Infinity Pool (2023)

Infinity Pool
Theatrical Performance
Domestic Box Office $5,078,401Details
International Box Office $333,339Details
Worldwide Box Office $5,411,740
Home Market Performance
Est. Domestic DVD Sales $217,001 Details
Est. Domestic Blu-ray Sales $590,566 Details
Total Est. Domestic Video Sales $807,567
Further financial details...

Synopsis

While staying at an isolated island resort, James and Em are enjoying a perfect are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.

Metrics

Opening Weekend:$2,514,364 (49.5% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:93.8% (domestic box office/worldwide)
Theater counts:1,835 opening theaters/1,835 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $5,078,401

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,501-6,600) 6,543 $5,078,401
All Time International Box Office (Rank 13,901-14,000) 13,972 $333,339
All Time Worldwide Box Office (Rank 9,601-9,700) 9,699 $5,411,740

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu
Hulu:Hulu

Movie Details

Domestic Releases: January 27th, 2023 (Wide) by Neon
International Releases: March 24th, 2023 (Wide) (United Kingdom)
March 30th, 2023 (Limited), released as Muerte Infinita (Mexico)
April 20th, 2023 (Wide) (Germany)
May 11th, 2023 (Wide) (Australia)
December 1st, 2023 (Limited) (Croatia)
... Show all releases
Video Release: April 11th, 2023 by Decal
MPAA Rating: NC-17 some graphic violence and sexual content.
(Rating bulletin 2750 (cert #54010), 9/21/2022)
R for graphic violence, disturbing material, strong sexual content, graphic nudity, drug use and some language.
(Rating bulletin 2754 (cert #54010), 10/19/2022)
Running Time: 117 minutes
Comparisons: vs. Consecration
Create your own comparison chart…
Keywords: Psychological Horror, Tourists In Trouble, Vacation, Filmed in Croatia, Car Accident, Accidental Death, Writing and Writers, Writer's Block, Sundance Film Festival 2023
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Neon Films, Film Forge Productions, Elevation Pictures, 4film, Telefilm Canada, Eurimages, The Croatian Audiovisual Centre, Celluloid Dreams, Hero Squared, Topic Studios
Production Countries: Canada, Croatia, Hungary
Languages: English

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,501-6,600) 6,543 $5,078,401
All Time Domestic Inflation Adjusted Box Office (Rank 6,801-6,900) 6,830 $5,078,401
All Time Domestic Non-Sequel Box Office (Rank 5,701-5,800) 5,755 $5,078,401
Top 2023 Movies at the Domestic Box Office (Rank 101-200) 123 $5,078,401
All Time Domestic Box Office for Original Screenplay Movies (Rank 3,301-3,400) 3,327 $5,078,401
All Time Domestic Box Office for Live Action Movies (Rank 5,801-5,900) 5,831 $5,078,401
All Time Domestic Box Office for Science Fiction Movies (Rank 501-600) 526 $5,078,401
All Time Domestic Box Office for Horror Movies (Rank 501-600) 524 $5,078,401
All Time Domestic Box Office for NC-17 Movies 10 $5,078,401
All Time Domestic Box Office for Neon Movies 8 $5,078,401

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2023 10 $2,514,364   1,835 $1,370   $2,514,364 1
Feb 3, 2023 13 $835,562 -67% 1,750 $477   $4,267,640 2
Feb 10, 2023 - $194,440 -77% 415 $469   $4,867,957 3
Feb 17, 2023 - $49,336 -75% 50 $987   $5,049,635 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 27, 2023 8 $1,123,017     1,835 $612   $1,123,017 1
Jan 28, 2023 9 $876,538 -22%   1,835 $478   $1,999,555 2
Jan 29, 2023 9 $514,809 -41%   1,835 $281   $2,514,364 3
Jan 30, 2023 - $231,664 -55%   1,835 $126   $2,746,028 4
Jan 31, 2023 8 $301,163 +30%   1,835 $164   $3,047,191 5
Feb 1, 2023 - $213,826 -29%   1,835 $117   $3,261,017 6
Feb 2, 2023 - $171,061 -20%   1,835 $93   $3,432,078 7
Feb 3, 2023 - $253,170 +48% -77% 1,750 $145   $3,685,248 8
Feb 4, 2023 - $359,501 +42% -59% 1,750 $205   $4,044,749 9
Feb 5, 2023 - $222,891 -38% -57% 1,750 $127   $4,267,640 10
Feb 6, 2023 - $95,843 -57% -59% 1,750 $55   $4,363,483 11
Feb 7, 2023 - $133,222 +39% -56% 1,750 $76   $4,496,705 12
Feb 8, 2023 - $105,245 -21% -51% 1,750 $60   $4,601,950 13
Feb 9, 2023 - $71,567 -32% -58% 1,750 $41   $4,673,517 14
Feb 10, 2023 - $65,126 -9% -74% 415 $157   $4,738,643 15
Feb 11, 2023 - $88,571 +36% -75% 415 $213   $4,827,214 16
Feb 12, 2023 - $40,743 -54% -82% 415 $98   $4,867,957 17
Feb 13, 2023 - $32,187 -21% -66% 415 $78   $4,900,144 18
Feb 14, 2023 - $56,649 +76% -57% 415 $137   $4,956,793 19
Feb 15, 2023 - $27,191 -52% -74% 415 $66   $4,983,984 20
Feb 16, 2023 - $16,315 -40% -77% 415 $39   $5,000,299 21
Feb 17, 2023 - $13,868 -15% -79% 50 $277   $5,014,167 22
Feb 18, 2023 - $19,276 +39% -78% 50 $386   $5,033,443 23
Feb 19, 2023 - $16,192 -16% -60% 50 $324   $5,049,635 24
Feb 20, 2023 - $12,306 -24% -62% 50 $246   $5,061,941 25
Feb 21, 2023 - $7,507 -39% -87% 50 $150   $5,069,448 26
Feb 22, 2023 - $6,305 -16% -77% 50 $126   $5,075,753 27
Feb 23, 2023 - $2,648 -58% -84% 50 $53   $5,078,401 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2023 9 $3,432,078   1,835 $1,870   $3,432,078 1
Feb 3, 2023 9 $1,241,439 -64% 1,750 $709   $4,673,517 2
Feb 10, 2023 20 $326,782 -74% 415 $787   $5,000,299 3
Feb 17, 2023 26 $78,102 -76% 50 $1,562   $5,078,401 4

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 5/11/2023 $22,554 30 30 119 $92,958 9/11/2023
Croatia 12/1/2023 $9,100 42 42 71 $18,897 12/22/2023
Germany 4/20/2023 $0000$0
Japan 4/5/2024 $0000$0
Mexico 3/30/2023 $0000$0
United Kingdom 3/24/2023 $102,655 152 152 152 $221,484 4/3/2023
 
International Total$333,339 12/22/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 13,901-14,000) 13,972 $333,339
All Time International Non-Sequel Box Office (Rank 12,801-12,900) 12,851 $333,339
All Time International Box Office for Original Screenplay Movies (Rank 7,801-7,900) 7,890 $333,339
All Time International Box Office for Live Action Movies (Rank 11,701-11,800) 11,727 $333,339
All Time International Box Office for Science Fiction Movies (Rank 601-700) 636 $333,339
All Time International Box Office for Horror Movies (Rank 701-800) 789 $333,339
All Time International Box Office for NC-17 Movies 13 $333,339
All Time International Box Office for Neon Movies 44 $333,339

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,601-9,700) 9,699 $5,411,740
All Time Worldwide Non-Sequel Box Office (Rank 8,601-8,700) 8,626 $5,411,740
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,101-5,200) 5,134 $5,411,740
All Time Worldwide Box Office for Live Action Movies (Rank 8,301-8,400) 8,379 $5,411,740
All Time Worldwide Box Office for Science Fiction Movies (Rank 601-700) 628 $5,411,740
All Time Worldwide Box Office for Horror Movies (Rank 501-600) 597 $5,411,740
All Time Worldwide Box Office for NC-17 Movies 16 $5,411,740
All Time Worldwide Box Office for Neon Movies 20 $5,411,740

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 16, 2023116,446 6,446$64,202$64,2021
Apr 23, 2023173,592-44% 10,038$35,776$99,9782

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 16, 202358,629 8,629$204,680$204,6801

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Feb 18, 202316

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.

Leading Cast

Alexander Skarsgård James Foster
Mia Goth Gabi Bauer
Cleopatra Coleman Em Foster
Jalil Lespert Alban Bauer

Supporting Cast

Amanda Brugel Jennifer
John Ralston Dr. Bob Modan
Jeffrey Ricketts* Charles
Caroline Boulton Bex
Thomas Kretschmann Detective Thresh
Dunja Sepcic Anna the Cleaning Woman
Adam Boncz Ketch
Zijad Gračić Dro Thresh
Amar Bukvić Resort Cop
Alan Katic State Police Officer 1
Katalin Lábán Head Nurse
Kamilla Fatyol Myro Myron’s Wife
Romina Tonković Receptionist
Hajnalka Zsigár Maid
Anita Major Mistress
Gergely Trócsányi Owner
Géza Kovács Bodyguard
Roderick Hill Angry Guest
Oszkár Bócsik Bus Driver

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brandon Cronenberg Director
Brandon Cronenberg Screenwriter
Karen Harnisch Producer
Andrew Cividino Producer
Christina Piovesan Producer
Noah Segal Producer
Rob Cotterill Producer
Anita Juka Producer
Daniel Kresmery Producer
Jonathan Halperyn Producer
Jeff Deutchman Executive Producer
Emily Thomas Executive Producer
Tom Quinn Executive Producer
Ryan Heller Executive Producer
Michael Bloom Executive Producer
Maria Zuckerman Executive Producer
Laurie May Executive Producer
Adrian Love Executive Producer
Alexander Skarsgård Executive Producer
Brandon Cronenberg Executive Producer
Emily Kulasa Executive Producer
Hengameh Panahi Executive Producer
Charlotte Mickie Executive Producer
Karim Hussain Director of Photography
Zosia Mackenzie Production Designer
James Vandewater Editor
Maria Popovits-Fater Costume Designer
Dan Martin Special Make-up Effects
Tim Hecker Composer
Mark Bennett Casting Director
Deirdre Bowen Casting Director
Hayley Brown Production Manager - Canada
Zdravko Madzarevic Production Manager - Croatia
Zoltan Simon Production Manager - Hungary
Rob Cotterill First Assistant Director
Dominika Jurek Second Assistant Director
Ryan Bobkin Associate Producer
Karim Hussain Associate Producer
Yona Strauss Associate Producer
Ivona Juka Associate Producer
Laura Sinovcic Associate Producer
Lajos Nagy Associate Producer
Brendan Gunn Co-Executive Producer
Orsolya Vercz Script Supervisor
Anna Gereb Second Assistant Director
John O’Regan Supervising Art Director
Clara Farkas Art Director
Zvonko Saric Art Director
David Engert Set Designer
Anna Suto Set Designer
Rita Spragg Make up
Szilvia Homolya Make up
Traci Loader Special Make-up Effects
Chantel Pereira Hairstylist
Daniel Kiraly Location Manager - Hungary
Dino Terek Location Manager - Croatia
Paul Stephenson Special Effects Supervisor
Paul Gosse Sound Mixer
Philip Stilman Post-Production Supervisor
Alex Bullick Supervising Sound Editor
Jill Purdy Supervising Sound Editor
Robert Bertola Sound Effects Editor
Craig MacLellan Sound Effects Editor
Simon Miminis Music Editor
Matthew Chan Re-recording Mixer
Graham Rogers Re-recording Mixer
Randy Wilson Foley Supervisor
Ron Mellegers Foley Mixer
Randy Wilson Foley Mixer
Justin Helle Foley Mixer
Domonkos Pardanyi Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend predictions: will Avatar get an Oscar boost? Can Infinity Pool or Left Behind break through?

January 27th, 2023

Infinity Pool

The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot. More...


  1. Summary
  2. News
  3. Box Office
  4. International
  5. Video Sales
  6. Full Financials
  7. Cast & Crew
  8. Trailer

Synopsis

While staying at an isolated island resort, James and Em are enjoying a perfect are enjoying a perfect vacation of pristine beaches, exceptional staff, and soaking up the sun. But guided by the seductive and mysterious Gabi, they venture outside the resort grounds and find themselves in a culture filled with violence, hedonism, and untold horror. A tragic accident leaves them facing a zero tolerance policy for crime: either you’ll be executed, or, if you’re rich enough to afford it, you can watch yourself die instead.

Metrics

Opening Weekend:$2,514,364 (49.5% of total gross)
Legs:2.02 (domestic box office/biggest weekend)
Domestic Share:93.8% (domestic box office/worldwide)
Theater counts:1,835 opening theaters/1,835 max. theaters, 2.2 weeks average run per theater
Infl. Adj. Dom. BO $5,078,401

Latest Ranking on Cumulative Box Office Lists

RecordRankAmount
All Time Domestic Box Office (Rank 6,501-6,600) 6,543 $5,078,401
All Time International Box Office (Rank 13,901-14,000) 13,972 $333,339
All Time Worldwide Box Office (Rank 9,601-9,700) 9,699 $5,411,740

See the Box Office tab (Domestic) and International tab (International and Worldwide) for more Cumulative Box Office Records.


Watch Now On

Amazon VOD:Amazon
iTunes:iTunes
Vudu:Vudu
Hulu:Hulu

Movie Details

Domestic Releases: January 27th, 2023 (Wide) by Neon
International Releases: March 24th, 2023 (Wide) (United Kingdom)
March 30th, 2023 (Limited), released as Muerte Infinita (Mexico)
April 20th, 2023 (Wide) (Germany)
May 11th, 2023 (Wide) (Australia)
December 1st, 2023 (Limited) (Croatia)
... Show all releases
Video Release: April 11th, 2023 by Decal
MPAA Rating: NC-17 some graphic violence and sexual content.
(Rating bulletin 2750 (cert #54010), 9/21/2022)
R for graphic violence, disturbing material, strong sexual content, graphic nudity, drug use and some language.
(Rating bulletin 2754 (cert #54010), 10/19/2022)
Running Time: 117 minutes
Comparisons: vs. Consecration
Create your own comparison chart…
Keywords: Psychological Horror, Tourists In Trouble, Vacation, Filmed in Croatia, Car Accident, Accidental Death, Writing and Writers, Writer's Block, Sundance Film Festival 2023
Source:Original Screenplay
Genre:Horror
Production Method:Live Action
Creative Type:Science Fiction
Production/Financing Companies: Neon Films, Film Forge Productions, Elevation Pictures, 4film, Telefilm Canada, Eurimages, The Croatian Audiovisual Centre, Celluloid Dreams, Hero Squared, Topic Studios
Production Countries: Canada, Croatia, Hungary
Languages: English

Leading Cast

Alexander Skarsgård James Foster
Mia Goth Gabi Bauer
Cleopatra Coleman Em Foster
Jalil Lespert Alban Bauer

Supporting Cast

Amanda Brugel Jennifer
John Ralston Dr. Bob Modan
Jeffrey Ricketts* Charles
Caroline Boulton Bex
Thomas Kretschmann Detective Thresh
Dunja Sepcic Anna the Cleaning Woman
Adam Boncz Ketch
Zijad Gračić Dro Thresh
Amar Bukvić Resort Cop
Alan Katic State Police Officer 1
Katalin Lábán Head Nurse
Kamilla Fatyol Myro Myron’s Wife
Romina Tonković Receptionist
Hajnalka Zsigár Maid
Anita Major Mistress
Gergely Trócsányi Owner
Géza Kovács Bodyguard
Roderick Hill Angry Guest
Oszkár Bócsik Bus Driver

For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.

Production and Technical Credits

Brandon Cronenberg Director
Brandon Cronenberg Screenwriter
Karen Harnisch Producer
Andrew Cividino Producer
Christina Piovesan Producer
Noah Segal Producer
Rob Cotterill Producer
Anita Juka Producer
Daniel Kresmery Producer
Jonathan Halperyn Producer
Jeff Deutchman Executive Producer
Emily Thomas Executive Producer
Tom Quinn Executive Producer
Ryan Heller Executive Producer
Michael Bloom Executive Producer
Maria Zuckerman Executive Producer
Laurie May Executive Producer
Adrian Love Executive Producer
Alexander Skarsgård Executive Producer
Brandon Cronenberg Executive Producer
Emily Kulasa Executive Producer
Hengameh Panahi Executive Producer
Charlotte Mickie Executive Producer
Karim Hussain Director of Photography
Zosia Mackenzie Production Designer
James Vandewater Editor
Maria Popovits-Fater Costume Designer
Dan Martin Special Make-up Effects
Tim Hecker Composer
Mark Bennett Casting Director
Deirdre Bowen Casting Director
Hayley Brown Production Manager - Canada
Zdravko Madzarevic Production Manager - Croatia
Zoltan Simon Production Manager - Hungary
Rob Cotterill First Assistant Director
Dominika Jurek Second Assistant Director
Ryan Bobkin Associate Producer
Karim Hussain Associate Producer
Yona Strauss Associate Producer
Ivona Juka Associate Producer
Laura Sinovcic Associate Producer
Lajos Nagy Associate Producer
Brendan Gunn Co-Executive Producer
Orsolya Vercz Script Supervisor
Anna Gereb Second Assistant Director
John O’Regan Supervising Art Director
Clara Farkas Art Director
Zvonko Saric Art Director
David Engert Set Designer
Anna Suto Set Designer
Rita Spragg Make up
Szilvia Homolya Make up
Traci Loader Special Make-up Effects
Chantel Pereira Hairstylist
Daniel Kiraly Location Manager - Hungary
Dino Terek Location Manager - Croatia
Paul Stephenson Special Effects Supervisor
Paul Gosse Sound Mixer
Philip Stilman Post-Production Supervisor
Alex Bullick Supervising Sound Editor
Jill Purdy Supervising Sound Editor
Robert Bertola Sound Effects Editor
Craig MacLellan Sound Effects Editor
Simon Miminis Music Editor
Matthew Chan Re-recording Mixer
Graham Rogers Re-recording Mixer
Randy Wilson Foley Supervisor
Ron Mellegers Foley Mixer
Randy Wilson Foley Mixer
Justin Helle Foley Mixer
Domonkos Pardanyi Stunt Coordinator

The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.

Weekend predictions: will Avatar get an Oscar boost? Can Infinity Pool or Left Behind break through?

January 27th, 2023

Infinity Pool

The box office performance of Avatar: The Way of Water certainly won’t be harmed this weekend by its 4 Oscar nominations (including Best Picture). How much it will help is the pertinent question for our weekend predictions. It’s the only film from last weekend’s top 10 that looks likely to get a bump from the nominations. One film that wasn’t in the top 10 last weekend could be revived by its Oscar noms: The Fabelmans will add a thousand theaters and try to ride its seven nominations to the best weekend of its run so far. Other Oscar hopefuls expanding this weekend include The Banshees of Inisherin (back in 1,205 theaters), Women Talking (adding 553 locations to play in 707 theaters), Elvis (rereleased in 841 theaters), and Tár, which expands from 106 to 537 movie theaters. Going up against all that are three new releases: Infinity Pool, Left Behind: Rise of the Antichrist, and Fear. That’s a lot of competition in the lower reaches of the top 10, but Avatar is in little danger of losing its top spot. More...

Compare this performance with other movies…

Domestic Cumulative Box Office Records

RecordRankRevenue
All Time Domestic Box Office (Rank 6,501-6,600) 6,543 $5,078,401
All Time Domestic Inflation Adjusted Box Office (Rank 6,801-6,900) 6,830 $5,078,401
All Time Domestic Non-Sequel Box Office (Rank 5,701-5,800) 5,755 $5,078,401
Top 2023 Movies at the Domestic Box Office (Rank 101-200) 123 $5,078,401
All Time Domestic Box Office for Original Screenplay Movies (Rank 3,301-3,400) 3,327 $5,078,401
All Time Domestic Box Office for Live Action Movies (Rank 5,801-5,900) 5,831 $5,078,401
All Time Domestic Box Office for Science Fiction Movies (Rank 501-600) 526 $5,078,401
All Time Domestic Box Office for Horror Movies (Rank 501-600) 524 $5,078,401
All Time Domestic Box Office for NC-17 Movies 10 $5,078,401
All Time Domestic Box Office for Neon Movies 8 $5,078,401

Weekend Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2023 10 $2,514,364   1,835 $1,370   $2,514,364 1
Feb 3, 2023 13 $835,562 -67% 1,750 $477   $4,267,640 2
Feb 10, 2023 - $194,440 -77% 415 $469   $4,867,957 3
Feb 17, 2023 - $49,336 -75% 50 $987   $5,049,635 4

Daily Box Office Performance

DateRankGross%YD%LWTheatersPer TheaterTotal GrossDays
Jan 27, 2023 8 $1,123,017     1,835 $612   $1,123,017 1
Jan 28, 2023 9 $876,538 -22%   1,835 $478   $1,999,555 2
Jan 29, 2023 9 $514,809 -41%   1,835 $281   $2,514,364 3
Jan 30, 2023 - $231,664 -55%   1,835 $126   $2,746,028 4
Jan 31, 2023 8 $301,163 +30%   1,835 $164   $3,047,191 5
Feb 1, 2023 - $213,826 -29%   1,835 $117   $3,261,017 6
Feb 2, 2023 - $171,061 -20%   1,835 $93   $3,432,078 7
Feb 3, 2023 - $253,170 +48% -77% 1,750 $145   $3,685,248 8
Feb 4, 2023 - $359,501 +42% -59% 1,750 $205   $4,044,749 9
Feb 5, 2023 - $222,891 -38% -57% 1,750 $127   $4,267,640 10
Feb 6, 2023 - $95,843 -57% -59% 1,750 $55   $4,363,483 11
Feb 7, 2023 - $133,222 +39% -56% 1,750 $76   $4,496,705 12
Feb 8, 2023 - $105,245 -21% -51% 1,750 $60   $4,601,950 13
Feb 9, 2023 - $71,567 -32% -58% 1,750 $41   $4,673,517 14
Feb 10, 2023 - $65,126 -9% -74% 415 $157   $4,738,643 15
Feb 11, 2023 - $88,571 +36% -75% 415 $213   $4,827,214 16
Feb 12, 2023 - $40,743 -54% -82% 415 $98   $4,867,957 17
Feb 13, 2023 - $32,187 -21% -66% 415 $78   $4,900,144 18
Feb 14, 2023 - $56,649 +76% -57% 415 $137   $4,956,793 19
Feb 15, 2023 - $27,191 -52% -74% 415 $66   $4,983,984 20
Feb 16, 2023 - $16,315 -40% -77% 415 $39   $5,000,299 21
Feb 17, 2023 - $13,868 -15% -79% 50 $277   $5,014,167 22
Feb 18, 2023 - $19,276 +39% -78% 50 $386   $5,033,443 23
Feb 19, 2023 - $16,192 -16% -60% 50 $324   $5,049,635 24
Feb 20, 2023 - $12,306 -24% -62% 50 $246   $5,061,941 25
Feb 21, 2023 - $7,507 -39% -87% 50 $150   $5,069,448 26
Feb 22, 2023 - $6,305 -16% -77% 50 $126   $5,075,753 27
Feb 23, 2023 - $2,648 -58% -84% 50 $53   $5,078,401 28

Weekly Box Office Performance

DateRankGross% ChangeTheatersPer TheaterTotal GrossWeek
Jan 27, 2023 9 $3,432,078   1,835 $1,870   $3,432,078 1
Feb 3, 2023 9 $1,241,439 -64% 1,750 $709   $4,673,517 2
Feb 10, 2023 20 $326,782 -74% 415 $787   $5,000,299 3
Feb 17, 2023 26 $78,102 -76% 50 $1,562   $5,078,401 4

Box Office Summary Per Territory

Territory Release
Date		 Opening
Weekend		 Opening
Weekend
Screens		 Maximum
Screens		 Theatrical
Engagements		 Total
Box Office		 Report
Date
Australia 5/11/2023 $22,554 30 30 119 $92,958 9/11/2023
Croatia 12/1/2023 $9,100 42 42 71 $18,897 12/22/2023
Germany 4/20/2023 $0000$0
Japan 4/5/2024 $0000$0
Mexico 3/30/2023 $0000$0
United Kingdom 3/24/2023 $102,655 152 152 152 $221,484 4/3/2023
 
International Total$333,339 12/22/2023

International Cumulative Box Office Records

RecordRankRevenue
All Time International Box Office (Rank 13,901-14,000) 13,972 $333,339
All Time International Non-Sequel Box Office (Rank 12,801-12,900) 12,851 $333,339
All Time International Box Office for Original Screenplay Movies (Rank 7,801-7,900) 7,890 $333,339
All Time International Box Office for Live Action Movies (Rank 11,701-11,800) 11,727 $333,339
All Time International Box Office for Science Fiction Movies (Rank 601-700) 636 $333,339
All Time International Box Office for Horror Movies (Rank 701-800) 789 $333,339
All Time International Box Office for NC-17 Movies 13 $333,339
All Time International Box Office for Neon Movies 44 $333,339

Worldwide Cumulative Box Office Records

RecordRankRevenue
All Time Worldwide Box Office (Rank 9,601-9,700) 9,699 $5,411,740
All Time Worldwide Non-Sequel Box Office (Rank 8,601-8,700) 8,626 $5,411,740
All Time Worldwide Box Office for Original Screenplay Movies (Rank 5,101-5,200) 5,134 $5,411,740
All Time Worldwide Box Office for Live Action Movies (Rank 8,301-8,400) 8,379 $5,411,740
All Time Worldwide Box Office for Science Fiction Movies (Rank 601-700) 628 $5,411,740
All Time Worldwide Box Office for Horror Movies (Rank 501-600) 597 $5,411,740
All Time Worldwide Box Office for NC-17 Movies 16 $5,411,740
All Time Worldwide Box Office for Neon Movies 20 $5,411,740

Weekly US DVD Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 16, 2023116,446 6,446$64,202$64,2021
Apr 23, 2023173,592-44% 10,038$35,776$99,9782

Weekly US Blu-ray Sales

DateRankUnits
this
Week		% ChangeTotal
Units		Spending
this
Week		Total
Spending		Weeks
in
Release
Apr 16, 202358,629 8,629$204,680$204,6801

Our DVD and Blu-ray sales estimates are based on weekly retail surveys, which we use to build a weekly market share estimate for each title we are tracking. The market share is converted into a weekly sales estimate based on industry reports on the overall size of the market, including reports published in Media Play News.

For example, if our weekly retail survey estimates that a particular title sold 1% of all units that week, and the industry reports sales of 1,500,000 units in total, we will estimate 15,000 units were sold of that title. The consumer spending estimate is based on the average sales price for the title in the retailers we survey.

We refine our estimates from week to week as more data becomes available. In particular, we adjust weekly sales figures for the quarter once the total market estimates are published by the Digital Entertainment Group. Figures will therefore fluctuate each week, and totals for individual titles can go up or down as we update our estimates.

Because sales figures are estimated based on sampling, they will be more accurate for higher-selling titles.

DEG Watched At Home Top 20 Charts

DateRank
Feb 18, 202316

Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.