Mexico Box Office for Grandma (2015)
Theatrical Performance (US$) | ||
Mexico Box Office | $28,096 | Details |
Worldwide Box Office | $7,440,964 | Details |
Home Market Performance | ||
North America DVD Sales | $471,719 | Details |
North America Blu-ray Sales | $113,440 | Details |
Total North America Video Sales | $585,159 | |
Further financial details... |
Synopsis
Elle has just gotten through breaking up with her girlfriend when Elle's granddaughter Sage unexpectedly shows up needing $600 bucks before sundown. Temporarily broke, Grandma Elle and Sage spend the day trying to get their hands on the cash as their unannounced visits to old friends and flames end up rattling skeletons and digging up secrets.
Metrics
Movie Details
Mexico Releases: | February 12th, 2016 (Wide) |
Video Release: | February 9th, 2016 by Sony Pictures Home Entertainment |
MPAA Rating: | R for language and some drug use. (Rating bulletin 2372, 5/6/2015) |
Running Time: | 80 minutes |
Keywords: | Intertitle, Teen Pregnancy, Dysfunctional Family, Relationships Gone Wrong, Widow/Widower, LGBTQ+, Money Troubles, Misanthrope, Tattoo Artist, Death of a Spouse or Fiancée / Fiancé, Abortion, Autumn Years, Unexpected Pregnancy, Poet, Comedy Drama, Sundance Film Festival 2015 |
Source: | Original Screenplay |
Genre: | Comedy |
Production Method: | Live Action |
Creative Type: | Contemporary Fiction |
Production/Financing Companies: | 1821 Pictures, Depth of Field |
Production Countries: | United States |
Languages: | English |
Home Market Releases for February 9th, 2016
February 8th, 2016
It's a strange week on the home market, as we have a monster release coming out, Spectre. There are also four or so releases that are contenders for Pick of the Week. But after that, there's a huge drop in quality and we quickly reach releases that are not even worthy of being fillers. Of the contenders, Grandma is the Pick of the Week and it is certainly worth picking up on Blu-ray.
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Featured Blu-ray / DVD Review: Grandma
February 7th, 2016
Grandma was Lily Tomlin's first starring role in nearly 30 years. She clearly wasn't rusty and there was even some Oscar-buzz for her performance. That didn't pan out. Is it as good as its reviews? Or was nostalgia at play here? Were critics just so happy Lily Tomlin was back that their judgment was clouded?
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2015 - Awards Season: Golden Globes - Nominations
December 10th, 2015
The Golden Globes nominations were announced this morning and we are already beginning to see a trend for this year's Awards Season. For the most part, the same films are coming up over and over again. Carol led the way with five awards, while there was a three-way tie for second place with The Big Short, The Revenant and Steve Jobs each picking up four.
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2015 - Awards Season: Independent Spirit Awards - Nominations
November 25th, 2015
Awards Season begins with the Independent Spirit Awards nominations. There were definitely some surprise nominees this year, but that also meant there were some unfortunate snubs as well. The overall leader was Carol, which just opened this past weekend. This is great timing and should help its box office numbers, as well as its chances throughout Awards Season. Its six nominations were one ahead of Beasts of No Nation and Spotlight. (One of Spotlight's was the Robert Altman Award, which has no nominations, just one winner.)
Per Theater Chart: Sicario Continues to Chase Down the Competition
September 29th, 2015
It is very rare for a limited release to repeat on top of the per theater chart, because if a film does well enough to lead the per theater chart, they tend to expand so much that repeating on top becomes nearly impossible. Sicario expanded from 6 to 59 theaters, but still managed first place with an average of $29,107. At this pace, it will expand semi-wide, at the very least. Lost in Hong Kong was next with an average of $19,916 in 27 theaters. It is already more than halfway to its first major milestone after just one weekend of release. I think more and more Chinese films will get limited releases here. 99 Homes was next with an average of $16,127 in two theaters. This is enough to suggest some potential to expand, especially if it can turn its reviews into Award Season Buzz. The overall box office champ, Hotel Transylvania 2, was next with an average of $12,910. The final film in the $10,000 club was Mississippi Grind with $12,434 in its lone theater. It looks like it will be another success for A24.
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Per Theater Chart: Sicario is the Most Wanted Limited Release
September 22nd, 2015
Sicario not only led the weekend on the Per Theater Chart with an average of $66,881 in six theaters. It also had the best per theater average for any film released in 2015, beating out the previous record-holder, Ex Machina, by about $7,500. On a related note, there's already reports of a sequel in the works. Jeremy Scott: The People's Designer was up next with an average of $18,750 in twelve theaters. Finally, there's Everest. This film not only earned a spot in the top five overall, but pulled in an average of $13,251 in over 500 theaters.
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Per Theater Chart: Black Panther Tickled Pink
September 9th, 2015
There was just one film in the $10,000 club, The Black Panthers: Vanguard of the Revolution, which earned $20,215 in its lone theater over the weekend. This is even more impressive, as it was a Wednesday release and earned $28,580 over five days. While it was the only film to reach $10,000 over the three-day weekend,
Un gallo con muchos huevos did earn an average of $11,030 if you include Monday.
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Per Theater Chart: Grandma Takes Victory Lap
September 2nd, 2015
Grandma remained on top of the per theater chart, which is impressive in its own right. While it is not uncommon for a movie to repeat on top of the overall box office, doing so on the per theater chart is a lot rarer. This is because the films most likely to win on the per theater chart are limited releases and if they do well enough to win, they tend to expand the following week. This is what happened with Grandma, which saw its theater count rise from 4 to 19, but its per theater average was still top at $15,330. The only other film in the $10,000 club was War Room, which earned an average of $10,001. That's cutting it really close.
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Weekend Estimates: Compton Tops War Room for Third Win
August 30th, 2015
Straight Outta Compton will win a third weekend at the box office, according to studio estimates released on Sunday, but it won’t be without a struggle. The biopic lost on Friday to War Room, a faith-based film that opened in just 1,135 theaters, and the weekend race will finish with just a couple of million dollars between the two films, with Compton’s $13.2 million edging out War Room’s $11 million. Compton now has $134 million in the bank, making it the fifth-highest-grossing biographical film after American Sniper ($350 million), Lincoln ($182 million), A Beautiful Mind ($170 million), and Catch Me if You Can ($165 million). If you’re playing the Oscars game at home already, it’s worth noting that three of the four films above it received Best Picture nominations (Catch Me if You Can being the odd-one-out).
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Per Theater Chart: Grandma's Road Trip to Success
August 26th, 2015
Grandma led all of the new releases, both in terms of reviews and in terms of per theater average. The film opened with $116,000 in four theaters for an average of $28,885. There was a very tight race for second place between The Quay Brothers in 35MM ($16,955 in one theater) and Learning to Drive ($16.504 in four theaters).
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Weekend Estimates: Compton Brushes Off Newcomers
August 23rd, 2015
As expected, Straight Outta Compton is continuing to dominate at the box office this weekend, with a second weekend of $26.76 million and a total of $111.5 million projected by Universal on Sunday morning. In fact, Compton is so dominant that the music biopic will earn more than the combined grosses of all three debutants. Mission: Impossible—Rogue Nation’s fourth-weekend $11.7 million will be enough for second place.
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Limited and VOD Releases: Autumn Years and Oscar Glory
August 21st, 2015
It might not be a good week for limited releases overall, but we do have a potential Oscar nominee opening this week. Grandma is not only earning the best reviews of the week, but Lily Tomlin is earning some early Awards Season buzz.
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2016/02/12 | 18 | $17,437 | 41 | $425 | $17,437 | 1 | |
2016/02/19 | 17 | $800 | -95% | 15 | $53 | $26,663 | 2 |
2016/02/26 | 19 | $39 | -95% | 1 | $39 | $26,987 | 3 |
2016/03/04 | 18 | $482 | +1,136% | 5 | $96 | $27,490 | 4 |
2016/03/11 | 17 | $32 | -93% | 1 | $32 | $27,780 | 5 |
2016/03/18 | 45 | $308 | +863% | 3 | $103 | $28,096 | 6 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Mexico | 2/12/2016 | $17,437 | 41 | 41 | 66 | $28,096 | 6/9/2016 |
North America | 8/21/2015 | $115,540 | 4 | 1,061 | 3,152 | $6,980,524 | 6/7/2019 |
Peru | 2/11/2016 | $2,720 | 1 | 1 | 1 | $2,720 | 12/31/2018 |
Poland | 4/15/2016 | $356 | 1 | 9 | 15 | $9,603 | 11/17/2018 |
South Africa | 11/13/2015 | $3,298 | 5 | 5 | 10 | $12,767 | 12/21/2015 |
Spain | 11/20/2015 | $31,421 | 37 | 37 | 86 | $82,599 | 12/29/2015 |
Sweden | 10/23/2015 | $11,149 | 15 | 15 | 54 | $52,924 | 12/1/2015 |
United Kingdom | 12/11/2015 | $54,642 | 92 | 92 | 165 | $229,878 | 6/9/2016 |
Rest of World | $41,853 | ||||||
Worldwide Total | $7,440,964 | 6/7/2019 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Lily Tomlin | Elle |
Julia Garner | Sage |
Supporting Cast
Marcia Gay Harden | Judy |
Judy Greer | Olivia |
Laverne Cox | Deathy |
Sam Elliott | Karl |
Nat Wolff | Cam |
John Cho | Chau |
Elizabeth Peña | Carla |
Frank Collison | Mike |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Paul Weitz | Director |
Paul Weitz | Screenwriter |
Paul Weitz | Producer |
Andrew Miano | Producer |
Paris Kasidokostas Latsis | Producer |
Terry Douglas | Producer |
Stephanie Meurer | Executive Producer |
Dan Balgoyen | Executive Producer |
Danielle Renfrew Behrens | Executive Producer |
Tobias Datum | Director of Photography |
Jonathan Corn | Editor |
Michele Yu | Production Designer |
Cindy Chao | Production Designer |
Joel P. West | Composer |
Molly Grundman-Gerbosi* | Costume Designer |
Douglas Aibel | Casting Director |
Henry Russell Bergstein | Casting Director |
Deborah Maxwell Dion | Casting Director |