Spain Box Office for Get on Up (2014)
Theatrical Performance (US$) | ||
Spain Box Office | $28,400 | Details |
Worldwide Box Office | $33,339,868 | Details |
Home Market Performance | ||
North America DVD Sales | $4,545,633 | Details |
North America Blu-ray Sales | $1,606,767 | Details |
Total North America Video Sales | $6,152,400 | |
Further financial details... |
Synopsis
Based on the life story of the Godfather of Soul, a look inside the music, moves and moods of James Brown, from his impoverished childhood to his evolution into one of the most influential musicians of the 20th century.
Metrics
Movie Details
Production Budget: | $30,000,000 |
Spain Releases: | December 12th, 2014 (Wide) |
Video Release: | January 6th, 2015 by Universal Home Entertainment |
MPAA Rating: | PG-13 for sexual content, drug use, some strong language, and violent situations. (Rating bulletin 2329, 7/2/2014) |
Running Time: | 138 minutes |
Keywords: | Non-Chronological, Dysfunctional Family, Vietnam War, Breaking the Fourth Wall, Biography, Musicians, Singers, Music Industry, Big Break, Romance, Relationships Gone Wrong, African Americans, Addiction, Biographical Drama |
Source: | Based on Real Life Events |
Genre: | Drama |
Production Method: | Live Action |
Creative Type: | Dramatization |
Production/Financing Companies: | Jagged Films, Brian Grazer Productions, Wyolah Films |
Production Countries: | United States |
Languages: | English |
DVD Sales: Left Behind Out in Front
January 24th, 2015
Left Behind led the new releases on the DVD chart, at least in terms of units sold, with 201,000. Its sales for the week were $2.05 million, giving it third place by that metric. This is not great for a first-run release, but not bad compared to the film's box office. It is also much better than its opening on Blu-ray.
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Blu-ray Sales: No Reward for Good Deeds
January 24th, 2015
The first set of new releases for Blu-ray didn't result in a change at the top, as The Equalizer remained on top of the chart during its sophomore stint. Over the week, it sold $143,000 / $3.48 million for two-week totals of 821,000 units / $17.08 million. This gives it a two-week Blu-ray share of 51%, which is good for an action film. It does have a slightly older target demographic, so that explains why it isn't as good as say...
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DVD and Blu-ray Releases for January 6th, 2015
January 5th, 2015
It is a strange week on the home market, as there are five contenders for Pick of the Week, including three of them that start with the letter G. However, this isn't because the week is loaded with simply amazing titles. It's because none of the contenders were simply amazing in both quality and extras. Archer: Season 5 on DVD or Blu-ray, Boyhood on DVD or Blu-ray Combo Pack, Get on Up on DVD or Blu-ray Combo Pack, Girls: Season 3 on DVD or Blu-ray, and The Guest on DVD or Blu-ray Combo Pack were the five contenders. Boyhood is the best in the Award-worthy meaning of the word, Archer is the show I would get the most entertainment from. In the end, it was down to a coin toss, a literal coin toss, and Archer: Season 5 on DVD or Blu-ray won.
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2014 - Awards Season: SAG - Nominations
December 10th, 2014
The Screen Actors Guild nominations were announced Wednesday morning. Are there surprises worth mentioning? Is the Oscar picture beginning to take shape? Like with the Independent Spirit Awards, Birdman led the way this time earning four nominations from six categories, while Boyhood, The Imitation Game, and The Theory of Everything had three nods each.
Per Theater Chart: Lovely and Strange
September 3rd, 2014
The Last of Robin Hood led the way on the Per Theater Chart with an average of $17,709 in two theaters. Through a Lens Darkly was the only other member of the $10,000 club with $11,764 in its lone theater. This is more impressive, because it opened on Wednesday.
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Weekend Wrap-Up: Turtles Topple Guardians
August 11th, 2014
Despite earning some of the worst reviews of the summer, Teenage Mutant Ninja Turtles easily won the race for the top of the box office chart unseating Guardians of the Galaxy, which earned some of the best reviews. The rest of the new releases were well back. Overall, the box office was down from last weekend, but by less than 0.5% to $185 million. Compared to last year, the box office was 16% higher, which is a great result. Year-to-date, 2014 is still behind 2013, but the deficit was down to 4.4% or $300 million at $6.52 billion to $6.82 billion.
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Weekend Wrap-Up: Guardians Help Summer Recover
August 5th, 2014
Finally! Finally we have a week where there's nothing but good news to talk about. Guardians of the Galaxy crushed high expectations breaking the August records for biggest day and biggest weekend. While Guardians dominated at the box office chart, Get On Up did okay in the counter-programming role. This helped the overall box office soar, rising 20% when compared to last weekend to $186 million. More importantly, this was 35% better that this weekend last year. Year-to-date, 2014 is still behind 2013 $6.26 billion to $6.62 billion, but the gap was closed a little bit at $360 million or 5.4%.
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Weekend Estimates: Guardians Go Big, Up Opens Okay
August 3rd, 2014
It was a big, big weekend at the box office with Guardians of the Galaxy pulling in an estimated $94 million. The majority of analysts thought it would break the August weekend record, but very few thought it would have one of the top five openings of the year. Additionally, the film earned some of the best reviews of the year and could become the biggest hit of the year... at least untill Mockingjay, Part 1 hits theaters in November. Get On Up did not do as well earning $14.03 million and grabbing third place along the way. This is barely more than Jersey Boys opened with in June. Its reviews should help it earn better legs and it wasn't an expensive movie to make, so the studio should be relatively happy with this start.
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2014 Preview: August
August 1st, 2014
July was... well... let's just pretend it didn't happen. Dawn of the Planet of the Apes did well, but week after week 2014 fell further behind 2013 in the year-to-date comparison. At the moment, we are roughly $400 million behind last year's pace and while I don't think August will continue the losing streak, there's really no chance August will put a dent in that number. It looks more and more likely that Guardians of the Galaxy will be a hit, especially given its early reviews, but it could be the last $100 million hit till October, if the bad buzz surrounding Teenage Mutant Ninja Turtles turns into bad ticket sales. Last August there were two films that reached $100 million, plus two others that came close. This August might match that, while the biggest film this year should top the biggest film from last year. I think the slump 2014 is suffering through will end the first weekend and overall I think it will cut the deficit a little bit. That said, summer 2014 will still end as one of the worst recent summers at the box office.
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Weekend Predictions: Will Guardians Be the Biggest in the Galaxy?
July 31st, 2014
Guardians of the Galaxy will likely become the biggest hit of this August. It might become the biggest hit of any August. The buzz is powerful, as are the reviews, and this could add up to a record-breaking opening. It isn't the only film opening wide, as Get On Up is also coming out this weekend. That film is a biopic of James Brown and it is earning stellar reviews, but will be limited to the counter-programming role. This weekend last year, the box office was led by 2 Guns, which made $27.06 million during the weekend. Guardians of the Galaxy should make more than that during its opening day. It looks like 2014 should finally end the slump it is in.
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Weekend Box Office Performance
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
North America | 8/1/2014 | $13,585,915 | 2,468 | 2,469 | 7,595 | $30,569,935 | 1/18/2017 |
Spain | 12/12/2014 | $0 | 0 | 103 | 103 | $28,400 | 11/19/2018 |
Rest of World | $2,741,533 | ||||||
Worldwide Total | $33,339,868 | 11/19/2018 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Chadwick Boseman | James Brown |
Supporting Cast
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Tate Taylor | Director |
Jez Butterworth | Screenwriter |
John-Henry Butterworth | Screenwriter |
Steven Baigelman | Story Creator |
Jez Butterworth | Story Creator |
John-Henry Butterworth | Story Creator |
Brian Grazer | Producer |
Mick Jagger | Producer |
Tate Taylor | Producer |
Victoria Pearman | Producer |
Erica Huggins | Producer |
Peter Afterman | Executive Producer |
Trish Hofmann | Executive Producer |
Jez Butterworth | Executive Producer |
John-Henry Butterworth | Executive Producer |
John Norris | Executive Producer |
Anna Culp | Executive Producer |
Stephen Goldblatt | Director of Photography |
Mark Ricker | Production Designer |
Michael McCusker | Editor |
Sharen Davis | Costume Designer |
Thomas Newman | Composer |
Budd Carr | Music Supervisor |
Margaret Yen | Music Supervisor |
Mick Jagger | Executive Music Producer |
The Underdogs | Music Producer |
Kerry Barden | Casting Director |
Paul Schnee | Casting Director |
Trish Hofmann | Unit Production Manager |
Cleta E. Ellington | First Assistant Director |
Kathleen Tull | Second Assistant Director |
Scott Millan | Re-recording Mixer |
Greg P. Russell | Re-recording Mixer |
Andrew Buckland | Additional Editor |
Robin Mulcahy Fisichella | Production Supervisor |
Jesse Rosenthal | Art Director |
Rena DeAngelo | Set Decorator |
Jim Truesdale | Set Designer |
Paulo Defreitas, Jr. | Storyboard Artist |
Erin Foster | Art Department Coordinator |
Steven A. Morrow | Sound Mixer |
Christopher Rucinski | First Assistant Editor |
Eric Kench | Assistant Editor |
Daniel M. Nussbaum | Assistant Editor |
Andrew Giffin | Lighting Design |
Drew Frazier | Set Lighting Technicians |
Jeff Herring | Set Lighting Technicians |
Renaldo Jackson | Set Lighting Technicians |
Bradley Martin | Set Lighting Technicians |
Jason Prowell | Set Lighting Technicians |
Jerry Wheat | Set Lighting Technicians |
Jack Lynch | Special Effects Coordinator |
John Cappel | Special Effects Supervisor-SPFX Foreman |
Richard Perry | Special Effects Supervisor-SPFX Foreman |
Charlene Amateau | Costume Supervisor |
Julie Hewitt | Make up |
Kim Perrodin | Make up |
Carla Farmer | Hairstylist |
Shannon Bakeman | Hairstylist |
Drew Webster | Re-recording Mixer |
Curt Sobel | Supervising Music Editor |
Bill Bernstein | Music Editor |
Jordan Corngold | Additional Music Editor |
Thomas Vicari | Score Recordist |
Thomas Vicari | Score Mixer |
Larry Mah | Digital Score Recordist |
Michael Zainer | Assistant Music Editor |
Marc Fishman | Additional Sound Re-recording Mixer |
David E. Fluhr | Additional Sound Re-recording Mixer |
Adam Jenkins | Additional Sound Re-recording Mixer |
Tricia Miles Tharp | Post-Production Supervisor |
Gregg Baxter | Supervising Sound Editor |
Jason King | Sound Designer |
Robert L. Sephton | Sound Designer |
Julie Feiner | Dialogue Editor |
Christopher T. Welch | Dialogue Editor |
David Jobe | Foley Mixer |
Lex D. Geddings | Stunt Coordinator |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.