Portugal Box Office for Playmobil: O Filme (2019)
Theatrical Performance (US$) | ||
Portugal Box Office | $173,961 | Details |
Worldwide Box Office | $16,288,031 | Details |
Home Market Performance | ||
North America DVD Sales | $38,388 | Details |
Total North America Video Sales | $38,388 | |
Further financial details... |
Synopsis
When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of.
Metrics
Movie Details
Production Budget: | $75,000,000 |
Portugal Releases: | October 4th, 2019 (Wide), released as Playmobil: O Filme |
Video Release: | March 3rd, 2020 by Universal Home Entertainment |
MPAA Rating: | PG for action/peril and some language. (Rating bulletin 2607 (Cert #52469), 12/4/2019) |
Running Time: | 99 minutes |
Keywords: | Secret Agent, Kidnap, Living Toys, Missing Person, Rescue |
Source: | Based on Toy |
Genre: | Adventure |
Production Method: | Animation/Live Action |
Creative Type: | Kids Fiction |
Production/Financing Companies: | ON Animation Studios, Pathe, Wild Bunch |
Production Countries: | Canada, France, Germany |
Languages: | English |
Home Market Releases for March 3rd, 2020
March 5th, 2020
It’s a terrible week on the home market with almost no prime new releases. In fact, if there weren’t a couple of late screeners to talk about and several secondary VOD titles, the main list would be very short. The week is so weak that Jojo Rabbit is really the only choice for Pick of the Week, even though it came out about a month ago.
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Weekend Wrap-Up: Jumanji Spreads a Little Christmas Cheer
December 17th, 2019
As expected, Jumanji: The Next Level dominated the competition over the weekend. Fortunately, it did so with a lot more than anticipated, earning $59.25 million. This is more than the rest of the top ten combined. Unfortunately, this happened in part due to the disastrous openings of Black Christmas and Richard Jewell. The overall box office rose dramatically from last weekend earning 31% more at $117 million. More importantly, this was 1.6% higher than the same weekend last year. Granted, that’s a tiny margin, but any win is worth celebrating at this point. Year-to-date, 2019 is still well behind 2018’s pace down 5.7% or $620 million at $10.31 billion to $10.93 billion. That said, if we can chip away at that deficit, then 2019 can at least end on a positive note and save face.
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Theater Averages: Portrait has a Fiery Start
December 12th, 2019
Portrait of a Lady on Fire was the only new release to make an impart on the per theater chart earning an average of $33,672 in two theaters. If we combine this with its early Awards Season success, we can confidently predict a long run in theaters. The only other film in the $10,000 club was 63 Up with an average of $10,313 in two theaters.
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Weekend Wrap-Up: Post-holiday Blues Gets to Frozen II
December 10th, 2019
As expected, the box office collapsed this week, as it always does in a post-holiday weekend. Despite the best efforts of Frozen II and Knives Out, the overall weekend box office fell 50% to $89 million. This is 5.4% higher than the same weekend last year and that’s the more important figure. Year-to-date, 2019 closed ground with 2018, albeit by a tiny margin and this year is still behind last year by 5.9% or $630 million at $10.16 billion to $10.80 billion. It has been a long time since we’ve seen the box office decline by that high of a percentage in one year; however, 2019 is still on pace to be the second highest grossing year of all time and it still has higher ticket sales than 2017 had at this point, so I think we shouldn’t panic over this.
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Weekend Estimates: Frozen Falls, Still Set to Top Predecessor
December 8th, 2019
Frozen II fell both faster than expected, and faster than projections based on Friday’s estimates. However, the film is still managing an estimated $34.67 million over the weekend for a three-week total of $337.59 million. This is enough to push it ahead of Joker and into seventh place on the yearly chart. If this holds up, then it will have an excellent shot at topping the first Frozen’s domestic total, even without the Christmas break coming up. Internationally, the film pulled in $90.2 million in 48 markets for totals of $582.1 million internationally and $919.7 million worldwide. It had no major market openings this weekend, but it is earning an estimated $800,000 in South Africa, which would make it the second biggest opening for an animated film there, behind only Minions. The film has become the biggest animated film in South Korea with $75.5 million. It as also topped its predecessor in Russia ($23.0 million) and Mexico ($21.1 million) and a lot of smaller markets.
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Friday Estimates: Frozen Begins to Thaw, Playmobil Nowhere to be Found
December 7th, 2019
As expected, Frozen II earned first place on the Friday box office chart. However, the film fell further than anticipated, earning $7.84 million—off 77% from last Friday. That was a holiday, so obviously it will bounce back over the rest of the weekend, but projections have the film earning about $36 million compared to our $38 million prediction. This is close enough that I’m satisfied with the result and it is more than enough to keep it in wide release until after the new year.
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Weekend Predictions: December Will Start on a Chilly Note
December 5th, 2019
The weekend after Thanksgiving is one of the worst weeks of the year to release a film wide. In fact, many years there are no wide releases. This year, Playmobil gets thrown to the wolves, or to the mercy of Frozen II, to be more specific. I can’t imagine it will survive the competition. In fact, most think the wide expansion of Dark Waters will beat it at the box office and that film isn’t expected to land in the top five. This weekend last year had no wide releases and Frozen II should earn more than last year’s top two films, Ralph Breaks the Internet and The Grinch, earned combined. December should get off to a fast start on the year-over-year competition and hopefully that’s a good omen going forward.
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Weekend Wrap-Up: Thanksgiving Shows 2019 still has some Spark Left
December 2nd, 2019
2019 hasn’t been a great year and has consistently been behind 2018. However, 2018 was the biggest ever year at the box office and 2019 has been in a battle for second place for much of the year. Thanksgiving beat expectations and the overall performances over the Thanksgiving weekend really helped 2019’s chances to secure second place. Frozen II broke records earning first place for its three-day and five-day Thanksgiving weekends. In fact, its three-day weekend haul of $85.98 million would have landed in third place on the all-time five-day chart. Additionally, both new releases, Knives Out and Queen and Slim, topped expectations leading to a robust box office. Granted, the overall box office was a little lower, down 12%, from last weekend at $180 million. This is common for Thanksgiving, as the Wednesday and Thursday holidays are so popular with moviegoers that they reduce the box office potential of the Friday through Sunday weekend. This is 56% higher than the same weekend last year, but this is due to a misalignment in the holidays. This Thanksgiving was 16.5% lower than last year’s Thanksgiving, but the misalignment of the holidays does have an effect there as well, so it isn’t a perfect comparison either. Next weekend will be a lot better when it comes to the year-over-year comparison. Year-to-date, 2019 is still behind 2018 by a large margin, but 2019 was able to close to the gap a bit to 6.0% or $640 million at $10.03 billion to $10.67 billion. Getting that gap lower is the goal for December, as it is virtually impossible that 2019 will catch up completely. I would be really impressed if they can cut that gap in half.
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2019 Preview: December
December 1st, 2019
Frozen II wasn’t the only box office hit to debut in November, but it was by far the largest. It helped save November and kept 2019 from turning completely sour at the last minute. As for December, we have several potential $100 million hits, plus a couple of monster hits. There are some who think Star Wars: The Rise of Skywalker will be the biggest domestic hit released in 2019, but most think it will have to settle for second place. Jumanji: The Next Level should also be a monster hit, even if it doesn’t come really close to its predecessor. As for last December, Aquaman was the undisputed champion, earning almost as much as the next two films combined. Jumanji could top Aquaman at the box office, while we could also have more $100 million films than we had last year. Add in Star Wars and the year should end on a really positive note, making up for the extended slumps we had to deal with through a lot of the year. 2019 won’t be able to close the gap entirely, but it will do enough that we will be able to celebrate.
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PLAYMOBIL Trailer
October 1st, 2019
Animated adventure opens December 6 ... Full Movie Details.
When her younger brother disappears into the colourful and animated world of Playmobil, Marla is forced to abandon her organised and structured life to rescue him. Finding herself on an incredible and unpredictable adventure within this new world, Marla begins to see potential she never dreamed of.
More...
2019 Preview: August
August 1st, 2019
July bounced back from June with both Spider-Man: Far from Home and The Lion King getting to $1 billion worldwide. Domestically, we are still behind 2018’s pace by more than $400 million, but that’s a substantial improvement over where we were at the start of the month. August should continue this winning streak, at least initially. Hobbs and Shaw could open with close to $100 million, but the only other film opening this month that has a real shot at $100 million in total is Dora and the Lost City of Gold. Last August, both Crazy Rich Asians and The Meg topped $100 million, while Christopher Robin came within 1% of that milestone. This August might be better at the very top, but I don’t think the top three this month will top the top three last month. Maybe if we get a surprise hit, it will, but I’m not willing to bet on that. On the other hand, unless something dramatic happens, 2019 should at least come close to matching last year’s pace and that’s better than most months have done this year.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/04 | 5 | $60,718 | 74 | $821 | $60,718 | 1 | |
2019/10/11 | 5 | $58,377 | -4% | 76 | $768 | $126,229 | 2 |
2019/10/18 | 8 | $21,458 | -63% | 53 | $405 | $156,447 | 3 |
2019/10/25 | 14 | $7,769 | -64% | 26 | $299 | $165,032 | 4 |
2019/11/01 | 23 | $3,502 | -55% | 10 | $350 | $171,076 | 5 |
2019/11/08 | 32 | $660 | -81% | 8 | $83 | $170,163 | 6 |
2019/11/15 | - | $750 | +14% | 7 | $107 | $171,605 | 7 |
2019/11/22 | - | $192 | -74% | 4 | $48 | $181,845 | 8 |
2019/11/29 | - | $146 | -24% | 3 | $49 | $181,991 | 9 |
2019/12/06 | - | $52 | -64% | 2 | $26 | $182,043 | 10 |
2019/12/13 | - | $19 | -63% | 1 | $19 | $182,062 | 11 |
2020/01/17 | - | $145 | 1 | $145 | $173,961 | 16 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 10/10/2019 | $64,825 | 162 | 162 | 265 | $115,940 | 12/20/2019 |
Australia | 12/13/2019 | $82,813 | 207 | 207 | 567 | $366,164 | 3/2/2020 |
Austria | 8/30/2019 | $57,705 | 122 | 122 | 402 | $241,983 | 10/10/2019 |
Bahrain | 9/5/2019 | $6,041 | 9 | 9 | 9 | $11,433 | 9/19/2019 |
Belgium | 8/7/2019 | $0 | 0 | 84 | 435 | $615,278 | 11/21/2019 |
Bolivia | 8/8/2019 | $0 | 0 | 15 | 16 | $17,169 | 9/2/2019 |
Brazil | 12/20/2019 | $193,539 | 106 | 259 | 420 | $787,655 | 2/14/2020 |
Bulgaria | 9/20/2019 | $12,308 | 0 | 3 | 6 | $34,841 | 11/15/2019 |
Cambodia | 9/14/2019 | $3,350 | 16 | 16 | 16 | $6,030 | 10/10/2019 |
Chile | 1/30/2020 | $24,046 | 56 | 56 | 71 | $43,359 | 2/21/2020 |
Colombia | 11/7/2019 | $34,445 | 128 | 128 | 156 | $71,367 | 12/20/2019 |
Costa Rica | 8/22/2019 | $3,629 | 16 | 16 | 21 | $4,822 | 9/5/2019 |
Croatia | 2/27/2020 | $3,410 | 20 | 20 | 20 | $4,838 | 3/12/2020 |
Cyprus | 2/6/2020 | $5,601 | 8 | 8 | 15 | $7,860 | 2/21/2020 |
Czech Republic | 9/20/2019 | $2,277 | 18 | 121 | 262 | $45,828 | 10/19/2022 |
Dominican Republic | 9/5/2019 | $84 | 4 | 4 | 4 | $1,238 | 9/26/2019 |
Ecuador | 10/4/2019 | $12,484 | 33 | 33 | 97 | $26,642 | 11/15/2019 |
Egypt | 9/4/2019 | $2,191 | 8 | 8 | 9 | $2,884 | 9/19/2019 |
El Salvador | 8/22/2019 | $1,332 | 7 | 7 | 9 | $1,880 | 9/5/2019 |
Estonia | 10/25/2019 | $35,474 | 23 | 23 | 56 | $53,026 | 11/29/2019 |
Finland | 9/27/2019 | $31,724 | 93 | 93 | 202 | $74,050 | 10/30/2019 |
France | 8/9/2019 | $963,910 | 604 | 683 | 2923 | $2,627,246 | 9/26/2019 |
Germany | 8/29/2019 | $425,102 | 820 | 820 | 3890 | $1,776,507 | 12/5/2019 |
Greece | 12/19/2019 | $0 | 0 | 37 | 91 | $488,909 | 3/6/2020 |
Guatemala | 8/22/2019 | $2,306 | 9 | 9 | 12 | $3,049 | 9/5/2019 |
Honduras | 8/22/2019 | $691 | 13 | 13 | 15 | $1,507 | 9/12/2019 |
Hungary | 9/26/2019 | $31,052 | 65 | 65 | 221 | $96,812 | 10/19/2022 |
Iceland | 9/13/2019 | $16,234 | 0 | 0 | 0 | $50,267 | 11/21/2019 |
Indonesia | 8/30/2019 | $50,651 | 0 | 0 | 0 | $50,651 | 9/5/2019 |
Iraq | 9/5/2019 | $187 | 2 | 2 | 2 | $353 | 9/19/2019 |
Israel | 8/8/2019 | $0 | 0 | 30 | 128 | $365,682 | 10/19/2022 |
Italy | 12/31/2019 | $294,002 | 0 | 44 | 75 | $670,378 | 10/19/2022 |
Jordan | 9/5/2019 | $539 | 4 | 4 | 4 | $1,573 | 9/19/2019 |
Kuwait | 9/5/2019 | $20,100 | 14 | 14 | 16 | $27,053 | 9/19/2019 |
Laos | 8/28/2019 | $500 | 0 | 0 | 0 | $780 | 10/30/2019 |
Latvia | 10/25/2019 | $19,133 | 15 | 15 | 36 | $27,989 | 11/21/2019 |
Lebanon | 9/5/2019 | $5,342 | 13 | 13 | 19 | $10,166 | 10/10/2019 |
Lithuania | 10/25/2019 | $1,867 | 5 | 14 | 50 | $53,204 | 6/16/2021 |
Malaysia | 9/12/2019 | $28,060 | 54 | 54 | 54 | $61,732 | 10/10/2019 |
Mexico | 8/16/2019 | $393,721 | 0 | 379 | 546 | $1,008,952 | 10/19/2022 |
Netherlands | 8/9/2019 | $111,469 | 133 | 133 | 667 | $572,122 | 10/10/2019 |
New Zealand | 12/12/2019 | $11,255 | 59 | 59 | 152 | $42,455 | 10/19/2022 |
Nicaragua | 8/22/2019 | $787 | 5 | 5 | 5 | $787 | 9/2/2019 |
North America | 12/6/2019 | $656,530 | 2,337 | 2,337 | 3,911 | $1,115,008 | |
Oman | 9/5/2019 | $7,097 | 12 | 12 | 14 | $10,139 | 9/19/2019 |
Panama | 8/22/2019 | $2,598 | 6 | 6 | 6 | $2,598 | 9/2/2019 |
Paraguay | 9/12/2019 | $1,720 | 11 | 11 | 14 | $3,276 | 10/3/2019 |
Peru | 12/5/2019 | $29,489 | 77 | 77 | 91 | $49,626 | 12/20/2019 |
Philippines | 9/4/2019 | $18,892 | 143 | 143 | 143 | $18,892 | 9/12/2019 |
Poland | 8/23/2019 | $132,864 | 278 | 278 | 613 | $674,799 | 10/19/2022 |
Portugal | 10/4/2019 | $60,718 | 74 | 76 | 265 | $173,961 | 10/19/2022 |
Qatar | 9/5/2019 | $16,334 | 15 | 15 | 19 | $23,432 | 10/10/2019 |
Romania | 9/27/2019 | $26,893 | 79 | 79 | 215 | $60,454 | 12/10/2019 |
Russia (CIS) | 1/30/2020 | $131,935 | 1186 | 1186 | 2230 | $213,995 | 10/19/2022 |
Serbia and Montenegro | 12/5/2019 | $0 | 0 | 0 | 0 | $16,996 | 1/10/2020 |
Singapore | 8/29/2019 | $6,002 | 15 | 15 | 42 | $18,375 | 10/30/2019 |
Slovakia | 8/23/2019 | $4,013 | 25 | 73 | 178 | $57,545 | 10/30/2019 |
Slovenia | 12/5/2019 | $3,578 | 20 | 20 | 50 | $10,684 | 1/10/2020 |
South Africa | 8/16/2019 | $24,544 | 87 | 102 | 228 | $64,338 | 9/19/2019 |
South Korea | 9/11/2019 | $85,120 | 246 | 246 | 296 | $189,910 | 10/16/2019 |
Spain | 8/30/2019 | $225,651 | 285 | 285 | 1461 | $1,051,580 | 12/20/2019 |
Sweden | 9/20/2019 | $31,726 | 150 | 150 | 334 | $68,254 | 10/25/2019 |
Switzerland (French Speaking) | 8/7/2019 | $0 | 0 | 20 | 72 | $78,182 | 10/18/2019 |
Switzerland (German Speaking) | 8/7/2019 | $0 | 0 | 68 | 164 | $120,516 | 10/18/2019 |
Thailand | 8/29/2019 | $21,388 | 82 | 82 | 82 | $47,053 | 10/30/2019 |
Ukraine | 1/30/2020 | $35,317 | 194 | 194 | 346 | $51,300 | 2/27/2020 |
United Arab Emirates | 9/5/2019 | $54,529 | 54 | 54 | 76 | $78,637 | 10/10/2019 |
United Kingdom | 8/9/2019 | $454,738 | 519 | 519 | 2641 | $1,580,510 | 12/20/2019 |
Uruguay | 9/12/2019 | $1,894 | 14 | 14 | 29 | $10,412 | 10/3/2019 |
Venezuela | 8/30/2019 | $8,075 | 23 | 23 | 48 | $25,098 | 10/3/2019 |
Worldwide Total | $16,288,031 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Lino Disalvo | Robotitron |
Anya Taylor-Joy | Marla |
Jim Gaffigan | Del |
Gabriel Bateman | Charlie |
Adam Lambert | Emperor Maximus |
Kenan Thompson | Bloodbones |
Meghan Trainor | Fairy Godmother |
Daniel Radcliffe | Rex Dasher |
Supporting Cast
Wendi McLendon-Covey | Glinara |
Karen Strassman | Voice |
Ben Diskin | Seadog |
Keith Silverstein | Voice |
Kirk Thornton | Ook-Ook |
Cindy Robinson | Nola |
Christopher Corey Smith | Western Outlaw |
Wilson Gonzalez Ochsenknecht | Yellow Viking |
Ian James Corlett | Dogsled Driver |
Ryan S. Hill | Charlie (6 yrs old) |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Lino Disalvo | Director |
Greg Erb | Screenwriter |
Jason Oremland | Screenwriter |
Blaise Hemingway | Screenwriter |
Lino Disalvo | Story by |
Aton Soumache | Producer |
Dimitri Rassam | Producer |
Axel Von Maydell | Producer |
Alexis Vonarb | Producer |
Timothy Burrill | Producer |
Moritz Borman | Producer |
Bin Wu | Producer |
Emmanuel Jacomet | Executive Producer |
Lino Disalvo | Executive Producer |
Tito Ortiz | Executive Producer |
Greg Erb | Executive Producer |
Jason Oremland | Executive Producer |
Bahman Naraghi | Executive Producer |
Dan Mintz | Executive Producer |
Remi Salmon | Production Designer |
Maurissa Horwitz | Editor |
Heitor Pereira | Composer |
Andre Turpin | Director of Photography |