Brazil Box Office for Need for Speed (2014)
Theatrical Performance (US$) | ||
Brazil Box Office | $3,404,084 | Details |
Worldwide Box Office | $194,169,619 | Details |
Home Market Performance | ||
North America DVD Sales | $6,242,533 | Details |
North America Blu-ray Sales | $4,632,763 | Details |
Total North America Video Sales | $10,875,296 | |
Further financial details... |
Synopsis
Need for Speed captures the thrills of the game in a real-world setting. An exciting return to the great car-culture films of the 1960s and '70s, when authenticity brought a new level of intensity to the action, "Need for Speed" taps into what makes the American myth of the open road so enticing. The story chronicles a near-impossible cross-country race against time-one that begins as a mission for revenge, but proves to be one of redemption. In a last attempt to save his struggling garage, blue-collar mechanic Tobey Marshall-who with his team skillfully builds and races muscle cars on the side-reluctantly partners with wealthy, arrogant ex-NASCAR driver Dino Brewster. Just as a major sale to car broker Julia Bonet looks like it will save the business, a disastrous, unsanctioned race results in Dino framing Tobey for manslaughter.
Metrics
Movie Details
Production Budget: | $66,000,000 |
Brazil Releases: | March 13th, 2014 (Wide) |
Video Release: | August 5th, 2014 by Walt Disney Home Entertainment |
MPAA Rating: | PG-13 for sequences of reckless street racing, disturbing crash scenes, nudity and crude language. (Rating bulletin 2306, 1/22/2014) |
Running Time: | 130 minutes |
Keywords: | 3-D, Street Racing, Life on the Outside, Revenge, Wrongfully Convicted, 3-D - Post-production Conversion, IMAX: DMR |
Source: | Based on Game |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Electronic Arts, Bandito Brothers, Mark Sourian, John Gatins |
Production Countries: | United States |
Languages: | English |
Per Theater Chart: Fade Sharpens into Focus
April 23rd, 2014
Fading Gigolo debuted on top of the per theater chart with an average of $36,160 in five theaters. This is the second best per theater average for a 2014 release behind The Grand Budapest Hotel. Granted, it was well behind that film, but still in second place. Also, given the film's reviews, it won't last very long at the box office. The only other film to reach the $10,000 club was Godzilla: The Original Japanese Version, which celebrated its 60th anniversary with $10,903 in one theater.
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Per Theater Chart: Under Over Everyone Else
April 8th, 2014
Under the Skin opened surprisingly well with a per theater average of $33,289 in four theaters. This is the second best opening per theater average for any film released in 2014, well back of The Grand Budapest Hotel's record-breaking debut. The only other film in the $10,000 club was the overall box office leader, Captain America: The Winter Soldier, which earned an average of $24,130 in nearly 4,000 theaters.
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International Box Office: Winter of Content
April 3rd, 2014
Captain America: The Winter Soldier started its international run a week earlier than its domestic run and it started out really well. It earned first place with $75.2 million in 32 markets. This includes a number of major markets, led by the U.K. with $10.05 million on 535 screens. By comparison, the first Captain America made $14.75 million in the U.K., in total, including a $4.90 million start. It also cracked $10 million in South Korea with $8.89 million on 1,268 screens over the weekend for a total opening of $10.99 million. The first film made $3.81 million in South Korea in total. The Winter Soldier also opened in Mexico, earning $8.60 million on 2,681, which was a little bit above its predecessor opening. It is too soon to tell if it will reach $20 million, like The First Avenger did. The first film made $10.28 million in France in total, while this film opened with $6.06 million on 664 screens. In Germany, the film only managed $3.66 million on 626 screens over the weekend for a total opening of $3.99 million, compared to $4.81 million the original made in total. It had a near identical opening in Italy with $3.60 million on 648 screens over the weekend, for a total opening of $4.06 million. This is close to half of the $8.60 million the first film made in total in that market. On the other hand, the film had to settle for second place in Spain with $2.93 million in 709 screens, which is just a little bit more than the $2.54 million the original opened with. As you can tell, The Winter Soldier topped The First Avenger's opening in every major market. It topped its predecessor's total in one major market. This is an amazing start and with several major markets left ahead of it, an international total of $300 million is a reasonable goal.
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International Box Office: Speed Races Around the World
March 26th, 2014
Need for Speed remained in first place on the international chart with $29.2 million in 55 markets for a two-week total of $96.1 million. This includes $10.5 million over the weekend in China, and $24.22 million for the full week. After two weeks of release, the film has $45.54 million in that one market. The film opened in first place in Germany with $2.91 million on 455 screens over the weekend for a total opening of $3.06 million. The film opens in Spain and France, among other markets, in April, while by the time it debuts in Japan, it might have covered its production budget internationally.
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Weekend Predictions: Divergent Opinions on the New Releases
March 20th, 2014
Another week, another pair of wide releases. That's becoming a common thing to say. It is also a good thing to say, because too many movies tend to hurt all films involved and it is much better to have one big release and the counter-programing film. This week the big release is Divergent, which the studio is hoping will be the start of a new franchise. The box office tracking for the film looks good, even if the reviews do not. The counter-programing this week is Muppets Most Wanted, which is also opening with a saturation level theater count and it looks to do as well as The Muppets did. Last year there was also a strong one-two punch with The Croods topping Olympus has Fallen $43.64 million to $30.37 million. I'm not sure that Muppets Most Wanted will hold up its end of the bargain, but Divergent is poised for an opening of at least $50 million. It looks likes 2014 will again win over 2013.
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International Box Office: Speed Races Around the World
March 20th, 2014
Need for Speed performed a lot better internationally than it did domestically earning first place with $45.6 million in 40 markets. Unfortunately, $21.09 million was earned during its opening weekend in China. I say unfortunately, because studios only get about 20% of the box office haul in that market, compared to 40% in most other international markets and 60% domestically. It also earned first place in Russia with $5.84 million on 1,050 screens and in the U.K., with $3.35 million on 469. The surprise result came in Malaysia where it earned $1.89 million on 184 screens. On the other hand, the film had a trio of third place debuts in Australia ($1.38 million on 457 screens); Brazil ($1.29 on 335); and Italy ($1.07 million on 426). The film opens in Germany this weekend, while it doesn't open in Japan till June. It likely topped its production budget worldwide by Monday, so as long as its legs are not really short, it should break even sometime on the home market.
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Contest: Speed It Up: Winning Announcement
March 19th, 2014
The winner of our Speed It Up contest was determined and it is...
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Weekend Wrap-Up: Peabody and Sherman Travel to the Top
March 18th, 2014
The weekend box office didn't shake out as expected with the new films failing to live up to the low end of predictions. Need for Speed didn't earn first place, in fact, it only managed third place. Tyler Perry's Single Mothers Club barely managed fifth place and was the worst opening for Tyler Perry in his directing career. On the positive side, Mr. Peabody and Sherman held on better than expected allowing it to rise to first place. The overall box office sank compared to last weekend, down 21% to $114 million. This is still above last year's box office total by 6%. Year-to-date, 2014 has pulled in almost $2.00 billion, which is 11% ahead of 2013's pace.
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Weekend Estimates: Peabody Beats Out Action Trio
March 16th, 2014
An over-abundance of action movies this weekend split the market for moviegoers looking for such entertainment, allowing the animated family adventure Mr. Peabody and Sherman to sneak in and win the weekend. Peabody will be down a decent 34% from last weekend at $21.2 million, according to Fox, and will hit $63 million by the end of the weekend. Its legs will take it past 300: Rise of an Empire, which will be down 58% to $19.1 million for the weekend, and $78.4 million after two. Both films will top new release Need for Speed. Disney's debutant will post around $17.8 million for the weekend, a number undoubtedly squeezed by competition with 300 and Non-Stop, which will post $10.6 million in its third weekend, for $68.8 million in total.
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Weekend Predictions: Will 2014 Keep Speeding Along?
March 14th, 2014
Another week, another pair of wide releases. This time around, Need for Speed is competing with Tyler Perry's Single Mothers Club. Neither film is expected to be a huge hit, but Need for Speed has a better chance at earning first place. 300: Rise of an Empire does have a shot at repeating on top, but it could also collapse due to mixed reviews and direct competition. Last year, the box office was led by Oz the Great and Powerful with $41.25 million during its second weekend of release. No single film is going to come close to that figure this weekend. On the other hand, 2014 has better depth than 2013 had, so it could still come out on top.
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Contest: Speed it Up
March 6th, 2014
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), regardless if they go over or not, will win the Snickers' prize pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2014 Preview: March
March 1st, 2014
2014 continued its strong run in February with The Lego Movie beating even the high end expectations and will become the first film released in 2014 to reach $200 million. March doesn't look as strong, as no film is on track to hit $200 million, but there are five films that have a chance at $100 million. Granted, not all of them will get there; in fact, there's a chance only one of them will get there. Divergent is the film I think has the best shot at the century club, but it could be joined by Mr. Peabody and Sherman, for instance, which is earning surprisingly strong reviews. Noah is a big-budget Bible epic and the studio has to be hoping for at least $100 million, but the buzz is quite negative and there have been reports of troubles behind-the-scenes. Last March was led by Oz The Great and Powerful, which pulled in more than $200 million domestically. I don't think any film opening this March will match that figure. In addition, The Croods and G.I. Joe: Retaliation also hit the $100 million milestone, while Olympus Has Fallen came very close. Granted, there were also some big bombs last March, like The Host, but even so, I think 2014 will lose ground in the year-over-year comparison.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 43 | $11 | 15 | $1 | $3,404,084 | 16 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Belgium | 4/16/2014 | $0 | 0 | 3 | 4 | $1,174,473 | 12/15/2015 |
Brazil | 3/13/2014 | $0 | 0 | 15 | 15 | $3,404,084 | 12/15/2015 |
Japan | 6/7/2014 | $0 | 0 | 301 | 301 | $2,098,862 | 12/15/2015 |
North America | 3/14/2014 | $17,844,939 | 3,115 | 3,115 | 12,334 | $43,568,507 | 4/29/2015 |
Rest of World | $143,923,693 | ||||||
Worldwide Total | $194,169,619 | 12/15/2015 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Aaron Paul | Tobey Marshall |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Waugh | Director |
George Gatins | Screenwriter |
George Gatins | Story Creator |
John Gatins | Story Creator |
Electronic Arts | Based on the Video Game Series Created by |
John Gatins | Producer |
Patrick O'Brien | Producer |
Mark Sourian | Producer |
Stuart Besser | Executive Producer |
Scott Waugh | Executive Producer |
Max Leitman | Executive Producer |
Frank Gibeau | Executive Producer |
Patrick Soderlund | Executive Producer |
Tim Moore | Executive Producer |
Shane Hurlbut | Director of Photography |
Jon Hutman | Production Designer |
Paul Rubell | Editor |
Scott Waugh | Editor |
Ellen Mirojnick | Costume Designer |
Nathan Furst | Composer |
Ronna Kress | Casting Director |
Season Kent | Music Supervisor |
Gabe Hilfer | Music Supervisor |
Tim Moore | Unit Production Manager |
Stuart Besser | Unit Production Manager |
Robin Le Chanu | Unit Production Manager |
David Sardi | Assistant Director |
Richard Oswald | Assistant Director |
Noelle Green | Production Supervisor |
Steve Graham | Art Director |
K.C. Fox | Set Decorator |
Michael Svitak | Second Unit Director of Photography |
Gene F. Martin | Sound Mixer |
Ethan Van der Ryn | Supervising Sound Editor |
Tobias Poppe | Supervising Sound Editor |
Erik Aadahl | Supervising Sound Editor |
Ethan Van der Ryn | Sound Designer |
Tobias Poppe | Sound Designer |
Erik Aadahl | Sound Designer |
Rob Webber | Dialogue Editor |
Scott Millan | Re-recording Mixer |
Greg P. Russell | Re-recording Mixer |
Helen Monaghan | Costume Supervisor |
Tarra Day | Make up |
Camille Henderson | Make up |
Geordie Sheffer | Hairstylist |
Jennifer Santiago | Hairstylist |
Lance Gilbert | Stunt Coordinator |
Joe Pancake | Special Effects Supervisor |
Elia P. Popov | Special Effects Coordinator |
Leslee Feldman | Additional Casting |
Hannah D'Angerio | Additional Casting |
Emma Sands-Milsom | Additional Casting |
Tammy Smith | Additional Casting |
Claire Dempsey | Additional Casting |
Thomas Minton | Set Designer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.