New Zealand Box Office for Pavarotti (2019)
-(2019).jpg)
| Theatrical Performance (US$) | ||
| New Zealand Box Office | $398,320 | Details |
| Worldwide Box Office | $8,569,065 | Details |
| Further financial details... | ||
Synopsis
A documentary about Luciano Pavarotti featuring memorable performances, including classic songs from Pavarotti’s Three Tenors days and previously unseen footage.
Metrics
Movie Details
| New Zealand Releases: | June 13th, 2019 (Wide) |
| Video Release: | September 24th, 2019 by Lionsgate Home Entertainment |
| MPAA Rating: | PG-13 for brief strong language and a war related image. (Rating bulletin 2569 (Cert #52091), 3/13/2019) |
| Running Time: | 170 minutes |
| Keywords: | Biographical Documentary, Opera, Musicians, Biography, Archive Footage |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Imagine Entertainment, Polygram Pictures, CBS Films, Brian Grazer Productions, White Horse Pictures |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Home Market Releases for September 24th, 2019
September 26th, 2019
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It is a horrible week on the home market, at least from my perspective. There are no monster hits to talk about, but a flood of middling releases that I can’t really ignore. The biggest first-run release of the week is Yesterday and it is the closest we have to a Pick of the Week contender on this week’s list. That is if you don’t count Crawl and Midsommar, which are hitting VOD this week.
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Theater Averages: Lion King Can’t Be Dethroned
July 31st, 2019
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The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228.
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Theater Averages: Endgame Bids Farewell to One of Its Records
July 18th, 2019
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The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
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Theater Averages: Quiet Weekend
June 27th, 2019
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There weren’t many new releases to talk about, but a surprising percentage of them landed in the $10,000 club. This includes the overall box office champ, Toy Story 4, which opened with an average of $26,428. Wild Rose was the best of the limited releases earning an average of $13,235 in four theaters, while Toni Morrison: The Pieces I Am was right behind with an average of $12,013, also in four theaters.
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Theater Averages: Late Night Gets Off to an Early Start
June 13th, 2019
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2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229.
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Limited and VOD Releases: Will it be Good Night for Limited Releases?
June 7th, 2019
Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week.
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Pavarotti Trailer
May 1st, 2019
Documentary on the opera legend directed by Ron Howard opens June 7 ... Full Movie Details.
A documentary about Luciano Pavarotti featuring memorable performances, including classic songs from Pavarotti’s Three Tenors days and previously unseen footage.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2019/08/09 | 22 | $6,168 | 21 | $294 | $392,420 | 9 | |
| 2019/08/16 | 22 | $2,845 | -54% | 12 | $237 | $395,545 | 10 |
| 2019/08/23 | 32 | $1,869 | -34% | 7 | $267 | $396,944 | 11 |
| 2019/08/30 | - | $409 | -78% | 2 | $205 | $392,348 | 12 |
| 2019/09/06 | - | $420 | +3% | 2 | $210 | $402,085 | 13 |
| 2019/09/13 | - | $295 | -30% | 1 | $295 | $399,265 | 14 |
| 2019/09/20 | - | $25 | -92% | 1 | $25 | $391,395 | 15 |
| 2019/10/04 | - | $116 | 1 | $116 | $395,057 | 17 | |
| 2019/10/11 | - | $23 | -80% | 1 | $23 | $397,062 | 18 |
| 2019/10/25 | - | $146 | 1 | $146 | $398,320 | 20 | |
| 2020/01/24 | - | $119 | 1 | $119 | $638 | 33 | |
| 2020/06/12 | - | $10 | 1 | $10 | $322 | 53 | |
| 2020/06/19 | - | $7 | -30% | 1 | $7 | $1,095 | 54 |
| 2020/06/26 | - | $13 | +86% | 1 | $13 | $1,108 | 55 |
| 2021/06/25 | - | $531 | 2 | $266 | $2,212 | 107 | |
| 2021/07/02 | - | $29 | -95% | 1 | $29 | $3,553 | 108 |
| 2021/07/09 | - | $265 | +814% | 1 | $265 | $3,807 | 109 |
| 2021/07/30 | - | $345 | 1 | $345 | $4,151 | 112 | |
| 2021/08/06 | - | $958 | +178% | 2 | $479 | $5,600 | 113 |
| 2021/08/13 | - | $537 | -44% | 1 | $537 | $6,162 | 114 |
| 2021/09/24 | - | $185 | 2 | $93 | $6,763 | 120 | |
| 2021/10/01 | - | $208 | +12% | 2 | $104 | $6,903 | 121 |
| 2021/10/22 | - | $413 | 2 | $207 | $7,649 | 124 | |
| 2021/10/29 | - | $535 | +30% | 2 | $268 | $8,205 | 125 |
| 2021/11/05 | - | $45 | -92% | 2 | $23 | $8,290 | 126 |
| 2021/11/26 | - | $143 | 2 | $72 | $8,129 | 129 | |
| 2021/12/03 | - | $515 | +260% | 2 | $258 | $8,558 | 130 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 10/25/2019 | $112,083 | 86 | 86 | 429 | $758,651 | 10/20/2022 |
| Germany | 11/29/2019 | $0 | 0 | 102 | 102 | $12,934 | 1/3/2020 |
| Italy | 11/1/2019 | $5,119 | 2 | 2 | 2 | $296,105 | 11/10/2019 |
| Lithuania | 7/26/2019 | $4,415 | 51 | 51 | 69 | $20,111 | 1/8/2020 |
| Netherlands | 10/4/2019 | $40,365 | 46 | 46 | 258 | $205,516 | 10/19/2022 |
| New Zealand | 6/13/2019 | $0 | 0 | 21 | 75 | $398,320 | 12/6/2021 |
| North America | 6/7/2019 | $144,032 | 48 | 288 | 1,410 | $4,686,402 | 1/7/2022 |
| Poland | 8/2/2019 | $110,087 | 114 | 114 | 228 | $295,236 | 10/19/2022 |
| Portugal | 6/21/2019 | $0 | 0 | 3 | 16 | $52,330 | 10/19/2022 |
| Russia (CIS) | 7/26/2019 | $20,622 | 158 | 158 | 257 | $53,425 | 10/19/2022 |
| Slovakia | 7/5/2019 | $6,502 | 47 | 47 | 68 | $22,027 | 7/24/2019 |
| Slovenia | 9/27/2019 | $4,096 | 9 | 9 | 21 | $22,493 | 11/6/2019 |
| South Korea | 1/1/2020 | $59,018 | 85 | 85 | 231 | $316,866 | 2/13/2020 |
| Spain | 1/10/2020 | $138,499 | 128 | 128 | 176 | $295,019 | 1/23/2020 |
| Turkey | 11/8/2019 | $3,253 | 17 | 17 | 31 | $9,189 | 10/19/2022 |
| United Kingdom | 7/13/2019 | $0 | 0 | 48 | 175 | $885,078 | 10/9/2019 |
| Rest of World | $239,363 | ||||||
| Worldwide Total | $8,569,065 | 10/20/2022 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Luciano Pavarotti | Himself |
Interviewee(s)
| Andrea Griminelli | Himself |
| Nicoletta Mantovani | Herself |
| Placido Domingo | Himself |
| Angela Gheorghiu | Herself |
| Carol Vaness | Herself |
| Vittorio Grigolo | Himself |
| Madelyn Renee | Herself |
| Zubin Mehta | Himself |
| Lorenza Pavarotti | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ron Howard | Director |
| Ron Howard | Producer |
| Nigel Sinclair | Producer |
| Brian Grazer | Producer |
| Michael Rosenberg | Producer |
| Jeanne Elfant Festa | Producer |
| Paul Crowder | Editor |
| Mark Monroe | Screenwriter |
| David Blackman | Executive Producer |
| Dickon Stainer | Executive Producer |
| Nick Ferrall | Executive Producer |
| Mark McCune | Supervising Producer |