United Kingdom Box Office for Last Black Man In San Francisco (2019)
Theatrical Performance (US$) | ||
United Kingdom Box Office | $91,345 | Details |
Worldwide Box Office | $4,637,842 | Details |
Further financial details... |
Synopsis
Jimmie Fails dreams of reclaiming the Victorian home his grandfather built in the heart of San Francisco. Joined on his quest by his best friend Mont, Jimmie searches for belonging in a rapidly changing city that seems to have left them behind.
Metrics
Movie Details
Production Budget: | $3,000,000 |
United Kingdom Releases: | October 25th, 2019 (Wide), released as Last Black Man In San Francisco |
Video Release: | August 13th, 2019 by Lionsgate Home Entertainment |
MPAA Rating: | R for language, brief nudity and drug use. (Rating bulletin 2571 (Cert #52115), 3/27/2019) |
Running Time: | 121 minutes |
Keywords: | Sundance Film Festival 2019, Set in San Francisco, Skateboarding, Race Relations, Squatting, Life Drama, African Americans |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | A24, Longshot Features, Plan B Entertainment |
Production Countries: | United States |
Languages: | English |
2019 - Holiday Gift Guide - Part III - Limited Releases, Classics, Foreign Imports
December 16th, 2019
The first two installments of our Holiday Gift Guide had plenty of first-run releases and several TV on DVD releases. This installment includes limited releases and foreign imports. The list of classics isn’t up to the usual standards for the same reasons the TV on DVD list was rather short. Streaming is taking over that part of the market. Did you know The Criterion Collection has their own streaming service? So does Magnolia Pictures. On the one hand, that’s a lot of amazing movies for one price. On the other hand, as a fan of physical media, I’m not happy streaming is becoming so popular. There are still some great smaller titles worthy of the season.
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Home Market Releases for August 27th, 2019
August 28th, 2019
This week, the main list of new releases is particularly short for two reasons. Firstly, it is a slow week. Secondly, I’ve filtered out the TV on DVD releases for their own section. I’ve been meaning to do this for a while and we are entering the heart of TV on DVD season on the home market, so it made sense to do it this week. (I’m including all TV on DVD releases, both individual seasons and full series Megasets.) As for the biggest new releases, there are not a lot to talk about. Godzilla: King of the Monsters and The Secret Life of Pets 2 both missed expectations at the box office, but both are worth picking up for their respective target audiences. As for the best, only The Last Black Man in San Francisco and Rocketman are contenders for Pick of the Week. The latter has far better extras, but the former is the better movie and wins that title.
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Theater Averages: Lion King Can’t Be Dethroned
July 31st, 2019
The Lion King remained in first place on the overall chart and the theater average chart. It managed an average of $16,216 on the latter, putting it ahead of Honeyland, which landed in second place with an average of $15,000 in two theaters. The Farewell remained in the $10,000 club with an average of $11,246 in 135 theaters. Once Upon a Time... in Hollywood was the final film in the $10,000 club with an average of $11,228.
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Theater Averages: Endgame Bids Farewell to One of Its Records
July 18th, 2019
The Farewell topped the theater average chart with an average of $87,833 in four theaters. This was not only the best of the weekend, it overtook Avengers: Endgame for the best theater average of the year. Anytime a film does better than Endgame, it is serious reason to celebrate. The Art of Self-Defense was well back with an average of $16,339 in seven theaters. This is still a good start, but I don’t know if it is good enough for its planned wide expansion. The final film in the $10,000 club was Sword of Trust with an average of $11,256 in two theaters.
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Theater Averages: Quiet Weekend
June 27th, 2019
There weren’t many new releases to talk about, but a surprising percentage of them landed in the $10,000 club. This includes the overall box office champ, Toy Story 4, which opened with an average of $26,428. Wild Rose was the best of the limited releases earning an average of $13,235 in four theaters, while Toni Morrison: The Pieces I Am was right behind with an average of $12,013, also in four theaters.
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Theater Averages: Nothing New to Report
June 20th, 2019
There were no new releases in the $10,000 club this past weekend. That’s not to say there were no films that reached that mark, but neither of them were new. Paris is Burning is a re-release of a 1991 documentary and it earned $10,839 in its lone theater. Meanwhile, The Last Black Man in San Francisco spent a second weekend in the $10,000 club with an average of $10,581 in 36 theaters.
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Theater Averages: Late Night Gets Off to an Early Start
June 13th, 2019
2019 set a new record on the theater average chart, as Late Night got off to the fastest start for a limited release so far earning an average of $61,576 in four theaters during its opening weekend. This is better than Echo in the Canyon managed just two weeks ago, although Avengers: Endgame still owns the overall record with an average of $76,601. The Last Black Man in San Francisco also did incredibly well with an average of $33,610 in seven theaters. This Ones for the Ladies was well back with an opening of $13,688 in one theater. Meanwhile, the overall number one film, The Secret Life of Pets 2, was the final film in the $10,000 club with an average of $10,229.
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Limited and VOD Releases: Will it be Good Night for Limited Releases?
June 7th, 2019
Late Night should be the biggest box office hit of the week with an already scheduled wide expansion next weekend. However, it isn’t the only film that has a chance to do well. The Last Black Man in San Francisco is also earning some strong buzz, while there are a number of documentaries vying for audiences this week.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2019/10/25 | 19 | $91,345 | 120 | $761 | $91,345 | 1 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 10/8/2020 | $2,689 | 3 | 4 | 26 | $30,778 | 10/19/2022 |
North America | 6/7/2019 | $235,272 | 7 | 207 | 1,083 | $4,515,719 | |
United Kingdom | 10/25/2019 | $91,345 | 120 | 120 | 120 | $91,345 | 10/30/2019 |
Worldwide Total | $4,637,842 | 10/19/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Jimmie Fails | Jimmie Fails |
Supporting Cast
Jonathan Majors | Montgomery Allen |
Rob Morgan | James Sr. |
Tichina Arnold | Wanda Fails |
Danny Glover | Grandpa Allen |
Mike Epps | Bobby |
Tonya Glanz | Nina |
Thora Birch | Becca |
Finn Wittrock | Clayton |
Mari Kearney | Phyllis |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Joe Talbot | Director |
Rob Richert | Screenwriter |
Joe Talbot | Screenwriter |
Joe Talbot | Story by |
Joe Talbot | Producer |
Khaliah Neal | Producer |
Brad Pitt | Producer |
Dede Gardner | Producer |
Jeremy Kleiner | Producer |
Christina Oh | Producer |