United Kingdom Box Office for Matangi / Maya / M.I.A. (2018)
| Theatrical Performance (US$) | ||
| United Kingdom Box Office | $175,391 | Details |
| Worldwide Box Office | $467,363 | Details |
| Further financial details... | ||
Metrics
Movie Details
| United Kingdom Releases: | September 21st, 2018 (Wide), released as Matangi / Maya / M.I.A. |
| MPAA Rating: | Not Rated |
| Running Time: | 96 minutes |
| Keywords: | Artists, Musicians, Archive Footage, Singers, Hip Hop and Rap, South Asian, Set in United Kingdom, Sundance Film Festival 2018 |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Cinereach Films, Hard Working Movies, Doc Society |
| Production Countries: | United Kingdom, United States |
| Languages: | English |
Theater Averages: Free Doesn’t Go Solo
October 3rd, 2018
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Free Solo didn’t quite live up to weekend estimates, but it still overtook Eighth Grade for the best theater average of the year with $72,551. It also surpassed An Inconvenient Truth as the documentary with the best theater average of all time. The Old Man and the Gun was in a distant second place with an average of $28,426 in five theaters, while Matangi/Maya/M.I.A. was close behind with an average of $21,787 in two. The only holdover in the $10,000 club was Colette with an average of $10,172 in 38 theaters. It will continue to expand.
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Weekend Estimates: Night School earns a Passing Grade with $28 million
September 30th, 2018
The weekend box office lived up to expectations, for the most part. Night School is projected to earn $28 million over the weekend, which almost matches its $29 million production budget. It would take tiny legs to fail to cover its production budget, which is unlikely. Granted, its reviews are only 31% positive, but it earned an A minus from CinemaScore, so its target audience liked it a whole lot more than the critics did. Its international start wasn’t great at $5.5 million in 19 markets, but within expectations. It earned second place in the U.K. with $2.02 million in 452 theaters, as well as third place in Australia with $1.20 million on 198.
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Limited and VOD Releases: Old Man and the Limited Release
September 27th, 2018
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Robert Redford’s swan song, The Old Man and the Gun, leads a group of limited releases this week. It should be the biggest hit on this week’s list and could even become an Awards Season contender. Bad Reputation could also open really well, for a documentary.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2018/09/21 | - | $56,357 | 39 | $1,445 | $56,357 | 1 | |
| 2018/09/28 | - | $26,260 | -53% | 58 | $453 | $116,995 | 2 |
| 2018/10/05 | - | $10,338 | -61% | 18 | $574 | $148,618 | 3 |
| 2018/10/12 | - | $2,138 | -79% | 4 | $535 | $164,129 | 4 |
| 2018/10/19 | - | $1,239 | -42% | 2 | $620 | $166,560 | 5 |
| 2018/10/26 | - | $2,187 | +77% | 4 | $547 | $168,919 | 6 |
| 2018/11/09 | - | $688 | 1 | $688 | $174,575 | 8 | |
| 2018/11/16 | - | $510 | -26% | 1 | $510 | $173,886 | 9 |
| 2018/11/23 | - | $735 | +44% | 2 | $368 | $175,391 | 10 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Argentina | 6/28/2019 | $139 | 0 | 0 | 0 | $165 | 7/11/2019 |
| Australia | 1/10/2019 | $8,466 | 3 | 3 | 7 | $60,742 | 1/29/2019 |
| Lithuania | 4/5/2019 | $0 | 0 | 2 | 2 | $257 | 4/16/2019 |
| North America | 9/28/2018 | $43,573 | 2 | 9 | 46 | $230,808 | |
| United Kingdom | 9/21/2018 | $56,357 | 39 | 58 | 129 | $175,391 | 11/28/2018 |
| Worldwide Total | $467,363 | 7/11/2019 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Production and Technical Credits
| Steve Loveridge | Director |