United Kingdom Box Office for Secret in Their Eyes (2015)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $349,437 | Details |
Worldwide Box Office | $32,608,019 | Details |
Home Market Performance | ||
North America DVD Sales | $2,422,364 | Details |
North America Blu-ray Sales | $1,320,769 | Details |
Total North America Video Sales | $3,743,133 | |
Further financial details... |
Synopsis
A tight-knit team of rising investigators—Ray and Jess, along with their supervisor Claire—is suddenly torn apart when they discover that Jess’s teenage daughter has been brutally and inexplicably murdered. Now, thirteen years later, after obsessively searching every day for the elusive killer, Ray finally uncovers a new lead that he’s certain can permanently resolve the case, nail the vicious murderer, and bring long-desired closure to his team. No one is prepared, however, for the shocking and unspeakable secret that will reveal the enduring, destructive effects of personal vengeance on the human soul.
Metrics
Movie Details
Production Budget: | $20,000,000 |
United Kingdom Releases: | February 26th, 2016 (Wide) |
Video Release: | February 23rd, 2016 by Universal Home Entertainment |
MPAA Rating: | PG-13 for thematic material involving disturbing violent content, language and some sexual references. (Rating bulletin 2380, 7/1/2015) |
Running Time: | 111 minutes |
Keywords: | Remake, Foreign-Language Remake, Death of a Son or Daughter, Cold Case, Sex Crimes, FBI, Police Procedural, Vigilante, Crime Thriller |
Source: | Remake |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | STX Entertainment, IM Global, Route One, Union Investment Partners |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 23rd, 2016
February 23rd, 2016
It's not a great week on the home market. The Good Dinosaur is the biggest release this week, but it is the only wide release of note. Spotlight started out in limited release, but while it expanded significantly, it never expanded truly wide. As for the Pick of the Week, I'm going with the Bogart / Bacall Blu-ray Double-Shot: The Big Sleep and Key Largo.
On a side note, it is another short list this week, because Amazon continues to be run by morons. I tried to get help from chat, but that wasn't very successful. I "talked" to four people without getting an answer. Two of which logged in and then logged out without saying a thing. One logged in, introduced themselves, then logged out when I asked a question. I tried through e-mail, but a week later and no reply. I have a phone number for press and I will try that once the Oscars are over and I'm not overwhelmed with work.
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Weekend Wrap-Up: Moviegoers Satisfied with Final Course of Hunger Games
November 24th, 2015
The Curse of the High Expectations strikes again. The Hunger Games: Mockingjay, Part 2 became the fifth film of the year to open with more than $100 million. This should be a reason to celebrate, but it marks a very steep decline from previous films in the Hunger Games franchise. The other two wide releases, The Night Before and Secret in Their Eyes, both failed to meet expectations, leaving the overall box office softer than anticipated. Granted, it still grew 60% from last weekend to $173 million, but this is 10% lower than the same weekend last year. Year-to-date, 2015 is still ahead of 2014 by a comfortable margin of 3.6% or $320 million. It would take a sizable collapse for 2015 to not come out on top in terms of raw box office dollars. On the other hand, it wouldn't take too much for it to slip below ticket price inflation, which is about 2% this year.
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Weekend Estimates: Mockingjay Tops $100 Million, But Only Just
November 22nd, 2015
The Hunger Games: Mockingjay—Part 2 is about to record the most disappointing $100 million weekend ever, based on Sunday’s estimate from Lionsgate. Why disappointing? Because its $101.025 million projected opening follows the $158 million earned by Catching Fire on this weekend in 2013 (then the sixth-biggest weekend ever), and the $122 million debut of Mockingjay—Part 1 this weekend last year. That marks a decline of 20% or so from one installment of the franchise to the next, which is the worst performance of any franchise to have recorded a $100 million start. Global numbers tell a similar story: $247 million this weekend against Part 1’s $275 million. However, once we get that troubling statistic out the way, this is also a reason for celebration: $100 million domestically and $250 million globally in one weekend is still a huge amount of money, and caps a spectacularly successful franchise for Lionsgate.
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Friday Estimates: Hunger Games not as Filling as Anticipated
November 21st, 2015
There’s good news / bad news for The Hunger Games: Mockingjay, Part 2’s Friday box office. On the positive side, it is dominating in theaters with $46 million on Friday, which is more than any other film will earn during the entire weekend. It might be more than the combined weekend hauls of the rest of the top five, in fact. On the down side, this is below expectations and puts the film on pace for about $104 million for the weekend as a whole. Granted, this is still the best opening since Jurassic World and the fifth-best opening of the year, but it is well behind Part 1, which pulled in $55 million on its opening day, so some will call this a disappointment. It is the curse of high expectations.
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Thursday Previews: Appetizer for Hunger Games
November 20th, 2015
The Hunger Games: Mockingjay, Part 2 got off to a $16 million start last night. That is the best "midnight" preview we've seen since Jurassic World earned $18.5 million this summer. However, it is a little lower than The Hunger Games: Mockingjay, Part 1's figure of $17 million. Does this mean Part 2 is going to open on the low end of expectations? It's too soon to tell. Previews are not very predictive of box office success, especially when the numbers are this close. Obviously bigger would be better, but there's no reason to panic just yet.
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Weekend Predictions: Will Moviegoers Feel Satiated?
November 20th, 2015
It should be a very busy weekend, at least at the top, as The Hunger Games: Mockingjay, Part 2 is nearly guaranteed to dominate the box office and many think it will top $100 million over the weekend. On the other hand, the other two releases are The Night Before and Secret in Their Eyes, neither of which is expected to do particularly well. That said, they would have to truly bomb to not at least make the top five, but I doubt either of them will top Spectre over the weekend. This weekend last year, The Hunger Games: Mockingjay, Part 1 opened with just over $120 million. That is the figure Part 2 will need to match to be considered a success. I'm feeling cautiously optimistic, but not everyone is.
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2015 Preview: November
November 1st, 2015
October has come to an end and everyone should be happy about that. Except for The Martian, there were no serious hits that opened last month. There were more outright bombs than even midlevel hits. Fortunately, October of last year wasn't spectacular either, so 2015 maintains a healthy lead over 2014. Even more fortunately, November looks fantastic. There are four films that have the potential to earn $200 million or more. The biggest of these is the final Hunger Games movie, which should reach $400 million. Spectre has a real shot at $300 million and could be the biggest hit in the franchise. Meanwhile, nearly every November there's an animated kids movie that becomes a monster hit. This year, The Peanuts Movie and The Good Dinosaur are both aiming for that box office milestone. The last time we didn't have a family film that earned at least $100 million in November was 2011 and that's because there were four family films that opened in the final two weeks of the month and that much competition meant they cannibalized each other. Both of these has a shot at $200 million and if neither of them reached $200 million, I would be shocked. Meanwhile, last November was a good month at the top with three monster hits: The Hunger Games: Mockingjay, Part 1, Big Hero 6, and Interstellar. However, after those three films, there were not much positive to talk about. It really looks like 2015 will match 2014 at the top, plus it could have better depth. I might be a little too optimistic, but I think November is going to be a great month at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/26 | 15 | $162,382 | 110 | $1,476 | $162,382 | 1 | |
2016/03/04 | 35 | $16,655 | -90% | 63 | $264 | $290,249 | 2 |
2016/03/11 | 48 | $6,707 | -60% | 12 | $559 | $318,936 | 3 |
2016/03/18 | 61 | $1,607 | -76% | 5 | $321 | $321,724 | 4 |
2016/03/25 | 54 | $2,844 | +77% | 4 | $711 | $326,494 | 5 |
2016/04/01 | 74 | $622 | -78% | 2 | $311 | $346,869 | 6 |
2016/04/08 | 70 | $1,500 | +141% | 3 | $500 | $348,546 | 7 |
2016/04/15 | - | $891 | -41% | 2 | $446 | $349,437 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 12/3/2015 | $203,644 | 74 | 89 | 249 | $591,504 | 12/31/2018 |
Australia | 11/20/2015 | $434,128 | 184 | 184 | 633 | $1,143,290 | 6/9/2016 |
Brazil | 12/10/2015 | $365,211 | 210 | 210 | 388 | $792,664 | 6/9/2016 |
Bulgaria | 12/4/2015 | $9,522 | 11 | 11 | 52 | $40,383 | 12/31/2018 |
Chile | 12/3/2015 | $0 | 0 | 28 | 43 | $155,441 | 12/31/2018 |
Colombia | 11/26/2015 | $65,285 | 77 | 77 | 77 | $65,285 | 12/30/2018 |
Czech Republic | 1/21/2016 | $30,509 | 60 | 60 | 115 | $92,434 | 12/31/2018 |
Denmark | 3/31/2016 | $0 | 0 | 35 | 35 | $55,062 | 6/9/2016 |
Finland | 3/18/2016 | $22,874 | 42 | 42 | 42 | $22,874 | 6/9/2016 |
Germany | 6/10/2016 | $0 | 0 | 0 | 0 | $396,793 | 8/19/2018 |
Greece | 1/14/2016 | $87,828 | 28 | 28 | 28 | $87,828 | 6/9/2016 |
Hong Kong | 1/7/2016 | $125,256 | 26 | 26 | 50 | $240,175 | 6/9/2016 |
Hungary | 12/3/2015 | $75,852 | 0 | 50 | 50 | $214,955 | 12/30/2018 |
Iraq | 11/19/2015 | $3,881 | 3 | 3 | 5 | $9,380 | 12/30/2018 |
Italy | 11/12/2015 | $439,537 | 0 | 136 | 180 | $952,905 | 6/9/2016 |
Lebanon | 11/19/2015 | $10,863 | 3 | 3 | 9 | $187,967 | 12/30/2018 |
Mexico | 12/11/2015 | $483,956 | 0 | 68 | 68 | $1,856,632 | 9/8/2018 |
New Zealand | 11/20/2015 | $57,167 | 46 | 46 | 216 | $159,417 | 6/9/2016 |
North America | 11/20/2015 | $6,652,996 | 2,392 | 2,392 | 9,016 | $20,180,155 | 9/24/2018 |
Peru | 11/26/2015 | $66,519 | 39 | 39 | 63 | $134,830 | 12/30/2018 |
Poland | 1/1/2016 | $0 | 0 | 49 | 49 | $366,015 | 12/31/2018 |
Portugal | 11/19/2015 | $48,065 | 31 | 35 | 109 | $229,489 | 12/29/2015 |
Romania | 12/4/2015 | $0 | 0 | 34 | 82 | $166,794 | 12/30/2018 |
Russia (CIS) | 11/19/2015 | $447,111 | 590 | 590 | 1276 | $675,222 | 12/31/2018 |
Slovakia | 11/26/2015 | $17,140 | 51 | 51 | 71 | $25,683 | 12/8/2015 |
Slovenia | 12/17/2015 | $0 | 0 | 2 | 8 | $6,837 | 6/9/2016 |
South Africa | 1/8/2016 | $85,770 | 56 | 59 | 171 | $215,028 | 6/9/2016 |
South Korea | 4/27/2016 | $72,555 | 186 | 186 | 186 | $104,379 | 6/8/2016 |
Spain | 4/15/2016 | $186,022 | 140 | 140 | 382 | $471,689 | 6/9/2016 |
Sweden | 3/18/2016 | $36,940 | 44 | 44 | 44 | $36,940 | 6/9/2016 |
Taiwan | 11/20/2015 | $129,726 | 32 | 35 | 112 | $452,712 | 12/21/2015 |
Turkey | 11/20/2015 | $70,740 | 82 | 82 | 192 | $207,675 | 12/31/2018 |
Ukraine | 11/19/2015 | $42,870 | 73 | 73 | 143 | $75,339 | 12/30/2018 |
United Arab Emirates | 11/19/2015 | $157,349 | 17 | 17 | 44 | $403,297 | 12/31/2018 |
United Kingdom | 2/26/2016 | $162,382 | 110 | 110 | 201 | $349,437 | 6/9/2016 |
Uruguay | 12/10/2015 | $9,120 | 7 | 9 | 24 | $41,022 | 12/31/2018 |
Vietnam | 11/20/2015 | $27,263 | 52 | 52 | 52 | $27,263 | 12/30/2018 |
Rest of World | $1,373,224 | ||||||
Worldwide Total | $32,608,019 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chiwetel Ejiofor | Ray |
Nicole Kidman | Claire |
Julia Roberts | Jess |
Supporting Cast
Dean Norris | Donald "Bumpy" Willis |
Michael Kelly | Reggie Siefert |
Joe Cole | Marzin/Beckwith |
Alfred Molina | Martin Morales |
Zoe Graham | Carolyn |
Lyndon Smith | Kit |
Don Harvey | Fierro |
Frankie Sims | Bettor |
Patrick Davis | Luis |
Benjamin Waters | LAPD Detective |
Greg Duncan | Baseball Player |
Toni French | Dodger Baseball Fan |
John Papsidera | Dodger Player Mastery |
Amir Malaklou | Aban Ghazala |
Stephanie McIntyre | Customer |
Phillip O'Riley | Hallway Baseball Fan |
David Pearl | Lawyer |
Walter Tabayoyong | Photographer |
Alessandro Cuomo | Police Officer |
Niko Nicotera | Hammer/Chop Shop Thug |
Bryan Williams | Horse Race Attendee |
Israel Feres David | Angry Dodger Fan |
Jahmilla Jackson | Horse Race Attendee |
Dennis Keifer | Chop Shop Thug #2 |
Mark Famiglietti | Duty Sergeant Jacobs |
Glenn Davis | Stadium Cop |
Ross Partridge | Ellis |
Michael Tennant | Arriving Cop |
Ho-Sung Pak | Peanut Vender |
Kim Yarbrough | Nan |
Laurence Todd Rosenthal | Popcorn Guy |
Carrick O'Quinn | Protective Detail #1 |
C.C. Taylor | Protective Detail |
Carlo Zapata | Dave |
Erik Solky | Panicked Man |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Billy Ray | Director |
Billy Ray | Screenwriter |
Eduardo Sacheri | Based on the Film "El Secreto De Sus Ojos" by |
Juan Jose Campanella | Based on the Film "El Secreto De Sus Ojos" by |
Mark Johnson | Producer |
Matt Jackson | Producer |
Stuart Ford | Producer |
Deborah Zipser | Executive Producer |
Russell Levine | Executive Producer |
Lee Jea-Woo | Executive Producer |
Robert Simonds | Executive Producer |
Matt Berenson | Executive Producer |
Jeremiah Samuels | Executive Producer |
Juan Jose Campanella | Executive Producer |
John Ufland | Co-Producer |
Danny Moder* | Director of Photography |
Nelson Coates | Production Designer |
Jim Page | Editor |
Shay Cunliffe | Costume Designer |
Emilio Kauderer | Composer |
Sharon Bialy | Casting Director |
Sherry Thomas | Casting Director |