Jeffrey Nachmanoff
Best known as a Screenwriter based on credits in that role in 4 films, with $718,701,459 worldwide aggregate box office (rank #406) |
Best-known technical roles: The Day After Tomorrow (Screenwriter), The Tourist (Co-Producer), Traitor (Director), Traitor (Screenwriter), The Last Stand (Screenwriter) |
Most productive collaborators: Dennis Quaid, Roland Emmerich, Jake Gyllenhaal, Emmy Rossum, Sela Ward |
Career Summary
Movies | Domestic Box Office | International Box Office | Worldwide Box Office | ||
---|---|---|---|---|---|
In Technical Roles | Screenwriter | 4 | $250,409,084 | $468,292,375 | $718,701,459 |
Director | 2 | $27,577,260 | $9,342,393 | $36,919,653 | |
Co-Producer | 1 | $67,631,157 | $211,100,212 | $278,731,369 |
Latest Ranking on Selected Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Co-Producer at the Domestic Box Office (Rank 601-700) | 670 | $67,631,157 |
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,454 | $27,577,260 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 516 | $250,409,084 |
Top Grossing Co-Producer at the International Box Office (Rank 201-300) | 285 | $211,100,212 |
Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,557 | $9,342,393 |
Top Grossing Screenwriter at the International Box Office (Rank 301-400) | 360 | $468,292,375 |
Top Grossing Co-Producer at the Worldwide Box Office (Rank 301-400) | 371 | $278,731,369 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,973 | $36,919,653 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) | 406 | $718,701,459 |
See the Acting Credits tab for all Acting Box Office Records and the Technical Credits tab for all Technical Box Office Records.
Preview: January
January 1st, 2019
December would have been an excellent month, except it had to be compared to Star Wars: The Last Jedi. The top four movies of this December might not finish with as much as that movie made. That said, the year ended on an overall positive note finishing with a lead of close to $800 million over 2017. Unfortunately, 2019 is going to get off to a slow start. Not only are there very few films opening wide this month, only one of them, Glass, is expected to be a midlevel hit or better. Granted, Glass is expected to earn more than $100 million domestically, which is something no film released last January could do. However, The Last Jedi and Jumanji: Welcome to the Jungle both had such incredible legs that 2019 will still get off to a slower start, even if it has stronger new releases.
More...
All Acting Credits
All Technical Credits
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Release Date | Title | Role | Domestic Box Office | International Box Office | Worldwide Box Office |
---|---|---|---|---|---|
Jan 11, 2019 | Replicas | Director | $4,046,429 | $4,990,998 | $9,037,427 |
Jan 18, 2013 | The Last Stand | Screenwriter | $12,050,299 | $36,280,458 | $48,330,757 |
Sep 23, 2011 | Abduction | Screenwriter | $28,087,155 | $58,561,204 | $86,648,359 |
Dec 10, 2010 | The Tourist | Co-Producer | $67,631,157 | $211,100,212 | $278,731,369 |
Aug 27, 2008 | Traitor | Director Screenwriter |
$23,530,831 | $4,351,395 | $27,882,226 |
May 28, 2004 | The Day After Tomorrow | Screenwriter | $186,740,799 | $369,099,318 | $555,840,117 |
Averages | $53,681,112 | $114,063,931 | $167,745,043 | ||
Totals | 6 | $322,086,670 | $684,383,585 | $1,006,470,255 |
Director Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 11, 2019 | Replicas | $2,375,325 | 2,329 | $4,046,429 | $9,037,427 | 44.8% |
Aug 27, 2008 | Traitor | $7,868,465 | 2,108 | $23,530,831 | $27,882,226 | 84.4% |
Averages | $5,121,895 | 2,219 | $13,788,630 | $18,459,827 | 64.6% | |
Totals | 2 | $27,577,260 | $36,919,653 |
Writer Credits
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Release Date | Title | Opening Weekend | Maximum Theaters | Domestic Box Office | Worldwide Box Office | Domestic Share |
---|---|---|---|---|---|---|
Jan 18, 2013 | The Last Stand | $6,281,433 | 2,913 | $12,050,299 | $48,330,757 | 24.9% |
Sep 23, 2011 | Abduction | $10,925,253 | 3,118 | $28,087,155 | $86,648,359 | 32.4% |
Aug 27, 2008 | Traitor | $7,868,465 | 2,108 | $23,530,831 | $27,882,226 | 84.4% |
May 28, 2004 | The Day After Tomorrow | $68,743,584 | 3,444 | $186,740,799 | $555,840,117 | 33.6% |
Averages | $23,454,684 | 2,896 | $62,602,271 | $179,675,365 | 43.8% | |
Totals | 4 | $250,409,084 | $718,701,459 |
Latest Ranking on All Technical Box Office Record Lists
Record | Rank | Amount |
---|---|---|
Top Grossing Co-Producer at the Domestic Box Office (Rank 601-700) | 670 | $67,631,157 |
Top Grossing Director at the Domestic Box Office (Rank 1,401-1,500) | 1,454 | $27,577,260 |
Top Grossing Screenwriter at the Domestic Box Office (Rank 501-600) | 516 | $250,409,084 |
Top Grossing Co-Producer at the International Box Office (Rank 201-300) | 285 | $211,100,212 |
Top Grossing Director at the International Box Office (Rank 2,501-2,600) | 2,557 | $9,342,393 |
Top Grossing Screenwriter at the International Box Office (Rank 301-400) | 360 | $468,292,375 |
Top Grossing Co-Producer at the Worldwide Box Office (Rank 301-400) | 371 | $278,731,369 |
Top Grossing Director at the Worldwide Box Office (Rank 1,901-2,000) | 1,973 | $36,919,653 |
Top Grossing Screenwriter at the Worldwide Box Office (Rank 401-500) | 406 | $718,701,459 |