Australia Box Office for Life of the Party (2018)
Theatrical Performance (US$) | ||
Australia Box Office | $4,063,720 | Details |
Worldwide Box Office | $65,859,911 | Details |
Home Market Performance | ||
North America DVD Sales | $6,155,067 | Details |
North America Blu-ray Sales | $2,740,801 | Details |
Total North America Video Sales | $8,895,868 | |
Further financial details... |
Synopsis
When her husband suddenly dumps her, longtime dedicated housewife Deanna turns regret into re-set by going back to college…landing in the same class and school as her daughter, who’s not entirely sold on the idea. Plunging headlong into the campus experience, the increasingly outspoken Deanna—now Dee Rock—embraces freedom, fun and frat boys on her own terms, finding her true self in a senior year no one ever expected.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Australia Releases: | May 11th, 2018 (Wide) |
Video Release: | July 24th, 2018 by Warner Home Video |
MPAA Rating: | PG-13 for sexual material, drug content and partying. (Rating bulletin 2480 (Cert #51072), 6/14/2017) |
Running Time: | 105 minutes |
Keywords: | College, Adult Education, Screenplay Written By the Star, Delayed Adulthood, Dysfunctional Family, Relationships Gone Wrong, Mid-Life Crisis, Farcical / Slapstick Comedy |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | New Line Cinema, On The Day Productions |
Production Countries: | United States |
Languages: | English |
Home Market Releases for August 7th, 2018
August 8th, 2018
It is a deceptively busy week on the home market, and not in a good way. There’s no one big release, at least not on DVD / Blu-ray, but there’s a sea of mediocrity this week. I’m not talking about quality here, but sales rank. There are a lot of films that wouldn’t even be filler during a normal week, but this week are selling well enough to be mentioned. There are several that are worth picking up, including limited releases like Bye Bye Germany and Revenge, classics like The Changeling, and even some Anime titles like Big Fish & Begonia or Tsuredure Children. Deadpool 2 is by far the biggest release of the week and I suspect the Blu-ray will be the Pick of the Week when it comes out, but I don’t want to give it that title until than. As a result, there’s no real winner this week. There were a lot that came close.
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Home Market Releases for July 24th, 2018
July 24th, 2018
It is an incredibly slow week on the home market. Most of the films in the main list would be filler on even a below average week. The only real exception is Ready Player One, which did earn better than expected reviews, but it’s still not Pick of the Week material. There were a few actual contenders for that title, including Gravity Falls: The Complete Series and A Matter of Life and Death, but in the end, I went with In the Mouth of Madness on Blu-ray.
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Weekend Wrap-Up: Box Office Is Far from Wonderful
June 4th, 2018
The overall weekend went about as well as expected. Unfortunately, that’s not good news. Solo: A Star Wars Story fell about as much as the average sophomore blockbuster film falls during a post-holiday weekend, earning first place with $29.40 million, while Deadpool 2 was the only other film to earn more than $20 million, landing in second with $23.18 million. The biggest new release of the week was Adrift with $11.60 million. The overall box office fell 42% from last weekend to just $106 million. To put this into perspective, this weekend last year, Wonder Woman opened with $103 million. That one movie made almost as much as the entire box office made this year. The year-over-year decline was 43%. Fortunately, 2018 is still ahead of 2017 by a sizable amount at 6.8% or $310 million at $4.94 billion to $4.63 billion and in a couple of weeks, 2018 should start winning again in the year-over-year comparison.
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Weekend Wrap-Up: Solo’s $100 million Opening still a Disappointment
May 30th, 2018
Memorial Day long weekend is off its peak and its been a while since it was breaking records regularly. (Half of the top ten three-day and four-day records are a decade old or older.) That didn’t change this year, as Solo: A Star Wars Story missed expectations with $84.42 million / $103.02 million during its opening weekend. You can’t even claim it missed expectations because Deadpool 2 stole its thunder, as that film also fell faster than anticipated. Overall, the box office fell 13% from last weekend down to $182 million. This is still 29% higher than the same three-day weekend last year. If you include Monday, the weekend pulled in $226 million, which is about 27% higher than last year. Year-to-date, 2018 has a 8.3% / $370 million lead over 2017 at $4.79 billion to $4.42 billion. That lead will shrink in the next couple of weeks, but overall, 2018 is looking really healthy.
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Weekend Predictions: Will the Latest Star Wars Release Open Solo or So High?
May 24th, 2018
Memorial Day long weekend is usually a great weekend to open a big release. However, this year, Solo: A Star Wars Story is the wide release of the weekend. It will obviously open in first place, but how will it compare to the recent releases in the Star Wars franchise? Deadpool 2 will have no trouble earning second place and could by the end of the weekend be in the black. (It depends heavily on how much it cost to advertise, but I think its combined budget is around $200 million.) The only other film expected to make a dent at the box office is Avengers: Infinity War, which has already earned $600 million domestically. This weekend last year, Pirates of the Caribbean: Dead Men Tell No Tales opened in first place with $62.98 million / $78.48 million. There are some who think Solo will double that. I’m not that bullish, but I do think Solo will lead 2018 to an easy win in the year-over-year competition.
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Weekend Wrap-Up: Deadpool Dominates Box Office, But Can’t Compete with Original
May 22nd, 2018
Deadpool 2 didn’t live up to expectations at the box office, but you can’t really complain about a $125.51 million opening weekend. The other new releases were Book Club, which did acceptable business, while the less said about Show Dogs’ debut the better. Overall, the box office rose 51% from last weekend earning $209 million. This is 69% higher than the same weekend last year. Year-to-date, 2018 is now ahead of 2017 by a margin of $290 million or 7.0% at $4.49 billion to $4.20 billion. Because Infinity War opened a week earlier than usual, it has been hard to compare the overall box office, but now it is safe to say 2018 has a sizable lead over 2017, one that should grow next weekend as well.
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Weekend Estimates: Deadpool Has Surprisingly Short Legs, Still Dominates with $125 million
May 20th, 2018
Deadpool 2 broke records during its previews and stumbled a little on Friday, before finishing the weekend with an estimated $125 million. That’s still a fantastic result, more than the $110 million it reportedly cost to make, and more than the total box office earned this weekend last year. That said, it is way below the $150 million many thought it would earn after the preview numbers were announced. This isn’t as good as Deadpool’s opening weekend; however, that film benefited from Valentine’s day landing on Sunday, while this film will get some help next weekend, as it is Memorial Day long weekend. Furthermore, both films earned nearly identical reviews and both films earned an A from CinemaScore, so this film's legs should be decent. We will have a better idea where it will end up next weekend.
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Weekend Predictions: Can Deadpool Come Back to Life?
May 17th, 2018
May gets its first monster hit, as Deadpool 2 debuts in theaters this weekend. The film is earning impressive reviews and was widely expected to top the original's opening weekend. Neither of the two other new releases are expected to compete for first place, or even second place, as Avengers: Infinity War has that locked down. Book Club should open in third place with more than $10 million, but that’s not a guarantee. Meanwhile, Show Dogs’ buzz is so quiet that I’m have trouble coming up with a prediction. This weekend last year, Alien: Covenant opened in first place, but with only $36.16 million. If Deadpool 2 doesn’t top that opening night, then I will be shocked. In fact, Deadpool 2 should earn more by itself than the total box office from this weekend last year.
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Weekend Wrap-Up: Infinity War Helps 2018 Take on Guardians
May 15th, 2018
The weekend was better than expected, for the most part. All of the holdovers, including the number one film, Avengers: Infinity War, held on better than we predicted, while one of the two new releases also opened faster. Life of the Party was the only film in the top five that didn’t beat expectations. Overall, the box office still slipped 19% from last week, down to $137 million. However, this is 1.2% higher than the same weekend last year. Year-to-date, 2018 maintains a strong 5.2% / $210 million lead over 2017 at $4.24 billion to $4.03 billion.
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Friday Estimates: Infinity War Breaks up the Party
May 12th, 2018
Avengers: Infinity War was on the high end of expectations on Friday with $16.00 million during its 15th day of release. This puts it on pace for $62 million during its third weekend of release for a running tally of $548 million. It became the second fastest film to reach $500 million domestically, getting there a day faster than The Last Jedi did. The film also debuted in China earning $60.73 million on Friday, $70.06 million including previews. Only Monster Hunt 2 and The Fate of the Furious had faster starts.
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Thursday Night Previews: Party Generates some Noise, Breaking In Could find Some Loot
May 11th, 2018
Life of the Party only managed $700,000 during its previews, which is well below the $985,000 The Boss managed two years ago. If this film has the same legs, it will open with just under $17 million. Granted, Life of the Party is earning better reviews, so it could perform a little better over the weekend, but matching our $21 million prediction might be asking too much.
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Weekend Predictions: Infinity War Looks to Complete the Threepeat
May 10th, 2018
Avengers: Infinity War will have no trouble earning first place for the third time at the box office chart. It’s only competition is the sophomore stint of Guardians of the Galaxy Vol 2, which earned $65 million this weekend last year. Hopefully Infinity War will come within $10 million of that. As for the new releases, Life of the Party should earn more than all three new releases earned last weekend, while Breaking In is on track for an opening in the low to mid teens. If all three films can meet these expectations, then 2018 will have a shot at winning in the year-over-year comparison.
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2018 Preview: May
May 1st, 2018
April was all about Avengers: Infinity War, which earned about as much during its opening weekend as the next two biggest films, A Quiet Place and Rampage, will earn in total. However, moving Infinity War to April has left a big gap for the first two weeks of May. It isn’t until Deadpool 2 debuts that we have a potential $100 million movie, while the week after Solo: A Star Wars Story closes the month on a strong note. Fortunately, both of those films are expected to earn more than $100 million during their opening weekends alone and combined could earn over $700 million domestically. Last May, Guardians of the Galaxy Vol 2 helped the month get off to a fast start, but it was the only monster hit of the month. Infinity War opening a week early will mean the month will start slower, in terms of new releases, but Infinity War’s record-breaking debut should help 2018 come out ahead in the end.
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Life of the Party Trailer
February 6th, 2018
Comedy starring Melissa McCarthy and Molly Gordon opens May 11 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/05/11 | 2 | $1,505,318 | 296 | $5,086 | $1,505,318 | 1 | |
2018/05/18 | 3 | $666,136 | -56% | 253 | $2,633 | $2,546,235 | 2 |
2018/05/25 | 4 | $449,392 | -33% | 244 | $1,842 | $3,243,187 | 3 |
2018/06/01 | 4 | $344,634 | -23% | 236 | $1,460 | $3,733,075 | 4 |
2018/06/08 | 9 | $188,199 | -45% | 176 | $1,069 | $4,040,678 | 5 |
2018/06/15 | 17 | $36,974 | -80% | 74 | $500 | $4,068,511 | 6 |
2018/06/22 | - | $5,788 | -84% | 27 | $214 | $4,070,263 | 7 |
2018/06/29 | 49 | $1,640 | -72% | 10 | $164 | $4,063,720 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 5/11/2018 | $1,505,318 | 296 | 296 | 1316 | $4,063,720 | 7/5/2018 |
Germany | 7/6/2018 | $256,445 | 0 | 0 | 0 | $326,296 | 7/13/2018 |
Mexico | 6/29/2018 | $286,012 | 0 | 0 | 0 | $827,333 | 7/23/2018 |
New Zealand | 5/11/2018 | $138,632 | 62 | 66 | 288 | $398,209 | 6/11/2018 |
North America | 5/11/2018 | $17,886,075 | 3,656 | 3,656 | 15,992 | $53,059,911 | |
United Arab Emirates | 5/10/2018 | $0 | 0 | 0 | 0 | $644,000 | 1/1/2019 |
United Kingdom | 5/11/2018 | $837,706 | 449 | 449 | 1297 | $2,400,000 | 6/11/2018 |
Rest of World | $4,140,442 | ||||||
Worldwide Total | $65,859,911 | 1/1/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Melissa McCarthy | Deanna Miles |
Supporting Cast
Gillian Jacobs | Helen |
Maya Rudolph | Christine |
Julie Bowen | Marcie |
Matt Walsh | Dan Miles |
Molly Gordon | Maddie Miles |
Stephen Root | Mike |
Jacki Weaver | Sandy |
Adria Arjona | Amanda |
Luke Benward | Jack |
Jessie Ennis | Debbie |
Heidi Gardner | Leonor |
Chris Parnell | Mr. Truzack |
Debby Ryan | Jennifer |
Yani Simone | Trina |
Jimmy O. Yang | Tyler |
Ben Falcone | Uber Driver |
Chris Cavalier | Eugene |
Flynn Falcone | Guidance Counselor |
Karen Maruyama | Mediator |
Mac Alsfeld | Hench |
Damon Jones | Frank |
Karina Delbeau-Charles | Carol |
Candice Mays | Linda |
Kevin Gutierrez | Water Bottle Student |
Steve Mallory | Bill |
Courtney Patterson | Amy |
Nat Faxon | Lance |
Sarah Baker | Gildred |
Seth Dousman | College Kid #1 |
Antonio J. Bell | Drunk Guy at Sorority Party |
Sheila Maddox | Graduation Speaker |
Dytto | Dancer |
Frankie Freeman | Dancer |
Naeemah McCowan | Dancer |
Xavier Wilcher | Dancer |
Jae Scott | Dancer |
Jordan Galloway | Dancer |
Ahmed Zakzouk | Dancer |
Cameos
Christina Aguilera | Herself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Ben Falcone | Director |
Ben Falcone | Screenwriter |
Melissa McCarthy | Screenwriter |
Ben Falcone | Producer |
Melissa McCarthy | Producer |
Chris Henchy | Producer |
Toby Emmerich | Executive Producer |
Richard Brener | Executive Producer |
Michael Disco | Executive Producer |
David Siegel | Executive Producer |
Julio Macat | Director of Photography |
Rusty Smith | Production Designer |
Brian Olds | Editor |
Louise Mingenbach | Costume Designer |
Fil Eisler | Composer |
Allison Jones | Casting Director |
Steve Mallory | Co-Producer |
Manish Raval | Music Supervisor |
Tom Wolfe | Music Supervisor |
David Siegel | Unit Production Manager |
Daniel Silverberg | First Assistant Director |
James Roque, Jr. | Second Assistant Director |
Ashley Albrecht | Associate Producer |
Divya D’Souza | Associate Producer |
Gretel Twombly | Production Supervisor |
Heather Dumas | Art Director |
Amy McGary | Set Decorator |
Todd Weaver | Sound Mixer |
Tricia Miles Tharp | Post-Production Supervisor |
Liz Calandrello | First Assistand Editor |
Tim LeBlanc | Re-recording Mixer |
Tom Ozanich | Re-recording Mixer |
Tammy Fearing | Supervising Sound Editor/ADR Supervisor |
Michael O'Farrell | Sound Effects Editor |
Joe Schiff | Dialogue Editor |
Michael Hertlein | Dialogue Editor |
George H. Anderson | Sound Designer |
Darrin Mann | Foley Mixer |
David Metzner | Music Editor |
Joshua Winget* | Music Editor |
Curtis Collins | Location Manager |
Sheila Waldron | Script Supervisor |
Suzy Freeman | Costume Supervisor |
Kimberly Jones | Make up |
Stephanie Ponder | Make up |
Jennifer Santiago | Hairstylist |
Curtis Foreman | Hairstylist |
Aaron Linker | Set Designer |
David Fletcher | Special Effects Coordinator |
Tom Fife | Special Effects |
James T. Hill | Score Mixer |
James T. Hill | Score Recordist |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.