New Zealand Box Office for Edge of Tomorrow (2014)
Theatrical Performance (US$) | ||
New Zealand Box Office | $1,435,725 | Details |
Worldwide Box Office | $367,028,980 | Details |
Home Market Performance | ||
North America DVD Sales | $11,337,742 | Details |
North America Blu-ray Sales | $17,065,133 | Details |
Total North America Video Sales | $28,402,875 | |
Further financial details... |
Synopsis
In a near future, a hive-like alien race, called Mimics, have hit the Earth in an unrelenting assault, shredding great cities to rubble and leaving millions of human casualties in their wake. The world’s armies have joined forces for a last stand offensive against the alien horde, with no second chances. Lt. Col. Bill Cage is an officer who has never seen a day of combat when he is unceremoniously demoted and then dropped—untrained and ill-equipped—into what amounts to little more than a suicide mission. Cage is killed within minutes, managing to take an Alpha down with him. But, impossibly, he wakes back at the beginning of the same hellish day, and is forced to fight and die again… and again. But with each pass, Cage becomes tougher, smarter, and able to engage the Mimics with increasing skill, alongside Special Forces warrior Rita Vrataski, who has lain waste to more Mimics than anyone on Earth. As Cage and Rita take the fight to the aliens, each repeated battle becomes an opportunity to find the key to annihilating the alien invaders and saving the Earth.
Metrics
Movie Details
Production Budget: | $178,000,000 |
New Zealand Releases: | June 5th, 2014 (Wide) |
Video Release: | October 7th, 2014 by Warner Home Video |
MPAA Rating: | PG-13 for intense sequences of sci-fi action and violence, language and brief suggestive material. (Rating bulletin 2317, 4/9/2014) |
Running Time: | 136 minutes |
Franchise: | Edge of Tomorrow |
Keywords: | Alien Invasion, War, Time Travel, Visual Effects, 3-D, 3-D - Post-production Conversion, IMAX: DMR, Action Thriller |
Source: | Based on Comic/Graphic Novel |
Genre: | Action |
Production Method: | Live Action |
Creative Type: | Science Fiction |
Production/Financing Companies: | Warner Bros., Village Roadshow Productions, RatPac Entertainment, Dune Entertainment |
Production Countries: | United States |
Languages: | English |
2014 - Holiday Gift Guide - Part I
November 26th, 2014
This Thursday is Thanksgiving, which means this is Black Friday and Cyber Monday, and a ton of shopping. It also means the first installment of our Holiday Gift Guide. Over the next month, we will talk about TV on DVD releases, independent releases, foreign language releases, classics, etc. but this week we start with Major Movie Releases. These are first run releases, franchise box sets, etc. In some ways, this is better than last year, as there were a wider number of big releases that would make great gifts. However, in other ways it is much weaker. I can't think of a single big franchise box set that came out this year. There are some smaller ones, like the Halloween Box Set, but while the franchise has lasted ten installments and 30 years, how many can you really say are worth repeated viewing? Fortunately, there were plenty of great films to come out this year, starting with what is currently the biggest hit of the year.
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DVD and Blu-ray Releases for October 7th, 2014
October 7th, 2014
The biggest release of the week is Edge of Tomorrow, which is coming out on DVD, Blu-ray Combo Pack, or 3D Combo Pack. However, while the reviews are excellent, the extras are not quite up to the Pick of the Week level. The same is true of the To Be Takei DVD, but fortunately there is a winner out there. Adventure Time: Season Four is better than the previous seasons and the DVD or Blu-ray have enough extras to be the best release of the week. Meanwhile, The Grand Seduction on DVD earns the Puck of the Week for best Canadian release.
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Weekend Wrap-Up: Guardians Grab Top, But Summer Ends on a Down Note
September 3rd, 2014
Labor Day Weekend was dominated by holdovers. The two new releases were As Above, So Below and The November Man, which opened in fourth and sixth places respectively. Guardians of the Galaxy remained in first place over the weekend and climbed into first place for the year in the process, overtaking fellow Marvel Film, Captain America: The Winter Soldier. Overall, the box office fell 4% from last weekend down to $110 million. Compared to last year, the box office was down 11%, which is troubling. Year-to-date, 2014 is now behind 2013 by a 4.5% margin at $7.07 billion to $7.40 billion. This is the weakest post-Labor Day weekend running tally since 2008 and that's before you look at ticket price inflation. With ticket price inflation, you have to go back to 2005.
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Weekend Estimates: Apes Dawns with $73 Million
July 13th, 2014
In the midst of a disappointing Summer for Hollywood, the arrival of an unabashed success is welcome news indeed, and that’s what we have this weekend, with Dawn of the Planet of the Apes delivering an excellent $73 million opening weekend, well ahead of early industry expectations. The success of the film is most likely down to two factors: first, its reviews have been excellent, and, second, its storyline is sufficiently interesting to draw in people who aren’t excited by the thought of yet another super hero/monster movie. After the success of Maleficent and the failure of Edge of Tomorrow, films that strive to be a bit different are now scoring 2 out of 3 this Summer; films that are the product of formulas and marketing departments haven’t produced a single out-and-out hit. If the studios could get the message in the that, we really would see the dawn of something.
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International Box Office: Transformers in Their Prime
July 9th, 2014
Transformers: Age of Extinction remained in first place with $95.8 million in 37 markets over the weekend for totals of $400.9 million internationally and $576.3 million worldwide. Its best market remains China, where it added $120.61 million for the full week giving it a total of $222.74 million after two. These numbers are important for two reasons. Firstly, revised totals in China put the film's opening there ahead of its debut in North America. Stunning. Secondly, the film is already ahead of Avatar's final figure in that market. Granted, it's barely above Avatar's pace, as that film pulled in $221.9 million after ten days of release, but that is still great news. It held up better than most films do in South Korea earning $8.05 million on 1,096 screens over the weekend for a total of $34.62 million. In Russia, the film added $7.04 million on 2,171 screens over the weekend for a total of $35.38 million after two. The last major market was Australia, where it pulled in $4.54 million on 623 screens over the weekend for a two-week total of $17.32 million.
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International Box Office: Beginning of a New Age
July 2nd, 2014
Transformers: Age of Extinction earned top spot on the international chart with $201.3 million on 10,015 screens in 37 markets. This includes a record $99.81 million opening in China, which is basically a rounding error away from its North American debut. It also broke the record in Russia with $21.23 million on 2,171 screens. Its opening in South Korea was nearly identical with $15.88 million on 1,597 screens over the weekend for a total opening of $21.98 million. The final major market of the weekend was Australia, where it pulled in $8.30 million on 623 screens over the weekend for a total opening of $9.56 million. The film likely cost about $300 million to make and advertise, so it still needs work to break even, but this is an amazing start.
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Analysis: Sandra Bullock is Hollywood’s Top Actress
June 30th, 2014
With the recent weak performance of films such as Transcendence and Edge of Tomorrow at the box office, there’s been a lot of talk recently about how much actors and actresses are really worth to a film. The poor performance of these films hasn’t come as a huge surprise to followers of the Bankability Index, which produces valuations considerably below the $20 million that Johnny Depp reportedly earned from his lead role in Transcendence, and we thought this is a good opportunity to look at what the Index says about the most valuable actors and actresses in the business.
With Angelina Jolie making headlines for all the right reasons for her starring role in Maleficent, it seemed only fitting to start with an analysis of the most valuable actresses in Hollywood. For this chart, we’ve taken each star’s worldwide Bankability Index and divided it by the number of films they make each year to get an estimate of the average value they bring to a film, as of June, 2014.
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International Box Office: Bewitching the Box Office
June 25th, 2014
Maleficent rose to first place with $47.9 million in 54 markets for totals of $340.8 million internationally and $526.7 million worldwide. It became the first live-action film in Angelina Jolie's career to reach the $500 million mark. The film opened in first place in China with $22.01 million. Up next for the film is Japan and if it does well there, it could top Kung Fu Panda 2 as Angelina Jolie's biggest hit.
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Weekend Predictions: Think or Swim
June 19th, 2014
There are two wide releases coming out this week, but none of them are expected to be monster hits. Think Like a Man Too could eventually get to $100 million, while Jersey Boys might become a midlevel hit, but no more than that. There are a couple of holdovers that should be very big players at the box office, as both How to Train Your Dragon 2 and 22 Jump Street will earn close to $30 million over the next three days. On the other hand, this weekend last year there were two monster hits, Monster University and World War Z, as well as a holdover, Man of Steel, that will make more than either of the two new releases this year will make. 2014 is going to get crushed in the year-over-year comparison.
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International Box Office: Trio Top the Charts
June 18th, 2014
There were three films that were in a virtual tie for top spot on the international top ten. Godzilla squeaked out a win with $38.4 million in 62 markets for totals of $248.7 million internationally and $440.2 million worldwide after a month of release. This includes a $37.00 million opening weekend in China. Needless to say, it earned first place in that market. The film finishes its international run in Japan at the end of July and it should jump over $500 million worldwide when it does.
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Weekend Wrap-Up: Dragons Soar but Jump Higher
June 17th, 2014
How to Train Your Dragon 2 missed lofty expectations and that allowed 22 Jump Street to earn first place. Both films opened well and their respective studios should be happy, while the overall box office rose by 15% compared to last weekend hitting $187 million. Unfortunately, this is still 8% lower than this weekend last year. Had How to Train Your Dragon 2 matched higher expectations, 2014 would have won on the year-over-year comparison. Year-to-date, 2014 has earned $4.64 billion, putting it 3.0% ahead of 2013's pace of $4.50 billion, so this weekend's loss isn't a big deal.
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Weekend Predictions: Can Dragon Get the Jump on the Competition?
June 13th, 2014
This weekend, there are two potential monster hits coming out. How to Train Your Dragon 2 and 22 Jump Street both look to improve upon the box office numbers their respective predecessors managed. Thanks to the sequel effect, they should both start fast. Additionally, both should have better legs than most sequels, thanks to their incredible reviews. The rest of the top five should all earn more than $10 million helping the overall box office. This weekend last year there were only three films to earn more than $10 million. One of them was Man of Steel, which earned more than $116 million by itself. No film this weekend will match that total, but the depth this year is much better. It should be strong enough for 2014 to win in the year-over-year comparison.
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International Box Office: Sharpening the Edge
June 12th, 2014
Edge of Tomorrow rose to first place with $82 million in 63 markets for a two-week total of $111 million. This includes a first-place, $25.68 million opening in China. It also opened in first place in South Korea with $10.52 million on 801 screens over the weekend for a total opening of $16.28 million. In Russia, the film opened on top spot with $7.41 million on 1,649, while in France it also earned first place, but with just $2.82 million on 585. It only managed second place in Australia with $2.88 million on 477 screens, while it could do no better than third place in Mexico with $2.88 million on 1,301 screens over the weekend for a total of $3.19 million. Its best holdover was in the U.K. where it added $2.08 million on 460 screens for a two-week total of $7.21 million.
Weekend Wrap-Up: Fanboys Propel Fault to the Top
June 9th, 2014
As expected, The Fault in Our Stars won the box office race this past weekend, while its opening weekend was on the very high end of expectations. (It did so with a surprisingly strong opening Friday, but more on that later.) The other wide release of the week, Edge of Tomorrow, did about as well as expected, which is to say it really struggled compared to its production budget. Overall, the box took in $163 million, which is 2% lower than last weekend. On the other hand, it is 9% higher than the same weekend last year, which is the far more important number. Year-to-date, 2014 has pulled in $4.38 billion, putting it 3.3% ahead of last year's pace of $4.24 billion. This is still a good margin and hopefully it will last.
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Weekend Estimates: Almost Faultless Opening
June 8th, 2014
After a big win for Maleficent over A Million Ways to Die in the West last time around, this weekend we had another battle between female-friendly and male-friendly films, and once more the women have won by a large margin. The Fault in Our Stars is set to open with $48.2 million, according to Fox’s Sunday morning estimate. That tops Noah’s $43.7 million debut to make the film the biggest drama opener of the year so far. Edge of Tomorrow will be a distant third with $29.1 million, per Warner Bros., which is fairly disastrous for a film costing $178 million. However, in spite of the big difference in performance between the two films, The Fault in Our Stars does have one fairly surprising weakness compared to the sci-fi actioner.
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Weekend Predictions: Are the New Releases Faulty?
June 5th, 2014
This weekend, there are two wide releases coming out, one of which is the obvious potential monster hit and the other being the obvious counter-programing. On paper, Edge of Tomorrow is the obvious potential monster hit. It is a Sci-fi action film with a production budget that is nearly $200 million. The Fault in Our Stars is the obvious counter-programing. It is about two teen cancer patients who fall in love, which couldn't be farther away from a popcorn flick. However, the buzz really suggests The Fault in Our Stars could win. In fact, it could break the record for biggest opening for a romantic drama. This weekend last year, The Purge won with $34.06 million, while no other film earned more than $20 million. This year, three films might top $30 million and the winner could pull in more than $40 million. I think 2014 will win this weekend in the year-over-year competition.
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International Box Office: Century Opening for Maleficent
June 4th, 2014
Maleficent opened on top of the international chart with $106.1 million in 47 markets, making it the latest movie to open with more than $100 million on the international chart. The film opened in a number of major markets, but individual results were mixed. The film opened in first place in Mexico with $14.05 million on 2,892 screens and in Russia with $13.06 million on 1,733 screens. In the U.K. it pulled in $11.04 million on 486 screens. It didn't crack $10 million, but did earn first place in Italy ($5.87 million on 650 screens); in Brazil ($5.63 million on 452); and in Germany ($4.87 million on 525 screens over the weekend for a total opening of $5.26 million); and Spain ($4.29 million on 625). It had to settle for second place in Australia with $3.76 million on 530 screens over the weekend for a total opening of $3.90 million. It only managed third place in France ($5.01 million on 550 screens) and in South Korea ($3.38 million on 631 screens over the weekend for a total opening of $3.81 million). The film has yet to open in China and Japan and given this start, it should reach $500 million worldwide before it is done.
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2014 Preview: June
June 1st, 2014
It is too soon to tell how May will end, as this story will be published before the weekend estimates came out. (Maleficent had an excellent start on Friday, unlike A Million Ways to Die in the West.) Overall, it was a good month with at least three movies that are on track to hit $200 million, but there was no really big winner for the month. It was nice and balanced. Unfortunately, last May there was a monster hit, Iron Man 3, and 2014 could not compete with that, so it lost ground to 2013. June hopes to turn things around and there are some reasons to be optimistic. All four weeks there is at least one film opening that at least has a shot at $100 million. There are even two films that at least have a shot at $300 million. Transformers: Age of Extinction should win the monthly box office race while How to Train Your Dragon 2 is a long shot to win, but I wouldn't be completely surprised if it did. Additionally, 22 Jump Street, Edge of Tomorrow, The Fault in Our Stars, and Think Like a Man 2 are all contenders for the century club. Not all of them will get to that milestone, but all of them at least have a short. Last June, there were three films that reached $200 million, including Man of Steel, which nearly reached $300 million. It looks like June of 2014 will be about as strong as June of 2013, more or less. If all films reach their potential, it could win the year-over-year comparison. Unless there are some shocking bombs, it shouldn't struggle so much that 2014 loses its lead over 2013 entirely.
Contest: Young Love
May 29th, 2014
Next weekend, Edge of Tomorrow and The Fault in Our Stars opened wide and while I think the former will start out faster, I think the latter will have the legs to become the bigger hit overall. It is also closer in theme to our prizes, so I'm going with The Fault in Our Stars as the choice for the target film for this week's box office prediction contest. In order to win, one must simply predict the opening weekend box office number for The Fault in Our Stars.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going over, will win a copy of Endless Love on Blu-ray Combo Pack.
Whoever comes the closest to predicting the film's opening 3-day weekend box office (Friday to Sunday), without going under, will also win a copy of Endless Love on Blu-ray Combo Pack.
Entries must be received by 10 a.m., Pacific Time on Friday to be eligible, so don't delay!
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Because some of our sources provide box office data in their local currency, while we use USD in the graph above and table below, exchange rate fluctuations can have effect on the data causing stronger increases or even decreases of the cumulative box office.
Weekend Box Office Performance
Date | Rank | Gross | % Change | Screens | Per Screen | Total Gross | Week |
---|---|---|---|---|---|---|---|
2014/06/27 | 5 | $69,940 | 68 | $1,029 | $1,286,773 | 4 | |
2014/07/04 | 10 | $36,898 | -47% | 42 | $879 | $1,366,389 | 5 |
2014/07/11 | 16 | $16,133 | -56% | 26 | $621 | $1,431,823 | 6 |
2014/07/18 | 12 | $14,691 | -9% | 10 | $1,469 | $1,427,292 | 7 |
2014/07/25 | 17 | $2,810 | -81% | 2 | $1,405 | $1,435,725 | 8 |
Box Office Summary Per Territory
Territory | Release Date |
Opening Weekend |
Opening Weekend Screens |
Maximum Screens |
Theatrical Engagements |
Total Box Office |
Report Date |
---|---|---|---|---|---|---|---|
Argentina | 5/29/2014 | $0 | 0 | 29 | 56 | $1,368,888 | 12/30/2018 |
Australia | 6/5/2014 | $0 | 0 | 215 | 395 | $8,844,776 | 8/26/2024 |
Austria | 5/29/2014 | $0 | 0 | 45 | 131 | $948,024 | 12/17/2015 |
Belgium | 5/28/2014 | $0 | 0 | 83 | 177 | $1,219,740 | 12/17/2015 |
Bolivia | 5/29/2014 | $0 | 0 | 7 | 7 | $223,512 | 12/30/2018 |
Brazil | 5/29/2014 | $0 | 0 | 74 | 196 | $4,532,190 | 12/17/2015 |
Bulgaria | 6/6/2014 | $0 | 0 | 26 | 109 | $368,323 | 12/30/2018 |
Chile | 5/29/2014 | $0 | 0 | 14 | 34 | $937,557 | 12/30/2018 |
Colombia | 5/30/2014 | $0 | 0 | 7 | 16 | $1,538,449 | 12/30/2018 |
Croatia | 5/29/2014 | $0 | 0 | 18 | 60 | $162,768 | 12/30/2018 |
Czech Republic | 6/5/2014 | $0 | 0 | 49 | 159 | $885,372 | 12/30/2018 |
Denmark | 6/4/2014 | $0 | 0 | 54 | 54 | $946,280 | 12/15/2015 |
Ecuador | 6/6/2014 | $0 | 0 | 86 | 112 | $528,421 | 12/30/2018 |
Egypt | 6/6/2014 | $0 | 0 | 8 | 34 | $378,321 | 12/30/2018 |
Estonia | 6/6/2014 | $0 | 0 | 5 | 13 | $172,965 | 12/16/2015 |
Finland | 5/28/2014 | $0 | 0 | 37 | 94 | $753,986 | 12/17/2015 |
France | 6/4/2014 | $0 | 0 | 532 | 1415 | $10,783,506 | 12/17/2015 |
Germany | 5/29/2014 | $0 | 0 | 411 | 1390 | $6,344,381 | 12/17/2015 |
Hong Kong | 5/29/2014 | $0 | 0 | 9 | 24 | $2,762,111 | 12/17/2015 |
Hungary | 5/29/2014 | $0 | 0 | 52 | 260 | $1,139,708 | 12/30/2018 |
Iceland | 5/28/2014 | $0 | 0 | 3 | 5 | $118,239 | 12/30/2018 |
India | 6/6/2014 | $0 | 0 | 31 | 37 | $1,893,660 | 12/15/2015 |
Israel | 5/29/2014 | $0 | 0 | 14 | 33 | $887,287 | 12/30/2018 |
Italy | 5/29/2014 | $0 | 0 | 153 | 439 | $4,421,378 | 12/17/2015 |
Japan | 6/4/2014 | $0 | 0 | 632 | 2509 | $13,403,859 | 12/17/2015 |
Kenya | 5/30/2014 | $0 | 0 | 3 | 11 | $85,938 | 12/30/2018 |
Latvia | 6/6/2014 | $0 | 0 | 3 | 13 | $143,231 | 12/30/2018 |
Lebanon | 6/5/2014 | $0 | 0 | 4 | 11 | $222,962 | 12/30/2018 |
Lithuania | 5/30/2014 | $0 | 0 | 7 | 21 | $200,562 | 12/17/2015 |
Malaysia | 5/29/2014 | $0 | 0 | 34 | 52 | $3,740,645 | 12/17/2015 |
Mexico | 6/5/2014 | $0 | 0 | 308 | 471 | $8,001,255 | 12/17/2015 |
Netherlands | 5/29/2014 | $0 | 0 | 116 | 238 | $1,616,227 | 12/17/2015 |
New Zealand | 6/5/2014 | $0 | 0 | 68 | 148 | $1,435,725 | 12/17/2015 |
Nigeria | 5/30/2014 | $0 | 0 | 11 | 18 | $83,200 | 12/30/2018 |
North America | 6/6/2014 | $28,760,246 | 3,490 | 3,505 | 17,714 | $100,206,256 | 4/24/2017 |
Norway | 6/4/2014 | $0 | 0 | 43 | 87 | $1,484,523 | 12/16/2015 |
Peru | 6/5/2014 | $0 | 0 | 32 | 33 | $1,203,538 | 12/30/2018 |
Philippines | 6/5/2014 | $0 | 0 | 0 | 0 | $1,747,969 | 12/30/2018 |
Poland | 6/6/2014 | $0 | 0 | 112 | 260 | $1,338,815 | 12/30/2018 |
Portugal | 5/29/2014 | $0 | 0 | 1 | 1 | $487,716 | 9/30/2016 |
Romania | 6/6/2014 | $0 | 0 | 28 | 109 | $775,203 | 12/30/2018 |
Russia (CIS) | 6/5/2014 | $0 | 0 | 362 | 614 | $21,450,184 | 12/30/2018 |
Serbia and Montenegro | 5/29/2014 | $0 | 0 | 28 | 140 | $63,741 | 12/30/2018 |
Singapore | 6/5/2014 | $0 | 0 | 10 | 35 | $2,615,835 | 12/17/2015 |
Slovakia | 6/5/2014 | $0 | 0 | 17 | 42 | $272,392 | 12/17/2015 |
Slovenia | 5/29/2014 | $0 | 0 | 9 | 18 | $42,185 | 12/15/2015 |
South Africa | 6/13/2014 | $0 | 0 | 82 | 133 | $649,464 | 12/15/2015 |
South Korea | 6/4/2014 | $0 | 0 | 390 | 861 | $34,846,736 | 11/11/2020 |
Spain | 5/30/2014 | $0 | 0 | 199 | 554 | $4,053,607 | 12/17/2015 |
Sweden | 6/5/2014 | $0 | 0 | 61 | 157 | $1,718,606 | 12/17/2015 |
Switzerland | 5/28/2014 | $0 | 0 | 4 | 4 | $424,954 | 12/17/2015 |
Taiwan | 5/30/2014 | $0 | 0 | 57 | 120 | $7,694,797 | 12/17/2015 |
Thailand | 6/5/2014 | $0 | 0 | 6 | 8 | $1,853,832 | 12/16/2015 |
Turkey | 6/6/2014 | $0 | 0 | 200 | 320 | $2,320,294 | 12/30/2018 |
Ukraine | 6/5/2014 | $0 | 0 | 59 | 105 | $1,387,973 | 12/30/2018 |
United Arab Emirates | 6/5/2014 | $0 | 0 | 16 | 68 | $2,870,798 | 12/30/2018 |
United Kingdom | 5/30/2014 | $0 | 0 | 254 | 546 | $13,260,634 | 12/17/2015 |
Uruguay | 6/5/2014 | $0 | 0 | 4 | 9 | $108,950 | 12/30/2018 |
Venezuela | 6/6/2014 | $0 | 0 | 36 | 122 | $2,901,597 | 12/17/2015 |
Vietnam | 6/6/2014 | $0 | 0 | 3 | 5 | $627,943 | 12/30/2018 |
Rest of World | $79,526,992 | ||||||
Worldwide Total | $367,028,980 | 8/26/2024 |
Full financial estimates for this film, including domestic and international box office, video sales, video rentals, TV and ancillary revenue are available through our research services. For more information, please contact us at research@the-numbers.com.
Leading Cast
Tom Cruise | Lt. Col. Bill Cage |
Emily Blunt | Rita Vrataski |
Supporting Cast
Bill Paxton | Master Sergeant Farell |
Brendan Gleeson | General Brigham |
Jonas Armstrong | Skinner |
Tony Way | Kimmel |
Kick Gurry | Griff |
Franz Drameh | Ford |
Dragomir Mrsic | Kuntz |
Charlotte Riley | Nance |
Masayoshi Haneda | Takeda |
Terence Maynard | Cruel Sergeant |
Noah Taylor | Dr. Carter |
Madeleine Mantock | Julie |
Assly Zandry | Infirmary Nurse |
Sebastian Blunt | Young Soldier/Tarmac |
Beth Goddard | Secretary-Judith |
Ronan Summers | Dog Soldier 1 |
Aaron Romano | Dog Soldier 2 |
Usman Akram | Dog Soldier 3 |
Bentley Kalu | Dog Soldier 4 |
Mairead McKinley | Bar Maid |
Andrew Neil | Old Man |
Martin Hyder | Drunk |
Tommy Campbell | Drop Ship Pilot |
John Dutton | Old Man 2 |
Harry Landis | Old Man 3 |
Rachel Handshaw | Military Spokesperson 1 |
Martin McDougall | Military Spokesperson 2 |
David Kaye | Voice of UDF Commercial |
Cameos
Anna Botting | Sky News Anchor/Herself |
Jane Hill | BBC News Anchor/Herself |
Erin Burnett | CNN News Anchor/Herself |
Dany Cushmaro | Channel 2 News Anchor/Himself |
For a description of the different acting role types we use to categorize acting perfomances, see our Glossary.
Production and Technical Credits
Doug Liman | Director |
Erwin Stoff | Producer |
Tom Lassally | Producer |
Jeffrey Silver | Producer |
Gregory Jacobs | Producer |
Jason Hoffs | Producer |
Jez Butterworth | Screenwriter |
Christopher McQuarrie | Screenwriter |
John-Henry Butterworth | Screenwriter |
Hiroshi Sakurazaka | Based on the novel 'All You Need is Kill' |
Joby Harold | Executive Producer |
Doug Liman | Executive Producer |
Dave Bartis | Executive Producer |
Bruce Berman | Executive Producer |
Hidemi Fukuhara | Executive Producer |
Dion Beebe | Director of Photography |
Oliver Scholl | Production Designer |
James Herbert | Editor |
Tim Lewis | Co-Producer |
Kim H. Winther | Co-Producer |
Christophe Beck | Composer |
Laura Jennings | Editor |
Lucinda Syson | Casting Director |
Kate Hawley | Costume Designer |
Nick Davis | Visual Effects Supervisor |
Julianne Jordan | Music Supervisor |
Tim Lewis | Unit Production Manager |
Jeffrey Silver | Unit Production Manager |
Kim H. Winther | Assistant Director |
Max Keene | Assistant Director |
Chris Carreras | Assistant Director |
Will Dodds | Assistant Director |
Simon Crane | Second Unit Director |
Simon Crane | Stunt Coordinator |
Fraser Taggart | Second Unit Director of Photography |
Neil Lamont | Supervising Art Director |
Alastair Bullock | Art Director |
Gary Tomkins | Art Director |
Mark Harris | Art Director |
Christian Huband | Art Director |
Jason Knox-Johnston | Art Director |
Haley Easton-Street | Art Director |
Stephen Swain | Art Director |
Andrew Palmer | Art Director |
Jo Finkel | Assistant Art Director |
Robert Hochstoeger | Assistant Art Director |
Ashley Lamont | Assistant Art Director |
Will Coubrough | Assistant Art Director |
Jeffrey Simon | Assistant Art Director |
Polly Seath | Art Department Coordinator |
Lisa Vick | Script Supervisor |
Stuart Wilson | Sound Mixer |
Marianne Jenkins | Post-Production Executive |
Tim Grover | Post-Production Supervisor |
Philip Hedgecock | Assistant Editor |
Mark Burton | Assistant Editor |
Angus Munro | Assistant Editor |
Henry Kemplen | Assistant Editor |
Bob Eberlein | Visual Effects Photography |
Kelly Chang | Apprentice Editor |
Alex Bicknell | Visual Effects Producer |
Dominic Gibbs | Supervising Sound Editor |
Chris Burdon | Re-recording Mixer |
Mark Taylor | Re-recording Mixer |
Jimmy Boyle | Sound Designer |
Dan Morgan | Dialogue Editor |
Michael Fentum | Sound Effects Editor |
Ben Meechan | Sound Effects Editor |
Dan Grace | Costume Supervisor |
Joe Hobbs | Assistant Costume Designer |
Brendan Handscombe | Assistant Costume Supervisor |
Sarah Monzani | Make-up and Hair Designer |
Ailbhe Lemass | Make up |
Terry Madden | Assistant Director: Second Unit |
Simon Chase | Dialogue Editor |
The bold credits above the line are the "above-the-line" credits, the other the "below-the-line" credits.