Turkey Box Office for Elvis (2022)
.jpg)
| Theatrical Performance (US$) | ||
| Turkey Box Office | $153,681 | Details |
| Worldwide Box Office | $279,938,634 | Details |
| Home Market Performance | ||
| North America DVD Sales | $6,580,255 | Details |
| North America Blu-ray Sales | $7,781,345 | Details |
| Total North America Video Sales | $14,361,600 | |
| Further financial details... | ||
Synopsis
The life and music of Elvis Presley, seen through the prism of his complicated relationship with his enigmatic manager, Colonel Tom Parker spanning over 20 years, from Presley’s rise to fame to his unprecedented stardom, against the backdrop of the evolving cultural landscape and loss of innocence in America. Central to that journey is one of the most significant and influential people in Elvis’s life, Priscilla Presley.
Metrics
Movie Details
| Production Budget: | $85,000,000 |
| Turkey Releases: | June 24th, 2022 (Wide) |
| Video Release: | August 8th, 2022 by Warner Home Video |
| MPAA Rating: | PG-13 for substance abuse, strong language, suggestive material and smoking. (Rating bulletin 2731 (cert #53746), 5/11/2022) |
| Running Time: | 159 minutes |
| Keywords: | Rock 'n' Roll, 1950s, Set in Mississippi, Set in Memphis, Rhythm and Blues, Biographical Drama, Same Role, Multiple Actors, 2023 Oscars Best Picture Nominee |
| Source: | Based on Real Life Events |
| Genre: | Drama |
| Production Method: | Live Action |
| Creative Type: | Dramatization |
| Production/Financing Companies: | Warner Bros., Bazmark, The Jackal Group |
| Production Countries: | Australia, United States |
| Languages: | English |
Weekend predictions: will Avatar get an Oscar boost? Can Infinity Pool or Left Behind break through?
January 27th, 2023
-1-News.jpg)
The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot.
More...
Weekend predictions: Three new entries predicted in top ten, but Thor won’t be challenged at the top
July 15th, 2022
-3-News.jpg)
This is another busy week at the box office, with four new movies opening nationwide and two films that each topped $100 million on opening weekend going into their second and third weeks in theaters. There’s not much doubt which film will top the chart (spoiler alert: it’s Thor: Love and Thunder), but our model has been working overtime to compile a predicted top ten.
More...
Weekend predictions: three-way race to top the chart
June 24th, 2022
-1-News.jpg)
A remarkable pile-up of films will top the box office chart this weekend, with five of them likely to earn more than $20 million over three days, and three in with a shot at coming out top. If it does happen, this would be the seventh time five films have earned over $20 million in a weekend. Life of Pi holds the record for the high-grossing fifth-placed film with $22.45 million over the weekend of November 23, 2012. That record looks in danger this weekend. But which of Elvis, Jurassic World: Dominion and Top Gun: Maverick does our model think will win the weekend? Read on to find out.
More...
Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
| Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
|---|---|---|---|---|---|---|---|
| 2022/06/24 | - | $6,591 | 62 | $106 | $126,737 | 1 | |
| 2022/07/01 | 9 | $6,759 | +3% | 62 | $109 | $129,915 | 2 |
| 2022/07/15 | 9 | $4,983 | 44 | $113 | $138,189 | 4 | |
| 2022/07/22 | 11 | $3,872 | -22% | 18 | $215 | $143,869 | 5 |
| 2022/07/29 | - | $897 | -77% | 5 | $179 | $150,840 | 6 |
| 2022/08/05 | 16 | $897 | n/c | 5 | $179 | $150,730 | 7 |
| 2022/08/12 | 19 | $457 | -49% | 4 | $114 | $153,189 | 8 |
| 2022/08/19 | - | $220 | -52% | 4 | $55 | $153,819 | 9 |
| 2022/08/26 | - | $138 | -37% | 1 | $138 | $153,220 | 10 |
| 2022/09/02 | - | $131 | -5% | 1 | $131 | $153,488 | 11 |
| 2022/09/09 | - | $126 | -4% | 1 | $126 | $153,721 | 12 |
| 2022/09/16 | - | $86 | -32% | 1 | $86 | $153,681 | 13 |
Box Office Summary Per Territory
| Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
|---|---|---|---|---|---|---|---|
| Australia | 6/23/2022 | $4,666,579 | 546 | 546 | 4390 | $22,560,886 | 9/23/2024 |
| Belgium | 6/22/2022 | $334,000 | 0 | 0 | 0 | $334,000 | 6/27/2022 |
| Brazil | 7/14/2022 | $1,000,000 | 0 | 0 | 0 | $5,000,000 | 9/28/2022 |
| Croatia | 6/24/2022 | $0 | 0 | 25 | 104 | $297,350 | 9/30/2022 |
| Czech Republic | 6/23/2022 | $99,700 | 148 | 148 | 630 | $610,526 | 9/20/2022 |
| Denmark | 6/23/2022 | $249,000 | 0 | 0 | 0 | $940,000 | 7/12/2022 |
| Finland | 6/24/2022 | $0 | 0 | 110 | 924 | $1,710,679 | 10/7/2022 |
| France | 6/22/2022 | $2,000,000 | 0 | 723 | 1409 | $5,100,000 | 7/11/2022 |
| Germany | 6/23/2022 | $1,000,000 | 0 | 700 | 1320 | $3,200,000 | 7/11/2022 |
| Italy | 6/23/2022 | $753,016 | 0 | 0 | 0 | $3,214,153 | 9/19/2022 |
| Japan | 7/1/2022 | $1,100,000 | 406 | 406 | 757 | $2,600,000 | 7/11/2022 |
| Mexico | 7/14/2022 | $1,707,102 | 0 | 0 | 0 | $5,234,985 | 8/2/2022 |
| Netherlands | 6/23/2022 | $853,234 | 194 | 204 | 2471 | $5,219,568 | 10/22/2022 |
| New Zealand | 6/23/2022 | $656,393 | 120 | 121 | 1193 | $3,010,162 | 3/6/2023 |
| North America | 6/24/2022 | $31,211,579 | 3,906 | 3,932 | 32,675 | $151,416,153 | |
| Norway | 6/24/2022 | $0 | 0 | 0 | 0 | $853,000 | 7/12/2022 |
| Poland | 6/24/2022 | $58,431 | 0 | 0 | 0 | $1,200,000 | 7/12/2022 |
| Portugal | 6/23/2022 | $98,512 | 87 | 87 | 371 | $438,008 | 9/20/2022 |
| Romania | 6/24/2022 | $68,217 | 104 | 104 | 548 | $467,130 | 3/17/2023 |
| Russia (CIS) | 7/21/2022 | $47,021 | 91 | 91 | 164 | $105,042 | 8/3/2022 |
| Slovakia | 6/24/2022 | $47,297 | 86 | 86 | 259 | $247,700 | 9/14/2022 |
| South Korea | 7/13/2022 | $292,723 | 627 | 627 | 836 | $838,268 | 3/17/2023 |
| Spain | 6/24/2022 | $800,289 | 361 | 365 | 2517 | $4,184,814 | 9/23/2022 |
| Switzerland | 6/23/2022 | $277,864 | 0 | 0 | 0 | $277,864 | 6/27/2022 |
| Turkey | 6/24/2022 | $6,591 | 62 | 62 | 208 | $153,681 | 9/22/2022 |
| United Arab Emirates | 6/23/2022 | $315,000 | 0 | 0 | 0 | $315,000 | 6/27/2022 |
| United Kingdom | 6/24/2022 | $4,938,111 | 740 | 762 | 8119 | $30,680,302 | 10/22/2022 |
| Rest of World | $29,729,363 | ||||||
| Worldwide Total | $279,938,634 | 9/23/2024 | |||||
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
| Austin Butler | Elvis Presley |
Supporting Cast
| Tom Hanks | Colonel Tom Parker |
| Helen Thomson | Gladys Presley |
| Richard Roxburgh | Vernon Presley |
| Olivia DeJonge | Priscilla Presley |
| Yola Quartey | Sister Rosetta Tharpe |
| Shonka Dukureh | Big Mama Thornton |
| Alton Mason | Little Richard |
| Kelvin Harrison Jr | B.B. King |
| Gary Clark, Jr. | Arthur Crudup |
| David Wenham | Hank Snow |
| Luke Bracey | Jerry Schilling |
| Dacre Montgomery | Steve Binder |
| Kodi Smit-McPhee | Jimmie Rodgers Snow |
| Leon Ford | Tom Diskin |
| Natasha Bassett | Dixie Locke |
| Xavier Samuel | Scotty Moore |
| Adam Dunn | Bill Black |
| David Gannon | Charlie Hodge |
| Shannon Sanders | Pentecostal Pastor/Pentecostal Singer |
| Charles Grounds | Billy Smith |
| Josh McConville | Sam Phillips |
| Kate Mulvany | Marion Keisker |
| Gareth Davies | Bones Howe |
| Chaydon Jay | Young Elvis |
| Christian Kisando | Shake Rag Friend - Smoky |
| John Mukristayo | Shake Rag Friend - Jimmy |
| Miles Burton | Shake Rag Friend - Bobby |
| Gad Banza | Shake Rag Friend - Doc |
| Aristene Kisando | Sweet Inspirations - Myrna Smith |
| Senayt Mebrahtu | Sweet Inspirations - Estelle Brown |
| Miriama Andrews | Sweet Inspirations - Cissy |
| Sharon Brooks | Sweet Inspirations - Sylvia Shemwell |
| Nicholas Bell | Senator Jim Eastland |
| Anthony Phelan | Meyer Kohn |
| Sandro Colarelli | Tony Goochera |
| Cle Morgan | Mahalia Jackson |
| Charles Allen | Reverend Brewster |
| Natalie Bassingthwaighte | Dee Stanley |
| Liz Blackett | Grandma Dodger |
| Mike Bingaman | Sonny West |
| Christian McCarty | Red West |
| Tony Nixon | Dr. George C. Nichopoulos |
| Andrea Moor | Nurse Tish |
| Mark Leonard Winter | Tom Hulett |
| Hugh Parker | Singer Senior Exec |
| Thomas Larkin | Singer Junior Exec |
| Hilton Hyppolite Denis | Claude Thompson |
| Christopher Sommers | Horace Logan |
| Brad Leaver | Chief of Police |
| Simon Mallory | NBC Floor Manager |
| Terepai Richmond | DJ Fontana |
| Alex Knight | Ron Tutt |
| Jordan A. Holland | Pentecostal Singer |
| Lenesha Randolph | Pentecostal Singer |
| Elizabeth Cullen | Natalie - Motel Girl |
| Angie Milliken | Madam Z |
| Luke Corrin Care | Aladdin Croupier |
| Jack McGirr | Tommy (Hayride) |
| Miranda Frangou | Nell (Tommy’s Girlfriend) |
| Ruby Gonzalez-Judd | Girl (Russwood) |
| Lakota Johnson | Young Hip Man |
| Greg Powell | Milton Berle |
| Patrick Sheare | Dewey Phillips |
| Sarah Ogden | Mrs. Eastland |
| Iain Gardiner | Carny Fixer |
| Melina Vidler | Barbara - Vegas Penthouse |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
| Baz Luhrmann | Director |
| Baz Luhrmann | Screenwriter |
| Craig Pearce | Screenwriter |
| Sam Bromell | Screenwriter |
| Jeremy Doner | Screenwriter |
| Baz Luhrmann | Story by |
| Jeremy Doner | Story Creator |
| Baz Luhrmann | Producer |
| Catherine Martin | Producer |
| Gail Berman | Producer |
| Patrick McCormick | Producer |
| Schuyler Weiss | Producer |
| Toby Emmerich | Executive Producer |
| Courtenay Valenti | Executive Producer |
| Kevin McCormick | Executive Producer |
| Catherine Martin | Production Designer |
| Karen Murphy | Production Designer |
| Matt Villa | Editor |
| Jonathan Redmond | Editor |
| Elliott Wheeler | Composer |
| Mandy Walker | Director of Photography |
| Catherine Martin | Costume Designer |
| Elliott Wheeler | Executive Music Producer |
| Anton Monsted | Music Supervisor |
| Tom Wood | Visual Effects Supervisor |
| Fiona Crawford | Visual Effects Producer |
| Wayne Pashley | Sound Designer |
| Wayne Pashley | Supervising Sound Editor |
| Dave Cobb | Music Producer |
| Jamieson Shaw | Music Producer |
| Denise Chamian | Casting Director |
| Nikki Barrett | Casting Director |
| Anne Bruning | Unit Production Manager |
| Patrick McCormick | Unit Production Manager |
| Jack Ravenscroft | First Assistant Director |
| Ian Gracie | Supervising Art Director |
| Beverley Dunn | Set Decorator |
| Jamieson Shaw | Supervising Music Editor |
| Kerry Thompson | Costume Supervisor |
| Andrew Mittman | Executive Producer |
| Elliott Wheeler | Associate Producer |
| Damien Drew | Senior Art Director |
| Tuesday Stone | Art Director |
| Matt Wynne | Art Director |
| Rachel Van Baarle | Set Designer |
| Devin Gray | Set Designer |
| Andrew Kattie | Set Designer |
| Tanika Rainbow Pratt | Set Designer |
| Siobhan Purkis | Set Designer |
| Fatemeh H. Raouf | Set Designer |
| Alice Wilkinson | Set Designer |
| Dave Quinn | First Assistant Editor |
| Walter Ratcliffe | First Assistant Editor |
| Evan McHugh | Music Editor |
| Henry Karjalainen | Post-Production Supervisor |
| Andy Nelson | Re-recording Mixer |
| Michael Keller | Re-recording Mixer |
| Nicholas Breslin | Dialogue Editor |
| Lauren Ligovich | Dialogue Editor |
| Marisa Marsionis | Dialogue Editor |
| Jared Dwyer | Sound Effects Editor |
| Rick Lisle | Sound Effects Editor |
| Andrew Miller | Sound Effects Editor/ADR Mixer |
| Amy Barber | Foley Mixer |
| Amy Barber | Foley Editor |
| Jonathan Bruce | Foley Editor |
| Julia Huberman | Foley Editor |
| Richard Wills | Foley Editor |
| Louise Coulston | Hairstylist |
| Angela Conte | Make up |
| Brian Cox | Special Effects Supervisor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.