Mexico Box Office for Medios Hermanos (2020)
Theatrical Performance (US$) | ||
Mexico Box Office | $1,033,099 | Details |
Worldwide Box Office | $3,275,079 | Details |
Further financial details... |
Synopsis
Renato is a successful Mexican aviation executive who is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.
Metrics
Movie Details
Mexico Releases: | May 5th, 2021 (Wide), released as Medios Hermanos |
Video Release: | December 23rd, 2020 by Universal Home Entertainment |
MPAA Rating: | PG-13 for some violence and strong language. (Rating bulletin 2638 (Cert #52465), 7/15/2020) |
Running Time: | 96 minutes |
Keywords: | Buddy Comedy, Unexpected Families, Dysfunctional Family, Road Trip, Hispanic |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | Focus Features, Jason Shuman, Eduardo Cisneros |
Production Countries: | Mexico, United States |
Languages: | English |
Weekend estimates: Wonder Woman stays top over New Year’s Weekend
January 3rd, 2021
Wonder Woman 1984 will remain top at the box office this weekend, according to studio estimates released on Sunday morning, but it’ll do so in spite of a sharp fall from its opening weekend. Warner Bros. projects a $5.5-million weekend for the super hero pic, down 67% from last weekend. That’s not a huge fall for a film like this by historical standards, but it is a surprisingly-sharp decline for the New Year weekend, and considerably worse than any other film reporting, many of which increased their box office from Christmas weekend.
More...
Weekend estimates: Monster Hunter tops domestic chart, Wonder Woman rules the rest of the world
December 20th, 2020
As expected, Monster Hunter will top the domestic chart this weekend, but the big news is Wonder Woman 1984’s global launch to $38.5 million from 30,221 screens in 32 markets.
More...
Weekend estimates: Croods still rule
December 13th, 2020
The Croods: A New Age continues to dominate at the box office (relatively speaking) this weekend, with Universal projecting a weekend box office of $3.01 million for a total of $24.26 million to date. Half Brothers is outperforming expectations in second place with a projected $490,000 sophomore weekend, down just 30% from its last outing.
More...
Weekend predictions: have we reached rock bottom?
December 11th, 2020
In this week’s prediction column, we could focus on the wreckage of the current theatrical market, or look ahead to better times to come. Let’s look ahead, shall we?
Weekend estimates: Croods leads another dismal weekend
December 6th, 2020
The Croods: A New Age will remain top at the box office this weekend, with Universal projecting a $4.4-million weekend as of Sunday morning. That will take the animated adventure past $20 million in total by the end of the day today. That fact pales in comparison to bad news regarding the continued decline in box office receipts. Returning films are falling 12% to 25% short of our model’s pre-weekend predictions. Part of that is down to the post-Thanksgiving decline that’s to be expected, but the continued toll of the pandemic is further dragging on spending. Perhaps the glimmer of good news is that more people are heeding experts’ advice and watching their movies at home.
More...
Weekend predictions: Half Brothers, All My Life unlikely to challenge Croods
December 4th, 2020
If 2020 has taught us anything it’s that nothing is certain in life. But one thing we can be fairly confident about this weekend is that The Croods: A New Age will remain top at the box office. Universal’s animated adventure does have some new competition. In fact, there are three new wide releases: Half Brothers (in 1,369 theaters), a re-release of Die Hard (1,172 theaters), and romantic drama All My Life. But those three films combined are unlikely to challenge Croods, and individually they are likely to be far behind it.
December preview: Wonder Woman heralds the end of the theatrical window (for now?)
December 1st, 2020
The worst year for the movie theatrical industry in a century will end with a series of releases that might define the business for the next decade. Only three of the major studios are daring to release films in theaters during what is shaping up to be the height of the COVID-19 pandemic. Sony Pictures is going the traditional route with Monster Hunter getting an exclusive theatrical release on Christmas Day. Universal’s deals with AMC and Cinemark to allow shortened theatrical windows in return for sharing PVOD revenue have prompted it and its specialty division Focus Features to release four films this holiday season. But all eyes (or many of them, anyway) will be on Warner Bros.’ release of Wonder Woman 1984 simultaneously in theaters and on HBO Max.
When the studio announced this release strategy back on November 18 there was speculation that, if it worked out well, they might do the same thing with some of their other upcoming films. Today they threw caution to the wind and announced that all of the studio’s 2021 films will be released in theaters and on HBO Max at the same time (in territories where HBO Max is available). While we’re still digesting the news, here are three quick takes on the rationale for Warner Bros. to make this bold leap.
More...
Half Brothers trailer
November 2nd, 2020
Comedy starring Luis Gerardo Mendez and Connor Del Rio is scheduled for release in theaters on December 4 ... Full Movie Details.
Renato is a successful Mexican aviation executive who is shocked to discover he has an American half-brother he never knew about, the free-spirited Asher. The two very different half-brothers are forced on a road journey together masterminded by their ailing father, tracing the path their father took as an immigrant from Mexico to the US.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2021/05/07 | 3 | $336,666 | 0 | $376,865 | 1 | ||
2021/05/14 | 6 | $246,727 | -27% | 0 | $820,745 | 2 | |
2021/05/21 | 9 | $115,346 | -53% | 0 | $1,033,099 | 3 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 5/5/2021 | $336,666 | 0 | 0 | 0 | $1,033,099 | 10/20/2022 |
North America | 12/4/2020 | $700,160 | 1,369 | 1,386 | 4,644 | $2,241,980 | |
Worldwide Total | $3,275,079 | 10/20/2022 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Luis Gerardo Mendez | Renato Murguia |
Connor Del Rio | Asher |
Supporting Cast
Juan Pablo Espinosa | Flavio |
Pia Watson | Pamela |
Bianca Marroquin | Tere |
Ashley Poole | Katherine |
Ian Inigo | Young Renato |
Mike Salazar | Emilio |
Jose Zuniga | Evaristo |
Vincent Spano | Mr. B |
Beatrice Hernandez | Sister Marisa |
Alma Sisneros | Sister Helen |
Jwaundace Candece | Doris |
Hayes Hargrove | Chatty Ride Pair Driver |
Amanda Chacon | Crying Woman #1 |
Ebany Martinez-Finley | Crying Woman #2 |
Shira Scott Astrof | American Reporter |
Nohelia Sosa Crisafulli | Perta |
Mona Malec | Ride Pair Driver (Irene) |
Teresa Decher | Barista Beatrice |
Alaina Warren Zachary | Older Woman (Wake) |
Sale Taylor | Ride Pair Driver (Wake) |
Matt Freeman | Valet |
Luke Greenfield | Insanely Handsome Factory Executive |
Efrain Villa | Edgar |
Manny Rubio | Julio |
Carl Savering | Factory Foreman |
Paul Crow Willis | Shady Man #1 |
Jason Hill | Bus Driver |
Derik Pritchard | Shady Man #2 |
William Douglas Bolich | Border Patrol |
Adam S. Ford | Detention Officer |
Tyler Cook | Lee Ellis |
Kevin Wiggins | Patrolman Mathis |
Howard Ferguson Jr | Corrections Officer Frey |
Catherine Haun | Older Nun |
Andrew Olson | Young Asher |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Luke Greenfield | Director |
Eduardo Cisneros | Screenwriter |
Jason Shuman | Screenwriter |
Ali LeRoi | Story by |
Eduardo Cisneros | Story by |
Jason Shuman | Producer |
Eduardo Cisneros | Producer |
Luke Greenfield | Producer |
Jason Benoit | Producer |
Luis Gerardo Mendez | Executive Producer |
Udi Nedivi | Executive Producer |
Thomas Scott Stanton | Director of Photography |
Ra Arancio Parrain | Production Designer |
Joe Mitacek | Editor |
Daniela Moore | Costume Designer |
Jordan Seigel | Composer |
Anya Colloff | Casting Director |
Michael Nicolo | Casting Director |
Udi Nedivi | Unit Production Manager |
Rip Murray | First Assistant Director |
Kathleen Tull | Second Assistant Director |
Adrian Segura | Set Decorator |
Jess Danielle | Set Designer |
Darryl L. Frank | Sound Mixer |
David Greene | Special Effects Coordinator |
Miriam Showers | Costume Supervisor |
Sheila Trujillo-Gomez | Make up |
Karen Romero | Make up |
Teriann Uccan | Hairstylist |
Daniella Duque | Hairstylist |
Rebecca Puck Stair | Location Manager |
Charee Savedra | Script Supervisor |
Tamara Allen | Production Supervisor |
Russ Paris | Post-Production Supervisor |
Jan Kovac | Additional Editor |
Aaron Garcia | Assistant Editor |
Larissa James | Assistant Editor |
Michael Torres | Assistant Editor |
Brock Hammit | Assistant Editor |
Kami Asgar | Supervising Sound Editor |
Erin Oakley | Supervising Sound Editor |
Jon Wakeham | Dialogue Editor |
Paul Pirola | Sound Designer |
Hayden Collow | Sound Effects Editor |
Brendan Croxon | Sound Effects Editor |
Drew Webster | Re-recording Mixer |
Jeremy B. Davis | Re-recording Mixer |
Ryan Squires | Foley Mixer |
Brendan Hill | Foley Editor |
Alejandro Damiani | Visual Effects Producer |
Leticia Almeida | Visual Effects Executive Producer |
Javier Cruzado | Visual Effects Supervisor |
Angie Rubin | Music Supervisor |
John Witt Chapman | Score Mixer |
Tomás Sánchez | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.