South Korea Box Office for Hostiles (2017)
Theatrical Performance (US$) | ||
South Korea Box Office | $214,732 | Details |
Worldwide Box Office | $36,976,336 | Details |
Home Market Performance | ||
North America DVD Sales | $4,008,468 | Details |
North America Blu-ray Sales | $2,628,801 | Details |
Total North America Video Sales | $6,637,269 | |
Further financial details... |
Synopsis
The story of a legendary Army Captain, who after stern resistance, reluctantly agrees to escort a dying Cheyenne war chief and his family back to tribal lands. Making the harrowing and perilous journey from Fort Berringer, an isolated Army outpost in New Mexico, to the grasslands of Montana, the former rivals encounter a young widow, whose family was murdered on the plains. Together, they must join forces to overcome the punishing landscape, hostile Comanche and vicious outliers that they encounter along the way.
Metrics
Movie Details
Production Budget: | $50,000,000 |
South Korea Releases: | April 10th, 2018 (Wide) |
Video Release: | April 10th, 2018 by Lionsgate Home Entertainment |
MPAA Rating: | R for strong violence, and language. (Rating bulletin 2501 (Cert #51165), 11/8/2017) |
Running Time: | 127 minutes |
Keywords: | 1890s, Native Americans, Set in New Mexico, Death of a Spouse or Fiancée / Fiancé, Death of a Son or Daughter, Bigotry, Redemption, Enemies Forced to Work Together, Sex Crimes, Revisionist Western |
Source: | Based on Fiction Book/Short Story |
Genre: | Western |
Production Method: | Live Action |
Creative Type: | Historical Fiction |
Production/Financing Companies: | Waypoint Entertainment, Bloom , Le Grisbi |
Production Countries: | United States |
Languages: | English |
Home Market Releases for April 24th, 2018
April 25th, 2018
Paddington 2 is the biggest release of the week and clearly at least one of the best. However, it isn’t the only film that’s a Pick of the Week contender. Bombshell: The Hedy Lamarr Story, Miss Kobayashi’s Dragon Maid, and others were all in contention for that honor. In the end, the Paddington 2 Blu-ray Combo Pack earned that title.
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Home Market Releases for April 10th, 2018
April 10th, 2018
The last box office hit of 2017, The Greatest Showman, hits the home market this week. There are also a couple of Awards Season contenders, but for the most part, it is another slow week. Phantom Thread on Blu-ray is the clear Pick of the Week winner. Meanwhile, Molly’s Game on Blu-ray Combo Pack is the only real competition.
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Theater Averages: Exits is Golden with $11,719, Fifty Shades Freed Settles for Silver
February 13th, 2018
Golden Exits earned first place with $11,719 in its lone theater. The only other film in the $10,000 club was Fifty Shades Freed with an average of $10,234.
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Weekend Wrap-Up: Jumanji Rumbles Back to the Top with $10.93 million
February 6th, 2018
Jumanji: Welcome to the Jungle earned first place for the fourth time over the weekend with $10.93 million, while Maze Runner: The Death Cure was a close second with $10.47 million. This left Winchester in third place with $9.31 million, but it could have been much worse. Overall, the weekend fell 33% from last weekend with $95 million. More importantly, is 3.6% lower than the same weekend last year. 2018 lost its small lead over 2017 before the weekend and it is now 0.8% or $8 million below last year’s pace at $1.04 billion to $1.05 billion. It’s going to get a lot worse next weekend, due to the misalignment in holidays, but I think 2018 will quickly recover after that.
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Weekend Predictions: Winchester Takes Aim at the Competition
February 1st, 2018
It’s Super Bowl weekend and the only film attempting to compete with the sporting event is Winchester. Unfortunately, its nearly noon on Thursday and there are still no reviews on Rotten Tomatoes. This means Maze Runner: The Death Cure and Jumanji: Welcome to the Jungle will be in a race for first place over the weekend, while Winchester will have to settle for third place. This weekend last year, Rings was the biggest new release of the week. It wasn’t a hit, but it was bigger than any film this week will be, preventing 2018 from winning the year-over-year competition.
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Theater Averages: Padmaavat Spices Up the Theater Average Chart
January 31st, 2018
Padmaavat was the only film to hit the $10,000 club earning an average of $13,179 in 324 theaters.
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Weekend Wrap-Up: Maze Runner Leads 2018 to a Photo Finish with $24.17 million
January 30th, 2018
Maze Runner: The Death Cure beat expectations by a little bit with $24.17 million. In fact, every film in the top five this this weekend, except one, topped expectations, including the other new release, Hostiles. This helped the overall box office rise 2.6% from last week. It did fall 0.8% from last year, but 2018 is still ahead of 2017 by $18 million or 2.1% at $908 million to $890 million.
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Weekend Estimates: Maze Runner Trilogy Ends with $23.5 Million Opening
January 28th, 2018
The delayed final film in the Maze Runner trilogy, The Death Cure, will open with $23.5 million, per Fox’s Sunday morning estimate. With another $82 million overseas so far, the film will have earned a little over $100 million by the end of the weekend, and its early international pace looks a little better than The Scorch Trials, which amassed $78 million over its first two weekends back in 2015. (Scorch Trials had a more staggered release, making a direct comparison difficult.)
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Friday Estimates: The Maze Runner Franchise Sputters in the end with $8.4 million
January 27th, 2018
As expected, Maze Runner: The Death Cure opened in first place on Friday. The film pulled in $8.4 million during its opening day, which is about 30% lower than its immediate predecessor. If this film has the same legs, it will open with $23 million during the weekend. I think that seems likely, as the two films have earned nearly identical reviews and both films earned a B plus from CinemaScore. This should be enough for the film to nearly match its $62 million production budget domestically, so if it can top $150 million worldwide, it will break even.
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Thursday Night Previews: Maze Runner Chases Down $1.5 Million
January 26th, 2018
Maze Runner: The Death Cure started its box office run with $1.5 million in previews. By comparison, the first film earned $1.1 million, while the second pulled in $1.7 million. If this film had the same legs as its immediate predecessor, then it will open with between $26 million and $27 million. I think its opening weekend will be a little bit lower, as the entire genre is off its peak, but this is still better than our prediction and enough to keep the studio happy.
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Weekend Predictions: Can Maze Runner Sprint to the Finish Line?
January 25th, 2018
Maze Runner: The Death Cure, is the final installment of the Maze Runner trilogy and is the only wide release of the week. It is guaranteed first place, unless something horrible happens, but there’s almost no chance it will live up to the other two installments. Hostiles is expanding wide, but I don’t have a lot of faith in the film’s box office chances. It is almost the exact wrong time to expand. This weekend last year, Split had a surprisingly good hold earning $25 million, while four other films earned more than $10 million at the box office. That’s not going to happen this year, so 2018 will lose in the year-over-year comparison. It shouldn’t be a complete blowout, on the other hand.
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Theater Averages Chart is Hostile Territory
January 23rd, 2018
No film reached the $10,000 club. In fact, Hostiles was the best film with an average of $6,666 in 49 theaters. Mary And The Witch’s Flower looks like it had a better weekend; however, its numbers are complicated. The film earned $1.17 million during its Thursday special showings in 573 theaters for an average of $2,037. Then it earned $330,000 in 161 theaters over the weekend in regular screenings for an average of $2,050. This shows that Anime fans are not numerous, but they are very eager for special screenings.
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Theater Averages: The Post Posts Top Marks with average of $58,446 / $84,673
December 27th, 2017
The Post dominated the Christmas weekend, earning an average of $58,446 in nine theaters, $84,673 if you include Christmas Day. The second best result of the four-day weekend was Phantom Thread, which earned an average of $31,818 in four theaters on Christmas Day alone. Last week’s winner, The Last Jedi, earned an average of $16,911 during its second weekend of release. The final two films in the $10,000 club were I, Tonya and Along With The Gods: The Two Worlds with averages of $11,169 and $10,914 respectively.
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Weekend Estimates: Last Jedi Easily Holds Off Five Newcomers
December 24th, 2017
It’s a very crowded weekend, to say the least, in theaters, with five new wide releases already playing, and another joining the fray tomorrow. The Last Jedi is unperturbed by the competition, and will come out an easy winner, according to studio estimates released on Sunday. Its $68.486 million projected 3-day gross takes it to $365 million after 10 days in release. Among its new records this weekend, it became the 3rd-fastest film to earn $350 million at the domestic box office, and will have the 3rd-best Christmas weekend. All this is in spite of the fact that takings are expected to be down significantly today as everyone prepares for, or starts celebrating, the holiday.
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Limited and VOD Releases: Mr. Postman, Deliver Me a Hit
December 22nd, 2017
It’s Christmas weekend, and, while there are a large number of wide releases, there are not that many limited ones. Some of them, like The Post, are going for Oscar glory. Others just feel like they are being dumped into theaters to disappear.
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Hostiles Trailer
December 14th, 2017
Western starring Christian Bale, Wes Studi, and Rosamund Pike opens December 22 ... Full Movie Details.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2018/04/20 | 11 | $112,673 | 276 | $408 | $154,940 | 2 | |
2018/04/27 | - | $5,440 | -95% | 15 | $363 | $203,804 | 3 |
2018/05/11 | - | $1,374 | 4 | $344 | $212,822 | 5 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Australia | 12/7/2018 | $12,888 | 28 | 28 | 52 | $24,905 | 12/17/2018 |
France | 3/16/2018 | $901,548 | 0 | 233 | 233 | $2,928,856 | 6/13/2018 |
Italy | 3/22/2018 | $533,421 | 0 | 0 | 0 | $903,058 | 9/12/2018 |
Netherlands | 3/30/2018 | $70,418 | 37 | 38 | 110 | $220,641 | 4/16/2018 |
North America | 12/22/2017 | $22,849 | 3 | 2,934 | 9,935 | $29,819,114 | 11/12/2020 |
Portugal | 3/23/2018 | $34,023 | 24 | 27 | 58 | $77,123 | 6/12/2018 |
Russia (CIS) | 2/15/2018 | $135,087 | 423 | 423 | 423 | $213,057 | 1/1/2019 |
South Korea | 4/10/2018 | $0 | 0 | 276 | 295 | $214,732 | 9/10/2018 |
Turkey | 4/13/2018 | $15,206 | 88 | 88 | 89 | $25,356 | 2/26/2019 |
United Kingdom | 1/5/2018 | $516,298 | 280 | 280 | 476 | $1,055,099 | 1/17/2018 |
Rest of World | $1,494,395 | ||||||
Worldwide Total | $36,976,336 | 11/12/2020 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Christian Bale | Captain Joseph Blocker |
Wes Studi | Chief Yellow Hawk |
Rosamund Pike | Rosalee Quaid |
Supporting Cast
Jesse Plemons | Lt. Rudy Kidder |
Adam Beach | Black Hawk |
Rory Cochrane | Master Sgt. Thomas Metz |
Ben Foster | Sgt. Charles Wills |
Q'Orianka Kilcher | Elk Woman |
Tanaya Beatty | Living Woman |
Jonathan Majors | Corp. Henry Woodsen |
Timothée Chalamet | Pvt. Philip Dejardin |
Paul Anderson | Corp. Tommy Thompson |
Ryan Bingham | Sgt. Paul Malloy |
David Midthunder | Buffalo Man |
John Benjamin Hickey | Capt. Royce Tolan |
Stephen Lang | Col. Abraham Biggs |
Bill Camp | Jeremiah Wilkes |
Scott Wilson | Cyrus Lounde |
Scott Shepherd | Wesley Quaid |
Robyn Malcolm | Minnie McCowan |
Ava Cooper | Lucy Quaid |
Stella Cooper | Sylvie Quaid |
Gray Wolf Herrera | Middle-Aged Apache Man |
Stafford Douglas | Corp. Molinor |
Xavier Horsechief | Little Bear |
Austin Rising | Fort Winslow Lance Corporal |
Boots Southerland | Buffalo Hunter |
Dicky Eklund Jr. | Hatchet Face |
Scott Anderson | Muny |
Brian Duffy | Silas Lounde |
Richard Bucher | Ezekiel Lounde |
Luce Rains | Virgil Lounde |
James Cady | Butte Train Conductor |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Scott Cooper | Director |
Scott Cooper | Screenwriter |
Donald E. Stewart | Story based on the manuscript by |
John Lesher | Producer |
Ken Kao | Producer |
Scott Cooper | Producer |
Will Weiske | Executive Producer |
Donald E. Stewart | Executive Producer |
Byron Allen | Executive Producer |
Carolyn Folks | Executive Producer |
Jennifer Lucas | Executive Producer |
Terence Hill | Executive Producer |
Mark Devitre | Executive Producer |
Chris Charalambous | Executive Producer |
Mark Borde | Executive Producer |
Masanobu Takayanagi | Director of Photography |
Donald Graham Burt | Production Designer |
Tom Cross | Editor |
Jenny Eagan | Costume Designer |
Max Richter | Composer |
Francine Maisler | Casting Director |
Sean Murphy | Co-Producer |
Josh Rosenbaum | Co-Producer |
Jennifer Semler | Co-Producer |
Alex Walton | Co-Producer |
Michele “Shelley” Ziegler* | First Assistant Director |
Xanthus Valan | Key Second Assistant Director |
Doug Coleman | Stunt Coordinator |
Jeff Valeri | Production Supervisor |
Scott Peterson | Script Supervisor |
Edward McLoughlin | Set Decorator |
Elliott Glick | Art Director |
Dan Jennings | Set Designer |
James Tocci | Set Designer |
Catherine Farrell | Associate Producer |
Catherine Farrell | Post-Production Supervisor |
John To | First Assistant Editor |
Rick Derby | First Assistant Editor |
Lucian Johnston | Second Assistant Editor |
Lori Guidroz | Hairstylist |
Doniella Davy | Make up |
Carlton Coleman | Special Make-up Effects |
Jose Antonio Garcia | Sound Mixer |
Emily Egge | Costume Supervisor |
Skip Lievsay | Supervising Sound Editor |
Craig Berkey | Sound Designer |
Paul Urmson | Sound Designer |
Katrina Schiller | Music Editor |
Wyatt Sprague | Sound Editor |
Larry Zipf | Sound Editor |
Michael Feuser | Dialogue Editor |
Skip Lievsay | Re-recording Mixer |
Paul Urmson | Re-recording Mixer |
David Greene | Special Effects Coordinator |
Colleen Gibbons | Supervising Location Manager |
David Manzanares | Location Manager |
Rupert Coulson | Score Recordist |
Rupert Coulson | Score Mixer |
Oliver Atherton | Visual Effects Supervisor |
Charlotte Moore | Visual Effects Producer |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.