Argentina Box Office for Self/Less (2015)

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Self/Less poster
Theatrical Performance (US$)
Argentina Box Office $110,001Details
Worldwide Box Office $33,667,319Details
Home Market Performance
North America DVD Sales $2,083,650 Details
North America Blu-ray Sales $1,221,685 Details
Total North America Video Sales $3,305,335
Further financial details...

Synopsis

In this psychological science fiction thriller, an extremely wealthy man dying from cancer undergoes a radical medical procedure that transfers his consciousness into the body of a healthy young man. But all is not as it seems when he starts to uncover the mystery of the body's origin and the organization that will kill to protect its cause.

Metrics

Movie Details

Production Budget:$26,000,000
Argentina Releases: September 17th, 2015 (Wide)
Video Release: October 27th, 2015 by Universal Home Entertainment
MPAA Rating: PG-13 for sequences of violence, some sexuality, and language.
(Rating bulletin 2362, 2/25/2015)
Running Time: 117 minutes
Keywords: Terminal Illness, Cancer, Inventor, Transferring Consciousness, Crime Thriller, Faulty Memory, Medical and Hospitals, Medical Crimes, Money Troubles, Faked Death, Fugitive / On the Run, Near Future, Body Swap
Source:Original Screenplay
Genre:Thriller/Suspense
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Ram Bergman Productions
Production Countries: United States
Languages: English

Home Market Releases for November 10th, 2015

November 9th, 2015

Better Call Saul: Season 1

There are a couple of big hits on this week's list of new releases. Terminator: Genisys was a monster hit internationally, but it failed to live up to expectations here. On the other hand, Trainwreck earned $100 million here, but barely made a peep internationally. Of these two films, Trainwreck is the only one worth picking up. In fact, it is a Contender for Pick of the Week. However, I'm still waiting for the screener and I hate to give out this title when a screener is on its way. Because of that, I'm going with Better Call Saul: Season One as the Best of the Best, but it isn't the only other title worth picking up. More...

Weekend Wrap-Up: Ant-Man Tops Terrific Weekend

July 20th, 2015

Ant-Man

The top of the box office had a small surprise, as Ant-Man earned first place with $57.23 million over the weekend. This is a little lower than predicted, but Minions really collapsed, so Ant-Man easily won the race for the top of the box office race. Meanwhile, Trainwreck had a solid third place opening and could be on its way to $100 million, thanks in part to its target demographic and to its reviews. Overall, the box office pulled in $194 million. This is 9.6% lower than last weekend, but more importantly, it is 30% higher than the same weekend last year. 30%. That's a massive margin of victory. Year-to-date, 2015 has pulled in $6.20 billion, which is 8.1% more than 2014's pace. Summer is winding down, so 2015 is in a great place moving into the slower part of the year. Even if August and September are slower than average, there's almost no chance 2015 will blow through the $460 million lead it has over 2014. More...

Weekend Wrap-Up: Minions Crush Competition, but Fall Short of Record

July 14th, 2015

Minions

As expected Minions dominated the box office earning first place with more than a 50% share of the total box office. It became the fourth film to open with more than $100 million this year. Three of those were released by Universal. On the other hand, the less said about The Gallows or Self/Less the better. To be fair, The Gallows earned more during its opening day that it cost to make, but its advertising budget is much bigger than its production budget. Meanwhile, Self/Less barely topped the Mendoza Line (earning only just over $2,000 per theater). The overall box office reached $215 million, which was 59% more than last week and 43% the same weekend last year. Year-to-date, 2015 has earned $5.92 billion, which is 6.4% higher than last year's pace. More...

Weekend Estimates: Minions Have Second-Best Animated Opening

July 12th, 2015

Minions

2015 is becoming a golden year for blockbuster openings, and a platinum year for Universal. The studio is celebrating yet again, with Minions heading to a gigantic $115.2 million projected opening weekend. That’s the second-best debut of all time for an animated film (see all-time opening weekend records), although, incredibly, it’s only the third-best weekend for the studio this year after the debuts of Furious 7 and Jurassic World. The studio, which would usually consider a 12% market share an excellent year, has so far earned a whopping 26% share for 2015—quite literally off the charts. More...

Friday Estimates: Minions On Pace for Century Opening, Perhaps Record

July 11th, 2015

Minions

The Friday estimates are in and Minions pulled in $46.2 million. On the one hand, this makes my job as a box office analyst easy, because all I have to say is “Wow!” On the other hand, it is hard to compare this film to others to calculate its most likely weekend haul, because there are so few animated films that opened this well. More...

Weekend Predictions: Will Minions Top $100 Million?

July 9th, 2015

Minions

Of the three wide releases this week, only Minions is dominating the box office tracking. Unfortunately, its reviews are nowhere near as strong as they were at the beginning of the month. Even worse, they are twice as good as the reviews for Self/Less and The Gallows. The Gallows should earn a spot in the top five during its opening weekend, but the prospects for Self/Less are not as good. This weekend last year, Dawn of the Planet of the Apes opened with $72.61 million. Minions should crush that number. Also, last year only three films earned more than $10 million over the weekend, while this year, the top five should do the same. 2015 should earn a solid win in the year-over-year comparison. More...

2015 Preview: July

July 1st, 2015

Minions

June was a much better month than expected due to two films, Jurassic World and Inside Out. Had those two films merely matched expectations, then 2015 would have likely fallen behind 2014. As for this coming month, there are five weekends in July and each week there is at least one film with the potential to reach $100 million. Most weeks there are two films that at least have a shot at getting to the century mark. The biggest hit of the month will likely be Minions, which has already opened in several international markets and it's ahead of Despicable Me 2 at the same point. That film made more than $300 million and nearly $1 billion worldwide, so any growth would be fantastic. There are also a number of potential $200 million films, led by Ant-man. Ant-man is the latest release in the Marvel Cinematic Universe, a franchise that has averaged $300 million domestically over eleven films and all of the past six films have reached at least $200 million. I'm not saying this one is guaranteed to do the same, but you can't dismiss that possibility. Mission: Impossible - Rogue Nation and Pixels have smaller chances to get to $200 million, but you have to at least entertain the possibility. Additionally, last July was a lot weaker than this July looks to be, so 2015 should win in the year-over-year comparison most weeks. Or I might have let the box office success of June cloud my judgment. We will soon find out. More...

Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.

Weekend Box Office Performance

DateRankGross% ChangeScreensPer ScreenTotal GrossWeek
2015/09/18 9 $84,282   32 $2,634   $84,282 1
2015/09/25 19 $4,875 -94% 5 $975   $110,001 2

Box Office Summary Per Territory

Territory Release
Date
Opening
Weekend
Opening
Weekend
Screens
Maximum
Screens
Theatrical
Engagements
Total
Box Office
Report
Date
Argentina 9/17/2015 $84,282 32 32 37 $110,001 9/30/2015
Australia 7/23/2015 $435,799 190 190 466 $844,770 9/8/2015
Austria 10/9/2015 $3,535 5 5 11 $6,942 10/27/2015
Belgium 7/29/2015 $142,695 40 40 202 $544,599 9/22/2015
Bolivia 9/24/2015 $0 0 4 5 $15,915 12/30/2018
Bulgaria 7/17/2015 $21,563 39 39 139 $152,212 12/30/2018
China 5/12/2016 $2,800,000 24848 24848 24848 $5,400,980 8/24/2018
Colombia 9/17/2015 $44,730 36 36 42 $63,498 12/30/2018
Croatia 7/16/2015 $0 0 14 15 $140,997 12/30/2018
Czech Republic 6/8/2015 $0 0 57 99 $75,604 12/30/2018
Estonia 8/14/2015 $13,650 9 11 26 $43,952 9/2/2015
Finland 8/14/2015 $11,014 9 9 17 $23,542 8/25/2015
France 7/29/2015 $1,250,231 302 302 885 $2,940,801 8/18/2015
Germany 8/20/2015 $248,933 268 268 523 $604,603 10/20/2015
Hungary 7/23/2015 $97,474 42 42 84 $342,285 12/30/2018
Italy 9/11/2015 $353,291 0 134 157 $739,482 12/16/2015
Latvia 7/31/2015 $0 0 5 5 $20,920 12/30/2018
Lithuania 7/31/2015 $10,731 70 70 123 $31,194 8/19/2015
Mexico 7/24/2015 $90,468 0 8 20 $222,124 9/7/2018
Netherlands 7/16/2015 $97,124 46 46 171 $382,526 8/18/2015
New Zealand 7/23/2015 $52,242 35 35 126 $120,707 9/30/2015
North America 7/10/2015 $5,403,460 2,353 2,353 5,710 $12,279,691 5/19/2016
Peru 9/24/2015 $41,951 17 17 27 $74,610 10/6/2015
Poland 7/24/2015 $180,452 0 0 0 $827,682 12/30/2018
Portugal 8/20/2015 $51,258 29 29 44 $132,198 9/22/2015
Romania 8/7/2015 $80,098 55 55 213 $759,371 12/30/2018
Russia (CIS) 7/30/2015 $1,032,870 921 921 2502 $2,610,078 12/30/2018
Slovakia 8/6/2015 $28,292 44 44 94 $92,074 8/26/2015
South Africa 9/25/2015 $19,569 37 38 80 $66,087 10/13/2015
South Korea 9/10/2015 $505,265 0 33 43 $748,934 9/30/2015
Spain 7/17/2015 $232,804 193 193 556 $768,623 10/13/2015
Switzerland 7/29/2015 $0 0 28 44 $120,112 8/18/2015
Taiwan 9/4/2015 $223,354 55 55 135 $489,564 9/30/2015
Thailand 9/10/2015 $145,855 101 101 183 $260,524 9/30/2015
Turkey 7/10/2015 $133,615 208 208 584 $495,953 2/26/2019
Ukraine 7/30/2015 $104,515 132 132 325 $234,286 12/30/2018
United Kingdom 7/17/2015 $336,323 267 267 452 $799,565 8/25/2015
Vietnam 8/14/2015 $43,579 39 39 66 $80,313 12/30/2018
 
Worldwide Total$33,667,319 2/26/2019

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Ryan Reynolds Young Damian

Supporting Cast

Natalie Martinez Madeline
Matthew Goode Albright
Victor Garber Martin
Derek Luke Anton
Ben Kingsley Damian
Jaynee-Lynne Kinchen Anna
Melora Hardin Judy
Michelle Dockery Claire
Sam Page Carl
Brendan McCarthy Anton 2
Thomas Francis Murphy Dr. Jensen
Sandra Laugherty Phyllis Jensen
Emily Tremaine Mallory
Griff Furst EMT
Cedric Palmisano EMT
Tom Waite Ambulance Driver
Douglas M. Griffin Doctor X-Ray
Marcus Lyle Brown Lab Technician
Teri Wyble Andrea
Mariana Vicente Leah
Gary Weeks Chauffeur
Kristin Erickson Gate Agent
Dakota Buchanan Dickish Cousin
Robert Harvey Retirement Home Manager
Dylan Lowe Tony
Jimmy Gonzales Recovery Mercenary
Jesica Ahlberg Beautiful Girl
Dacia Fernandez Beautiful Girl
Hannah Jelinovic Beautiful Girl
Ashley Laliberty Beautiful Girl
Anna Dudnik Beautiful Girl
Antionique Price Dancer
Stephanie Bertrand Dancer
Shelby Skipper Dancer
David Robertson Mercenary
Alvin Santana Tap Dancer
Rashod Singleton Tap Dancer
Keiton Crump Tap Dancer
Jermel Wilson Drummer
Clay Chamerlain Hallway Lab Tech
Kate Ransome Wilcox Coalition Volunteer
Julian Niccolini Maitre'd

Cameos

Big Freedia* Big Freedia

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Tarsem Singh Director
Alex Pastor Screenwriter
David Pastor Screenwriter
Ram Bergman Producer
James D. Stern Producer
Peter Schlessel Producer
Julie Goldstein Executive Producer
Dave Pomier Executive Producer
Lia Buman Executive Producer
Brendan Galvin Director of Photography
Tom Foden Production Designer
Robert Duffy Editor
Shay Cunliffe Costume Designer
Antonio Pinto Composer
Mary Vernieu Casting Director
Dave Pomier Unit Production Manager
Nicholas Mastandrea First Assistant Director
Tim Beach Assistant Art Director
Matthew Gatlin Assistant Art Director
Cindy Carr Set Decorator
Walter Schneider Set Designer
Mary Frances Paguaga Script Supervisor
Pud Cusack Sound Mixer
Andree Fortier Costume Supervisor
Voni Hinkle Hairstylist
Carl G. Variste Hairstylist
Vivian Baker Make up
Stacy Kelly Make up
Anthony Rossi III Production Supervisor
Tim Pedegana Post-Production Supervisor
Tony Bacigalupi First Assistant Editor
Fulvio Valsangiacomo First Assistant Editor
David Nami Special Effects Coordinator
Alan Markfield Additional Photography-Still Photographer
Hilary Bronwyn Gayle Additional Photography-Still Photographer
Brent Caballero Additional Casting Director
Charlotte Gale Additional Casting-Extras Casting Assistant
Steven Ritzi Second Unit Director
Bruce Wayne Gillies First Assistant Director
Seth W. Hansen* Second Assistant Director
Jaron Presant Director of Photography-Second Unit
Alexander Hill Script Supervisor-Second Unit
Kevin O'Connell Re-recording Mixer
Steven Ticknor Re-recording Mixer
Steven Ticknor Supervising Sound Editor
Robert L. Sephton Sound Designer
Joe Iemola Sound Effects Editor
James Morioka Dialogue Editor
Matt Hanson Sound Editor-Assistant Sound Editor
Kevin Nanaumi Sound Editor-Assistant Sound Editor
Raoul Yorke Bolognini Visual Effects Producer
Curt Miller Visual Effects Supervisor
John Houlihan Music Supervisor
Robin Whittaker Music Producer
Robin Whittaker Music Editor
Dudu Aram Additional Music
Tara Moross Executive Music Producer
Philip Moross Executive Producer

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.