Hungary Box Office for Im Keller (2015)
| Theatrical Performance (US$) | ||
| Hungary Box Office | $723 | Details |
| Worldwide Box Office | $7,645 | Details |
| Further financial details... | ||
Synopsis
The film is about people and basements and what people do in their basements in their free time. The film is about obsessions. The film is about brass-band music and opera arias, about expensive furniture and cheap male jokes, about sexuality and shooting, fitness and fascism, whips and dolls.
Metrics
Movie Details
| Hungary Releases: | February 11th, 2016 (Wide) |
| MPAA Rating: | Not Rated |
| Running Time: | 85 minutes |
| Keywords: | Sexual Fetishism |
| Source: | Based on Real Life Events |
| Genre: | Documentary |
| Production Method: | Live Action |
| Creative Type: | Factual |
| Production/Financing Companies: | Ulrich Seidl Film, Coop99, ORF |
| Production Countries: | Austria |
| Languages: | German |
Per Theater Chart: Spotlight Shines Bright
November 10th, 2015
It was a busy week on the per theater chart with seven films in the $10,000 club. Spotlight led the way with an average of $59,002 in five theaters. This is the fourth best opening weekend average of 2015, just ahead of While We're Young and just behind Ex Machina. Brooklyn was next with an average of $37,456, also in five theaters. It opened on Wednesday, so its weekend average was a little lower than it otherwise would have been. The overall number one film, Spectre, was third with an average of $17,919. In Jackson Heights was on the opposite end of the scale playing in just one theater. It did well with an opening of $15,150. Trumbo was very close behind with an average of $14,835 in five theaters. Its reviews suggest it won't expand significantly, but this is a great start. The second wide release of the week was The Peanuts Movie, which opened with an average of $11,345. The final film in the $10,000 club was Peggy Guggenheim - Art Addict, which earned an average of $11,129 in two theaters.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2016/02/12 | 20 | $723 | 2 | $362 | $723 | 1 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Hungary | 2/11/2016 | $723 | 2 | 2 | 2 | $723 | 12/31/2018 |
| North America | 11/6/2015 | $748 | 1 | 1 | 4 | $3,643 | |
| Spain | 1/15/2016 | $2,169 | 7 | 7 | 8 | $3,279 | 11/16/2018 |
| Worldwide Total | $7,645 | 12/31/2018 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Documentary Subject(s)
| Fritz Lang | Himself |
| Alfreda Klebinger | Herself |
| Manfred Ellinger | Himself |
| Inge Ellinger | Herself |
| Josef Ochs | Himself |
| Alessa Duchek | Herself |
| Gerald Duchek | Himself |
| Cora Kitty | Herself |
| Peter Vokurek | Himself |
| Walter Holzer | Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Ulrich Seidl | Director |
| Martin Gschlacht | Director |
| Ulrich Seidl | Producer |
| Christopher Brunner | Editor |
| Martin Gschlacht | Co-Producer |
| Ekkehart Baurmung | Sound Mixer |
| Konstantin Seitz | Line Producer |
| Daniel Hoesl | Assistant Director |
| Astrid Wolfrig | Assistant Director |
| Martin Gschlacht | Cinematographer |