Netherlands Box Office for Overboard (2018)
Theatrical Performance (US$) | ||
Netherlands Box Office | $673,230 | Details |
Worldwide Box Office | $91,244,913 | Details |
Home Market Performance | ||
North America DVD Sales | $3,635,233 | Details |
North America Blu-ray Sales | $2,183,691 | Details |
Total North America Video Sales | $5,818,924 | |
Further financial details... |
Synopsis
Leonardo is a selfish, spoiled, rich playboy from Mexico’s richest family and Kate is a working class single mom of three who is hired to clean Leonardo's luxury yacht. After unjustly firing Kate and refusing to pay her, Leonardo falls overboard when partying too hard and wakes up on the Oregon coast with amnesia. Kate shows up at the hospital and, to get payback, convinces Leonardo he is her husband and puts him to work—for the first time in his life. At first miserable and inept, Leonardo slowly settles in. Eventually he earns the respect of his new “family” and co-workers. But, with Leonardo’s billionaire family hot on their trail and the possibility of his memory returning at any moment, will their new family last, or will Leonardo finally put the clues together and leave them for good?
Metrics
Movie Details
Production Budget: | $12,000,000 |
Netherlands Releases: | May 25th, 2018 (Wide) |
Video Release: | July 10th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for suggestive material, partial nudity and some language. (Rating bulletin 2509 (Cert #51392), 1/10/2018) |
Running Time: | 112 minutes |
Keywords: | Remake, Faulty Memory, Romance, Boss From Hell, Cross-Class Romance, Genderbending Casting, Unexpected Families, Hispanic, Romantic Comedy |
Source: | Remake |
Genre: | Romantic Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Pantelion Films, Metro-Goldwyn-Mayer Pictures, 3Pas Studios |
Production Countries: | United States |
Languages: | English |
Home Market Releases for July 31st, 2018
August 1st, 2018
This is one of the worst weeks on the home market I can remember. There’s nothing here that even remotely looks like a top-notch release, at least on physical medium. This is the week that Avengers: Infinity War hits Video on Demand and it is dominating the home market in that regard and has to be the Pick of the Week. The only other releases that were close are Star Blazers: Space Battleship Yamato 2199 on Blu-ray Combo Pack and Star Wars Rebels: Season Four.
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Home Market Releases for July 17th, 2018
July 18th, 2018
It’s a shallow week in terms of the total number of releases, but a lot of films on this list are worth picking up. Rampage is the biggest and it is worth buying, if you are into popcorn action flicks. There are a lot of other releases that are worth picking up, but not quite Pick of the Week contenders, like Disobedience, The Good Place: Season Two, etc. As for true Pick of the Week contenders, we have a limited selection and I’m going with Isle of Dogs on Blu-ray Combo Pack for that title.
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Home Market Releases for July 10th, 2018
July 10th, 2018
It’s still summer and that means the home market is still terrible. There are less than a dozen new releases on disc on this week’s list, and a lot of them feel like filler. Half of them wouldn’t make the list during a moderately busy week. Only one of them, A Quiet Place, truly stands out and the Blu-ray Combo Pack is easily the Pick of the Week. It’s not the only release worth picking up, as both Lean on Pete on Blu-ray and The Magicians: Season Three are worth picking up.
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International Box Office: Avengers Win War in China with over $200 million
May 15th, 2018
Avengers: Infinity War became the second fastest film to opened in China earning $190.68 million over the weekend for a total opening of $200.02 million, including previews. This is the highest ever opening in terms of American currency. In local currency, The Fate of the Furious still holds the record at RMB1.352 billion to RMB1.266 billion. Overall, Infinity War earned $281.3 million in 55 markets for totals of $1.059 billion internationally and $1.607 billion worldwide. It became the first film in the MCU to reach $1 billion internationally and it is already the highest grossing film in the franchise worldwide. It is in fifth place on the all-time international chart and will be in third place by this time next week. Meanwhile, it is also in fifth place on the worldwide chart and is aiming for third place there as well, although it will take a little while longer to get there.
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Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians
May 15th, 2018
The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion.
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Friday Estimates: Infinity War Breaks up the Party
May 12th, 2018
Avengers: Infinity War was on the high end of expectations on Friday with $16.00 million during its 15th day of release. This puts it on pace for $62 million during its third weekend of release for a running tally of $548 million. It became the second fastest film to reach $500 million domestically, getting there a day faster than The Last Jedi did. The film also debuted in China earning $60.73 million on Friday, $70.06 million including previews. Only Monster Hunt 2 and The Fate of the Furious had faster starts.
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Weekend Predictions: Infinity War Looks to Complete the Threepeat
May 10th, 2018
Avengers: Infinity War will have no trouble earning first place for the third time at the box office chart. It’s only competition is the sophomore stint of Guardians of the Galaxy Vol 2, which earned $65 million this weekend last year. Hopefully Infinity War will come within $10 million of that. As for the new releases, Life of the Party should earn more than all three new releases earned last weekend, while Breaking In is on track for an opening in the low to mid teens. If all three films can meet these expectations, then 2018 will have a shot at winning in the year-over-year comparison.
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Weekend Wrap-Up: Infinity Tops Charts, can’t Quite Match Guardians Debut
May 8th, 2018
It was a relatively good weekend at the box office with every film in the top five matching or beating expectations. This includes Avengers: Infinity War, which had the second best second weekend of all time, earning $114.77 million. Overall, the box office fell 46% from last weekend, but $169 million is still a good total. It is 13% lower than the same weekend last year, but it had to go up against Guardians of the Galaxy Vol 2 opening weekend, so being this close is actually a positive result. Year-to-date, 2018 has pulled in $4.05 billion, which is 5.6% or $220 million higher than last year’s pace.
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Friday Estimates: Infinity War Just a Day Away from $400 million
May 5th, 2018
Infinity War dominated the Friday box office chart with $31.43 million for an 8-day total of $369.76 million. The only film with a faster pace than Infinity War is The Force Awakens. Granted, this is down just over 70% from the film’s opening Friday, but it is 9% ahead of Black Panther’s second Friday. If this film has the same internal multiplier, then it will pull in $122 million over the full weekend. That’s a little too bullish for my tastes, but $120 million is still fantastic for a sophomore stint.
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Thursday Night Previews: Overboard Overtakes Latin Lover (Plus Infinity War Update)
May 4th, 2018
Overboard opened with $675,000 during its previews last night. This is 50% higher than the $450,000 How to Be a Latin Lover managed during its previews. However, that film earned better reviews than Overboard is earning, so it likely won’t have as good legs. It should still top our $12 million prediction, barely. $13 million to $14 million is now more likely.
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Weekend Predictions: How Badly will Infinity War Beat the New Releases?
May 3rd, 2018
Last weekend, Infinity War destroyed the weekend record. This weekend, there are three new releases that are just hoping to not get embarrassed. Overboard is the biggest film in terms of buzz, but the buzz isn’t good, to be kind. Tully is the smallest film in terms of theater count, but its reviews are stellar and it has a shot at the top five. Bad Samaritan’s early reviews, are good, but its buzz is so quiet that it will likely bomb in theaters. This weekend last year, Guardians of the Galaxy Vol 2 opened with $146.51 million. There’s almost no chance 2018 will match last year’s performance. Thanks to Infinity War’s record-breaking opening, 2018 should be relatively close.
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2018 Preview: May
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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Overboard Trailer
April 2nd, 2018
Romantic comedy starring Eugenio Derbez and Anna Faris opens May 4 ... Full Movie Details.
Leonardo is a selfish, spoiled, rich playboy from Mexico’s richest family and Kate is a working class single mom of three who is hired to clean Leonardo's luxury yacht. After unjustly firing Kate and refusing to pay her, Leonardo falls overboard when partying too hard and wakes up on the Oregon coast with amnesia. Kate shows up at the hospital and, to get payback, convinces Leonardo he is her husband and puts him to work—for the first time in his life. At first miserable and inept, Leonardo slowly settles in. Eventually he earns the respect of his new “family” and co-workers. But, with Leonardo’s billionaire family hot on their trail and the possibility of his memory returning at any moment, will their new family last, or will Leonardo finally put the clues together and leave them for good?
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/25 | 5 | $109,281 | 77 | $1,419 | $173,290 | 1 | |
2018/06/01 | 5 | $137,628 | +26% | 78 | $1,764 | $359,047 | 2 |
2018/06/08 | 7 | $90,061 | -35% | 77 | $1,170 | $492,506 | 3 |
2018/06/15 | 8 | $78,053 | -13% | 77 | $1,014 | $592,272 | 4 |
2018/06/22 | 12 | $40,080 | -49% | 59 | $679 | $655,368 | 5 |
2018/06/29 | 24 | $5,970 | -85% | 25 | $239 | $674,257 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 7/13/2018 | $41,166 | 33 | 33 | 67 | $78,988 | 8/9/2018 |
Bulgaria | 5/11/2018 | $23,820 | 0 | 0 | 0 | $118,909 | 2/26/2019 |
Czech Republic | 7/6/2018 | $41,248 | 61 | 61 | 130 | $138,968 | 1/1/2019 |
Germany | 6/15/2018 | $0 | 0 | 0 | 0 | $266,596 | 7/27/2018 |
Italy | 7/19/2018 | $78,285 | 0 | 0 | 0 | $78,285 | 7/23/2018 |
Mexico | 5/11/2018 | $8,397,625 | 0 | 0 | 0 | $26,170,476 | 7/27/2018 |
Netherlands | 5/25/2018 | $109,281 | 77 | 78 | 393 | $673,230 | 7/27/2018 |
New Zealand | 7/27/2018 | $7,053 | 12 | 12 | 20 | $11,517 | 8/9/2018 |
North America | 5/4/2018 | $14,711,101 | 1,623 | 2,006 | 10,028 | $50,316,123 | 7/24/2020 |
Poland | 6/15/2018 | $0 | 0 | 0 | 0 | $613,713 | 1/1/2019 |
Portugal | 8/10/2018 | $17,167 | 17 | 19 | 40 | $45,220 | 9/11/2018 |
Russia (CIS) | 5/17/2018 | $339,879 | 835 | 835 | 1579 | $673,469 | 2/26/2019 |
Slovakia | 7/6/2018 | $45,394 | 62 | 62 | 145 | $162,518 | 9/7/2018 |
Spain | 7/27/2018 | $70,799 | 104 | 104 | 179 | $161,407 | 8/14/2018 |
United Kingdom | 6/22/2018 | $25,592 | 21 | 21 | 21 | $124,900 | 7/27/2018 |
Rest of World | $11,610,594 | ||||||
Worldwide Total | $91,244,913 | 7/24/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Eugenio Derbez | Leonardo Montenegro |
Anna Faris | Kate |
Supporting Cast
Eva Longoria | Theresa |
John Hannah | Colin |
Mel Rodriguez | Bobby |
Cecilia Suarez | Magdalena |
Swoosie Kurtz | Grace |
Hannah Nordberg | Emily |
Alyvia Alyn Lind | Olivia |
Emily Maddison | Amanda |
Josh Segarra | Jason |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Rob Greenberg | Director |
Bob Fisher | Screenwriter |
Rob Greenberg | Screenwriter |
Leslie Dixon | Screenwriter |
Leslie Dixon | Story by |
Eugenio Derbez | Producer |
Benjamin Odell | Producer |
Bob Fisher | Producer |
Brendan Ferguson | Executive Producer |
Michael Barrett | Director of Photography |
Brent Thomas | Production Designer |
Lee Haxall | Editor |
Lyle Workman | Composer |
Howard Paar | Music Supervisor |
Karin Nosella | Costume Designer |
Deborah Aquila | Casting Director |
Tricia Wood | Casting Director |
Misha Bukowski | First Assistant Director |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.