Australia Box Office for Rampage (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $6,600,000 | Details |
Worldwide Box Office | $427,947,217 | Details |
Home Market Performance | ||
North America DVD Sales | $19,132,963 | Details |
North America Blu-ray Sales | $18,150,020 | Details |
Total North America Video Sales | $37,282,983 | |
Further financial details... |
Synopsis
Primatologist Davis Okoye, a man who keeps people at a distance, shares an unshakable bond with George, the extraordinarily intelligent, silverback gorilla who has been in his care since birth. But a rogue genetic experiment gone awry mutates this gentle ape into a raging creature of enormous size. To make matters worse, it’s soon discovered there are other similarly altered animals. As these newly created alpha predators tear across North America, destroying everything in their path, Okoye teams with a discredited genetic engineer to secure an antidote, fighting his way through an ever-changing battlefield, not only to halt a global catastrophe but to save the fearsome creature that was once his friend.
Metrics
Movie Details
Production Budget: | $120,000,000 |
Australia Releases: | April 13th, 2018 (Wide) |
Video Release: | July 17th, 2018 by Warner Home Video |
MPAA Rating: | PG-13 for sequences of violence, action and destruction, brief language, and crude gestures. (Rating bulletin 2517 (Cert #51451), 3/7/2018) |
Running Time: | 107 minutes |
Keywords: | Creature Feature, Animal Lead, Genetic Engineering, Scientific Experiment Gone Awry, Discredited Scientist, Motion Capture Performance, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Adventure |
Source: | Based on Game |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | New Line Cinema, Seven Bucks Productions, Flynn Picture Company, ASAP Films, Wrigley Pictures |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 17th, 2018
July 18th, 2018
It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title.
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International Box Office: Deadpool Piles Up $300 million in Cash
May 23rd, 2018
Deadpool 2 dominated the international box office with $174.9 million on 25,091 screens in 82 markets, for a worldwide opening of $300.4 million. The studio’s share of this opening weekend is close to $140 million, which is significantly more than the film’s $110 million production budget. The film’s biggest market was the U.K., where it earned $17.48 million in 636 theaters. In South Korea, the film earned $11.84 million on 1,576 screens over the weekend for a total opening of $16.73 million. Russia wasn’t far behind, with $11.61 million on 1,477 and it cracked $10 million in Australia, if you include previews, as it pulled in $9.48 million on 602 screens for a total opening of $11.45 million. The film has yet to open in Japan, but there’s no rational way this film won’t break even before it reaches the home market.
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International Box Office: Avengers Win War in China with over $200 million
May 15th, 2018
Avengers: Infinity War became the second fastest film to opened in China earning $190.68 million over the weekend for a total opening of $200.02 million, including previews. This is the highest ever opening in terms of American currency. In local currency, The Fate of the Furious still holds the record at RMB1.352 billion to RMB1.266 billion. Overall, Infinity War earned $281.3 million in 55 markets for totals of $1.059 billion internationally and $1.607 billion worldwide. It became the first film in the MCU to reach $1 billion internationally and it is already the highest grossing film in the franchise worldwide. It is in fifth place on the all-time international chart and will be in third place by this time next week. Meanwhile, it is also in fifth place on the worldwide chart and is aiming for third place there as well, although it will take a little while longer to get there.
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International Box Office: Avengers Tops $1 billion in Record Time
May 8th, 2018
Avengers: Infinity War became the fastest film to reach $1 billion, getting there is just ten days. That’s really impressive for a film that hasn’t even opened in China yet. This weekend, the film earned $162.6 million in 54 markets for totals of $713.3 million internationally and $1.166 billion worldwide. The only new major market of the weekend was Russia, where it broke the record for biggest opening with $17.6 million. To put this into perspective, Civil War made $16.49 million in that market, in total. The film is already the biggest all-time hit in Brazil ($44.3 million); Indonesia ($20.6 million); and the Philippines ($19.7 million). The two biggest markets so far are South Korea, where it has made $69.76 million, including $17.03 million on 2,224 screens this past weekend, while the U.K. is very close behind with $67.2 million.
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Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut
May 8th, 2018
It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace.
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Weekend Predictions: How Badly will Infinity War Beat the New Releases?
May 3rd, 2018
Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close.
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International Box Office: Infinity Tops the Charts even without China
May 3rd, 2018
Avengers: Infinity War broke the record for highest international debut and highest worldwide debut. The film was expected to do well, but breaking records like this is impressive, especially since it hasn’t opened in China yet. The film started with $380.0 million in 52 markets for a global opening of $637.7 million. It is already the second biggest worldwide hit of the year and just shy of the top 100 all-time. The film’s biggest opening was in the U.K., where it earned $40.50 million in 650 theaters, but this is only the third biggest opening of all time there. On the other hand, it had the biggest opening of all time in South Korea with $27.52 million on 2,553 screens over the weekend for a total opening of $38.79 million. The film also cracked $20 million in Mexico, with an opening of $24.80 million, while it topped $10 million in Brazil ($18.8 million); India ($18.6 million); Australia ($16.07 million on 940 screens over the weekend for a total opening of $22.65 million); and Germany ($14.7 million). The film opens in Russia this weekend and China the following weekend and by the time the film opens in China, it will likely be the biggest global hit of 2018.
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Weekend Wrap-Up: Infinity War Opened as Close to Infinity as Any Film
April 30th, 2018
Infinity War was expected to dominate the box office over the weekend. However, not a lot of people thought it would break the all-time record, but it did. Not only did it break the record, it smashed it, topping The Force Awakens by nearly $10 million at $257.70 million. The MCU now has six of the top ten openings of all-time. Remember, when Disney bought Marvel for $4 billion, a lot of people thought they overpaid. Disney’s share of just the domestic box office numbers is close to $4 billion at this point. The overall box office rose 150% from last weekend to $312 million. This is within a rounding error of the record and we might get there as smaller studios report their numbers later in the week. This is 212% higher than the same weekend last year; granted, this is because summer started a week early this year. Year-to-date, 2018 has retaken the lead by $140 million or 4.0% at $3.78 billion to $3.64 billion. However, and this is important, this is a misleading number, because summer started a week early this year. I would wait till Deadpool 2 comes out to judge the year-to-date numbers. It will take that long for Infinity War coming out a week early to fully balance out. You will probably make solid judgments before then, but I think it is wise to be a little cautious.
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Weekend Predictions: Will Avengers go to Infinity?
April 26th, 2018
Infinity War. Do I need to say more? Infinity War is easily the most anticipated movie of the year, and some argue the most anticipated film in the past few years. There’s even talk that it will have the best three-day opening of all time. This weekend last year, The Fate of the Furious earned its third first place result with just under $20 million. Infinity War could make twice that during its midnight previews. It will make more than the entire box office made last year.
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International Box Office: Rampage Retains Lead on International Chart
April 25th, 2018
Rampage remained in first place on the international chart with $58.0 million on 33,140 screens in 61 markets, for totals of $217.6 million internationally and $283.3 million worldwide. The studio’s share of this is very likely above the film’s $120 million production budget, so it has an excellent shot at breaking even early in its home market run. The film’s biggest market of the weekend was China, where it earned $27.07 million on 16,900 screens over the weekend for a two-week total of $106.57 million. The film has yet to open in France, Germany, and Japan and by the time it’s done, it will be very close to breaking even.
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Weekend Wrap-Up: Quiet Retakes Top Spot, Rampage Right Behind
April 24th, 2018
As expected, A Quiet Place returned to the first place with $20.94 million over the weekend. However, Rampage was much closer than expected with $20.09 million. It is on pace for $100 million domestically, assuming Infinity War doesn't reduce it to rumble this coming weekend. The new releases were led by I Feel Pretty, which came within a rounding error of expectations, while Super Troopers 2 beat expectations earning fourth place. Traffik barely made the top ten, but it could have been worse. Overall, the box office still fell 17% from last week, falling to $122 million. This is still 13% higher than the same weekend last year, which I was not expecting. I really thought The Fate of the Furious would earn more than the top two films earned this weekend, while the depth was also a lot better this week than I was anticipating. Year-to-date, 2017 is still behind 2018, by a 2.1% or $75 million margin at $3.43 billion to $3.51 billion. This should change this coming weekend. It better change.
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Friday Estimates: Troopers has Super Opening, I Feel has a Pretty Good One
April 21st, 2018
Super Troopers 2 opened in first place on Friday with $7.9 million, which is more than I predicted it would make over the entire weekend. On the other hand, this film’s reviews are wea. It managed a B plus from CinemaScore, which isn’t terrible, but it’s not particularly good either. Its legs likely won’t be great, as the target demographic is much more likely to rush out to the movie opening night, leaving the film with just over $17 million during its opening weekend. This could be more than its combined budget, especially if you disregard the money it earned from Kickstarter. (The film doesn’t have to earn a profit on those numbers.)
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Weekend Predictions: The Quiet Before the Storm
April 19th, 2018
There are two wide releases this week, I Feel Pretty and Super Troopers 2, as well as a semi-wide release that has a shot at the top ten, Traffik. However, most analysts think A Quiet Place will return to first place on the box office chart. Meanwhile, Infinity War opens next week and that’s all most moviegoers are talking about and this will likely really hurt this week’s box office. This weekend last year, The Fate of the Furious remained on top with $38 million, while the top three films combined earned $60 million. I don’t think 2018 will be able to match that, but it should be close.
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International Box Office: Rampage Runs Roughshod over Competition topping Century Mark
April 18th, 2018
Rampage dominated the international box office earning more than the rest of the top ten combined with $115.7 million on 40,200 screens in 61 markets for a worldwide opening weekend of $151.5 million. The film’s biggest opening was in China, where it managed $54.88 million on 21,500 screens over the weekend for a total opening of $55.56 million. This is a good result, compared to recent results. It’s better than Tomb Raider managed, but not as good as Ready Player One, for example. The U.K. and South Korea were in a close race for second place with the former earning $5.8 million on 883 screens and the latter earning $4.99 million on 909 screens over the weekend for a total opening of $5.60 million.
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Weekend Wrap-Up: Rampage Climbs Ahead of A Quiet Place with $35.75 million
April 16th, 2018
Rampage was widely expected to earn first place over the weekend, and it did. However, A Quiet Place gave it a real run for its money and after Friday’s estimates, it looked like the horror film would repeat on top. Meanwhile, Truth or Dare was also a pleasant surprise at the box office earning close to $19 million on a $3.5 million production budget. Overall, the box office fell 9.8% from last weekend to $147 million. This is also 13% lower than the same weekend last year. That said, The Fate of the Furious opened this weekend last year and earned almost $100 million, so it could have been worse. Year-to-date, 2018 is still behind behind 2017 by $70 million or 2.0% or $3.27 billion to $3.33 billion.
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Weekend Estimates: Rampage Squeaks Out a Win
April 15th, 2018
Rampage isn’t exactly living up to its name this weekend, as it heads for a $34.5 million debut—just enough to keep A Quiet Place in second place, with $32.6 million in its second outing (down a very respectable 35% from its debut). As might be expected, international markets are proving friendlier to Rampage than the US and Canada, and it’s off to a healthy $114.1 million start in 61 territories, according to Warner Bros.’ Sunday morning estimate.
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Friday Estimates: Quiet Looks to Silence Rampage
April 14th, 2018
Rampage earned first place on Friday, barely, with $11.5 million. Its reviews slipped down to exactly 50%, but that’s still the best ever for a wide release based on a video game, and it earned an impressive A minus from CinemaScore. This adds up to a $32 million opening weekend. Unfortunately, the film cost $120 million to make and even more for its global P&A. And as we will see shortly, A Quiet Place was right on its tail on Friday. Fortunately, the film is doing better in some international markets. For example, it earned $15.6 million in China alone, with an early estimate of $21.2 million for Saturday.
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Thursday Night Previews: Rampage Wrecks Previews with $2.4 million
April 13th, 2018
Rampage started its box office run with $2.4 million during its Thursday night previews. This is almost $2 million lower than A Quiet Place managed last weekend, but last weekend was also Easter weekend, so a lot of the target audience had Friday off. Even so, this isn’t quite where I was hoping it would land when I made my prediction yesterday. $35 million is still possible, but it would take strong legs to get there. Fortunately, its reviews have continued to improve and the film’s Tomatometer Score is now 53% positive. According to this metric, it is the best wide release based on a video game of all time. This actually makes some sense. The original video game was based on movies like King Kong or Godzilla, so it should be able to inspire at least a passable version of those films.
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Weekend Predictions: Will Rampage Shake Up the Box Office?
April 12th, 2018
Rampage is the biggest new release of the week and at one time it was widely assumed it would be the biggest hit of the month. Granted, this changed the second Infinity War moved up to an April release. However, now the film likely won’t even be the second biggest hit of the month, as A Quiet Place dominated last weekend. Truth or Dare has to deal with direct competition and that’s going to kill it. Finally, Isle of Dogs is expanding semi-wide. It likely won’t reach the top five, but it is already doing well for a limited release. This weekend last year, The Fate of the Furious opened with nearly $100 million. That’s about what the top four will earn this year. I can’t imagine 2018 coming ahead in the year-over-year comparison.
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Weekend Estimates: A Quiet Place Opens in the Black with $50 million
April 8th, 2018
If it weren’t for Black Panther, A Quiet Place would be the biggest surprise hit of the year so far. The film earned $50 million during its opening weekend, on a budget of just $17 million. Its initial ad buy was probably less than $25 million, meaning this film earned more in its opening weekend that its combined budget. However, I assume Paramount Pictures put in at least another $10 million ad buy on Saturday after Friday’s estimates showed up. As for the film’s future, its reviews are close to Award-worthy and it earned a B plus from CinemaScore, which is impressive for a horror film. Additionally, the film saw its score rise on Saturday when compared to Friday, which is not common for a new release. Previews plus the opening day rush usually result in small declines for films aimed at this target audience. It is still a horror film and next week there is big competition and direct competition, so its legs likely won’t be great, but its nearly guaranteed a profit by this time next week.
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2018 Preview: April
April 1st, 2018
Well, March has ended and it was a very disappointing month. Black Panther made more than any of the new releases did. The only potential big hit that didn’t miss expectations was Ready Player One. Because of this, 2018 lost its lead over 2017 and is now over $100 million behind last year’s pace. April is usually a terrible month, because it is a dumping ground, especially late in the month. No studio wants to compete with the first monster hit of the Summer. This year, the first monster hit of the summer, Avengers: Infinity War, opens in April. It will make more during its opening weekend than any other April release will make in total. It might make more opening day than any other April release will make in total. The only film that has a real chance to earn more than $100 million is Rampage, a video game adaptation. Last April, The Fate of the Furious earned more than $1.2 billion worldwide, but “only” earned $225.76 million of that domestically. Infinity War should earn more than that opening weekend. The second biggest hit of last April was Smurfs: The Lost Village and Going in Style, both of which earned $45.02 million. If 2018 doesn’t retake the lead by the end of the month, then 2018 is in trouble at the box office.
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Rampage Trailer
February 15th, 2018
Sci-fi action movie starring Dwayne Johnson and Naomie Harris opens April 20 ... Full Movie Details.
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/04/13 | 1 | $2,360,704 | 465 | $5,077 | $2,360,704 | 1 | |
2018/04/20 | 2 | $1,519,315 | -36% | 294 | $5,168 | $4,837,660 | 2 |
2018/04/27 | 7 | $472,014 | -69% | 250 | $1,888 | $5,887,807 | 3 |
2018/05/04 | 6 | $220,232 | -53% | 222 | $992 | $6,205,739 | 4 |
2018/05/11 | 13 | $103,791 | -53% | 115 | $903 | $6,398,176 | 5 |
2018/05/18 | 21 | $26,487 | -74% | 49 | $541 | $6,420,609 | 6 |
2018/05/25 | 29 | $10,935 | -59% | 25 | $437 | $6,478,194 | 7 |
2018/06/01 | 45 | $4,697 | -57% | 14 | $336 | $6,492,886 | 8 |
2018/06/08 | 44 | $2,568 | -45% | 10 | $257 | $6,526,757 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 4/13/2018 | $896,655 | 0 | 0 | 0 | $2,277,756 | 11/27/2018 |
Australia | 4/13/2018 | $2,360,704 | 465 | 465 | 1444 | $6,600,000 | 6/20/2018 |
Brazil | 4/13/2018 | $2,100,000 | 966 | 966 | 2413 | $6,200,000 | 6/20/2018 |
Bulgaria | 4/13/2018 | $88,030 | 0 | 0 | 0 | $290,789 | 2/26/2019 |
China | 4/12/2018 | $25,177 | 0 | 125943 | 378782 | $159,000,000 | 8/10/2018 |
Czech Republic | 4/13/2018 | $113,046 | 100 | 100 | 215 | $216,420 | 1/1/2019 |
France | 5/4/2018 | $2,200,000 | 473 | 473 | 944 | $6,700,000 | 6/20/2018 |
Germany | 5/10/2018 | $1,495,400 | 485 | 505 | 990 | $3,500,000 | 6/18/2018 |
Hong Kong | 4/19/2018 | $0 | 0 | 0 | 0 | $2,500,000 | 6/14/2018 |
India | 4/13/2018 | $2,500,000 | 1250 | 1250 | 1250 | $5,400,000 | 6/20/2018 |
Indonesia | 4/13/2018 | $3,200,000 | 731 | 731 | 731 | $5,800,000 | 1/1/2019 |
Italy | 4/12/2018 | $1,546,380 | 420 | 420 | 420 | $3,300,000 | 6/15/2018 |
Japan | 5/18/2018 | $1,600,000 | 684 | 684 | 1368 | $4,100,000 | 6/18/2018 |
Lithuania | 4/13/2018 | $32,265 | 140 | 140 | 291 | $83,682 | 5/9/2018 |
Malaysia | 4/13/2018 | $3,600,000 | 596 | 596 | 1110 | $8,100,000 | 6/20/2018 |
Mexico | 4/13/2018 | $4,922,703 | 2831 | 2831 | 5806 | $12,800,000 | 6/20/2018 |
Netherlands | 4/13/2018 | $694,929 | 105 | 106 | 751 | $2,343,705 | 6/11/2018 |
New Zealand | 4/13/2018 | $436,203 | 116 | 116 | 413 | $1,385,198 | 10/19/2022 |
North America | 4/13/2018 | $35,753,093 | 4,101 | 4,115 | 21,557 | $101,028,233 | |
Poland | 5/11/2018 | $179,440 | 0 | 0 | 0 | $423,390 | 1/1/2019 |
Portugal | 4/13/2018 | $242,769 | 77 | 77 | 365 | $770,666 | 6/12/2018 |
Russia (CIS) | 4/13/2018 | $2,936,033 | 1456 | 1532 | 4267 | $6,400,000 | 2/26/2019 |
Slovakia | 4/13/2018 | $79,285 | 71 | 71 | 141 | $142,996 | 5/15/2018 |
South Korea | 4/9/2018 | $4,989,550 | 909 | 909 | 2177 | $11,200,000 | 6/20/2018 |
Spain | 4/13/2018 | $1,348,889 | 306 | 310 | 1355 | $3,400,000 | 6/18/2018 |
Taiwan | 4/12/2018 | $0 | 0 | 0 | 0 | $4,600,000 | 6/18/2018 |
Thailand | 4/13/2018 | $2,300,000 | 615 | 615 | 615 | $4,100,000 | 4/29/2018 |
Turkey | 4/13/2018 | $349,818 | 299 | 300 | 958 | $959,442 | 2/26/2019 |
United Arab Emirates | 4/13/2018 | $2,200,000 | 168 | 168 | 268 | $5,100,000 | 1/1/2019 |
United Kingdom | 4/12/2018 | $5,857,800 | 555 | 566 | 2526 | $12,600,000 | 6/20/2018 |
Vietnam | 4/13/2018 | $1,300,000 | 559 | 559 | 559 | $1,300,000 | 1/1/2019 |
Rest of World | $45,324,940 | ||||||
Worldwide Total | $427,947,217 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Dwayne Johnson | Davis Okoye |
Naomie Harris | Dr. Kate Caldwell |
Supporting Cast
Malin Akerman | Claire Wyden |
Jake Lacy | |
Jeffrey Dean Morgan | Agent Russell |
Joe Manganiello | Burke |
P.J. Byrne | Scientist |
Marley Shelton | Scientist and Astronaut |
Matt Gerald | Zammit |
Breanne Hill | Amy |
Jack Quaid | |
Jason Liles | George |
Will Yun Lee | Agent Park |
Demetrius Grosse | |
Urijah Faber |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Brad Peyton | Director |
Beau Flynn | Producer |
Hiram Garcia | Producer |
Brad Peyton | Producer |
John Rickard | Producer |
Ryan Engle | Screenwriter |
Ryan J. Condal | Screenwriter |
Adam Sztykiel | Screenwriter |
Carlton Cuse | Screenwriter |
Ryan Engle | Story by |
Marcus Viscidi | Executive Producer |
Dwayne Johnson | Executive Producer |
Dany Garcia | Executive Producer |
Jeff Fierson | Executive Producer |
Richard Brener | Executive Producer |
Toby Emmerich | Executive Producer |
Michael Disco | Executive Producer |
Jaron Presant | Director of Photography |
Barry Chusid | Production Designer |
Jim May | Editor |
Bob Ducsay | Editor |
Denis Chamian | Casting Director |
Andrew Lockington | Composer |
Randall Wilkins | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.