Mexico Box Office for Pride and Prejudice and Zombies (2016)
Theatrical Performance (US$) | ||
Mexico Box Office | $373,430 | Details |
Worldwide Box Office | $16,638,300 | Details |
Home Market Performance | ||
North America DVD Sales | $2,908,669 | Details |
North America Blu-ray Sales | $3,460,851 | Details |
Total North America Video Sales | $6,369,520 | |
Further financial details... |
Synopsis
A zombie outbreak has fallen upon the land in Jane Austen’s classic tale of the tangled relationships between lovers from different social classes in 19th century England. Feisty heroine Elizabeth Bennet is a master of martial arts and weaponry and the handsome Mr. Darcy is a fierce zombie killer, yet the epitome of upper class prejudice. As the zombie outbreak intensifies, they must swallow their pride and join forces on the blood-soaked battlefield.
Metrics
Movie Details
Production Budget: | $28,000,000 |
Mexico Releases: | February 5th, 2016 (Wide) |
Video Release: | May 10th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | PG-13 for zombie violence and action, and brief suggestive material. (Rating bulletin 2396 (Cert #49964), 10/21/2015) |
Running Time: | 107 minutes |
Keywords: | Zombies, Romance, 1800s, Set in England, Horror Comedy |
Source: | Based on Fiction Book/Short Story |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Cross Creek Pictures, Lionsgate, Sierra Pictures, QC Entertainment, Allison Shearmur, Handsomecharlie Films, MadRiver Pictures, Head Gear Films |
Production Countries: | United States |
Languages: | English |
Home Market Releases for May 31st, 2016
May 29th, 2016
It's a big week for first-run releases with four such films coming out. However, none of them are top-notch releases. Race is the best, but even then it is only worth a rental. Sadly, none of the limited releases, TV on DVD releases, catalog releases, etc. are really big releases either. Hello, My Name is Doris is a great movie, but it is only coming out on Video on Demand this week. I'm going with Veggie Tales: And Now It's Time for Silly Songs with Larry: The Complete Collection on DVD as the Pick of the Week. It really is a slow week for new releases.
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Theater Averages: Vita Activa has a Spirited Opening with $13,244 / $18,468
April 14th, 2016
Vita Activa: The Spirit of Hannah Arendt was the only film in the $10,000 club with an opening of $13,244 over the weekend in one theater. From Wednesday through Sunday, the film pulled in $18,468.
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Weekend Wrap-Up: Deadpool Assassinates the Competition
February 17th, 2016
Most people thought Deadpool would be a big hit over the weekend. I didn't see a single prediction that said it would be this big. It earned $132.43 million over the three-day weekend, which is more than enough to cover its entire production budget and a healthy chunk of its advertising budget. ... Or at least its initial advertising budget. Needless to say, there is already a sequel in the works. How to be Single had a very solid opening, while Zoolander 2 will need to become a hit on the home market in order to break even. The overall box office rose 150% from last weekend to $239 million over three days. Wow. This weekend last year, Fifty Shades of Grey debuted. Deadpool made almost as much in the four days it was in theaters than Fifty Shades of Grey made in total. It goes without saying that 2016 won the year-over-year comparison. Its 11% difference is impressive. Year-to-date, 2016 has earned $1.44 billion, which is 1.9% more than 2015's running tally at the same stage.
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Weekend Wrap-Up: Broncos Biggest Winners, but Pandas still earn $21.24 million
February 8th, 2016
Super Bowl weekend was not a good weekend at the box office. The competition usually takes its toll at the box office, but this year it was particularly bad. Kung Fu Panda 3 led the way with just $21.24 million, while Hail, Caesar! was the only other film to earn more than $10 million. In fact, the weekend was so bad that Star Wars: The Force Awakens remained in third place during its eighth weekend of release. The overall box office took a massive hit, down 31% to just $95 million. This was 37% lower than the same weekend last year, but miraculously, 2016 maintained its lead over 2015, by the tiniest of margins, $1.34 billion to $1.33 billion. With a difference of 0.5% or $6 million, the lead will likely disappear during the week, but 2016 should get it back when Deadpool debuts this Friday.
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Weekend Estimates: Panda holds off Caesar on Super Bowl weekend
February 7th, 2016
Super Bowl weekend isn’t exactly known for super-sized box office results, and this year will prove to be no exception, with Kung Fu Panda 3 comfortably winning the weekend with $21 million, down 49% from its debut. Hail, Caesar! will land in second place with $11.4 million or so, which is a decent performance from 2,232 theaters, although quite a bit softer than The Ladykillers’ $12.6 million first outing from 1,583 theaters back in 2004, and well behind the kind of numbers posted by True Grit.
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Friday Estimates: Panda Buries Caesar
February 6th, 2016
Kung Fu Panda 3 will easily win the race for top spot at the weekend box office. Not only did it earn first place on Friday with $5.2 million, but of all of the wide releases, it will be among the least affected by Super Bowl Sunday. Unfortunately, this is still a little lower than predicted and it will likely only earn just over $20 million over the weekend. Its worldwide total is closing in on its production budget and it has barely started its international run, so there’s plenty of reason for DreamWorks to be happy, and there’s justification for another installment in the franchise.
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Thursday Night Previews: Hail Storms into Theaters
February 5th, 2016
Hail, Caesar! got off to a relatively good start on Thursday earning $543,000 at 1,815 theaters. This puts it in between the previews for Dirty Grandpa and The 5th Wave, meaning it is on pace for close to $11 million over the weekend. Its positive reviews could help it over $11 million, which would match predictions perfectly.
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Weekend Predictions: Hail, Holdovers!
February 4th, 2016
It's a new month and there are three wide releases trying to score and get February off to a fast start. That's probably not going to happen. Not only do the wide releases have to deal with Kung Fu Panda 3, but it is also Super Bowl Weekend with the Carolina Idontknows Playing the Dever Somethingabouthorses. ... Once the Seattle Seahawks were eliminated, I completely stopped caring about the NFL. The best new release of the week is Hail, Caesar!, which is the only film with a real shot at becoming a midlevel hit. Pride and Prejudice and Zombies started out with mixed reviews, but that might not be a dealbreaker for its target audience. Finally there's The Choice. There are still not enough reviews for a Tomatometer Score and the buzz appears to be getting worse. The SpongeBob Movie: Sponge Out of Water led the way this weekend last year, with more than all three new releases will earn this year.
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2016 Preview: February
February 1st, 2016
As expected, January was dominated by holdovers with Star Wars: The Force Awakens and The Revenant leading the way. That's not to say there were no new releases that did well, as Ride Along 2 and Kung Fu Panda 3 were hits with moviegoers. Looking forward, there is only one film that looks like a sure hit, Deadpool. There's a slim chance it could be a surprise $200 million hit. There's a much better chance it will be the only $100 million hit. Conversely, last February started with a $100 million hit coming out, The SpongeBob Movie: Sponge Out of Water, while there were two other $100 million movies to come out that month, Fifty Shades of Grey and Kingsman: The Secret Service. Looks like 2016 is going to lose in the year-over-year comparison.
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Contest: Seize Your Prizes
January 29th, 2016
There are three wide releases coming out next week and I think Hail, Caesar! is the only one that will be even a midlevel hit. The Choice is the latest from Nicholas Sparks, who used to have a box office winning streak, but that ended a while ago. Meanwhile, Pride and Prejudice and Zombies is a relatively new addition to the wide release schedule, as it was expected to open in limited release not too long ago. It looks like Hail, Caesar! will be the biggest of the three wide releases and because of this, it is the target film in this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for Hail, Caesar!.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of either two movies, one full-season TV on DVD release, or three single-disc kids shows.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/05 | 10 | $167,620 | 0 | $167,620 | 1 | ||
2016/02/12 | 17 | $22,071 | -87% | 171 | $129 | $264,485 | 2 |
2016/02/19 | 13 | $13,365 | -39% | 46 | $291 | $287,146 | 3 |
2016/02/26 | 11 | $30,035 | +125% | 68 | $442 | $323,442 | 4 |
2016/03/04 | 12 | $17,397 | -42% | 47 | $370 | $354,926 | 5 |
2016/03/11 | 13 | $3,430 | -80% | 19 | $181 | $367,316 | 6 |
2016/03/18 | 46 | $235 | -93% | 1 | $235 | $373,430 | 7 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 2/4/2016 | $55,600 | 53 | 53 | 72 | $104,778 | 12/31/2018 |
Aruba | 2/4/2016 | $0 | 0 | 3 | 3 | $3,433 | 12/31/2018 |
Australia | 2/26/2016 | $130,777 | 119 | 119 | 218 | $250,241 | 6/9/2016 |
Belgium | 4/6/2016 | $37,975 | 19 | 19 | 31 | $52,708 | 6/9/2016 |
Brazil | 2/25/2016 | $67,396 | 73 | 73 | 114 | $101,622 | 6/9/2016 |
Bulgaria | 2/5/2016 | $9,168 | 39 | 39 | 74 | $21,626 | 12/31/2018 |
Cambodia | 2/18/2016 | $0 | 0 | 4 | 4 | $15,103 | 12/31/2018 |
Colombia | 2/18/2016 | $62,085 | 82 | 82 | 90 | $87,924 | 12/31/2018 |
Curacao | 2/4/2016 | $314 | 2 | 2 | 4 | $1,539 | 12/31/2018 |
Dominican Republic | 2/4/2016 | $0 | 0 | 11 | 11 | $16,868 | 12/31/2018 |
Ecuador | 2/5/2016 | $19,055 | 30 | 30 | 92 | $105,908 | 12/31/2018 |
Germany | 6/9/2016 | $90,951 | 173 | 173 | 422 | $175,789 | 6/28/2016 |
Hong Kong | 3/10/2016 | $188,340 | 66 | 66 | 93 | $346,624 | 6/9/2016 |
Iraq | 2/11/2016 | $5,747 | 3 | 3 | 4 | $9,080 | 12/31/2018 |
Italy | 2/4/2016 | $319,568 | 201 | 201 | 262 | $499,839 | 6/9/2016 |
Kuwait | 2/11/2016 | $49,085 | 11 | 11 | 13 | $72,046 | 12/31/2018 |
Lebanon | 2/11/2016 | $9,147 | 4 | 4 | 5 | $20,784 | 12/31/2018 |
Malaysia | 2/18/2016 | $240,688 | 98 | 98 | 196 | $474,649 | 6/9/2016 |
Mexico | 2/5/2016 | $167,620 | 0 | 171 | 352 | $373,430 | 6/9/2016 |
Netherlands | 2/18/2016 | $22,296 | 74 | 74 | 74 | $22,296 | 6/9/2016 |
North America | 2/5/2016 | $5,324,240 | 2,931 | 2,931 | 6,460 | $10,907,291 | |
Oman | 2/11/2016 | $16,936 | 8 | 8 | 13 | $25,261 | 12/31/2018 |
Peru | 3/3/2016 | $41,867 | 31 | 31 | 34 | $66,053 | 12/31/2018 |
Philippines | 2/5/2016 | $0 | 0 | 15 | 15 | $132,831 | 12/31/2018 |
Portugal | 3/17/2016 | $24,878 | 31 | 31 | 70 | $60,010 | 6/9/2016 |
Romania | 2/19/2016 | $25,550 | 50 | 50 | 97 | $42,843 | 12/31/2018 |
Russia (CIS) | 2/18/2016 | $219,643 | 615 | 615 | 615 | $532,267 | 12/31/2018 |
Singapore | 2/11/2016 | $76,865 | 14 | 14 | 19 | $157,086 | 6/9/2016 |
South Africa | 4/1/2016 | $22,429 | 30 | 30 | 30 | $22,429 | 6/9/2016 |
South Korea | 5/25/2016 | $30,238 | 137 | 137 | 137 | $64,058 | 9/10/2018 |
Spain | 4/1/2016 | $111,993 | 168 | 168 | 294 | $181,748 | 6/9/2016 |
Suriname | 3/3/2016 | $479 | 1 | 1 | 1 | $479 | 12/31/2018 |
Sweden | 3/4/2016 | $0 | 0 | 18 | 21 | $35,987 | 6/9/2016 |
Thailand | 2/4/2016 | $176,569 | 120 | 120 | 208 | $308,340 | 6/9/2016 |
Trinidad | 3/9/2016 | $3,681 | 6 | 6 | 6 | $3,681 | 12/31/2018 |
Turkey | 2/26/2016 | $32,921 | 106 | 106 | 119 | $54,841 | 12/31/2018 |
Ukraine | 2/18/2016 | $33,431 | 145 | 145 | 145 | $33,431 | 12/31/2018 |
United Arab Emirates | 2/11/2016 | $132,893 | 42 | 42 | 52 | $175,733 | 12/31/2018 |
United Kingdom | 2/12/2016 | $516,836 | 332 | 332 | 604 | $1,035,698 | 6/9/2016 |
Uruguay | 2/4/2016 | $4,054 | 7 | 7 | 12 | $7,351 | 12/31/2018 |
Vietnam | 2/14/2016 | $34,595 | 67 | 67 | 67 | $34,595 | 12/31/2018 |
Worldwide Total | $16,638,300 | 12/31/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Lily James | Elizabeth Bennet |
Sam Riley | Mr. Darcy |
Jack Huston | George Wickham |
Douglas Booth | Mr. Bingley |
Matt Smith | Parson Collins |
Lena Headey | Lady Catherine de Bourgh |
Supporting Cast
Bella Heathcote | Jane Bennet |
Charles Dance | Mr. Bennet |
Ellie Bamber | Lydia Bennet |
Millie Brady | Mary Bennet |
Suki Waterhouse | Kitty Bennet |
Sally Phillips | Mrs. Bennet |
Emma Greenwell | Caroline Bingley |
Eva Bell | Louisa |
Aisling Loftus | Charlotte |
Charlie Anson | Mr. Hurst |
Tom Lorcan | Lt. Denny |
Robert Fyfe | Butler Edwin |
Dan Cohen | Young Soldier |
Nicholas Murchie | Franklin |
Kate Doherty | Mrs. Kenicot |
Pippa Haywood | Mrs. Long |
Bessie Cursons | Lady Anne de Bourgh |
Morfydd Clark | Georgiana |
Dolly Wells | Mrs. Featherstone |
Hermione Corfield | Cassandra |
Pooky Quesnel | Mrs. Phillips |
Janet Henfrey | Dowager |
Richard Braine | Black Suited Man |
Robert Morgan | Mr. Phillips |
Jonathan Oliver | Priest |
Angus Kennedy | Mr. Kingston |
Charlie Ames | Eldest Zombie Boy |
Michael Cole | Sentry 2 |
Nathan Whitfield | Sentry 1 |
Rob Callender | Subordinate Officer |
Euan MacNaughton | Physician |
Rebecca Scott | Penny McGregor |
Dominic Borrelli | Mortician |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Burr Steers | Director |
Burr Steers | Screenwriter |
Seth Grahame-Smith | Based on the novel by |
Jane Austen | Based on the novel by |
Brian Oliver | Producer |
Allison Shearmur | Producer |
Sean McKittrick | Producer |
Natalie Portman | Producer |
Annette Savitch | Producer |
Tyler Thompson | Producer |
Marc Butan | Producer |
Lauren Selig | Executive Producer |
Sue Baden-Powell | Executive Producer |
Compton Ross | Executive Producer |
Phil Hunt | Executive Producer |
Edward H. Hamm, Jr. | Executive Producer |
Aleen Keshishian | Executive Producer |
Nick Meyer | Executive Producer |
Kimberly Fox | Executive Producer |
Remi Adefarasin | Director of Photography |
Dave Warren | Production Designer |
Padraic McKinley | Editor |
Fernando Velazquez | Composer |
Julian Day | Costume Designer |
John Papsidera | Casting Director |
Des Hamilton | Casting Director |
Sue Baden-Powell | Unit Production Manager |
Joan Schneider | Unit Production Manager |
Matthew Penry-Davey | First Assistant Director |
Charlie Reed | Second Assistant Director |
David Borgenicht | Co-Producer |
Stephen Meinen | Co-Producer |
Martyn Zub | Supervising Sound Editor |
John Casali | Sound Mixer |
Matthew Woolley | First Assistant Editor |
Steve Carter | Supervising Art Director |
Will Coubrough | Art Director |
David Doran | Art Director |
Naomi Moore | Set Decorator |
San Davey | Script Supervisor |
Linda Case | Script Supervisor |
Dulcie Scott | Costume Supervisor |
Peta Dunstall | Hairstylist |
Wakana Yoshihara | Make-up and Hair Designer |
Chris Reynolds | Special Effects Supervisor |
Mike March | Special Effects Coordinator |
Michael Barry | Re-recording Mixer |
Martyn Zub | Re-recording Mixer |
Sean Garnhart | Sound Effects Editor |
Heather Gross | Sound Effects Editor |
John Davis | Music Editor |
Laura Katz | Music Supervisor |
James Gibb | Executive Music Producer |
Darren Blumenthal | Executive Music Producer |
Simon Stanley Clamp | Visual Effects Supervisor |
John Bair | Visual Effects Supervisor |
Siddhartha Jayakar | Visual Effects Supervisor |
Courtney Vanderslice Law | Visual Effects Executive Producer |
Vivian Connolly | Visual Effects Executive Producer |
Helene Becourt | Visual Effects Producer |
Renuka Ballal | Visual Effects Producer |
Apoorva Kumar | Visual Effects Producer |
Rishi Rao | Visual Effects Producer |
Ishan Das | Visual Effects Producer |
Sarah Dowland | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.