United Kingdom Box Office for Peggy Guggenheim: Art Addict (2015)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $135,835 | Details |
| Worldwide Box Office | $984,468 | Details |
| Further financial details... | ||
Synopsis
A colorful character who was not only ahead of her time but helped to define it, Peggy Guggenheim was an heiress to her family fortune who became a central figure in the modern art movement. As she moved through the cultural upheaval of the 20th century, she collected not only art, but artists. Her colorful personal history included such figures as Samuel Beckett, Max Ernst, Jackson Pollock, Alexander Calder, Marcel Duchamp as well as countless others. While fighting through personal tragedy, she maintained her vision to build one of the most important collections of modern art, now enshrined in her Venetian palazzo.
Metrics
Movie Details
| United Kingdom Releases: | December 11th, 2015 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 95 minutes |
| Keywords: | Set in Paris, Set in New York, Set in London, 1920s, Painter, Collectors and Collectables |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Dakota Group, Fischio Films, Submarine Entertainment |
| Production Countries: | United States |
| Languages: | English |
Per Theater Chart: Spotlight Shines Bright
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
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Weekend Estimates: Spectre Misses Record, Peanuts Opens Strong
November 8th, 2015
After a great night on Thursday and a very good day on Friday, Spectre has faded a bit over the weekend. After posting $28 million on Friday, the film was down about 4% on Saturday to $26.5 million, and Sony is projecting a weekend total of $73 million. Even that number may be a shade high, and it falls well behind the $80 million that looked on the cards earlier in the weekend, and even further behind Skyfall’s franchise-record $88.4 million opening. While by any measure it’s a great debut, the final number does prompt the question: what went wrong over the weekend?
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2015/12/11 | - | $34,445 | 17 | $2,026 | $34,445 | 1 | |
| 2015/12/18 | 27 | $11,911 | -65% | 11 | $1,083 | $73,175 | 2 |
| 2015/12/25 | 30 | $3,583 | -70% | 6 | $597 | $86,769 | 3 |
| 2016/01/01 | 39 | $2,746 | -23% | 2 | $1,373 | $100,090 | 4 |
| 2016/01/08 | 38 | $4,744 | +73% | 4 | $1,186 | $109,508 | 5 |
| 2016/01/15 | 45 | $2,831 | -40% | 5 | $566 | $116,353 | 6 |
| 2016/01/22 | 49 | $1,246 | -56% | 2 | $623 | $122,900 | 7 |
| 2016/01/29 | 57 | $1,895 | +52% | 33 | $57 | $127,932 | 8 |
| 2016/02/05 | 43 | $1,577 | -17% | 1 | $1,577 | $132,979 | 9 |
| 2016/02/12 | 83 | $162 | -90% | 1 | $162 | $135,555 | 10 |
| 2016/02/19 | 73 | $929 | +473% | 1 | $929 | $135,835 | 11 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 12/25/2015 | $11,777 | 4 | 6 | 53 | $179,364 | 6/9/2016 |
| France | 7/28/2017 | $51,985 | 0 | 0 | 0 | $51,985 | 6/27/2018 |
| New Zealand | 2/26/2016 | $7,326 | 6 | 9 | 50 | $81,288 | 8/5/2024 |
| North America | 11/6/2015 | $22,258 | 2 | 25 | 145 | $498,428 | 5/11/2017 |
| South Korea | 2/2/2017 | $0 | 0 | 14 | 32 | $37,568 | 4/19/2017 |
| United Kingdom | 12/11/2015 | $34,445 | 17 | 33 | 83 | $135,835 | 6/9/2016 |
| Worldwide Total | $984,468 | 8/5/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Peggy Guggenhei | Herself |
Interviewee(s)
| Marina Abramovic | Herself |
| Jean Arp | Himself |
| Dore Ashton | Herself |
| Stephanie Barron | Herself |
| Samuel Beckett | Himself |
| Constantin Brancusi | Himself |
| Alexander Calder | Himself |
| Joseph Cornell | Himself |
| Salvador Dalí | Himself |
| Jeffrey Deitch | Himself |
| Willem De Kooning | Himself |
| Robert De Niro | Himself |
| Simon de Pury | Himself |
| Marcel Duchamp | Himself |
| Max Ernst | Himself |
| Larry Gagosian | Himself |
| Alberto Giacometti | Himself |
| Arne Glimcher | Himself |
| Nicky Haslam | Himself |
| Vasily Kandinsky | Himself |
| Donald Kuspit | Himself |
| Fernand Leger | Himself |
| Dominique Levy | Herself |
| Carlo McCormick | Himself |
| Joan Miro | Herself |
| Piet Mondrian | Himself |
| Robert Motherwell | Himself |
| Hans Ulrich Obrist | Himself |
| Jackson Pollock | Himself |
| Sir John Richardson | Himself |
| Mark Rothko | Himself |
| Mercedes Ruehl | Herself |
| Yves Tanguy | Himself |
| Calvin Tomkins | Himself |
| Jacqueline B. Weld | Herself |
| Edmund White | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Lisa Immordino Vreeland | Director |
| Lisa Immordino Vreeland | Producer |
| Stanley Buchthal | Producer |
| David Koh | Producer |
| Dan Braun | Producer |
| Maja Hoffmann | Executive Producer |
| Josh Braun | Executive Producer |
| Bob Benton | Executive Producer |
| John Northrup | Co-Producer |
| Bernadine Colish | Editor |
| Jed Parker | Editor |
| Peter Trilling | Director of Photography |
| Bonnie Greenberg | Executive Music Producer |
| Steve Argila | Composer |