Netherlands Box Office for Luce (2019)
Theatrical Performance (US$) | ||
Netherlands Box Office | $109,280 | Details |
Worldwide Box Office | $2,268,375 | Details |
Home Market Performance | ||
North America DVD Sales | $77,377 | Details |
Total North America Video Sales | $77,377 | |
Further financial details... |
Synopsis
Luce is an all-star high school athlete, top student, and beloved by everyone in the community. When his teacher makes a shocking discovery, Luce’s identity as a model high schooler is called into question, and his adoptive parents are forced to reckon with their idealized image of their son.
Metrics
Movie Details
Netherlands Releases: | November 1st, 2019 (Wide) |
Video Release: | October 29th, 2019 by Universal Home Entertainment |
MPAA Rating: | R for language throughout, sexual content, nudity and some drug use. (Rating bulletin 2585 (Cert #52283), 7/3/2019) |
Running Time: | 109 minutes |
Keywords: | African Americans, Sundance Film Festival 2019 |
Source: | Based on Play |
Genre: | Thriller/Suspense |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Neon Films, Topic , Dream Factory Group, Altona Filmhaus, New Tropics |
Production Countries: | United States |
Languages: | English |
Home Market Releases for October 29th, 2019
October 30th, 2019
It’s a weird week on the home market, as there is not a big new wide release to talk about. However, there are several older releases, imports, etc. that are easily worth picking up and a couple of them are contenders for Pick of the Week. This includes the An American Werewolf in London: Limited Edition Blu-ray and the Godzilla The Showa-Era Films Box Set. Both are absolute must haves, but the latter’s price-tag might scare away some folks.
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Theater Averages: All Gain for Pain
October 10th, 2019
Pain and Glory dominated the theater average earning an average of $40,022 in four theaters. Joker was next with an average of $21,994 in over 4,000 theaters. The final film in the $10,000 Club this weekend was My Country, My People with an average of $13,069 in 67 theaters. That is very impressive and could be a portent of things to come as Chinese films gain a foothold in the domestic market.
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Theater Averages: Miles Davis is too Cool for New Releases
September 5th, 2019
It was an odd week on the theater average chart, as the number one film was a holdover. Miles Davis: Birth of the Cool’s average was down less than 0.2% to $18,222 and it did this while doubling its theater count to 2. This is very impressive and bodes well for its future. The best new release was Ne Zha, which earned an average $17,649 in 66 theaters. Animated films rarely do well in limited release and 66 theaters is a lot for a limited release, so this average is even more impressive than it looks at first glance. Finally, Official Secrets opened with an average of $16,241.
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Luce Trailer
August 13th, 2019
Psychological thriller starring Naomi Watts, Octavia Spencer, Kelvin Harrison Jr and Tim Roth opened August 2 ... Full Movie Details.
Luce is an all-star high school athlete, top student, and beloved by everyone in the community. When his teacher makes a shocking discovery, Luce’s identity as a model high schooler is called into question, and his adoptive parents are forced to reckon with their idealized image of their son.
More...
Theater Averages: Luce and Nightingale Sing a Sweet Song
August 8th, 2019
It was a busy weekend on the theater average chart with five films in the $10,000 club. Luce led the way with an average of $26,597 in five theaters. This bodes well for any future expansion. The Nightingale was next with an average of $20,041 in two theaters. Jay Myself arguably had a stronger opening, earning $18,909 in one theater over the weekend for a five-day debut of $27,571. Exit managed an average of $16,221 in two theaters, which is excellent for a foreign-language film and hopefully means more Asian movies will be released here. The final film in the $10,000 club was the overall box office champ, Hobbs and Shaw, with an average of $14,117.
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Weekend Estimates: Hobbs and Shaw’s International Numbers Save Weekend Haul
August 4th, 2019
Fast and Furious Presents: Hobbs and Shaw missed even the low end of predictions with an estimated opening weekend of just $60.8 million. This is not a good start for a film that cost $200 million to make. Additionally, its reviews and its A minus from CinemaScore do not suggest long enough legs to make up for this opening. Fortunately, the film is doing a lot better internationally with an estimated opening of $120 million in 63 markets. Furthermore, this number doesn’t include China, because the film doesn’t open there until the end of the month. (It has also yet to open in France, Italy, and Japan, but it will earn more in China than those three markets combined.) The film is opening well behind The Fate of the Furious in most markets, including Russia where it managed $8.20 million on 1,766 screens, compared to $14.26 million on 1,470 screens for the previous film. It was even worse in the U.K. at $7.85 million in 610 theaters vs. $17.58 million on 572. Overall, the film is more in line with Fast Five than the other recent films in the franchise. This is still enough to earn a profit, especially if it does well in China, but the spin-off won’t replace the main films in the Fast and the Furious franchise like I thought it had a chance of doing.
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Limited and VOD Releases: It’s a Good Night to see a Movie
August 2nd, 2019
It is a slow week for limited releases with only six films on the main list. Fortunately, four of those six films are earning excellent reviews and a couple of them could do well at the box office. This includes both Luce and The Nightingale. Meanwhile, Love, Antosha could do well for a documentary.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Netherlands | 11/1/2019 | $24,547 | 18 | 18 | 88 | $109,280 | 12/28/2019 |
North America | 8/2/2019 | $132,987 | 5 | 235 | 893 | $2,010,613 | |
United Kingdom | 11/8/2019 | $148,482 | 128 | 128 | 128 | $148,482 | 11/13/2019 |
Worldwide Total | $2,268,375 | 12/28/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Naomi Watts | Amy Edgar |
Octavia Spencer | Harriet Wilson |
Kelvin Harrison Jr | Luce Edgar |
Tim Roth | Peter Edgar |
Supporting Cast
Norbert Leo Butz | Principal Dan |
Andrea Bang | Stephanie Kim |
Marsha Stephanie Blake | Rosemary |
Astro | Deshaun Meeks |
Omar Brunson | Corey Johnson |
Noah Gaynor | Kenny Orlicki |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Julius Onah | Director |
Julius Onah | Screenwriter |
J.C. Lee | Screenwriter |
J.C. Lee | Story based on the play by |
John Baker | Producer |
Julius Onah | Producer |
Andrew Yang | Producer |
J.C. Lee | Executive Producer |
Rob Feng | Executive Producer |
Amber Wang | Executive Producer |
Larkin Seiple | Director of Photography |
Lisa Myers | Production Designer |
Madeleine Gavin | Editor |
Eric Ro | Co-Producer |
Keri Langerman | Costume Designer |
Ben Salisbury | Composer |
Geoff Barrow | Composer |
Jessica Kelly | Casting Director |