Turkey Box Office for Replikalar (2018)
Theatrical Performance (US$) | ||
Turkey Box Office | $202,193 | Details |
Worldwide Box Office | $9,037,427 | Details |
Home Market Performance | ||
North America DVD Sales | $983,480 | Details |
North America Blu-ray Sales | $1,130,976 | Details |
Total North America Video Sales | $2,114,456 | |
Further financial details... |
Synopsis
After a car accident kills his loving family, a daring neuroscientist will stop at nothing to bring them back, even if it means pitting himself against a government-controlled laboratory, a police task force, and the physical laws of science themselves.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Turkey Releases: | January 11th, 2019 (Wide), released as Replikalar |
Video Release: | April 2nd, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for thematic material, violence, disturbing images, some nudity and sexual references. (Rating bulletin 2505 (Cert #51336), 12/6/2017) |
Running Time: | 107 minutes |
Keywords: | Mad Scientist, Car Accident, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Medical Crimes, Psychological Thriller, Robot, Fugitive / On the Run, Scientific Experiment Gone Awry |
Source: | Original Screenplay |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Riverstone Pictures, Remstar, di Bonaventura Pictures, Entertainment Studios Motion Pictures, Blue Rider Pictures, Company Films, Lotus Entertainment, Ocean Park Entertainment, 74850, Fundamental Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 16th, 2019
April 17th, 2019
We’ve hit the summer doldrums on the home market, but we do have the first major hit of 2019 to talk about. Too bad Glass earned reviews that are so weak. Unfortunately, none of the smaller releases really rise to the level of Pick of the Week. Fans of animation are in luck, as both Dragon Ball Super: Broly and Justice League vs. The Fatal Five are both worth picking up. Bend of the River is a great western. Meanwhile, if you like B-movie cult classics, The Manitou is for you.
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Weekend Wrap-Up: Glass Wins, Dragon Ball was Super
January 22nd, 2019
It was a mixed weekend with Glass missing admittedly high expectations, but a lot of the rest of the top five thrived. This includes Dragon Ball Super: Broly, which wasn’t even expected to open in the top five. Overall, the box office rose 8.6% from last weekend to $130 million. This is 5.0% less than the same weekend last year, which means 2019’s losing streak continues. This is more disappointing, as the misalignment in holidays gave 2019 a huge advantage this weekend. Year-to-date, 2019 is below 2018 by $100 million. In fact, 2019 is off to the worst start since 2012 or 2011, depending on if you take ticket price inflation into account. That said, it is still very early in the year and there are several nearly guaranteed monster hits on the way.
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Weekend Wrap-Up: Upside Surprises Landing on Top Earning STX its First First Place
January 15th, 2019
The first major surprise of the year happened over the weekend, as The Upside beat expectations earning first place with $20.36 million. The overall box office fell 14% from last weekend dropping to $119 million. This is 25% lower than the same weekend last year, but that was MLK Day long weekend, so this kind of difference was expected.
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Weekend Estimates: Upside Surprises as Box Office Slows
January 13th, 2019
It wasn’t exactly a great weekend at the box office, but The Upside was the rare exception. The film is estimated to open with $19.59 million. The audiences clearly liked the film better than critics did, as its reviews are mixed, while it got an A from CinemaScore. This makes sense, as the most common complaint from critics were the clichés. The average moviegoer only sees one movie in a theater every other month, whereas the average critic will see two or more movies a week. Clichés are a lot less tolerable when you see them ten times as often as part of your job. The film’s estimates are much better than its predictions and great for a film that cost $37.5 million to make. Furthermore, the news is even better for STX Entertainment, as they didn’t spend nearly that much on the domestic rights, so they will be in the black very soon.
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Friday Estimates: Box Office is Turned Upside Down
January 12th, 2019
The Upside surprised box office analysts with $6.95 million on Friday, knocking Aquaman out of first place on the daily chart. This is very likely enough to knock it out of first place on the weekend chart as well, becoming STX’s first number one hit. Most critics didn’t like the movie, but few hated it. Audiences, on the other hand, loved the movie, giving it an A from CinemaScore. If this translates into long legs, then it could earn first place with as much as $20 million, but $19 million is more likely at this point.
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Thursday Night Previews: Dog-gone-it
January 11th, 2019
The Upside was the surprise winner of last night’s previews, as it earned $1.1 million. Its reviews are not going to help its legs, but perhaps its word-of-mouth will be better. We will have to wait for the CinemaScore for that, but I think it will top our $12 million prediction, which is good news for STX Entertainment.
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Weekend Predictions: Is Dog’s Home at the Top of the Box Office?
January 10th, 2019
There are three or four new releases that should reach the top ten, depending on how you look at things. A Dog’s Way Home is by far the biggest of these and has a not unreasonable shot at opening in first place. I think Aquaman will defend its crown, but it should at least be close. The Upside is the only other new release with a better than 50/50 shot of earning a spot in the top five. Replicas, on the other hand, is widely expected to bomb. The last “new” release is On the Basis of Sex, which is expanding nearly truly wide and it has an outside chance of earning a spot in the top five. This weekend last year was MLK Day long weekend. If 2019 doesn’t lose the year-over-year comparison by more than 20%, then it will be a reason to celebrate.
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Replicas Trailer
January 4th, 2019
Thriller starring Keanu Reeves and Alice Eve opens January 11 ... Full Movie Details.
Neuro-scientist William Foster is on the verge of successfully transferring human consciousness into a computer when his family is tragically killed in a car crash. Desperate to resurrect them, William recruits fellow scientist Ed Whittle to help him secretly clone their bodies and create replicas. But he soon faces a “Sophie’s choice” when it turns out that they can only bring three of the four family members back to life.
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Preview: January
January 1st, 2019
December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/01/11 | 9 | $87,974 | 146 | $603 | $87,974 | 1 | |
2019/01/18 | 15 | $26,687 | -70% | 146 | $183 | $168,230 | 2 |
2019/01/25 | 20 | $6,730 | -75% | 16 | $421 | $195,867 | 3 |
2019/02/08 | - | $351 | 1 | $351 | $202,193 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Brazil | 4/19/2019 | $112,061 | 118 | 118 | 118 | $112,061 | 4/27/2019 |
China | 11/23/2018 | $410,000 | 13395 | 13395 | 13395 | $727,089 | 12/6/2018 |
Lithuania | 11/9/2018 | $5,164 | 25 | 25 | 33 | $9,899 | 11/27/2018 |
Mexico | 10/26/2018 | $414,116 | 0 | 0 | 0 | $414,116 | 10/29/2018 |
Netherlands | 1/4/2019 | $98,134 | 35 | 40 | 109 | $286,609 | 1/22/2019 |
North America | 1/11/2019 | $2,375,325 | 2,329 | 2,329 | 4,564 | $4,046,429 | 8/15/2019 |
Portugal | 3/15/2019 | $68,109 | 45 | 45 | 132 | $164,390 | 4/16/2019 |
Russia (CIS) | 10/25/2018 | $1,060,348 | 965 | 965 | 2311 | $2,268,518 | 1/15/2019 |
South Korea | 9/25/2019 | $127,469 | 339 | 339 | 385 | $328,043 | 2/5/2020 |
Turkey | 1/11/2019 | $87,974 | 146 | 146 | 309 | $202,193 | 2/14/2019 |
Rest of World | $478,080 | ||||||
Worldwide Total | $9,037,427 | 2/5/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Keanu Reeves | William Foster |
Supporting Cast
Alice Eve | Mona Foster |
Thomas Middleditch | Ed Whittle |
John Ortiz | Jones |
Emily Alyn Lind | Sophie Foster |
Emjay Anthony | Matt Foster |
Nyasha Hatendi | Scott |
Aria Leabu | Zoe Foster |
Sunshine Logroño | Hector |
Amber Townsend | Lab Tech |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Jeffrey Nachmanoff | Director |
Chad St. John | Screenplay By |
Stephen Hamel | Story Creator |
Lorenzo di Bonaventura | Producer |
Stephen Hamel | Producer |
Keanu Reeves | Producer |
Mark Gao | Producer |
Luis Riefkohl | Producer |
Bill Johnson | Executive Producer |
Jim Seibel | Executive Producer |
Nik Bower | Executive Producer |
James Dodson | Executive Producer |
Deepak Nayar | Executive Producer |
Maxime Remillard | Executive Producer |
Clark Peterson | Executive Producer |
Walter Josten | Executive Producer |
Erik Howsam | Executive Producer |
Ara Keshishian | Executive Producer |
Chad St. John | Executive Producer |
Gregory Ouanhon | Executive Producer |
Sebastian Boneta | Executive Producer |
Byron Allen | Executive Producer |
Carolyn Folks | Executive Producer |
Jennifer Lucas | Executive Producer |
Terence Hill | Executive Producer |
Mark Devitre | Executive Producer |
Chris Charalambous | Executive Producer |
Mark Borde | Executive Producer |
Simon Michael | Executive Producer |
Steve Zadrick | Executive Producer |
Richard Barner | Executive Producer |
Chad Doher | Executive Producer |
Joan Robbins | Executive Producer |
Checco Varese | Director of Photography |
Johnny Breedt | Production Designer |
Pedro Javier Muniz | Editor |
Chris Piccaro | Music Supervisor |
Mark Kilian | Music By |
Jose Ojeda | Music By |
Sharon Bialy | Casting Director |
Sherry Thomas | Casting Director |