendan Galvin | Director of Photography |
Tom Foden | Production Designer |
Robert Duffy | Editor |
Shay Cunliffe | Costume Designer |
Antonio Pinto | Composer |
Mary Vernieu | Casting Director |
Dave Pomier | Unit Production Manager |
Nicholas Mastandrea | First Assistant Director |
Tim Beach | Assistant Art Director |
Matthew Gatlin | Assistant Art Director |
Cindy Carr | Set Decorator |
Walter Schneider | Set Designer |
Mary Frances Paguaga | Script Supervisor |
Pud Cusack | Sound Mixer |
Andree Fortier | Costume Supervisor |
Voni Hinkle | Hairstylist |
Carl G. Variste | Hairstylist |
Vivian Baker | Make up |
Stacy Kelly | Make up |
Anthony Rossi III | Production Supervisor |
Tim Pedegana | Post-Production Supervisor |
Tony Bacigalupi | First Assistant Editor |
Fulvio Valsangiacomo | First Assistant Editor |
David Nami | Special Effects Coordinator |
Alan Markfield | Additional Photography-Still Photographer |
Hilary Bronwyn Gayle | Additional Photography-Still Photographer |
Brent Caballero | Additional Casting Director |
Charlotte Gale | Additional Casting-Extras Casting Assistant |
Steven Ritzi | Second Unit Director |
Bruce Wayne Gillies | First Assistant Director |
Seth W. Hansen* | Second Assistant Director |
Jaron Presant | Director of Photography-Second Unit |
Alexander Hill | Script Supervisor-Second Unit |
Kevin O'Connell | Re-recording Mixer |
Steven Ticknor | Re-recording Mixer |
Steven Ticknor | Supervising Sound Editor |
Robert L. Sephton | Sound Designer |
Joe Iemola | Sound Effects Editor |
James Morioka | Dialogue Editor |
Matt Hanson | Sound Editor-Assistant Sound Editor |
Kevin Nanaumi | Sound Editor-Assistant Sound Editor |
Raoul Yorke Bolognini | Visual Effects Producer |
Curt Miller | Visual Effects Supervisor |
John Houlihan | Music Supervisor |
Robin Whittaker | Music Producer |
Robin Whittaker | Music Editor |
Dudu Aram | Additional Music |
Tara Moross | Executive Music Producer |
Philip Moross | Executive Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.