Serbia and Montenegro Box Office for Hitchcock (2012)
Theatrical Performance (US$) | ||
Serbia and Montenegro Box Office | $38,534 | Details |
Worldwide Box Office | $24,742,844 | Details |
Home Market Performance | ||
North America Blu-ray Sales | $1,427,242 | Details |
Total North America Video Sales | $1,427,242 | |
Further financial details... |
Synopsis
A love story about one of the most influential filmmakers of the last century, Alfred Hitchcock and his wife and partner Alma Reville. The film takes place during the making of Hitchcock's seminal movie Psycho.
Metrics
Movie Details
Serbia and Montenegro Releases: | February 28th, 2013 (Wide) |
Video Release: | March 12th, 2013 by Fox Home Entertainment |
MPAA Rating: | PG-13 for some violent images, sexual content and thematic material. (Rating bulletin 2243, 10/3/2012) |
Running Time: | 98 minutes |
Keywords: | Biography, Movie Business, Hallucinations, Performing Arts, Prologue, Breaking the Fourth Wall, Death of a Sibling, Non-Chronological, Biographical Drama |
Source: | Based on Factual Book/Article |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Fox Searchlight Pictures, Cold Springs Pictures, Montecito Picture Company, Barnette / Thayer, Dune Entertainment, Ingenious Media |
Production Countries: | United States |
Languages: | English |
Blu-ray Sales: March 17th, 2013: Lively Starts for Guardians and Pi
April 29th, 2013
New releases did better on Blu-ray than they did on DVD with eight films charting on the March 17th, 2013 edition of the Blu-ray sales chart. They were led by Rise of the Guardians, which sold 584,000 units / $11.77 million. Its opening week Blu-ray share was 42%, which is strong, for a kids movie.
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Contest: Truly Scary Contest: Winning Announcement
April 16th, 2013
The winners of our Truly Scary Contest contest were determined and they are...
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Contest: Truly Scary Contest
April 5th, 2013
Next weekend, there are two wide releases, 42 and Scary Movie 5. The former will likely be the better film and should win in the end, but the latter will likely start faster. Because of this, it is the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for Scary Movie 5.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Hitchcock on Blu-ray Combo Pack.
Meanwhile, whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will win a copy of Fairfield Road on DVD.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Contest: Duke it Out: Winning Announcement
April 2nd, 2013
The winners of our Duke it Out contest were determined and they are...
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Contest: Better Late than Never: Winning Announcement
April 2nd, 2013
The winners of our Better Late than Never contest were determined and they are...
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DVD and Blu-ray Releases for March 19th, 2013
March 19th, 2013
It is a very healthy week on the home market, at least at the top, as there are a number of big hits and Awards Season contenders. The biggest of these is The Hobbit: An Unexpected Journey. The film didn't live up to expectations, but it is still worth picking up, especially if you've made the leap to 3D. There are also a couple of Awards Season contenders coming out this week, but I'm waiting for the screeners for both of them. Les Miserables has generated a lot of praise, but also some harsh criticisms. On the other hand, Zero Dark Thirty was one of the best movies of the year and even sight unseen, the Blu-ray Combo Pack is the Pick of the Week.
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DVD and Blu-ray Releases for March 12th, 2013
March 13th, 2013
There are not many first run releases coming out on the home market this week, but two of them, Life of Pi and Rise of the Guardians, rose to Pick of the Week status. For that honor, we have to turn to an older release, Who Framed Roger Rabbit?, which celebrated its 25th Anniversary by coming out on Blu-ray for the first time. Yes, it is shovelware, but it is still the best movie on this week's list. If you don't have the DVD already and really don't like Pan & Scan, you might want to wait till Disney fixes the mix-up with the DVD portion of the Combo Pack.
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Featured Blu-ray / DVD Review: Hitchcock
March 11th, 2013
Hitchcock opened in limited release earning an per theater average of nearly $17,000 in 17 theaters. It went on to make more than $6 million in total, including more than $1 million during its biggest weekend. This is an impressive run compared to most limited releases. However, Hitchcock was expected to be a player during Awards Season and many thought it would be able to expand wide, or at least semi-wide. Granted, there were a lot of Oscar hopefuls that opened during the same time period. Did this one just get lost in the crowd? Or was there a reason it missed admittedly high expectations?
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2013 Awards Season: Lincoln Oversees a Divided Group of Nominees
January 10th, 2013
The Oscar nominations were announced this morning, and there's certainly a lot to talk about. There are some nominations that should surprise no one. For instance, Lincoln led the way with twelve nominations, and it has been seen as the major contender for a long time. However, there were also a few surprise nominations and some major snubs. Here are the list of nominations, and some reactions.
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Per Theater Chart: Zero to $1 million in Nine Days
January 3rd, 2013
Zero Dark Thirty shot up to the top of the per theater chart with averages of $83,430 during its opening weekend and $63,283 during its sophomore stint. Expanding truly wide is virtually guaranteed. Amour was well back with an average of $20,005 over the past weekend and $22,755 during its opening weekend. The Impossible rose 27% to $12,172 in 15 theaters. This is a great sign and while its reviews are too low to be a major contender during Awards Season, it should still do well enough to expand significantly, but probably not truly wide. The final film in the $10,000 club was Django Unchained, which opened with an average of $10,008.
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Per Theater Chart: Hobbit Reaches the Top
December 18th, 2012
The Hobbit: An Unexpected Journey easily led the way on the per theater chart. In fact, it was the only film to top $10,000. The film pulled in an average of $20,919, which is great for this time of year. The best new release was Let Fury Have the Hour, which only managed $3,386 in its lone theater.
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Awards Season: Lincoln Shows a United Front at the Golden Globes
December 13th, 2012
The Hollywood Foreign Press Association announced their nominations and the same list of films that have been mentioned since the beginning of Awards Season were rewarded today. Lincoln led the way with seven nods, while Argo and Django Unchained were close behind with five.
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2013 Awards Season: SAG Focuses a Searchlight on Silver Linings
December 12th, 2012
SAG nominations were announced and there were only a few surprises to deal with. Leading the way for total nominations was The Silver Linings Playbook, Lincoln, and Les Miserables, all of which earned nominations in four of the six categories.
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Per Theater Chart: Hyde Hits it Out of the Park
December 11th, 2012
Hyde Park on the Hudson opened on top of the per theater chart with an average of $20,341 in four theaters. That is good for a limited release, but bad for a potential Awards Season contender, which is how many people saw the film prior to its release. Additionally, with weak reviews, it has little hope at long legs. Burn was much further back at $13,602, also in four theaters. Rust and Bone saw its theater count double to four, but its per theater average actually grew to $13,015. Its word-of-mouth is outstanding. Beware of Mr. Baker remained in the $10,000 club with $10,349 in one theater.
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Weekend Estimates: Killing Has Soft Opening
December 2nd, 2012
The weekend after Thanksgiving is not known for its box office prowess, and this year is proving no different. Most films in the top 10 are down around 50% from last weekend, and the new wide releases are both falling short of their respective distributor's hopes. Killing Them Softly is headed for a $7 million debut, according to Weinstein, which is Brad Pitt's worst wide opening since Sinbad: Legend of the Seven Seas back in 2003, and worst live action wide release since 1994's The Favor. Meanwhile, LD Distribution is projecting $3.4 million for The Collection in 1,403 theaters, which is less of a surprise, but still a disappointment. With those two misfires, the top of the chart is once more populated by Breaking Dawn, Part 2 and Skyfall, which are essentially neck and neck at this point, with Twilight topping $250 million domestically this weekend and Bond set to reach that landmark in the next few days.
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Per Theater Chart: Hitching a Ride to the Top
November 27th, 2012
It was a particularly busy week on top of the per theater chart with seven films topping the $10,000 mark. Leading the way was Hitchcock with an average of $16,924 in 17 theaters. This is good for a limited release, but not great, and given the competition at this time of year, it needed to be great to survive. Anna Karenina expanded from 16 theaters to 66 earning an average of $13,580. Again, this is good, but not great. Rust and Bone was next with an average of $13,577 in two theaters. If it had sold just one more ticket, it would have earned second place instead of third on this list. Lincoln actually saw its per theater average grow reaching $12,724. It has already expanded truly wide and it should expand at least a little bit more. Likewise, Silver Linings Playbook should also expand more, as its per theater average this week was $11,945; however, it likely won't expand wide. The overall box office leader, The Twilight Saga: Breaking Dawn, Part 2, was next up with an average of $10,723. The Central Park Five topped $10,000 on the per theater chart, barely, with an average of $10,190 in three theaters. Skyfall was the final film in the $10,000 club with an average of $10,069. It is pretty rare for a film to remain above that mark for three weeks in a row.
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Weekend Estimates: Twilight and Bond Lead Record-Setting Thanksgiving
November 25th, 2012
As expected, The Twilight Saga: Breaking Dawn, Part 2 and Skyfall are dominating the Thanksgiving charts, and, with some help from three new releases and two strong holdovers, will produce the most lucrative Thanksgiving holiday in history. All told, we should see something a little over $200 million in revenue for the three-day portion of the weekend, placing it in the top 20 weekends of all time. Breaking Dawn, Part 2 is tracking about in line with Part 1 at this point in its run. In contrast, Skyfall is well ahead of James Bond's previous outing, and has become the first Bond movie to top $200 million domestically (before adjusting for inflation).
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Limited Releases are Going Psycho
November 23rd, 2012
It's a pretty light week for limited releases. Hitchcock is by far the biggest release, but its reviews are only mixed, so its box office chances are not strong. On the other hand, The Central Park Five is earning reviews that are strong enough that it should thrive, at least in limited release. It is very rare for a documentary to expand wide, even under the best of circumstances.
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2012 Preview: November
November 1st, 2012
October was pretty good with a few films really crushing expectations, which made up for the few duds that opened at the end. 2012 gained about $100 million over 2011 during the month of October. We really needed this success and hopefully November will continue this push forward. However, November is a bit of a weird month. There are five weekends, but only eight true wide releases, half of which open on the Thanksgiving long weekend, leaving the other four weeks with just one true wide release each. There are a couple others opening in the semi-wide level and another opening in limited release with a planned wide release, but even so, it is not a busy month. That said, it is a case of quality over quantity. There are four films that are pretty much guaranteed to reach $100 million, one of which should reach $300 million. By comparison, last November only produced one $100 million film. Granted, that film was The Twilight Saga: Breaking Dawn, Part 1, which made nearly $300 million, which is a huge number no matter how you look at it. But this year, The Twilight Saga: Breaking Dawn, Part 2 should top that number and with the other $100 million movies pulling in more than $400 million combined, it should be a very profitable month at the box office.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2013/03/01 | 3 | $6,302 | 11 | $573 | $26,068 | 1 | |
2013/03/08 | 6 | $2,822 | -55% | 11 | $257 | $33,069 | 2 |
2013/03/15 | 10 | $1,246 | -56% | 11 | $113 | $36,119 | 3 |
2013/03/22 | 18 | $274 | -78% | 11 | $25 | $37,146 | 4 |
2013/04/05 | 14 | $310 | 11 | $28 | $37,837 | 6 | |
2013/04/12 | 18 | $154 | -50% | 11 | $14 | $38,167 | 7 |
2013/04/19 | 18 | $63 | -59% | 11 | $6 | $38,534 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 3/7/2013 | $74,274 | 28 | 32 | 82 | $137,154 | 12/30/2018 |
Australia | 1/10/2013 | $1,294,301 | 220 | 220 | 762 | $3,807,715 | 12/14/2015 |
Austria | 3/15/2013 | $43,177 | 24 | 24 | 115 | $136,287 | 12/14/2015 |
Bahrain | 3/14/2013 | $2,634 | 2 | 2 | 2 | $3,411 | 12/30/2018 |
Belgium | 2/6/2013 | $76,927 | 28 | 29 | 96 | $178,877 | 12/14/2015 |
Bolivia | 3/7/2013 | $3,156 | 5 | 5 | 5 | $3,156 | 12/30/2018 |
Brazil | 3/1/2013 | $171,347 | 47 | 50 | 145 | $457,970 | 12/14/2015 |
Chile | 2/7/2013 | $42,753 | 23 | 23 | 32 | $88,853 | 12/30/2018 |
Colombia | 3/8/2013 | $47,259 | 35 | 35 | 45 | $52,768 | 12/30/2018 |
Croatia | 2/28/2013 | $6,444 | 3 | 3 | 12 | $17,370 | 12/30/2018 |
Czech Republic | 2/7/2013 | $31,453 | 84 | 84 | 162 | $81,448 | 12/30/2018 |
Denmark | 2/21/2013 | $56,786 | 51 | 52 | 103 | $110,147 | 12/14/2015 |
Ecuador | 3/8/2013 | $12,774 | 28 | 28 | 66 | $32,858 | 12/30/2018 |
Estonia | 2/1/2013 | $12,872 | 8 | 8 | 13 | $23,247 | 12/14/2015 |
Finland | 2/1/2013 | $31,330 | 63 | 63 | 82 | $60,094 | 12/14/2015 |
France | 2/6/2013 | $928,501 | 280 | 280 | 560 | $1,612,627 | 12/14/2015 |
Germany | 3/14/2013 | $313,901 | 104 | 135 | 780 | $1,390,466 | 12/14/2015 |
Greece | 2/7/2013 | $65,089 | 17 | 17 | 32 | $120,572 | 12/14/2015 |
Hong Kong | 2/14/2013 | $146,696 | 17 | 17 | 34 | $211,592 | 12/14/2015 |
Hungary | 2/7/2013 | $33,234 | 25 | 25 | 75 | $84,393 | 12/30/2018 |
Israel | 1/31/2013 | $33,420 | 17 | 17 | 33 | $59,990 | 12/30/2018 |
Italy | 4/4/2013 | $111,615 | 20 | 72 | 92 | $378,643 | 12/14/2015 |
Kenya | 2/8/2013 | $0 | 0 | 5 | 8 | $12,796 | 12/30/2018 |
Latvia | 2/1/2013 | $9,168 | 3 | 3 | 11 | $29,394 | 12/30/2018 |
Lebanon | 3/21/2013 | $11,764 | 7 | 7 | 11 | $24,314 | 12/30/2018 |
Lithuania | 3/8/2013 | $3,334 | 2 | 4 | 10 | $26,532 | 12/14/2015 |
Mexico | 2/1/2013 | $112,928 | 66 | 341 | 627 | $682,890 | 12/14/2015 |
Netherlands | 3/14/2013 | $54,833 | 24 | 24 | 48 | $138,769 | 12/14/2015 |
New Zealand | 2/7/2013 | $83,946 | 71 | 71 | 256 | $304,653 | 7/7/2016 |
North America | 11/23/2012 | $287,715 | 17 | 561 | 2,292 | $6,008,677 | 7/7/2016 |
Norway | 3/8/2013 | $26,977 | 47 | 47 | 73 | $75,740 | 12/14/2015 |
Oman | 3/14/2013 | $3,359 | 2 | 2 | 4 | $5,725 | 12/30/2018 |
Peru | 2/28/2013 | $30,787 | 17 | 17 | 48 | $62,574 | 12/30/2018 |
Philippines | 2/6/2013 | $9,417 | 10 | 10 | 12 | $13,327 | 12/30/2018 |
Poland | 3/1/2013 | $73,726 | 71 | 71 | 141 | $163,452 | 12/30/2018 |
Portugal | 2/7/2013 | $68,683 | 36 | 36 | 104 | $187,624 | 12/14/2015 |
Qatar | 3/14/2013 | $2,230 | 2 | 2 | 2 | $3,182 | 12/30/2018 |
Romania | 3/1/2013 | $25,480 | 28 | 28 | 79 | $50,360 | 12/30/2018 |
Russia (CIS) | 2/21/2013 | $483,870 | 527 | 527 | 1054 | $796,490 | 12/30/2018 |
Serbia and Montenegro | 2/28/2013 | $6,302 | 11 | 11 | 77 | $38,534 | 12/30/2018 |
Singapore | 2/14/2013 | $53,157 | 14 | 14 | 30 | $84,765 | 12/14/2015 |
Slovakia | 2/7/2013 | $12,717 | 21 | 21 | 21 | $12,717 | 12/14/2015 |
Slovenia | 2/28/2013 | $3,732 | 4 | 4 | 8 | $9,141 | 12/14/2015 |
South Africa | 4/5/2013 | $32,873 | 22 | 22 | 44 | $63,329 | 12/14/2015 |
Spain | 2/1/2013 | $539,976 | 236 | 244 | 760 | $1,274,565 | 12/14/2015 |
Sweden | 2/8/2013 | $104,227 | 102 | 102 | 227 | $310,142 | 12/14/2015 |
Switzerland | 2/6/2013 | $31,254 | 19 | 19 | 19 | $34,782 | 12/14/2015 |
Taiwan | 4/19/2013 | $7,899 | 7 | 7 | 10 | $16,950 | 12/14/2015 |
Turkey | 3/29/2013 | $30,249 | 23 | 23 | 59 | $80,875 | 12/30/2018 |
Ukraine | 2/21/2013 | $48,127 | 43 | 43 | 98 | $99,383 | 12/30/2018 |
United Arab Emirates | 3/14/2013 | $43,437 | 11 | 11 | 11 | $55,228 | 12/30/2018 |
United Kingdom | 2/8/2013 | $952,278 | 382 | 382 | 712 | $2,392,662 | 12/14/2015 |
Uruguay | 3/8/2013 | $9,062 | 6 | 6 | 18 | $24,313 | 12/30/2018 |
Rest of World | $2,609,321 | ||||||
Worldwide Total | $24,742,844 | 12/30/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Lead Ensemble Members
Anthony Hopkins | Alfred Hitchcock |
Helen Mirren | Alma Reville |
Scarlett Johansson | Janet Leigh |
Danny Huston | Whitfield Cook |
Toni Collette | Peggy |
Michael Wincott | Ed Gein |
Jessica Biel | Vera Miles |
James D'Arcy | Anthony Perkins |
Supporting Cast
Michael Stuhlbarg | Lew Wasserman |
Richard Portnow | Barney Balaban |
Kurtwood Smith | Geoffrey Shurlock |
Ralph Macchio | Joseph Stefano |
Kai Lennox | Hilton Green |
Tara Summers | Rita Riggs |
Wallace Langham | Saul Bass |
Paul Shackman | Bernard Herrman |
Currie Graham | PR Flack |
Spencer Garrett | George Tomasini |
Terry Rhodes | Jack Russell |
Tom Virtue | NY Theater Manager |
Karina Deyko | Pretty Secretary |
Steven Lee Allen | Crew Member |
Richard Chassler | Martin Balsam |
Frank Collison | Henry Gein |
Melinda Chilton | Margo (Perkins' Double) |
Mary Anne McGarry | Hedda Hopper Type |
Jon Abrahams | Reporter #1 |
Gil McKinney | Reporter #2 |
Emma Julia Jacobs | Blonde Fan |
Spencer Leigh | Nunzio |
Sean McPherson | Waiter |
Gerald Casale | David Kirkpatrick |
Tara Arroyave | Woman Waiting in Line |
Judith Hoag | Lillian (Studio Head's Wife) |
Josh Yeo | John Gavin |
Danielle Burgio | Dead Woman in Tub |
John Lacy | First Guard |
Howard Gibson | Party Guest |
Lorie Stewart | Party Guest |
Josette Prevost | Party Guest |
Jaehne Moebius | Party Guest |
Ana Matallana | Female Prop Assistant |
Lindsey Ginter | Male Prop Master |
Paul Henderson | Beach Walker |
Kay Henderson | Beach Walker |
Lisa Marie Boiko | Film Crew |
Sebastian Vale | Film Crew |
Richard Burns | Film Crew |
Michael Kurtz | Film Crew |
Maredith Claire | Film Crew |
Joseph Martino | Film Crew |
Alexia Dubasso | Film Crew |
Jeffrey S. Miles | Film Crew |
John Faircrest | Film Crew |
Jon Renfield | Film Crew |
Gina Fricchione | Film Crew |
Linda Sans | Film Crew |
James R. Gavio | Film Crew |
James Tappan | Film Crew |
James Henderson | Film Crew |
Jon Thibault | Film Crew |
Bruce Holman | Film Crew |
Jason Wingo | Film Crew |
Dion W. H. Holt | Film Crew |
Cynthia Youngblood | Film Crew |
Jeremiah Hundley | Film Crew |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Sacha Gervasi | Director |
John J. McLaughlin | Screenwriter |
Stephen Rebello | Based on the book: 'Alfed Hitchcock and the Making of Psycho |
Ivan Reitman | Producer |
Tom Pollock | Producer |
Joe Medjuck | Producer |
Tom Thayer | Producer |
Alan Barnette | Producer |
Mildred Iatrou Morgan* | Supervising Sound Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.