Australia Box Office for The Last Witch Hunter (2015)
Theatrical Performance (US$) | ||
Australia Box Office | $2,434,823 | Details |
Worldwide Box Office | $130,818,912 | Details |
Home Market Performance | ||
North America DVD Sales | $10,990,249 | Details |
North America Blu-ray Sales | $7,969,674 | Details |
Total North America Video Sales | $18,959,923 | |
Further financial details... |
Synopsis
The modern world holds many secrets, but the most astounding secret of all is that witches still live amongst us; vicious supernatural creatures intent on unleashing the Black Death upon the world. Armies of witch hunters battled the unnatural enemy across the globe for centuries, including Kaulder, a valiant warrior who managed to slay the all-powerful Queen Witch, decimating her followers in the process. In the moments right before her death, the Queen curses Kaulder with her own immortality, forever separating him from his beloved wife and daughter in the afterlife. Today Kaulder is the only one of his kind remaining, and has spent centuries hunting down rogue witches, all the while yearning for his long-lost loved ones. However, unbeknownst to Kaulder, the Queen Witch is resurrected and seeks revenge on her killer causing an epic battle that will determine the survival of the human race.
Metrics
Movie Details
Production Budget: | $80,000,000 |
Australia Releases: | October 30th, 2015 (Wide) |
Video Release: | January 12th, 2016 by Lionsgate Home Entertainment |
MPAA Rating: | PG-13 for sequences of fantasy violence and frightening images. (Rating bulletin 2389, 9/2/2015) |
Running Time: | 98 minutes |
Keywords: | Witches, Set in New York City, Good vs. Evil, Epidemic, Secret Magic, Hallucinations, Surprise Twist, Bubonic Plague / Black Death, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Prologue, Revenge, Non-Chronological, Faulty Memory, Femme Fatale, Double-Crossed, Monster, Supernatural, Action Adventure |
Source: | Original Screenplay |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Fantasy |
Production/Financing Companies: | Marc Canton, One Race Films, Goldmann Pictures, Summit Entertainment |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 2nd, 2016
February 2nd, 2016
This week the home market is led by a Blu-ray double-dip, Snow White and the Seven Dwarfs, while there is also an Oscar contender, Bridge of Spies, on the top. After that, the list is filled with bombs and weaker limited releases. It was an easy choice to select Snow White as Pick of the Week.
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International Box Office: Another Week, Another Milestone for Spectre
November 19th, 2015
Spectre again dominated the international box office earning $152.6 million in 92 markets for totals of $413.1 million internationally and $542.1 million worldwide. $500 million worldwide is enough to save face, but the film will need reach at least $600 million worldwide to have a shot at breaking even any time soon. It will likely need $700 million to $800 million to keep the studio happy. Fortunately, that seems very likely. The past weekend, the film opened in first place in China with $48.55 million. It also remained in top spot in the U.K. with $11.96 million in 617 theaters over the weekend for a three-week total of $118.39 million. It is now the fourth biggest hit in that market, while it has a shot at overtaking Skyfall for first place. It will need help from the holidays to get there. Will the movie still be in theaters come New Year's Day? Maybe.
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Weekend Wrap-Up: New Releases feel Unloved
November 17th, 2015
There's not much in the way of good news to talk about, which is something that is becoming sadly common. Two of the three new releases missed expectations and expectations were low to begin with. Love the Coopers led the new releases, but it is hardly what you would call a box office hit. Even calling it a middling hit is overstating things. The 33 barely managed a spot in the top five and will quickly leave theaters. My All-American missed the Mendoza Line* by a mile and missed the top ten in the process. This meant Spectre and The Peanuts Movie remained on top of the charts, but they could only help the box office avoid becoming a disaster. As it is, the overall box office fell 33% from last weekend to just $108 million. This was 23% less than the same weekend last year. Year-to-date, 2015's lead over 2015 took a real hit and its down to 3.9% at $9.06 billion to $8.72 billion. However, as we've seen recently, the overall box office is weaker than the these numbers look, as we've seen few major hits and many, many bombs.
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International Box Office: Spectre Nearly Another Milestone
November 10th, 2015
As expected, Spectre remained in first pulling in $117.8 million in 73 markets for totals of $223.1 million internationally and $293.1 million worldwide. This is almost as much as it cost to make, so if it can double this figure, it should be able to break even eventually. The film's biggest market was the U.K. where it added $19.99 million on 696 screens over the weekend for a total of $98.82 million. It has already overtaken Jurassic World for the biggest hit of the year in the U.K. and should have no trouble rocketing into the top five on the all-time chart there. The film's biggest opening was in Germany, where it pulled in $18.06 million on 1,460 screens over the weekend for a total opening of $20.26 million. This is about 15% lower than Skyfall's opening in that market. Likewise, the film wasn't as strong during its debut in Russia earning $6.29 million on 2,112 screens, compared to $8.27 million on 1,254 screens for Skyfall. At this pace, Spectre will definitely fail to match Skyfall, but anything close to $800 million will be enough to break even, perhaps before it reaches the home market. It all depends on how much its global advertising campaign cost.
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International Box Office: Spectre has Spectacular Start
November 5th, 2015
Spectre opened in first place with $80.4 million during its seven-day opening weekend. That doesn't seem like a huge amount, especially considering some of the opening weekends we've seen on the international stage this year. However, there is a mitigating factor. It was only playing in six markets. This includes the U.K., where the film broke records with $62.82 million in 651 theaters. This is equivalent to a $300 million opening week here, which would be the record for a seven-day box office here. We shouldn't get too ahead of ourselves, as Bond films have a natural affinity for that market. It does mean Spectre has a real shot at a $100 million opening weekend here.
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Weekend Wrap-Up: Box Office is in Crisis Mode
November 2nd, 2015
Most people expected the box office to be really weak this past weekend, but I don't think anyone anticipated this. How bad was this past weekend? All three new releases missed the Mendoza line* and there were no new releases in the top five. The overall box office was just $75 million, which was the lowest for the year and the fourth worst weekend in the past decade. This represents a 28% drop-off from last week and a 21% drop-off from the same weekend last year. 2015's overall lead over 2014 shrunk from 5.2% to 4.7%. The overall lead fell by $40 million at $8.69 billion to $8.31 billion. This is reason to panic, or it would be if Spectre wasn't opening on Friday. The film is breaking records in the U.K. and should be an explosive hit here. Hopefully it will do well enough that we can pretend the past two weeks never happened.
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Thursday Night Previews: Burnt Out
October 30th, 2015
Two of the three wide releases had Thursday previews, with Burnt having the bigger of the two films' launches. Bigger is a relative term. It only managed $250,000 during its previews, which is bad news. Its bad news for the studio, as this doesn't bode well for its box office chances. It is also bad new for me, because this is so low it is hard to find other films to compare it with. It is about 10% lower than The Green Inferno, which is about as close a match as I could find, but those two films share almost none of their respective audiences. The Intern is a closer match as far as audiences are concerned. That film earned $650,000 during its previews on its way to a $24.90 million opening weekend. Burnt has worse reviews, so it likely won't have the same internal multiplier. Even so, it should make between $7 million and $9 million, which is a little higher than predicted, but not enough to keep the studio happy.
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International Box Office: Martian Completes Another Orbit
October 28th, 2015
The Martian returned to first place with $30.0 million in 73 markets for totals of $218.8 million internationally and $385.0 million worldwide. The film's only major market opening was in France where it earned second place with $6.81 million on 560 screens. It also remained in first place in South Korea with $3.99 million on 731 screens over the weekend for a three-week total of $28.43 million. I don't know if it has broken even yet, but it is very close to getting there.
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Contest: On the Hunt: Winning Announcement
October 27th, 2015
The winners of our On the Hunt contest were determined and the entrants with the closest predictions for The Last Witch Hunter opening weekend were...
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Weekend Wrap-Up: New Releases were Hunted Down
October 26th, 2015
Most of the new releases were not expected to do well at the box office. ... Almost no one saw this coming. We had some near-record bombs this weekend and even the best of the new releases were terrible. This left The Martian in first place; in fact, the top three spots and four of the top five were held by holdovers. The best new release, The Last Witch Hunter, barely cracked the $10 million mark. The overall box office fell 14% from last weekend to $105 million. This was also 9.5% lower than the same weekend last year. Midweek numbers were better this year than last year, so the year-over-year actually improved and 2015 now has a 5.2% lead over 2014 at $8.60 billion to $8.18 billion.
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Weekend Estimates: Martian Avoids the Wreckage
October 25th, 2015
Dismal is about the politest word that can be applied to the box office performance of new releases this weekend. None of the five films new in wide release managed to make the top three on the chart, and two of them didn’t even crack the top ten. That leaves The Martian and Goosebumps to battle it out for first place, and a fourth-week decline of just 25% for The Martian looks virtually certain to give it the win. Fox projects it will make $15.9 million for a total by the end of the weekend of $166 million or so. Its performance to date falls neatly between that of Interstellar and Gravity, which puts the sci-fi adventure on course for a final domestic box office of $230 million (see full comps here).
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Friday Estimates: Rock Bottom
October 24th, 2015
Where to start? There are so many new releases to talk about and none of them did well. Some did so poorly that talking about them seems mean. So, let’s start by saying that Friday’s box office chart was led by The Martian, while Goosebumps has a shot at repeating on top of the chart, with each film earning about $14 million to $15 million. Meanwhile, Bridge of Spies should earn third place over the weekend with between $11 million and $12 million.
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Midnight Box Office: Not a lot of (Paranormal) Activity at Midnight Showings
October 23rd, 2015
There were four films that had midnight shows last night, but none of them did particularly well. In fact, had their combined total been earned by one movie, it still wouldn't be much to celebrate about. Paranormal Activity: The Ghost Dimension led the way with $600,000 in 1,000 theaters. This is substantially lower than the $800,000 Crimson Peak earned just last week, and that film wasn't a big hit at the box office during its opening weekend. Additionally, Crimson Peak's reviews are a lot better The Ghost Dimension's reviews are. Add in the sequel effect and we could be in for a really bad opening weekend.
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Weekend Predictions: Moviegoers Should be Scared to See a New Release this Weekend
October 22nd, 2015
The box office prediction contests for the past few weeks have had a horror / "horror" theme. That is to say, two people won horror movies and the third won movies that were so bad it is scary they exist. There are four new releases this weekend and they all epitomize the latter. Paranormal Activity: The Ghost Dimension has a review embargo, which is never a good sign, while the other three wide releases are all earning less than 20% positive reviews. Does that mean there's nothing worth seeing this week? Nope. Fortunately, Steve Jobs is expanding wide and should earn first place at the box office. It is the only film on this week's list with a shot at $20 million. This weekend last year, Ouija nearly reached $20 million and five other films earned $10 million. I don't think we will match that this year. It could be close and any gain or loss in the year-over-year comparison should be in single digits, so there's no reason to be overly concerned.
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Contest: Cutis Anserina: Winning Announcement
October 21st, 2015
The winners of our Cutis Anserina contest were determined and the entrants with the closest predictions for Goosebumps opening weekend were...
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Contest: On the Hunt
October 16th, 2015
Next weekend is a bit of a mess when it comes to the wide releases. Steve Jobs is expected to win, but it is currently in limited release and we don't like using these films as the target film. Paranormal Activity: The Ghost Dimension was expected to come in second place, but Paramount Pictures' plan for an early VOD release has caused some theater owners to not book the film. This leaves Jem and the Holograms and The Last Witch Hunter as the possible choices for the target film in this week's box office prediction contest. As such, The Last Witch Hunter is the only choice for the target film for this week's Box Office Prediction contest. In order to win, one must simply predict the opening weekend box office number for The Last Witch Hunter.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays.
Finally, we will be choosing an entrant from the group of people who haven't won, or haven't won recently, and they will also win a Frankenprize consisting of two previously reviewed DVDs or Blu-rays.
There is a difference this time. Two people will earn Frankenprizes consisting of two horror movies. The other winner will earn a Frankprize consisting of two "horror" movies, that is to say movies so bad that it will fill you with horror. We are going to do this again next week, and maybe even during Christmas, with two presents and a lump of coal. We might do this regularly for as long as I have bad movies to give away.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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2015 Preview: October
October 1st, 2015
September ended on a record note with the debut of Hotel Transylvania 2. Additionally, there was great depth and 2015's lead over 2014 grew to nearly $500 million. How do things look going forward? The month starts out with The Martian, which should have no trouble becoming the biggest hit of the month and might even top $200 million. On the other hand, no other film is expected to get to $100 million. There's only one or two that will even come close. Fortunately, last October was very similar with one $100 million hit, Gone Girl, while two other films came close, Annabelle and Fury. It looks like it will be up to the depth films from both years to determine which year comes out on top.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2015/10/30 | 4 | $785,476 | 182 | $4,316 | $790,729 | 1 | |
2015/11/06 | 4 | $614,189 | -22% | 187 | $3,284 | $1,711,028 | 2 |
2015/11/13 | 6 | $285,028 | -54% | 168 | $1,697 | $2,188,918 | 3 |
2015/11/20 | 8 | $92,342 | -68% | 107 | $863 | $2,405,528 | 4 |
2015/11/27 | 19 | $17,763 | -81% | 21 | $846 | $2,444,485 | 5 |
2015/12/04 | 31 | $5,568 | -69% | 6 | $928 | $2,509,370 | 6 |
2015/12/11 | 40 | $3,756 | -33% | 4 | $939 | $2,470,770 | 7 |
2015/12/18 | 60 | $164 | -96% | 1 | $164 | $2,434,586 | 8 |
2015/12/25 | 59 | $15 | -91% | 1 | $15 | $2,434,823 | 9 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 11/5/2015 | $329,756 | 45 | 45 | 146 | $971,184 | 12/31/2018 |
Australia | 10/30/2015 | $785,476 | 182 | 187 | 677 | $2,434,823 | 12/29/2015 |
Austria | 10/22/2015 | $219,703 | 52 | 53 | 271 | $730,705 | 6/9/2016 |
Belgium | 10/21/2015 | $0 | 0 | 46 | 207 | $1,303,886 | 6/9/2016 |
Bolivia | 10/22/2015 | $19,755 | 7 | 7 | 21 | $79,916 | 12/30/2018 |
Brazil | 10/29/2015 | $2,121,504 | 468 | 468 | 2243 | $9,056,339 | 6/9/2016 |
Bulgaria | 10/23/2015 | $66,306 | 38 | 38 | 182 | $338,887 | 12/30/2018 |
Central America | 10/22/2015 | $0 | 0 | 87 | 87 | $478,121 | 11/3/2015 |
Chile | 10/29/2015 | $157,591 | 43 | 45 | 203 | $726,052 | 12/30/2018 |
China | 1/14/2016 | $9,020,000 | 25968 | 25968 | 58779 | $27,404,244 | 10/2/2018 |
Colombia | 11/12/2015 | $0 | 0 | 168 | 409 | $1,988,875 | 12/30/2018 |
Croatia | 10/22/2015 | $0 | 0 | 24 | 96 | $124,501 | 12/30/2018 |
Czech Republic | 10/22/2015 | $167,065 | 97 | 97 | 167 | $461,035 | 12/30/2018 |
Denmark | 1/14/2016 | $9,981 | 4 | 4 | 4 | $9,981 | 6/9/2016 |
Estonia | 10/23/2015 | $38,437 | 8 | 11 | 28 | $115,678 | 11/25/2015 |
France | 10/28/2015 | $1,644,422 | 265 | 266 | 993 | $3,638,253 | 11/25/2015 |
Germany | 10/22/2015 | $1,135,722 | 422 | 443 | 1992 | $3,470,515 | 12/8/2015 |
Greece | 10/29/2015 | $106,347 | 41 | 42 | 116 | $345,207 | 11/25/2015 |
Hong Kong | 10/22/2015 | $343,644 | 28 | 28 | 80 | $958,263 | 12/1/2015 |
Hungary | 10/22/2015 | $0 | 0 | 60 | 60 | $500,644 | 12/30/2018 |
Iceland | 10/23/2015 | $23,250 | 8 | 8 | 8 | $23,250 | 12/30/2018 |
Iraq | 10/22/2015 | $17,305 | 3 | 3 | 12 | $67,101 | 12/30/2018 |
Italy | 10/29/2015 | $1,483,390 | 301 | 301 | 700 | $3,174,691 | 6/9/2016 |
Japan | 9/30/2016 | $49,576 | 0 | 0 | 0 | $99,226 | 8/20/2018 |
Kenya | 1/1/2016 | $0 | 0 | 15 | 15 | $45,808 | 12/31/2018 |
Kuwait | 10/22/2015 | $8,951 | 2 | 2 | 3 | $28,920 | 12/30/2018 |
Latvia | 10/30/2015 | $0 | 0 | 5 | 8 | $69,564 | 12/30/2018 |
Lebanon | 10/22/2015 | $41,244 | 12 | 12 | 26 | $300,489 | 12/30/2018 |
Lithuania | 10/23/2015 | $0 | 0 | 29 | 40 | $103,024 | 11/25/2015 |
Malaysia | 10/22/2015 | $901,490 | 118 | 156 | 590 | $2,588,978 | 12/21/2015 |
Mexico | 10/30/2015 | $904,419 | 651 | 651 | 744 | $4,190,040 | 6/9/2016 |
Netherlands | 10/22/2015 | $287,254 | 51 | 52 | 284 | $848,806 | 12/1/2015 |
New Zealand | 10/30/2015 | $165,279 | 59 | 64 | 235 | $437,927 | 12/16/2015 |
North America | 10/23/2015 | $10,812,861 | 3,082 | 3,082 | 11,140 | $27,367,660 | |
Oman | 10/22/2015 | $1,525 | 1 | 1 | 2 | $9,870 | 12/30/2018 |
Peru | 10/29/2015 | $419,936 | 125 | 125 | 394 | $1,601,671 | 12/30/2018 |
Philippines | 10/21/2015 | $747,905 | 135 | 135 | 361 | $1,827,612 | 12/30/2018 |
Portugal | 10/29/2015 | $187,490 | 48 | 48 | 245 | $602,843 | 6/9/2016 |
Romania | 10/23/2015 | $224,113 | 55 | 55 | 133 | $765,566 | 12/30/2018 |
Russia (CIS) | 10/29/2015 | $4,334,033 | 1310 | 1310 | 3912 | $8,795,912 | 11/20/2018 |
Serbia and Montenegro | 10/22/2015 | $0 | 0 | 8 | 10 | $42,607 | 12/30/2018 |
Singapore | 10/22/2015 | $478,788 | 39 | 39 | 109 | $1,038,118 | 11/25/2015 |
Slovakia | 10/22/2015 | $67,491 | 51 | 51 | 130 | $165,136 | 11/17/2015 |
Slovenia | 10/29/2015 | $0 | 0 | 10 | 40 | $33,510 | 12/1/2015 |
South Africa | 12/18/2015 | $103,758 | 42 | 42 | 77 | $401,721 | 6/9/2016 |
South Korea | 12/30/2015 | $390,060 | 278 | 278 | 299 | $785,026 | 6/9/2016 |
Spain | 10/30/2015 | $752,488 | 266 | 266 | 1093 | $2,608,709 | 12/21/2015 |
Switzerland | 10/22/2015 | $0 | 0 | 11 | 11 | $587,584 | 11/25/2015 |
Taiwan | 10/21/2015 | $273,131 | 21 | 68 | 122 | $2,136,628 | 11/25/2015 |
Thailand | 10/22/2015 | $888,781 | 157 | 157 | 435 | $1,810,848 | 11/25/2015 |
Turkey | 10/23/2015 | $370,173 | 222 | 238 | 872 | $1,702,021 | 2/26/2019 |
Ukraine | 10/29/2015 | $336,714 | 176 | 176 | 539 | $797,353 | 12/30/2018 |
United Arab Emirates | 10/22/2015 | $897,491 | 39 | 39 | 150 | $2,312,976 | 12/30/2018 |
United Kingdom | 10/23/2015 | $1,904,114 | 365 | 369 | 1298 | $4,268,835 | 6/9/2016 |
Uruguay | 10/22/2015 | $18,252 | 3 | 5 | 17 | $68,954 | 12/30/2018 |
Venezuela | 10/30/2015 | $429,225 | 33 | 41 | 141 | $2,999,695 | 2/2/2016 |
Vietnam | 10/23/2015 | $264,385 | 73 | 74 | 236 | $973,124 | 12/30/2018 |
Worldwide Total | $130,818,912 | 2/26/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Vin Diesel | Kaulder |
Supporting Cast
Elijah Wood | Dolan 37th |
Rose Leslie | Chloe |
Julie Engelbrecht | The Witch Queen |
Michael Caine | Dolan 36th |
Ólafur Darri Ólafsson | Belial |
Rena Owen | Glaeser |
Joseph Gilgun | Ellic |
Isaach de Bankolé | Max Schlesinger |
Michael Halsey | Grosette |
Sloane Coombs | Elizabeth |
Lotte Verbeek | Helena |
Dawn Olivieri | Danique |
Inbar Lavi | Sonia |
Armani Jackson | Armani |
Aimee Carrero | Miranda |
Bex Taylor Klaus | Bronwyn |
David Whalen | Council Member #1 |
Jack Erdie | Council Member #2 |
Toussaint Raphael Abessolo | Council Member #3 |
Laura Smiley | Council Member #4 |
Allegra Carpenter | Fatima |
Joseph Rittenhouse | Doorman |
Samara Lee | Little Girl |
Nathan Hollabaugh | Businessman |
David Vegh | Bakery Owner |
Billy Hepfinger | Euro Witch |
Corey Rieger | Priest |
Denver Milord | A&C Soldier #1 |
Gregory Johnstone | A&C Soldier #2 |
Jonathan Visser | A&C Soldier #3 |
Bonnie Morgan | Witch Attacker #1 |
Mark Steger | Witch Attacker #2 |
Mark Musashi | Witch Attacker #3 |
Shane Callahan | Hipster Man at Parlour |
Alanna Janell | Hipster Woman at Parlour |
Wayman Ezell | Soho Painter Witch |
Jackson Frazer | Boy on Plane |
Ruth Crawford | Old Woman Danique |
Zoltan Hodi | Stunt A&C Soldier #4 |
James Hutchison | Stunt A&C Soldier #5 |
Jonathan Yurco | Stunt A&C Soldier #6 |
Casey Hendershot | Stunt A&C Soldier #7 |
Daniel Hernandez | Stunt A&C Soldier #8 |
Efka Kvaraciejus | Stunt A&C Soldier #9 |
Jared Eddo | Stunt A&C Soldier #10 |
Mike Mukatis | Stunt Shadow Witch #1 |
Jon Valera | Stunt Shadow Witch #2 |
Bobby Talbert | Stunt Bodyguard #1 |
Michael Vehar | Bodyguard #3 |
Kurt Angle | Stunt Bodyguard #4 |
Mark Rademacher | Axe & Cross Elder |
Colleen "Coco" Hunter* | Female Model #3 |
John Bernecker | Stunt Witch Attacker #4 |
Tracey Turner | Council Member #5 |
Sharon McCune | Council Member #6 |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Breck Eisner | Director |
Cory Goodman | Screenwriter |
Burk Sharpless | Screenwriter |
Matt Sazama | Screenwriter |
Mark Canton | Producer |
Vin Diesel | Producer |
Bernie Goldmann | Producer |
Samantha Vincent | Executive Producer |
Adam Goldworm | Executive Producer |
Ric Kidney | Executive Producer |
Dean Semler | Director of Photography |
Julie Berghoff | Production Designer |
Dean Zimmerman | Editor |
Chris Lebenzon | Editor |
Luca Mosca | Costume Designer |
Steve Jablonsky | Composer |
John Papsidera | Casting Director |
Ric Kidney | Unit Production Manager |
Mark Cotone | First Assistant Director |
Eric Glasser | Second Assistant Director |
Donna Sloan | Executive in Charge of Production |
Jon Hoeber | Co-Producer |
Erich Hoeber | Co-Producer |
Mark Cotone | Associate Producer |
F. Valentino Morales | Associate Producer |
Bo Shen | Co Producer-Associate Co Producer |
Yang Rong | Co Producer-Associate Co Producer |
Thomas Elder Groebe | Visual Effects Producer |
Susan M. Ehrhart | Production Supervisor |
Christy Dimmig | Production Supervisor |
Tom Reta | Supervising Art Director |
Randy Moore | Art Director |
Sophie Neudorfer | Set Decorator |
Christine Kim | Additional Editor |
Emily Chiu | First Assistant Editor |
Nathaniel Fuller | Assistant Editor |
Kim Berner | Script Supervisor |
Christopher Strollo | Sound Mixer |
Lee Gilmore | Sound Effects Editor |
Kate Dougherty | Set Designer |
Drew Hittie | Set Designer |
Peter Chesney | Special Effects Coordinator |
James Pastorius | Special Effects Supervisor-On Set Visual Effects Supervisor |
Darcie Buterbaugh | Costume Supervisor |
Laura Wolford | Costume Supervisor |
Justin Raleigh | Makeup and Special Makeup Effects Designer |
Karen Lovell | Hairstylist |
Rosalee Riggle | Hairstylist |
Deanna Brigidi* | Additional Casting-Casting Associate |
Kim Winther | Additional Casting-Casting Assistant |
Mac Carter | Second Unit Director |
Patrick Loungway | Second Unit Camera |
John Gooch | Sound Mixer |
Jonathan Eusebio | Stunt Coordinator |
Troy Robinson | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.